Cello Sonatas (Vivaldi)
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Cello Sonatas (Vivaldi)
Antonio Vivaldi composed several sonatas for cello and figured bass, continuo. A set of six cello sonatas, written between 1720 and 1730, was published in Paris in 1740. He wrote at least four other cello sonatas, with two Autograph (manuscript), manuscripts kept in Naples, another in Wiesentheid, and one known to be lost. History When Vivaldi worked in Venice, the cello sonata became a popular genre. Benedetto Marcello had composed six cello sonatas in a similar style shortly before Vivaldi. Eleanor Selfridge-Field writes: "the impetus for Vivaldi to write these works at such a late age may have come from the general popularity of the cello sonatas of the 1730s, or perhaps from the specific example of Marcello, who wrote two collections of cello sonatas published in that decade". Vivaldi wrote his at least ten cello sonatas between 1720 and 1730, of which nine are extant. The Autograph (manuscript), manuscripts of six of them (Ryom-Verzeichnis, RV 40, 41, 43, 45, 46 and 47) ar ...
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Antonio Vivaldi
Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian composer, virtuoso violinist and impresario of Baroque music. Regarded as one of the greatest Baroque composers, Vivaldi's influence during his lifetime was widespread across Europe, giving origin to many imitators and admirers. He pioneered many developments in orchestration, violin technique and Program music, programatic music. He consolidated the emerging concerto form into a widely accepted and followed idiom, which was paramount in the development of Johann Sebastian Bach's instrumental music. Vivaldi composed many instrumental concertos, for the violin and a variety of other musical instruments, as well as Sacred Music, sacred choral works and more than List of operas by Antonio Vivaldi, fifty operas. His best-known work is a series of violin concertos known as ''The Four Seasons (Vivaldi), the Four Seasons''. Many of his compositions were written for the all-female music ensemble of the ''Ospedale ...
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Opus Number
In musicology, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's production. Opus numbers are used to distinguish among compositions with similar titles; the word is abbreviated as "Op." for a single work, or "Opp." when referring to more than one work. To indicate the specific place of a given work within a music catalogue, the opus number is paired with a cardinal number; for example, Beethoven's Piano Sonata No. 14 in C-sharp minor (1801, nicknamed ''Moonlight Sonata'') is "Opus 27, No. 2", whose work-number identifies it as a companion piece to "Opus 27, No. 1" ( Piano Sonata No. 13 in E-flat major, 1800–01), paired in same opus number, with both being subtitled ''Sonata quasi una Fantasia'', the only two of the kind in all of Beethoven's 32 piano sonatas. Furthermore, the ''Piano Sonata, Op. 27 No. 2, in C-sharp minor'' is also catalogued as "Sonata No. 14", ...
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The New Grove Dictionary Of Music And Musicians
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890. In ...
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Pipe Organ
The pipe organ is a musical instrument that produces sound by driving pressurized air (called ''wind'') through the organ pipes selected from a keyboard. Because each pipe produces a single pitch, the pipes are provided in sets called ''ranks'', each of which has a common timbre and volume throughout the keyboard compass. Most organs have many ranks of pipes of differing timbre, pitch, and volume that the player can employ singly or in combination through the use of controls called stops. A pipe organ has one or more keyboards (called '' manuals'') played by the hands, and a pedal clavier played by the feet; each keyboard controls its own division, or group of stops. The keyboard(s), pedalboard, and stops are housed in the organ's ''console''. The organ's continuous supply of wind allows it to sustain notes for as long as the corresponding keys are pressed, unlike the piano and harpsichord whose sound begins to dissipate immediately after a key is depressed. The smallest po ...
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Harpsichord
A harpsichord ( it, clavicembalo; french: clavecin; german: Cembalo; es, clavecín; pt, cravo; nl, klavecimbel; pl, klawesyn) is a musical instrument played by means of a keyboard. This activates a row of levers that turn a trigger mechanism that plucks one or more strings with a small plectrum made from quill or plastic. The strings are under tension on a soundboard, which is mounted in a wooden case; the soundboard amplifies the vibrations from the strings so that the listeners can hear it. Like a pipe organ, a harpsichord may have more than one keyboard manual, and even a pedal board. Harpsichords may also have stop buttons which add or remove additional octaves. Some harpsichords may have a buff stop, which brings a strip of buff leather or other material in contact with the strings, muting their sound to simulate the sound of a plucked lute. The term denotes the whole family of similar plucked-keyboard instruments, including the smaller virginals, muselar, and spinet. ...
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Robert King (conductor)
Robert King (born 27 June 1960 in Wombourne) is an English conductor, harpsichordist, editor and author. His career has concentrated on period performance of classical music, in particular from the baroque and early modern periods. In 2007, he was convicted of fourteen charges of indecent assault, some against minors, and jailed. Following his release, he resumed his musical career. Career As a youth, he was a member of the Choir of St John's College, Cambridge. He read music at St John's College, Cambridge and in 1980, while still a student, founded the period instrument orchestra The King's Consort. As conductor and artistic director of The King's Consort, King has made more than 100 recordings, mostly for Hyperion Records. He has worked as a conductor with orchestras in Europe and North America, including the Seattle, Houston, New World, Oregon, Detroit, Atlanta, Minnesota, WDR and NDR Symphony Orchestras, the Bergen Philharmonic, the Munich Radio Orchestra, Zurich Chamber ...
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Ryom Verzeichnis
The Ryom-Verzeichnis or Ryom Verzeichnis (both often abbreviated ''RV'') is the standard catalogue of the music of Antonio Vivaldi created by Danish musicologist Peter Ryom. ''Verzeichnis'' is the German word for catalogue. First published in 1973 under the title ''Antonio Vivaldi: Table de Concordances des Œuvres (RV)'', the Ryom-Verzeichnis has existed in several forms over the course of its development. The catalogue is often used to identify Vivaldi's works by a simple number. RV numbers below 741 were assigned systematically, with vocal works following 585 instrumental ones; as additional works are discovered or confirmed, they are assigned numbers above 740. Instrumental works were first sorted by category, instrumentation and key (beginning with C Major), and then assigned sequential numbers. For example, Vivaldi's celebrated '' Four Seasons'', made up of four violin concertos (not sequentially numbered because they are in different keys), and his famous lute concerto are ...
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Baroque Music
Baroque music ( or ) refers to the period or dominant style of Western classical music composed from about 1600 to 1750. The Baroque style followed the Renaissance period, and was followed in turn by the Classical period after a short transition, the galant style. The Baroque period is divided into three major phases: early, middle, and late. Overlapping in time, they are conventionally dated from 1580 to 1650, from 1630 to 1700, and from 1680 to 1750. Baroque music forms a major portion of the "classical music" canon, and is now widely studied, performed, and listened to. The term "baroque" comes from the Portuguese word ''barroco'', meaning " misshapen pearl". The works of George Frideric Handel and Johann Sebastian Bach are considered the pinnacle of the Baroque period. Other key composers of the Baroque era include Claudio Monteverdi, Domenico Scarlatti, Alessandro Scarlatti, Antonio Vivaldi, Henry Purcell, Georg Philipp Telemann, Jean-Baptiste Lully, Jean-Philippe R ...
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Movement (music)
A movement is a self-contained part of a musical composition or musical form. While individual or selected movements from a composition are sometimes performed separately as stand-alone pieces, a performance of the complete work requires all the movements to be performed in succession. A movement is a section Section, Sectioning or Sectioned may refer to: Arts, entertainment and media * Section (music), a complete, but not independent, musical idea * Section (typography), a subdivision, especially of a chapter, in books and documents ** Section sig ..., "a major structural unit perceived as the result of the coincidence of relatively large numbers of structural phenomena". Sources Formal sections in music analysis {{music-stub ...
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Walter Kolneder
Walter Kolneder (1 July 1910 – 30 January 1994) was an Austrian musicologist and violist. Life and career Koldener was born in Wels, Upper Austria. From 1925 to 1935 he studied music with Bernhard Paumgartner (conducting), Theodor Müller (violin) and Friedrich Frischenschlager (composition) at the Mozarteum in Salzburg. He also attended a master class for viola with Max Strub and was a member of the Mozarteum orchestra (1929-1936). Privately he studied composition with Johann Nepomuk David in Wels from 1927 to 1929. In 1934/35, he began musicological studies at the University of Vienna. In 1936 he became head of department at the Conservatory of the and in 1939 lecturer at the State College for Music Education in Graz-Eggenberg. In the post-war period, he was initially active as a conductor in Wels. From 1947 to 1953, he was deputy principal violist at the . He continued his studies with Wilhelm Fischer at the University of Innsbruck and in 1949 he was awarded the docto ...
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Winterthur
, neighboring_municipalities = Brütten, Dinhard, Elsau, Hettlingen, Illnau-Effretikon, Kyburg, Lindau, Neftenbach, Oberembrach, Pfungen, Rickenbach, Schlatt, Seuzach, Wiesendangen, Zell , twintowns = Hall in Tirol (Austria), La Chaux-de-Fonds (Switzerland), Pilsen (Czech Republic), Yverdon-les-Bains (Switzerland) , website = stadt.winterthur.ch Winterthur (; french: Winterthour, lang) is a city in the canton of Zürich in northern Switzerland. With over 110,000 residents it is the country's sixth-largest city by population, and is the ninth-largest agglomeration with about 140,000 inhabitants. Located about northeast of Zürich, Winterthur is a service and high-tech industrial satellite city within Greater Zürich. The official language of Winterthur is German,The official language in any municipality in German-speaking Switzerland is always German. In this context, the term 'German' is used as an umbrella term for any variety of German. So, a ...
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Key (music)
In music theory, the key of a piece is the group of pitches, or scale, that forms the basis of a musical composition in classical, Western art, and Western pop music. The group features a '' tonic note'' and its corresponding ''chords'', also called a ''tonic'' or ''tonic chord'', which provides a subjective sense of arrival and rest, and also has a unique relationship to the other pitches of the same group, their corresponding chords, and pitches and chords outside the group. Notes and chords other than the tonic in a piece create varying degrees of tension, resolved when the tonic note or chord returns. The key may be in the major or minor mode, though musicians assume major when this is not specified, e.g., "This piece is in C" implies that the key of the song is C major. Popular songs are usually in a key, and so is classical music during the common practice period, around 1650–1900. Longer pieces in the classical repertoire may have sections in contrasting keys. ...
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