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Cello Sonata (Barber)
The Sonata for Violoncello and Piano, Opus 6, by Samuel Barber is a sonata for cello and piano. It is in the key of C minor. History The sonata was composed between June and December 1932 during a trip to Europe as Barber was finishing his studies at the Curtis Institute of Music. The score is dedicated to Barber's composition teacher, Rosario Scalero, and was officially premiered on 5 March 1933 with the composer at the piano and his friend and colleague Orlando Cole as cellist, at a concert of the League of Composers in New York City. Together with the ''Music for a Scene from Shelley'', Op. 7, this sonata won both a Pulitzer travel stipend and the Prix de Rome of the American Academy in Rome in 1935. Analysis The sonata is in three movements: # Allegro ma non troppo #Adagio (in combination with a scherzo) #Allegro appassionato. Media References * Compositions by Samuel Barber Barber A barber is a person whose occupation is mainly to cut, dress, groom, style and s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samuel Barber
Samuel Osmond Barber II (March 9, 1910 – January 23, 1981) was an American composer, pianist, conductor, baritone, and music educator, and one of the most celebrated composers of the 20th century. The music critic Donal Henahan said, "Probably no other American composer has ever enjoyed such early, such persistent and such long-lasting acclaim." Principally influenced by nine years' composition studies with Rosario Scalero at the Curtis Institute and more than 25 years' study with his uncle, the composer Sidney Homer, Barber's music usually eschewed the experimental trends of musical modernism in favor of traditional 19th-century harmonic language and formal structure embracing lyricism and emotional expression. However, he adopted elements of modernism after 1940 in some of his compositions, such as an increased use of dissonance and chromaticism in the '' Cello Concerto'' (1945) and '' Medea's Dance of Vengeance'' (1955); and the use of tonal ambiguity and a narrow use of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music For A Scene From Shelley
''Music for a Scene from Shelley'', Op. 7, is a tone poem composed by Samuel Barber in 1933. History Barber composed ''Music for a Scene from Shelley'' during a visit to Italy in the summer of 1933. It was inspired in part by the view of Lake Lugano __NOTOC__ Lake Lugano ( it, Lago di Lugano or , from la, Ceresius lacus; lmo, Lagh de Lugan) is a glacial lake which is situated on the border between southern Switzerland and northern Italy. The lake, named after the city of Lugano, is situated ... and the Swiss Alps from Cadegliano-Viconago, Cadegliano, where Barber was staying with Gian Carlo Menotti at his family's villa. It is the only one of Barber's compositions that owes its origin to the influence of a place. However, it is also based on and owes its title to lines from act 2, scene 5 of Percy Bysshe Shelley's ''Prometheus Unbound (Shelley), Prometheus Unbound'', in which Panthea prompts her sister Asia (goddess of love) to hear "voices in the air", seeking Asia's sympa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compositions By Samuel Barber
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters *Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker *Digital compositing, the practice of digitally piecing together a video Computer science *Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History *Composition of 1867, Austro-Hungarian/ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philadelphia Bulletin
The ''Philadelphia Bulletin'' was a daily evening newspaper published from 1847 to 1982 in Philadelphia, Pennsylvania. It was the largest circulation newspaper in Philadelphia for 76 years and was once the largest evening newspaper in the United States. Its widely known slogan was: "In Philadelphia, nearly everybody reads ''The Bulletin''." Describing the ''Bulletin''s style, publisher William L. McLean once said: "I think the ''Bulletin'' operates on a principle which in the long run is unbeatable. This is that it enters the reader's home as a guest. Therefore, it should behave as a guest, telling the news rather than shouting it." As ''Time (magazine), Time'' magazine later noted: "In its news columns, the ''Bulletin'' was solid if unspectacular. Local affairs were covered extensively, but politely. Muckraking was frowned upon." History 1847 to 1895 ''The Bulletin'' was first published by Alexander Cummings (territorial governor), Alexander Cummings on April 17, 1847, as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempo
In musical terminology, tempo (Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a "metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is often ind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Movement (music)
A movement is a self-contained part of a musical composition or musical form. While individual or selected movements from a composition are sometimes performed separately as stand-alone pieces, a performance of the complete work requires all the movements to be performed in succession. A movement is a section Section, Sectioning or Sectioned may refer to: Arts, entertainment and media * Section (music), a complete, but not independent, musical idea * Section (typography), a subdivision, especially of a chapter, in books and documents ** Section sig ..., "a major structural unit perceived as the result of the coincidence of relatively large numbers of structural phenomena". Sources Formal sections in music analysis {{music-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
American Academy In Rome
The American Academy in Rome is a research and arts institution located on the Gianicolo (Janiculum Hill) in Rome. The academy is a member of the Council of American Overseas Research Centers. History In 1893, a group of American architects, painters and sculptors met regularly while planning the fine arts section of the 1893 World's Columbian Exposition in Chicago. The group discussed the idea of forming an American school for artists in Europe as a place for American artists to study and further their skills. Led by Charles F. McKim of architectural practice McKim, Mead & White, they decided that Rome, which they considered a veritable museum of masterpieces of painting, sculpture and architecture throughout the ages, would be the best location for the school. The program began with institutions such as Columbia University and University of Pennsylvania, who would provide scholarships to artists to fund their travel to Rome. In October 1894 the American School of Architect ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rome Prize
The Rome Prize is awarded by the American Academy in Rome, in Rome, Italy. Approximately thirty scholars and artists are selected each year to receive a study fellowship at the academy. Prizes have been awarded annually since 1921, with a hiatus during the World War II years, from 1942 to 1949. Recipients Fellows and residents, listed by year of residency: See also * List of European art awards This list of European art awards covers some of the main art awards given by organizations in Europe. Some are restricted to artists in a particular genre or from a given country or region, while others are broader in scope. The list is organized ... * List of history awards References American awards Architecture awards American music awards History awards Education in Rome Culture in Rome Awards established in 1896 {{Lit-award-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
League Of Composers
The League of Composers/ International Society for Contemporary Music is a society whose stated mission is "to produce the highest quality performances of new music, to champion American composers in the United States and abroad, and to introduce American audiences to the best new music from around the world." It was founded in New York City in 1923 by Claire Reis, Louis Gruenberg, Alma Wertheim, Lazare Saminsky, Leo Ornstein, Emerson Whithorne, Frederick Jacobi, Stephen Bourgeois, and Minna Lederman, when they seceded from the International Composers Guild. In 1954, the League of Composers became the US chapter of the International Society of Contemporary Music (ISCM) and has since been known as the League of Composers/ISCM. The League draws on a remarkably rich history, including such groundbreaking premieres as Schönberg's Die Glückliche Hand, Béla Bartók's Village Scenes, Samuel Barber’s Piano Sonata and Anton Webern’s Symphony for Chamber Orchestra. The League als ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cello
The cello ( ; plural ''celli'' or ''cellos'') or violoncello ( ; ) is a Bow (music), bowed (sometimes pizzicato, plucked and occasionally col legno, hit) string instrument of the violin family. Its four strings are usually intonation (music), tuned in perfect fifths: from low to high, scientific pitch notation, C2, G2, D3 and A3. The viola's four strings are each an octave higher. Music for the cello is generally written in the bass clef, with tenor clef, and treble clef used for higher-range passages. Played by a ''List of cellists, cellist'' or ''violoncellist'', it enjoys a large solo repertoire Cello sonata, with and List of solo cello pieces, without accompaniment, as well as numerous cello concerto, concerti. As a solo instrument, the cello uses its whole range, from bassline, bass to soprano, and in chamber music such as string quartets and the orchestra's string section, it often plays the bass part, where it may be reinforced an octave lower by the double basses. Figure ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orlando Cole
Orlando Cole (August 16, 1908 – January 25, 2010) was an American cello teacher who taught two generations of soloists, chamber musicians, and first cellists in a dozen leading orchestras, including Lynn Harrell, Jonah Kim, Ronald Leonard, Lorne Munroe, Peter Stumpf and Marcy Rosen. Early life Born and raised in Philadelphia, the son of Lucius Cole, a violinist in the Philadelphia Orchestra, he entered the first class of the Curtis Institute of Music in 1924 as a pupil of Felix Salmond and graduated in 1934. He was a founding member in 1927 of what was then known as the Swastika Quartet.Barbara B. Heyman (1992) Samuel Barber: The Composer and His Music. p.42. In 1932, shortly before Adolf Hitler's election and adoption of this symbol (albeit rotated), the fledgling quartet renamed itself as the Curtis String Quartet after the school's founder, Mary Louise Curtis. Collaboration with Samuel Barber During this time, Cole was a classmate and friend of the composer Samuel Barbe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rosario Scalero
Natale Rosario Scalero (24 December 1870 in Moncalieri - 25 December 1954 in Montestrutto) was an Italian violinist, music teacher and composer. Life and career By the age of six, Scalero was under the tutelage of Pietro Bertazzi, a violinist, musical instrument maker and instructor at the Conservatorio St. Cecilia in Rome. In 1881, Scalero entered the Liceo Musicale di Torino under Luigi Avalle. At the age of 15, Scalero came under the tutelage of César Thomson. Scalero appears to have returned to his home at Moncalieri for a time for health reasons, before returning to Torino (Turin) to study with Camillo Sivori through 1889, appearing during this time with the Sivori Quartet. In 1891, Scalero made his debut as a recitalist in Leipzig, following which he performed in Milan, Rome, London, and throughout Europe to critical acclaim. In 1895, Scalero went to London to study and assist violinist August Wilhelmj (concert master of the world premiere of Wagner's '' Ring of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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