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Central Press Association
The Central Press Association was American newspaper syndication company based in Cleveland, Ohio. It was in business from 1910 to 1971. Originally independent, it was a subsidiary of King Features Syndicate from 1930 onwards. At its peak, the Central Press supplied features, columns, comic strips, and photographs to more than 400 newspapers and 12 million daily readers. Notable comic strips that originated with Central Press include ''Brick Bradford'', ''Etta Kett'', and '' Muggs McGinnis'' (later titled ''Muggs and Skeeter''). History Virgil Venice McNitt (1881–1964), the managing editor of the ''Cleveland Press'', founded the Central Press Association in Cleveland in 1910. In 1912, McNitt acquired the Chicago-based North American Press Syndicate and merged it into the Central Press. That same year, McNitt entered into arrangements to publish works authored by William Jennings Bryan and Jane Addams. Other early features were Bob Satterfield's cartoons, Edna K. Wooley's col ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Print Syndication
Print syndication distributes news articles, columns, political cartoons, comic strips and other features to newspapers, magazines and websites. The syndicates offer reprint rights and grant permissions to other parties for republishing content of which they own and/or represent copyrights. Other terms for the service include a newspaper syndicate, a press syndicate, and a feature syndicate. The syndicate is an agency that offers features from notable journalists and authorities as well as reliable and established cartoonists. It fills a need among smaller weekly and daily newspapers for material that helps them compete with large urban papers, at a much lesser cost than if the client were to purchase the material themselves. Generally, syndicates sell their material to one client in each territory. News agencies differ in that they distribute news articles to all interested parties. Typical syndicated features are advice columns (parenting, health, finance, gardening, cooking, e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
McNaught Syndicate
The McNaught Syndicate was an American newspaper syndicate founded in 1922. It was established by Virgil Venice McNitt (who gave it his name) and Charles V. McAdam. Its best known contents were the columns by Will Rogers and O. O. McIntyre, the ''Dear Abby'' letters section and comic strips, including '' Joe Palooka'' and '' Heathcliff''. It folded in September 1989. History Virgil McNitt (1881–1964) first tried his hand at publishing a magazine, the ''McNaught Magazine'', which failed. He then, in 1910, started the Central Press Association syndication service, with offices in Cleveland, Ohio. In 1920, McNitt founded the Central Press Association of New York City. (Although both services had the same name, they were separate operations.)Watson, Elmo Scott. "CHAPTER VIII: Recent Developments in Syndicate History 1921-1935," ''History of Newspaper Syndicates''Archived at ''Stripper's Guide'' In 1922, McNitt and Charles V. McAdam (1892–1985) absorbed the operations of the New Y ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fred Neher
Fred Neher (September 29, 1903 – September 22, 2001) was an American cartoonist best known for his syndicated gag panel, '' Life's Like That'', which offered a humorous look at human nature, with a focus on American society and family life, for more than five decades. Biography Growing up in Nappanee, Indiana, Neher was 12 years old when he was paid $2.00 for doing a drawing of a woman hanging clothes with a new type of clothespin. While he was a student at Nappanee High School, he took the Landon School of Illustration and Cartooning correspondence course. Neher succeeded in selling a cartoon to the popular humor magazine '' Judge'' before he graduated from high school in 1922. He furthered his art study at the Chicago Academy of Fine Arts, and after graduation, he worked as an assistant to cartoonist Arch Dale, doing lettering and backgrounds on Dale's comic strip ''Doo-Dads''. Neher recalled: Several years of work on this strip gave me experience enough to attempt my ow ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victor E
The name Victor or Viktor may refer to: * Victor (name), including a list of people with the given name, mononym, or surname Arts and entertainment Film * ''Victor'' (1951 film), a French drama film * ''Victor'' (1993 film), a French short film * ''Victor'' (2008 film), a 2008 TV film about Canadian swimmer Victor Davis * ''Victor'' (2009 film), a French comedy * ''Victor'', a 2017 film about Victor Torres by Brandon Dickerson * ''Viktor'' (film), a 2014 Franco/Russian film Music * ''Victor'' (album), a 1996 album by Alex Lifeson * "Victor", a song from the 1979 album ''Eat to the Beat'' by Blondie Businesses * Victor Talking Machine Company, early 20th century American recording company, forerunner of RCA Records * Victor Company of Japan, usually known as JVC, a Japanese electronics corporation originally a subsidiary of the Victor Talking Machine Company ** Victor Entertainment, or JVCKenwood Victor Entertainment, a Japanese record label ** Victor Interactive So ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Topper (comic Strip)
A topper in comic strip parlance is a small secondary strip seen along with a larger Sunday strip. In the 1920s and 1930s, leading cartoonists were given full pages in the Sunday comics sections, allowing them to add smaller strips and single-panel cartoons to their page. Toppers usually were drawn by the same artist as the larger strip. These strips usually were positioned at the top of the page (hence their name), but they sometimes ran beneath the main strip. Toppers were introduced by King Features Syndicate during the 1920s, enabling newspaper editors to claim more comic strips without adding more pages. The practice allowed newspapers to drop the topper and place another strip or an additional advertisement into the Sunday comics section. They also made it possible to reformat a strip from full-page size to Tabloid (newspaper format), tabloid size. In 1904, Frederick Opper drew his ''And Her Name Was Maud'', about the kicking mule Maud, into comic strips, books and animatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Robinson (cartoonist)
Paul Dowling Robinson (June 19, 1898 – September 21, 1974) was a comic strip artist best known for his long-run ''Etta Kett'' comic strip. Biography Early life and education Born in Kenton, Ohio, Robinson was the son of an iron moulder, and the Robinson family were farmers in Buck, Ohio, by 1910. When Paul Robinson signed his draft card on September 12, 1918, he was living at 1219 West Jefferson in Sandusky, Ohio, and working as a demurrage railway clerk in the local Big Four freight offices. From clerk to cartoons On June 21, 1919, the ''Sandusky Register'' reported that Robinson had left Sandusky two months earlier to begin his new career as an artist at the Bray Productions animation studios in New York. He began doing panels and strips for the Central Press Association, continuing with King Features Syndicate after Central Press was purchased by King Features in 1930. Early strips In the mid-1920s, Robinson took over the ''Samson and Delia'' strip from Tim Early and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clarence Gray
Clarence Gray (November 14, 1901 – January 5, 1957) was an American comic strip artist, best known for drawing the science fiction adventure strip ''Brick Bradford'' for more than two decades.Sara W Duke,''Biographical sketches of cartoonists & illustrators in the Swann Collection of the Library of Congress'' Arlington, VA : ComicsDC, 2012. (p.133) He also worked as a freelance illustrator for various magazines. Editorial cartoons Born in Toledo, Ohio, Gray called himself the "middle man" of three brothers. He was the son of Laura Jane and Val Gray, a construction worker. His father took little interest in his childhood drawings. "He just pitied me," recalled Gray. The red-haired youth began drawing trains and automobiles at an early age, teaching himself by making copies of magazine illustrations. He once described himself as a "red-headed, freckle-faced little punk." He concentrated on art courses in grade and high school, and after his high school graduation, he started ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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