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Chaconne In G Minor
The Chaconne in G minor is a Baroque composition for violin and continuo, traditionally attributed to the Italian composer Tomaso Antonio Vitali. A Dresden manuscript that may have been transcribed in the early 18th century is the earliest known version of the chaconne, but it was not published until 1867 when Ferdinand David arranged it for violin and piano. The origin of its composition has been debated, with some musicologists hypothesizing that the work is a musical hoax composed by David rather than Vitali. Léopold Charlier made significant alterations to the chaconne in the early 20th century, transforming it into a virtuosic, Romantic-style showpiece. It has been arranged by numerous other composers, including Hans Werner Henze, who used it as the basis for his work ''Il Vitalino raddoppiato'' (1977). Differing somewhat from the major archetypes of ground bass variations, the chaconne features a descending tetrachord in the continuo part, the lowest voice (this bass-lin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tomaso Antonio Vitali
Tomaso Antonio Vitali (7 March 1663 – 9 May 1745) was an Italian composer and violinist of the mid to late Baroque era. The eldest son of Giovanni Battista Vitali, he is chiefly known for a Chaconne in G minor for violin and continuo, to which he is traditionally attributed as the composer. The work was published from a manuscript in the Sächsische Landesbibliothek in Dresden in ''Die Hoch Schule des Violinspiels'' (1867) edited by German violinist Ferdinand David. That work's wide-ranging modulations into distant keys have raised speculation that it could not be a genuine Baroque work, while the lack of similarities to other works by Vitali have made modern scholars cast serious doubts on the attribution. Biography Vitali was born in Bologna on 7 March 1663; his father was the noted composer and violinist Giovanni Battista Vitali. He studied composition in Modena with Antonio Maria Pacchioni, and was employed at the Este court orchestra from 1675 to 1742. He was a teach ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carnegie Hall
Carnegie Hall ( ) is a concert venue in Midtown Manhattan in New York City. It is at 881 Seventh Avenue (Manhattan), Seventh Avenue, occupying the east side of Seventh Avenue between West 56th Street (Manhattan), 56th and 57th Street (Manhattan), 57th Streets. Designed by architect William Burnet Tuthill and built by philanthropist Andrew Carnegie, it is one of the most prestigious venues in the world for both classical music and popular music. Carnegie Hall has its own artistic programming, development, and marketing departments and presents about 250 performances each season. It is also rented out to performing groups. Carnegie Hall has 3,671 seats, divided among three auditoriums. The largest one is the Stern Auditorium, a five-story auditorium with 2,804 seats. Also part of the complex are the 599-seat Zankel Hall on Seventh Avenue, as well as the 268-seat Joan and Sanford I. Weill Recital Hall on 57th Street. Besides the auditoriums, Carnegie Hall contains offices on its t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Casa Ricordi
Casa Ricordi is a publisher of primarily classical music and opera. Its classical repertoire represents one of the important sources in the world through its publishing of the work of the major 19th-century Italian composers such as Gioachino Rossini, Gaetano Donizetti, Vincenzo Bellini, Giuseppe Verdi, and, later in the century, Giacomo Puccini, composers with whom one or another of the Ricordi family came into close contact.Gossett 2006, p. 97 Founded in Milan in 1808 as G. Ricordi & C. by violinist Giovanni Ricordi (1785–1853), the Ricordi company became a totally family-run organization until 1919, when outside management was appointed. Four generations of Ricordis were at the helm of the company, Giovanni being succeeded in 1853 by his son Tito (1811–1888) (who had worked for his father since 1825). Tito's son was Giulio (1840–1912). He had also worked for his father, beginning full-time in 1863, and then took over from 1888 until his death in 1912. Finally Giulio's s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bärenreiter
Bärenreiter (Bärenreiter-Verlag) is a German classical music publishing house based in Kassel. The firm was founded by Karl Vötterle (1903–1975) in Augsburg in 1923, and moved to Kassel in 1927, where it still has its headquarters; it also has offices in Basel, London, New York and Prague. The company is currently managed by Barbara Scheuch-Vötterle and Leonhard Scheuch. Since 1951, the company's focus has been on the New Complete Editions series for various composers. These are urtext editions, and cover the entire work of the selected composer. Series include: J. S. Bach (the ''Neue Bach-Ausgabe'', a joint project with the Deutscher Verlag für Musik), Berlioz, Fauré, Gluck, Handel, Janáček, Mozart (Neue Mozart-Ausgabe), Rossini, Saint-Saëns, Schubert (New Schubert Edition), Telemann Georg Philipp Telemann (; – 25 June 1767) was a German Baroque composer and multi-instrumentalist. Almost completely self-taught in music, he became a composer against his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dynamics (music)
In music, the dynamics of a piece is the variation in loudness between notes or phrases. Dynamics are indicated by specific musical notation, often in some detail. However, dynamics markings still require interpretation by the performer depending on the musical context: for instance, the ''forte'' marking (meaning loud) in one part of a piece might have quite different objective loudness in another piece or even a different section of the same piece. The execution of dynamics also extends beyond loudness to include changes in timbre and sometimes tempo rubato. Purpose and interpretation Dynamics are one of the expressive elements of music. Used effectively, dynamics help musicians sustain variety and interest in a musical performance, and communicate a particular emotional state or feeling. Dynamic markings are always relative. never indicates a precise level of loudness; it merely indicates that music in a passage so marked should be considerably quieter than . There are ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Stop
In music, a double stop is the technique of playing two notes simultaneously on a stringed instrument such as a violin, a viola, a cello, or a double bass. On instruments such as the Hardanger fiddle it is common and often employed. In performing a double stop, two separate strings are bowed or plucked simultaneously. Although the term itself suggests these strings are to be fingered (stopped), in practice one or both strings may be open. A triple stop is the same technique applied to three strings; a quadruple stop applies to four strings. Double, triple, and quadruple stopping are collectively known as multiple stopping. Early extensive examples of the double stop and string chords appear in Carlo Farina's ''Capriccio Stravagante'' from 1627, and in certain of the sonatas of Biagio Marini's Op. 8 of 1629. Bowing On instruments with a curved bridge, it is difficult to bow more than two strings simultaneously. Early treatises make it clear that composers did not expect three ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Octave
In music, an octave ( la, octavus: eighth) or perfect octave (sometimes called the diapason) is the interval between one musical pitch and another with double its frequency. The octave relationship is a natural phenomenon that has been referred to as the "basic miracle of music," the use of which is "common in most musical systems." The interval between the first and second harmonics of the harmonic series is an octave. In Western music notation, notes separated by an octave (or multiple octaves) have the same name and are of the same pitch class. To emphasize that it is one of the perfect intervals (including unison, perfect fourth, and perfect fifth), the octave is designated P8. Other interval qualities are also possible, though rare. The octave above or below an indicated note is sometimes abbreviated ''8a'' or ''8va'' ( it, all'ottava), ''8va bassa'' ( it, all'ottava bassa, sometimes also ''8vb''), or simply ''8'' for the octave in the direction indicated by placing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ferdinand David
Ferdinand is a Germanic name composed of the elements "protection", "peace" (PIE "to love, to make peace") or alternatively "journey, travel", Proto-Germanic , abstract noun from root "to fare, travel" (PIE , "to lead, pass over"), and "courage" or "ready, prepared" related to Old High German "to risk, venture." The name was adopted in Romance languages from its use in the Visigothic Kingdom. It is reconstructed as either Gothic or . It became popular in German-speaking Europe only from the 16th century, with Habsburg rule over Spain. Variants of the name include , , , and in Spanish, in Catalan, and and in Portuguese. The French forms are , '' Fernand'', and , and it is '' Ferdinando'' and in Italian. In Hungarian both and are used equally. The Dutch forms are and '' Ferry''. There are numerous short forms in many languages, such as the Finnish . There is a feminine Spanish, Portuguese and Italian form, . Royalty Aragón/León/Castile/Spain *Ferdi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fanfare (magazine)
''Fanfare'' is an American bimonthly magazine devoted to reviewing recorded music in all playback formats. It mainly covers classical music, but since inception, has also featured a jazz column in every issue. History and profile ''Fanfare'' was founded on 1 September 1977 "as a labor of love"Rockwell, John (29 June 1980)"The New Crop of Music Magazines" ''The New York Times''. by an elementary-school teacher turned editor named Joel Bruce Flegler (born 1941). After years, he is still the publisher. The magazine now runs to over 600 pages in a format with about 80% of the editorial copy devoted to record reviews, and a front section with a substantial number of interviews and feature articles. It avoids equipment and pop music coverage, and includes reviews of more classical releases than most similar magazines.Rockwell, John (29 June 1980)"The New Crop of Music Magazines" ''The New York Times''.Kimmelman, Michael (20 December 1987) ''The New York Times''. "The most prolific ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diminutive
A diminutive is a root word that has been modified to convey a slighter degree of its root meaning, either to convey the smallness of the object or quality named, or to convey a sense of intimacy or endearment. A (abbreviated ) is a word-formation device used to express such meanings. In many languages, such forms can be translated as "little" and diminutives can also be formed as multi-word constructions such as " Tiny Tim". Diminutives are often employed as nicknames and pet names when speaking to small children and when expressing extreme tenderness and intimacy to an adult. The opposite of the diminutive form is the augmentative. Beyond the ''diminutive form'' of a single word, a ''diminutive'' can be a multi-word name, such as "Tiny Tim" or "Little Dorrit". In many languages, formation of diminutives by adding suffixes is a productive part of the language. For example, in Spanish can be a nickname for someone who is overweight, and by adding an suffix, it becomes which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trio Sonata
The trio sonata is a genre, typically consisting of several movements, with two melody instruments and basso continuo. Originating in the early 17th century, the trio sonata was a favorite chamber ensemble combination in the Baroque era. Basic structure The trio sonata typically consisted of three parts, two violins and (basso) continuo. However, the two violins could be substituted with pairs of flutes, recorders, oboes, or violin and viola da gamba. The third part, the continuo, has two components. First, it includes the bass line, which commonly was played by a bass viol, violone, violoncello, or bassoon. Second, it includes a harmony-producing instrument, such as a small organ, a harpsichord, or a theorbo. The continuo could be performed by two or more performers; a cellist to play the bass line and a harpsichordist or organist to focus on the harmonies. Because there normally are two people playing the continuo part, there are usually four players in all. This accounts for the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Battista Vitali
Giovanni Battista Vitali (18 February 1632 – 12 October 1692) was an Italian composer and violone player. Life and career Vitali was born in Bologna and spent all of his life in the Emilian region, moving to Modena in 1674. His teacher in his early years was probably Maurizio Cazzati (1616–1678), ''maestro di cappella'' at the main church in Bologna, San Petronio Basilica from 1657 to 1671. The first documented evidence of Vitali’s musical activities appears in the records of the San Petronio orchestra for 1658, when he is listed under the title ‘Violoni’,. referring to the cello/bass instrument that he played (to be discussed below). Vitali remained in the orchestra until 1673, when he took up an appointment as ''maestro di cappella'' at the chapel of the Confraternità del Rosario, Bologna. His first publication, Opus 1 (1666), tells us that he was a member of the ''Accademia dei Filaschisi''. This musical institution, which had been established in 1633, disbanded ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
