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Chamber Music (Ballake Sissoko And Vincent Segal Album)
''Chamber Music'' is an album by Ballaké Sissoko and Vincent Segal. It was released in 2009 by the French label No Format! and in 2011 by the U.S. label Six Degrees Records. The result of a close collaboration between the two friends and musicians, it melds Sissoko's traditional kora playing with Segal's trip hop infused approach to the classical cello. ''Chamber Music'' has been described as a work of quiet beauty and soulful simplicity. Background Hailing from a long tradition of Malian kora players, Sissoko has worked with renowned musicians such as Toumani Diabaté and Taj Mahal. He met the French born Segal by chance, and the two began jamming together, uncertain of what kind of music might result. As a former member of the French National Orchestra, Segal's Western classical training does not prevent him from exploring a wide variety of extended techniques, rendering his cello a flexible partner to Sissoko's kora. A childhood spent in the Pigalle district of Paris surroun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballaké Sissoko
Ballaké Sissoko (born 1968) is a Malian player of the kora. He has worked with Toumani Diabaté and Taj Mahal, and is a member of the group 3MA with Driss El Maloumi and Rajery. Biography Ballaké's father, Djelimady Sissoko, was a notable musician from the Gambia in his own right who moved to Mali and was funded by the government to be part of the national orchestra. Sissoko started playing music at a young age, as most born into the ''jeli'' or griot caste do. In 1981, when he was 13, Sissoko's father died, and he took his father's place within the Ensemble Instrumental National du Mali. He also performed with several prominent female singers before coming to fame through his duet with Toumani Diabaté in 1999. In 2000, he formed the trio Mande Tabolo with an n'goni player and a balafon player. His 2005 album, ''Tomora'', features Toumani Diabaté on kora, singers Alboulkadri Barry and Rokia Traoré and Fanga Diawara, violin soloist of the Mali National Instrumental Ensemb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ngoni (instrument)
The ngoni (also written ''ngɔni'', ''n'goni'', or ''nkoni'') is a string instrument and a traditional West African guitar. Its body is made of wood or calabash with dried animal (often goat) skin head stretched over it. The ngoni, which can produce fast melodies, appears to be closely related to the ''akonting'' and the ''xalam''. This is called a ''jeli ngoni'' as it is played by griots at celebrations and special occasions in traditional songs called ''fasa''s in Mandingo. Another larger type, believed to have originated among the donso (a hunter and storyteller caste of the Wassoulou cultural region) is called the ''donso ngoni''. This is still largely reserved for ceremonial purposes. The donso ngoni, or "hunter's harp," has six strings. It is often accompanies singing along with the '' karagnan'', a serrated metal tube scraped with a metal stick. The donso ngoni was mentioned by Richard Jobson in the 1620s, describing it as the most commonly used instrument in the Gambia. H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albums By Malian Artists
An album is a collection of audio recordings issued on compact disc (CD), vinyl, audio tape, or another medium such as digital distribution. Albums of recorded sound were developed in the early 20th century as individual 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl long-playing (LP) records played at rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the popularity of the cassette reached its peak during the late 1980s, sharply declined during the 1990s and had largely disappeared duri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Balafon
The balafon is a gourd-resonated xylophone, a type of struck idiophone. It is closely associated with the neighbouring Mandé, Senoufo and Gur peoples of West Africa, particularly the Guinean branch of the Mandinka ethnic group, but is now found across West Africa from Guinea to Mali. Its common name, ''balafon'', is likely a European coinage combining its Mandinka name ''bala'' with the word ''fôn'' 'to speak' or the Greek root ''phono''. History Believed to have been developed independently of the Southern African and South American instrument now called the marimba, oral histories of the balafon date it to at least the rise of the Mali Empire in the 12th century CE. Balafon is a Manding name, but variations exist across West Africa, including the ''balangi'' in Sierra Leone and the #Gyil, gyil of the Dagara, Lobi and Gurunsi from Ghana, Burkina Faso and Ivory Coast. Similar instruments are played in parts of Central Africa, with the ancient Kingdom of Kongo denoting ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cello
The cello ( ; plural ''celli'' or ''cellos'') or violoncello ( ; ) is a Bow (music), bowed (sometimes pizzicato, plucked and occasionally col legno, hit) string instrument of the violin family. Its four strings are usually intonation (music), tuned in perfect fifths: from low to high, scientific pitch notation, C2, G2, D3 and A3. The viola's four strings are each an octave higher. Music for the cello is generally written in the bass clef, with tenor clef, and treble clef used for higher-range passages. Played by a ''List of cellists, cellist'' or ''violoncellist'', it enjoys a large solo repertoire Cello sonata, with and List of solo cello pieces, without accompaniment, as well as numerous cello concerto, concerti. As a solo instrument, the cello uses its whole range, from bassline, bass to soprano, and in chamber music such as string quartets and the orchestra's string section, it often plays the bass part, where it may be reinforced an octave lower by the double basses. Figure ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Guardian
''The Guardian'' is a British daily newspaper. It was founded in 1821 as ''The Manchester Guardian'', and changed its name in 1959. Along with its sister papers ''The Observer'' and ''The Guardian Weekly'', ''The Guardian'' is part of the Guardian Media Group, owned by the Scott Trust. The trust was created in 1936 to "secure the financial and editorial independence of ''The Guardian'' in perpetuity and to safeguard the journalistic freedom and liberal values of ''The Guardian'' free from commercial or political interference". The trust was converted into a limited company in 2008, with a constitution written so as to maintain for ''The Guardian'' the same protections as were built into the structure of the Scott Trust by its creators. Profits are reinvested in journalism rather than distributed to owners or shareholders. It is considered a newspaper of record in the UK. The editor-in-chief Katharine Viner succeeded Alan Rusbridger in 2015. Since 2018, the paper's main news ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wassoulou Music
Wassoulou ( bm, Wasolo) is a genre of West African popular music named for the Wassoulou cultural area. Wassoulou music is performed mostly by women. Some recurring themes in the lyrics are childbearing, fertility, and polygamy. Instrumentation includes soku (a traditional fiddle sometimes replaced with modern imported instruments), djembe drum, kamalen n'goni (a six-stringed harp), karinyan (metal tube percussion) and bolon (a four-stringed harp). The vocals are often passionate and emphatic, and delivered in a call-and-response pattern. Prominent Wassoulou artists include Nahawa Doumbia, Oumou Sangaré, Coumba Sidibe, Dienaba Diakite, Kagbe Sidibe, Sali Sidibe, Jah Youssouf, and Fatoumata Diawara Fatoumata Diawara ( bm, ߝߊ߫ߕߎߡߕߊ ߖߊ߯ߥߙߊ߫, Fatumta Jawara, born 1982) is a Malian singer-songwriter currently living in France. Diawara began her career as an actress in theatre and in film, including ''Genesis'' (1999), '' Sia, T .... Notes Refer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Balafon
The balafon is a gourd-resonated xylophone, a type of struck idiophone. It is closely associated with the neighbouring Mandé, Senoufo and Gur peoples of West Africa, particularly the Guinean branch of the Mandinka ethnic group, but is now found across West Africa from Guinea to Mali. Its common name, ''balafon'', is likely a European coinage combining its Mandinka name ''bala'' with the word ''fôn'' 'to speak' or the Greek root ''phono''. History Believed to have been developed independently of the Southern African and South American instrument now called the marimba, oral histories of the balafon date it to at least the rise of the Mali Empire in the 12th century CE. Balafon is a Manding name, but variations exist across West Africa, including the ''balangi'' in Sierra Leone and the #Gyil, gyil of the Dagara, Lobi and Gurunsi from Ghana, Burkina Faso and Ivory Coast. Similar instruments are played in parts of Central Africa, with the ancient Kingdom of Kongo denoting ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salif Keita
Salif Keïta () (born 25 August 1949) is a Malian singer-songwriter, referred to as the "Golden Voice of Africa". He is a member of the Keita royal family of Mali. Biography Early life Salif Keita was born a traditional prince in the village of Djoliba. He was born to the Keita royal family, who trace their lineage to Sundiata Keita, founder of the Mali Empire. He was cast out by his family and ostracized by the community because of his albinism, a sign of bad luck in Mandinka culture. He decided to pursue music in his teenage years, further distancing him from his family as that was against occupational prohibitions of his noble status. In 1967, he left Djoliba for Bamako, where he joined the government-sponsored Super Rail Band de Bamako. In 1973, Keita joined the group ''Les Ambassadeurs (du Motel de Bamako)''. Keita and Les Ambassadeurs fled political unrest in Mali during the mid-1970s and subsequently changed the group's name to ''Les Ambassadeurs Internationaux''. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vincent Segal
Vincent ( la, Vincentius) is a male given name derived from the Roman name Vincentius, which is derived from the Latin word (''to conquer''). People with the given name Artists *Vincent Apap (1909–2003), Maltese sculptor *Vincent van Gogh (1853–1890), Dutch Post-Impressionist painter *Vincent Munier (born 1976), French wildlife photographer Saints *Vincent of Saragossa (died 304), deacon and martyr, patron saint of Lisbon and Valencia *Vincent, Orontius, and Victor (died 305), martyrs who evangelized in the Pyrenees * Vincent of Digne (died 379), French bishop of Digne *Vincent of Lérins (died 445), Church father, Gallic author of early Christian writings *Vincent Madelgarius (died 677), Benedictine monk who established two monasteries in France *Vincent Ferrer (1350–1419), Valencian Dominican missionary and logician *Vincent de Paul (1581–1660), Catholic priest who served the poor *Vicente Liem de la Paz (Vincent Liem the Nguyen, 1732–1773), Vincent Duong, Vince ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Taj Mahal (musician)
Henry St. Claire Fredericks Jr. (born May 17, 1942), better known by his stage name Taj Mahal, is an American blues musician. He plays the guitar, piano, banjo, harmonica, and many other instruments,Evans, et al., xii. often incorporating elements of world music into his work. Mahal has done much to reshape the definition and scope of blues music over the course of his more than 50-year career by fusing it with nontraditional forms, including sounds from the Caribbean, Africa, India, Hawaii, and the South Pacific.Komara, 951. Early life Mahal was born Henry St. Claire Fredericks Jr. on May 17, 1942, in Harlem, New York City. Growing up in Springfield, Massachusetts, he was raised in a musical environment: his mother was a member of a local gospel choir and his father, Henry Saint Claire Fredericks Sr., was an Afro-Caribbean jazz arranger and piano player. His family owned a shortwave radio which received music broadcasts from around the world, exposing him at an early age to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
