Chalkidian Pottery
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Chalkidian Pottery
Chalcidian pottery is an important style of Western Greek black-figure vase painting. The style's name is derived from the occasional presence of mythological inscriptions on the vases, which are executed in the Chalcidian alphabet. Andreas Rumpf and Adolf Kirchhoff, who coined the term, as well as other archaeologists initially assumed the pottery to originate from Euboea. Nowadays, it is believed to have been produced in Rhegion, perhaps also in Caere. The question has not yet been conclusively resolved. An argument against a South Italian origin is the fact that some vases bear trade marks not otherwise used in that part of Magna Graecia. The Chalkidian alphabet was not only used in Chalkis, but also elsewhere in Euboea and in Etruria. The possibility of an Etrurian origin is contradicted by the fact that Etruscan pottery was not usually exported to the South of Italy. The painting style has no recognisable Euboean characteristics and is thus unlikely to originate from ther ...
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Neck Amphora Animals Louvre E796
The neck is the part of the body on many vertebrates that connects the head with the torso. The neck supports the weight of the head and protects the nerves that carry sensory and motor information from the brain down to the rest of the body. In addition, the neck is highly flexible and allows the head to turn and flex in all directions. The structures of the human neck are anatomically grouped into four compartments; vertebral, visceral and two vascular compartments. Within these compartments, the neck houses the cervical vertebrae and cervical part of the spinal cord, upper parts of the respiratory and digestive tracts, endocrine glands, nerves, arteries and veins. Muscles of the neck are described separately from the compartments. They bound the neck triangles. In anatomy, the neck is also called by its Latin names, or , although when used alone, in context, the word ''cervix'' more often refers to the uterine cervix, the neck of the uterus. Thus the adjective ''cervical'' may ...
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Empúries
Empúries ( ca, Empúries ) was an ancient city on the Mediterranean coast of Catalonia, Spain. Empúries is also known by its Spanish name, Ampurias ( es, Ampurias ). The city Ἐμπόριον ( el, Ἐμπόριον, Emporion, meaning "trading place", ''cf.'' emporion) was founded in 575 BC by Greek colonists from Phocaea. After the invasion of Gaul from Iberia by Hannibal the Carthaginian general in 218 BC, the city was occupied by the Romans (Latin: ). In the Early Middle Ages, the city's exposed coastal position left it open to marauders and it was abandoned. Empúries is located within the Catalan comarca of Alt Empordà on Costa Brava. The ruins are midway between the town of L'Escala and the tiny village of Sant Martí d'Empúries. History Empúries was founded on a small island at the mouth of the river Fluvià, in a region inhabited by the Indigetes (at the present time, the mouth of the Fluvià is about 6 km to the north). This city came to ...
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Pyxis
Pyxis is a small and faint constellation in the southern sky. Abbreviated from Pyxis Nautica, its name is Latin for a mariner's compass (contrasting with Circinus, which represents a draftsman's compasses). Pyxis was introduced by Nicolas-Louis de Lacaille in the 18th century, and is counted among the 88 modern constellations. The plane of the Milky Way passes through Pyxis. A faint constellation, its three brightest stars— Alpha, Beta and Gamma Pyxidis—are in a rough line. At magnitude 3.68, Alpha is the constellation's brightest star. It is a blue-white star approximately distant and around 22,000 times as luminous as the Sun. Pyxis is located close to the stars that formed the old constellation Argo Navis, the ship of Jason and the Argonauts. Parts of Argo Navis were the Carina (the keel or hull), the Puppis (the poop deck or stern), and the Vela (the sails). These eventually became their own constellations. In the 19th century, John Herschel suggested renaming ...
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Skyphos
A ''skyphos'' ( grc, σκύφος; plural ''skyphoi'') is a two-handled deep wine-cup on a low flanged base or none. The handles may be horizontal ear-shaped thumbholds that project from the rim (in both Corinthian and Athenian shapes), or they may be loop handles at the rim or that stand away from the lower part of the body. ''Skyphoi'' of the type called '' glaux'' (owl) have one horizontal and one vertical thumbhold handle. Examples Early ''skyphoi'' were made during the Geometric period. Corinth set the conventions that Athens followed. Over a long period the shape remained the same while the style of decoration changed. ''Skyphoi'' were also made of precious metals, generally silver and gold leaf, many examples exist. One possible, well-preserved example is the Warren cup,In his notes, John Pollini states that uncertainty about the correct name of many ancient drinking vessels exists, however he refers to the object with the "established classificatory term scyphus", Specif ...
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Krater
A krater or crater ( grc-gre, , ''kratēr'', literally "mixing vessel") was a large two-handled shape of vase in Ancient Greek pottery and metalwork, mostly used for the mixing of wine with water. Form and function At a Greek symposium, kraters were placed in the center of the room. They were quite large, so they were not easily portable when filled. Thus, the wine-water mixture would be withdrawn from the krater with other vessels, such as a ''kyathos'' (pl. ''kyathoi''), an ''amphora'' (pl. ''amphorai''), or a ''kylix'' (pl. ''kylikes''). In fact, Homer's ''Odyssey'' describes a steward drawing wine from a krater at a banquet and then running to and fro pouring the wine into guests' drinking cups. The modern Greek word now used for undiluted wine, ''krasi'' ( κρασί), originates from the ''krasis'' (''κράσις'', i.e., mixing) of wine and water in kraters. Pottery kraters were glazed on the interior to make the surface of the clay more impervious for holding wate ...
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Hydria
The hydria ( el, ὑδρία; plural hydriai) is a form of Greek pottery from between the late Geometric period (7th century BC) and the Hellenistic period (3rd century BC). The etymology of the word hydria was first noted when it was stamped on a hydria itself, its direct translation meaning ‘jug’. It is a type of water-carrying vessel, but it had many other purposes. As time progressed the hydria developed into many forms, some of which were smaller or of a different material. These variants were decorated with detailed figures to represent Greek mythological stories, as well as scenes of daily life, providing extensive insight into Ancient Greek culture and society. Function Originally, the hydria's purpose was for the collection of water, but it also held oil and the votes of judges. The design of the hydria allowed for the efficient collecting and pouring of liquids as it possessed three handles: two horizontal ones at its sides and a vertical one on its back. The sha ...
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Oinochoe
An oenochoe, also spelled oinochoe ( grc, οἰνοχόη; from grc, οἶνος ''oînos'', "wine" and grc, χέω ''khéō'', "I pour," sense "wine-pourer"; plural ''oinochoai''; New Latin ''oenochoë,'' plural ''oenochoae,'' English plural ''oenochoes'' or ''oinochoes''), is a wine jug and a key form of ancient Greek pottery. Intermediate between a pithos (large storage vessel) or amphora (transport vessel), and individual cups or bowls, it held fluid for several persons temporarily until it could be poured. The term ''oinos'' (Linear B wo-no) appears in Mycenaean Greek, but not the compound. The characteristic form was popular throughout the Bronze Age, especially at prehistoric Troy. In classical times for the most part the term ''oinochoe'' implied the distribution of wine. As the word began to diversify in meaning, the shape became a more important identifier than the word. The oinochoe could pour any fluid, not just wine. The English word, pitcher, is perhaps the close ...
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Eye-cup
Eye-cup is the term describing a specific cup type in ancient Greek pottery, distinguished by pairs of eyes painted on the external surface. Description Classified as '' kylikes'' in terms of shape, eye-cups were especially widespread in Athens and Chalkis in the second half of the sixth century BC. The bowl of the eye-cup rests on a short squat foot; both sides are dominated by large painted pairs of eyes under arched eyebrows. The eyeballs are painted in silhouette style, later often filled with white paint or painted white on black. Some eyes are “female”, i.e. almond-shaped and without tear-ducts. Often, a stylized nose is placed centrally between the eyes. While used as a drinking vessel, due to the necessary inclination of the vessel, the cup with its painted eyes, the handles looking like ears and the base of the foot like a mouth, would have resembled a mask. Many of the vases also bear dionysiac imagery. The eyes are assumed to have served an apotropaic (evil-a ...
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Neck Amphora
An amphora (; grc, ἀμφορεύς, ''amphoreús''; English plural: amphorae or amphoras) is a type of container with a pointed bottom and characteristic shape and size which fit tightly (and therefore safely) against each other in storage rooms and packages, tied together with rope and delivered by land or sea. The size and shape have been determined from at least as early as the Neolithic Period. Amphorae were used in vast numbers for the transport and storage of various products, both liquid and dry, but mostly for wine. They are most often ceramic, but examples in metals and other materials have been found. Versions of the amphorae were one of many shapes used in Ancient Greek vase painting. The amphora complements a vase, the pithos, which makes available capacities between one-half and two and one-half tons. In contrast, the amphora holds under a half-ton, typically less than . The bodies of the two types have similar shapes. Where the pithos may have multiple small ...
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Slip (ceramics)
A slip is a clay slurry used to produce pottery and other ceramic wares. Liquified clay, in which there is no fixed ratio of water and clay, is called slip or clay slurry which is used either for joining leather-hard (semi-hardened) clay body (pieces of pottery) together by slipcasting with mould, glazing or decorating the pottery by painting or dipping the pottery with slip.What is slip in pottery
thepotterywheel.com, accessed 10 July 2021.
Pottery on which slip has been applied either for glazing or decoration is called the . Engobe, from the French word for slip, is an

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Atalanta Peleus Staatliche Antikensammlungen 596
Atalanta (; grc-gre, Ἀταλάντη, Atalantē) meaning "equal in weight", is a heroine in Greek mythology. There are two versions of the huntress Atalanta: one from Arcadia (region), Arcadia, whose parents were Iasus and Clymene (mythology), Clymene and who is primarily known from the tales of the Calydonian boar hunt and the Argonauts; and the other from Boeotia, who is the daughter of King Schoeneus and is primarily noted for her skill in the footrace. In both versions, Atalanta was a local figure allied to the goddess Artemis; in such oral traditions, minor characters were often assigned different names, resulting in minor regional variations. Mythology Early life At birth, Atalanta was taken to Mount Parthenion to be Infant exposure, exposed because her father had desired a son. A she-bear—one of the symbols of Artemis—whose cubs had been recently killed by hunters came upon Atalanta and nursed her until those same hunters discovered her and raised her themselves ...
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