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Cello Concerto (MacMillan)
The Cello Concerto is a composition for solo cello and orchestra by the Scottish composer James MacMillan. It is the second of three interrelated compositions in MacMillan's Easter triptych ''Triduum'' commissioned by the London Symphony Orchestra. The piece was first performed at the Barbican Centre on October 3, 1996 by the cellist Mstislav Rostropovich and the London Symphony Orchestra under the conductor Colin Davis. The work is dedicated to Mstislav Rostropovich. Composition The Cello Concerto has a duration of roughly 41 minutes and is composed in three movements: #The Mockery #The Reproaches #Dearest Wood and Dearest Iron Instrumentation The work is composed for solo cello and an orchestra comprising two flutes (2nd doubling piccolo), two oboes, two clarinets, (2nd doubling E-flat clarinet and bass clarinet), bassoon, contrabassoon, four horns, three trumpets, three trombones, tuba, timpani, three percussionists, piano (doubling celesta), harp, and strings. Reception Rob ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cello
The cello ( ; plural ''celli'' or ''cellos'') or violoncello ( ; ) is a Bow (music), bowed (sometimes pizzicato, plucked and occasionally col legno, hit) string instrument of the violin family. Its four strings are usually intonation (music), tuned in perfect fifths: from low to high, scientific pitch notation, C2, G2, D3 and A3. The viola's four strings are each an octave higher. Music for the cello is generally written in the bass clef, with tenor clef, and treble clef used for higher-range passages. Played by a ''List of cellists, cellist'' or ''violoncellist'', it enjoys a large solo repertoire Cello sonata, with and List of solo cello pieces, without accompaniment, as well as numerous cello concerto, concerti. As a solo instrument, the cello uses its whole range, from bassline, bass to soprano, and in chamber music such as string quartets and the orchestra's string section, it often plays the bass part, where it may be reinforced an octave lower by the double basses. Figure ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Horn
The French horn (since the 1930s known simply as the horn in professional music circles) is a brass instrument made of tubing wrapped into a coil with a flared bell. The double horn in F/B (technically a variety of German horn) is the horn most often used by players in professional orchestras and bands, although the descant and triple horn have become increasingly popular. A musician who plays a horn is known as a list of horn players, horn player or hornist. Pitch is controlled through the combination of the following factors: speed of air through the instrument (controlled by the player's lungs and thoracic diaphragm); diameter and tension of lip aperture (by the player's lip muscles—the embouchure) in the mouthpiece; plus, in a modern horn, the operation of Brass instrument valve, valves by the left hand, which route the air into extra sections of tubing. Most horns have lever-operated rotary valves, but some, especially older horns, use piston valves (similar to a trumpet's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Galina Ustvolskaya
Galina Ivanovna Ustvolskaya (russian: Гали́на Ива́новна Уство́льская , 17 June 1919 – 22 December 2006), was a Russian composer of classical music. Early years Born in Petrograd, Ustvolskaya studied from 1937 to 1939 at the college attached to the Leningrad Conservatory (later renamed the Rimsky-Korsakov Conservatory). From 1947 till 1977 she taught composition at this college. In 1939 she entered Dmitri Shostakovich's composition class at the Conservatory as the only female student in his class. Her composition teacher said of her: Shostakovich sent some of his own as yet unfinished works to Ustvolskaya, attaching great value to her comments. Some of these pieces contain quotations from his pupil's compositions; for example, he employed the second theme of the Finale of her clarinet trio throughout the Fifth String Quartet and in the Michelangelo Suite (no. 9). Ustvolskaya was a pupil of Shostakovich from 1939 to 1941 and from 1947 to 1948, but ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gramophone (magazine)
''Gramophone'' is a magazine published monthly in London, devoted to classical music, particularly to reviews of recordings. It was founded in 1923 by the Scottish author Compton Mackenzie who continued to edit the magazine until 1961. It was acquired by Haymarket in 1999. In 2013 the Mark Allen Group became the publisher. The magazine presents the Gramophone Awards each year to the classical recordings which it considers the finest in a variety of categories. On its website ''Gramophone'' claims to be: "The world's authority on classical music since 1923." This used to appear on the front cover of every issue; recent editions have changed the wording to "The world's best classical music reviews." Its circulation, including digital subscribers, was 24,380 in 2014. Listings and the ''Gramophone'' Hall of Fame Apart from the annual Gramophone Classical Music Awards, each month features a dozen recordings as Gramophone Editor's Choice (now Gramophone Choice). Then, in the annua ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arnold Whittall
Arnold Whittall (born 1935, Shrewsbury, Shropshire, England) is a British musicologist and writer. He is Professor Emeritus at King's College London. Between 1975 and 1996 he was Professor at King's. Previously he lectured at Cambridge, Nottingham (1964–1969) and Cardiff (1969–1975), where one of his students was Australian composer Norma Tyer. Since the 1960s he has published books, articles and contributed chapters to multi-authored books. Books * ''Schoenberg Chamber Music''. London: BBC, 1972. * ''Music since the First World War''. London : Dent, 1977. * ''The Music of Britten and Tippett – Studies in Themes and Techniques''. Cambridge: Cambridge University Press, 1982. (Second edition 1990) * ''Romantic Music : a concise history from Schubert to Sibelius''. London : Thames and Hudson, 1987. * (Co-authored with Jonathan Dunsby Jonathan Mark Dunsby (born 16 March 1953) is a British classical pianist, musicologist, author and translator, particularly known for his resea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
BBC Music Magazine
''BBC Music Magazine'' is a British monthly magazine that focuses primarily on classical music. History The first issue appeared in September 1992. BBC Worldwide, the commercial subsidiary of the BBC was the original owner and publisher together with the Warner Music Enterprises during its initial phase. Immediate Media Company has been the publisher since 2012. ''BBC Music Magazine'' has also an edition in North America which was first published in March 1993. The magazine reflects the broadcast output of BBC Radio 3 being devoted primarily to classical music, though with sections on jazz and world music. Each edition comes together with an audio CD, often including BBC #REDIRECT BBC #REDIRECT BBC Here i going to introduce about the best teacher of my life b BALAJI sir. He is the precious gift that I got befor 2yrs . How has helped and thought all the concept and made my success in the 10th board exam. ... ... recordings of full-length works. The magazine's circulation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Independent
''The Independent'' is a British online newspaper. It was established in 1986 as a national morning printed paper. Nicknamed the ''Indy'', it began as a broadsheet and changed to tabloid format in 2003. The last printed edition was published on Saturday 26 March 2016, leaving only the online edition. The newspaper was controlled by Tony O'Reilly's Irish Independent News & Media from 1997 until it was sold to the Russian oligarch and former KGB Officer Alexander Lebedev in 2010. In 2017, Sultan Muhammad Abuljadayel bought a 30% stake in it. The daily edition was named National Newspaper of the Year at the 2004 British Press Awards. The website and mobile app had a combined monthly reach of 19,826,000 in 2021. History 1986 to 1990 Launched in 1986, the first issue of ''The Independent'' was published on 7 October in broadsheet format.Dennis Griffiths (ed.) ''The Encyclopedia of the British Press, 1422–1992'', London & Basingstoke: Macmillan, 1992, p. 330 It was produc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pedal Harp
The pedal harp (also known as the concert harp) is a large and technologically modern harp, designed primarily for use in art music. It may be played solo, as part of a chamber ensemble, or in an orchestra. It typically has 47 strings with seven strings per octave, giving a range of six and a half octaves. In this type of harp the pedals alter the pitch of the strings, so that the pedal harp can easily play works written in any key. This is particularly important in the harmonically complex music of the Romantic period and later 20th-century classical music. Parts Body and strings A pedal harp typically stands about high, is deep, and wide at the bass end of the soundboard. It weighs about . The body of the harp consists of a straight upright pillar, sometimes adorned with a crown at the top; a soundboard, which in most harps is pear-shaped with additional width at the bottom, although some older instruments have soundboards that are straight-sided but widening toward t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Celesta
The celesta or celeste , also called a bell-piano, is a struck idiophone operated by a keyboard. It looks similar to an upright piano (four- or five-octave), albeit with smaller keys and a much smaller cabinet, or a large wooden music box (three-octave). The keys connect to hammers that strike a graduated set of metal (usually steel) plates or bars suspended over wooden resonators. Four- or five-octave models usually have a damper pedal that sustains or damps the sound. The three-octave instruments do not have a pedal because of their small "table-top" design. One of the best-known works that uses the celesta is Pyotr Ilyich Tchaikovskys "Dance of the Sugar Plum Fairy" from ''The Nutcracker''. The sound of the celesta is similar to that of the glockenspiel, but with a much softer and more subtle timbre. This quality gave the instrument its name, ''celeste'', meaning "heavenly" in French. The celesta is often used to enhance a melody line played by another instrument or sect ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Timpani
Timpani (; ) or kettledrums (also informally called timps) are musical instruments in the percussion family. A type of drum categorised as a hemispherical drum, they consist of a membrane called a head stretched over a large bowl traditionally made of copper. Thus timpani are an example of kettle drums, also known as vessel drums and semispherical drums, whose body is similar to a section of a sphere whose cut conforms the head. Most modern timpani are ''pedal timpani'' and can be tuned quickly and accurately to specific pitches by skilled players through the use of a movable foot-pedal. They are played by striking the head with a specialized drum stick called a ''timpani stick'' or ''timpani mallet''. Timpani evolved from military drums to become a staple of the classical orchestra by the last third of the 18th century. Today, they are used in many types of ensembles, including concert bands, marching bands, orchestras, and even in some rock bands. ''Timpani'' is an Italian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
