Central Museum Of The Risorgimento
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Central Museum Of The Risorgimento
The Victor Emmanuel II National Monument ( it, Monumento Nazionale a Vittorio Emanuele II), also known as Vittoriano or Altare della Patria ("Altar of the Fatherland"), is a large national monument built between 1885 and 1935 to honour Victor Emmanuel II of Italy, Victor Emmanuel II, the first king of a Italian unification, unified Italy, in Rome, Italy. It occupies a site between the Piazza Venezia and the Capitoline Hill. The monument was realized by Giuseppe Sacconi. From an architectural perspective, it was conceived as a modern ''Forum (Roman), forum'', an agora on three levels connected by stairways and dominated by a portico characterized by a colonnade. The complex process of national unity and liberation from foreign domination carried out by King Victor Emmanuel II of Savoy, to whom the monument is dedicated, has a great symbolic and representative value, being architecturally and artistically centred on the Italian unification—for this reason the Vittoriano is consid ...
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National Monument
A national monument is a monument constructed in order to commemorate something of importance to national heritage, such as a country's founding, independence, war, or the life and death of a historical figure. The term may also refer to a specific monument status, such as a national heritage site, by reason of their cultural importance rather than age (''see National Monument (United States)''). National monument status is usually granted to colossal symbols of national identity. Overview Structures or areas deemed to be of national importance and afforded protection by the state are part of a country's cultural heritage. These national heritage sites are often called something different per country and are listed by national conservation societies. Romania has listed at least one plant as a national monument, ''Nymphaea lotus'' f. ''thermalis''. Example National monument * National Monument (Bosnia and Herzegovina) *The National Monument ( Central Jakarta) *Maqam Echah ...
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Roma (mythology)
In ancient Roman religion, Roma was a female deity who personified the city of Rome and more broadly, the Roman state. She was created and promoted to represent and propagate certain of Rome's ideas about itself, and to justify its rule. She was portrayed on coins, sculptures, architectural designs, and at official games and festivals. Images of Roma had elements in common with other goddesses, such as Rome's Minerva, her Greek equivalent Athena and various manifestations of Greek Tyches, who protected Greek city-states; among these, Roma stands dominant, over piled weapons that represent her conquests, and promising protection to the obedient. Her "Amazonian" iconography shows her "manly virtue" (virtus) as fierce mother of a warrior race, augmenting rather than replacing local goddesses. On some coinage of the Roman Imperial era, she is shown as a serene advisor, partner and protector of ruling emperors. In Rome, the Emperor Hadrian built and dedicated a gigantic temple to her a ...
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Equestrian Statue
An equestrian statue is a statue of a rider mounted on a horse, from the Latin ''eques'', meaning 'knight', deriving from ''equus'', meaning 'horse'. A statue of a riderless horse is strictly an equine statue. A full-sized equestrian statue is a difficult and expensive object for any culture to produce, and figures have typically been portraits of rulers or, in the Renaissance and more recently, military commanders. History Ancient Greece Equestrian statuary in the West dates back at least as far as Archaic Greece. Found on the Athenian acropolis, the sixth century BC statue known as the Rampin Rider depicts a ''kouros'' mounted on horseback. Ancient Middle and Far East A number of ancient Egyptian, Assyrian and Persian reliefs show mounted figures, usually rulers, though no free standing statues are known. The Chinese Terracotta Army has no mounted riders, though cavalrymen stand beside their mounts, but smaller Tang Dynasty pottery tomb Qua figures often include them, at a rel ...
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Corinthian Columns
The Corinthian order (Greek: Κορινθιακός ρυθμός, Latin: ''Ordo Corinthius'') is the last developed of the three principal classical orders of Ancient Greek architecture and Roman architecture. The other two are the Doric order which was the earliest, followed by the Ionic order. In Ancient Greek architecture, the Corinthian order follows the Ionic in almost all respects other than the capitals of the columns. When classical architecture was revived during the Renaissance, two more orders were added to the canon: the Tuscan order and the Composite order. The Corinthian, with its offshoot the Composite, is the most ornate of the orders. This architectural style is characterized by slender fluted columns and elaborate capitals decorated with acanthus leaves and scrolls. There are many variations. The name ''Corinthian'' is derived from the ancient Greek city of Corinth, although the style had its own model in Roman practice, following precedents set by the Templ ...
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Roman Forum
The Roman Forum, also known by its Latin name Forum Romanum ( it, Foro Romano), is a rectangular forum (plaza) surrounded by the ruins of several important ancient government buildings at the center of the city of Rome. Citizens of the ancient city referred to this space, originally a marketplace, as the ', or simply the '. For centuries the Forum was the center of day-to-day life in Rome: the site of triumphal processions and elections; the venue for public speeches, criminal trials, and gladiatorial matches; and the nucleus of commercial affairs. Here statues and monuments commemorated the city's great men. The teeming heart of ancient Rome, it has been called the most celebrated meeting place in the world, and in all history. Located in the small valley between the Palatine and Capitoline Hills, the Forum today is a sprawling ruin of architectural fragments and intermittent archaeological excavations attracting 4.5 million or more sightseers yearly. Many of the olde ...
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Polo Museale Del Lazio
The Polo Museale del Lazio (literally 'Museum Center of Lazio') is an office of Italy's Ministry of Cultural Heritage. Its seat is in Rome in the Palazzo Venezia. History The office was established on August 29, 2014 and started to work on December 11, 2014, acquiring and organizing museums, institutions and archaeological areas previously managed by eleven offices. Like the others Poli Museali of other regions of Italy, it depends from the Direzione Generale Musei of the same MIBACT. The Polo Museale manages and promotes Lazio's museums, institutions, archaeological areas and other cultural sites belonging or given over to the Italian State. An important function of the office is to promote the so-called Art Bonus, a new model of tax relief connected to the world of arts which was introduced in 2014. The office defines common strategies and aims, promotes the integration and organization of museological and cultural itineraries, working together with the Segretario Regionale. M ...
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Homeland
A homeland is a place where a cultural, national, or racial identity has formed. The definition can also mean simply one's country of birth. When used as a proper noun, the Homeland, as well as its equivalents in other languages, often has ethnic nationalist connotations. A homeland may also be referred to as a ''fatherland'', a ''motherland'', or a ''mother country'', depending on the culture and language of the nationality in question. Motherland Motherland refers to a ''mother country'', i.e. the place in which somebody grew up or had lived for a long enough period that somebody has formed their own cultural identity, the place that one's ancestors lived for generations, or the place that somebody regards as home, or a Metropole in contrast to its colonies. People often refer to Mother Russia as a personification of the Russian nation. The Philippines is also considered as a motherland which is derived from the word "''Inang Bayan''" which means "Motherland". Within the B ...
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Metaphor
A metaphor is a figure of speech that, for rhetorical effect, directly refers to one thing by mentioning another. It may provide (or obscure) clarity or identify hidden similarities between two different ideas. Metaphors are often compared with other types of figurative language, such as antithesis, hyperbole, metonymy, and simile. One of the most commonly cited examples of a metaphor in English literature comes from the "All the world's a stage" monologue from '' As You Like It'': All the world's a stage, And all the men and women merely players; They have their exits and their entrances And one man in his time plays many parts, His Acts being seven ages. At first, the infant... :—William Shakespeare, '' As You Like It'', 2/7 This quotation expresses a metaphor because the world is not literally a stage, and most humans are not literally actors and actresses playing roles. By asserting that the world is a stage, Shakespeare uses points of comparison between the world an ...
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Laïcité
(; 'secularism') is the constitutional principle of secularism in France. Article 1 of the French Constitution is commonly interpreted as discouraging religious involvement in government affairs, especially religious influence in the determination of state policies. It also forbids government involvement in religious affairs, and especially prohibits government influence in the determination of religion. Secularism in France includes a right to the free exercise of religion. French secularism has a long history: for the last century, the French government policy has been based on the 1905 French law on the Separation of the Churches and the State, See drop-down essay on "The Third Republic and the 1905 Law of Laïcité", which is however not applicable in Alsace and Moselle. While the term ''laïcité'' has been used from the end of the 19th century to denote the freedom of public institutions from the influence of the Catholic Church, the concept today covers other religious ...
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Ancient Rome
In modern historiography, ancient Rome refers to Roman civilisation from the founding of the city of Rome in the 8th century BC to the collapse of the Western Roman Empire in the 5th century AD. It encompasses the Roman Kingdom (753–509 BC), Roman Republic (509–27 BC) and Roman Empire (27 BC–476 AD) until the fall of the western empire. Ancient Rome began as an Italic settlement, traditionally dated to 753 BC, beside the River Tiber in the Italian Peninsula. The settlement grew into the city and polity of Rome, and came to control its neighbours through a combination of treaties and military strength. It eventually dominated the Italian Peninsula, assimilated the Greek culture of southern Italy ( Magna Grecia) and the Etruscan culture and acquired an Empire that took in much of Europe and the lands and peoples surrounding the Mediterranean Sea. It was among the largest empires in the ancient world, with an estimated 50 to 90 million inhabitants, roughly 20% of t ...
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