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Centaur (typeface)
Centaur is a serif typeface by book and typeface designer Bruce Rogers, based on the Renaissance-period printing of Nicolas Jenson around 1470. He used it for his design of the Oxford Lectern Bible. It was given widespread release by the British branch of Monotype, paired with an italic designed by calligrapher Frederic Warde and based on the slightly later work of calligrapher and printer Ludovico Vicentino degli Arrighi. The italic has sometimes been named separately as the "Arrighi" italic. Centaur is an elegant and quite slender design, lighter on the page than Jenson's work and most other revivals, an effect possibly amplified in the digital release compared to the metal type. It has been popular in fine book printing and is often used both for printing body text and especially titles and headings. One of its most notable uses has been in the designs of Penguin Books, who have regularly used it for titling. Historical background Rogers' primary influence was Nicholas Je ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serif
In typography, a serif () is a small line or stroke regularly attached to the end of a larger stroke in a letter or symbol within a particular font or family of fonts. A typeface or "font family" making use of serifs is called a serif typeface (or serifed typeface), and a typeface that does not include them is sans-serif. Some typography sources refer to sans-serif typefaces as "grotesque" (in German, ) or "Gothic", and serif typefaces as "roman". Origins and etymology Serifs originated from the first official Greek writings on stone and in Latin alphabet with inscriptional lettering—words carved into stone in Roman antiquity. The explanation proposed by Father Edward Catich in his 1968 book ''The Origin of the Serif'' is now broadly but not universally accepted: the Roman letter outlines were first painted onto stone, and the stone carvers followed the brush marks, which flared at stroke ends and corners, creating serifs. Another theory is that serifs were devised to neate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Bembo
Pietro Bembo, ( la, Petrus Bembus; 20 May 1470 – 18 January 1547) was an Italian scholar, poet, and literary theorist who also was a member of the Knights Hospitaller, and a cardinal of the Roman Catholic Church. As an intellectual of the Italian Renaissance ( 15th–16th c.), Pietro Bembo greatly influenced the development of the Tuscan dialect as a literary language for poetry and prose, which, by later codification into a standard language, became the modern Italian language. In the 16th century, Bembo's poetry, essays and books proved basic to reviving interest in the literary works of Petrarch. In the field of music, Bembo's literary writing techniques helped composers develop the techniques of musical composition that made the madrigal the most important secular music of 16th-century Italy. Life Pietro Bembo was born on 20 May 1470 to an aristocratic Venetian family. His father Bernardo Bembo (1433–1519) was a diplomat and statesman and a cultured man who cared for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italic Type
In typography, italic type is a cursive font based on a stylised form of calligraphic handwriting. Owing to the influence from calligraphy, italics normally slant slightly to the right. Italics are a way to emphasise key points in a printed text, to identify many types of creative works, to cite foreign words or phrases, or, when quoting a speaker, a way to show which words they stressed. One manual of English usage described italics as "the print equivalent of Underline, underlining"; in other words, underscore in a manuscript directs a typesetter to use italic. The name comes from the fact that calligraphy-inspired typefaces were first designed in Italy, to replace documents traditionally written in a handwriting style called chancery hand. Aldus Manutius and Ludovico Arrighi (both between the 15th and 16th centuries) were the main type designers involved in this process at the time. Along with blackletter and Roman type, it served as one of the major typefaces in the history ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
American Type Founders
American Type Founders (ATF) Co. was a business trust created in 1892 by the merger of 23 type foundries, representing about 85% of all type manufactured in the United States. De Vinne, Theodore Low, ''The Practice of Typography,'' Century Company, N.Y.C., 1922, p. 105. The new company, consisting of a consolidation of firms from throughout the United States, was incorporated in New Jersey. The American Type Founders Co. should not be confused with the American Type Founders’ Association—also called the Type Founders' Association of the United States. Both institutions are identified by the same acronym, ATF. The ATF Association was formed in 1864 and was responsible for establishing the American point system in 1886 based on 35 picas exactly equal to 35 cm. The ATF Co. was not formed until 1892. All but 6 of the 23 foundries in the company were members of the ATF Association. The American Type Founders Co. was the dominant American manufacturer of metal type from its ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Wiebking
Robert Wiebking (1870–1927) was a German-American engraver type designer, typeface designer who was known for cutting type matrices for Frederic Goudy from 1911 to 1926. Life and career Robert Wiebking was born in Schwelm, Germany in 1870, he emigrated to Chicago in 1881 where his father worked as an engraver for many companies, including the Marder, Luse, & Co. type foundry. In 1884, Wiebking began working for C. H. Hanson, an engraving company. By 1893 he was in business for himself, cutting type matrices for both the Crescent and Independent Type Foundries. In 1900, with H. H. Hardinge, he formed ‘‘Wiebking, Hardinge & Company’’ which ran the Advance Type Foundry. In 1914 the partnership was dissolved and Advance merged with the Western Type Foundry. After Western Foundry merged into Barnhart Brothers & Spindler, Wiebking began working once again for himself. He then designed type and cut matrices for many foundries and, from 1911 to 1926 (with a few exceptions) he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maurice De Guérin
Georges-Maurice de Guérin (4 August 181019 July 1839) was a French poet. His works were imbued with a passion for nature whose intensity reached almost to worship and was enriched by pagan elements. According to Sainte-Beuve, no French poet or painter rendered "the feeling for nature, the feeling for the origin of things and the sovereign principle of life" as well as Guérin. Biography Descended from nobility, Maurice de Guérin was born at the château of Le Cayla in Andillac, Tarn. He was raised in a strict Roman Catholic family and educated at a religious seminary in Toulouse before attending the Collège Stanislas de Paris, where he met Jules Barbey d'Aurevilly—who became his lifelong friend. After graduating from Collége Stanislas in 1831, Guérin decided against a traditional religious life and instead went to Brittany to enter a radical Christian socialist society founded by Hugues Felicité Robert de Lamennais. However, Lamennais came into conflict with the Holy S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metropolitan Museum Of Art
The Metropolitan Museum of Art of New York City, colloquially "the Met", is the largest art museum in the Americas. Its permanent collection contains over two million works, divided among 17 curatorial departments. The main building at 1000 Fifth Avenue, along the Museum Mile on the eastern edge of Central Park on Manhattan's Upper East Side, is by area one of the world's largest art museums. The first portion of the approximately building was built in 1880. A much smaller second location, The Cloisters at Fort Tryon Park in Upper Manhattan, contains an extensive collection of art, architecture, and artifacts from medieval Europe. The Metropolitan Museum of Art was founded in 1870 with its mission to bring art and art education to the American people. The museum's permanent collection consists of works of art from classical antiquity and ancient Egypt, paintings, and sculptures from nearly all the European masters, and an extensive collection of American and modern ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Antonio Tagliente
Giovanni Antonio Tagliente (sometimes written ''Giovannantonio'') (c. 1460s – c. 1528) was a Calligraphy, calligrapher, author, Printer (publishing), printer and publisher based in Venice during the Renaissance period. Tagliente began his life as a calligrapher and taught around Italy before returning to Venice in 1491. He worked for the Venetian Chancery and was given a sinecure by the senate, becoming a publisher late in life. Tagliente's publications were textbooks and self-help volumes. These included guides on learning to read, arithmetic, accounting, embroidery patterns, textile production and a book of model love letters. Some of his books were very popular and were issued in dozens of editions. They have come to attention of feminist and social historians for their promotion of reading for women and the uneducated; his textbook on reading aimed to teach reading "in a period of two months, more or less depending on the intelligence of the reader." He also wrote for a targ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bembo
Bembo is a serif typeface created by the British branch of the Monotype Corporation in 1928–1929 and most commonly used for body text. It is a member of the " old-style" of serif fonts, with its regular or roman style based on a design cut around 1495 by Francesco Griffo for Venetian printer Aldus Manutius, sometimes generically called the "Aldine roman". Bembo is named for Manutius's first publication with it, a small 1496 book by the poet and cleric Pietro Bembo. The italic is based on work by Giovanni Antonio Tagliente, a calligrapher who worked as a printer in the 1520s, after the time of Manutius and Griffo. Monotype created Bembo during a period of renewed interest in the printing of the Italian Renaissance, under the influence of Monotype executive and printing historian Stanley Morison. It followed a previous more faithful revival of Manutius's work, Poliphilus, whose reputation it largely eclipsed. Monotype also created a second, much more eccentric italic for it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arrighi Italic
Arrighi is a surname. Notable people with the surname include: * Christine Arrighi, French politician * Ernest Arrighi de Casanova, French Bonapartist politician *Gianluca Arrighi, Italian novelist *Giovanni Arrighi, Italian sociologist * Giuseppe Arrighi, Italian painter *Jean-Toussaint Arrighi de Casanova, French general * Luciana Arrighi, Australian production designer *Ludovico Vicentino degli Arrighi, papal scribe and type designer in Renaissance Italy *Nike Arrighi Nike Arrighi (born 9 March 1947) is a French visual artist and former actress, known for roles in several European horror and art house films in the 1960s and 1970s in addition to work in television. Early life Daughter of Italian diplomat an ..., French visual artist and former actress * Pascal Arrighi, French politician {{surname ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Golden Type
The Golden Type is a serif font designed by artist William Morris for his fine book printing project, the Kelmscott Press, in 1890. It is an "old-style" serif font, based on type designed by engraver and printer Nicolas Jenson in Venice around 1470. It is named for the ''Golden Legend'', which was intended to be the first book printed using it. The original design has neither an italic nor a bold weight, as neither of these existed in Jenson's time. Morris's aim in the Kelmscott Press was to revive the style of early printing and medieval manuscripts, and the design accordingly is a profound rejection of the harsh, industrial aesthetic of the contemporary Didone typefaces used at the time in general-purpose printing, and also of the relatively pallid "modernised old style" designs popular in books. Instead, the design has a relatively heavy "colour" on the page. The design is a loose revival, somewhat bolder than Jenson's original engraving, giving it something of the appearanc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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