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Cello Concerto (Khachaturian)
Aram Khachaturian wrote his Cello Concerto in E minor in 1946 for Sviatoslav Knushevitsky. It was the last of the three concertos he wrote for the individual members of a renowned Soviet piano trio that performed together from 1941 until 1963. The others were: the Piano Concerto for Lev Oborin (1936); and the Violin Concerto for David Oistrakh (1940). Although the last written of the three, the Cello Concerto was the first one Khachaturian had considered writing, when he was a cello student at the Gnessin Institute. The work was premiered on 30 October 1946 (or November 1946), in the Great Hall of the Moscow Conservatory, with the dedicatee Sviatoslav Knushevitsky as soloist. The conductor was Aleksandr Gauk. The Cello Concerto is the least known of the three concertos, and has not entered the core repertoire of cellists in the way the other two have for pianists and violinists, despite its difficulty level being comparable to the piano and violin concerti. It has received rela ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aram Khachaturian
Aram Ilyich Khachaturian (; rus, Арам Ильич Хачатурян, , ɐˈram ɨˈlʲjitɕ xətɕɪtʊˈrʲan, Ru-Aram Ilyich Khachaturian.ogg; hy, Արամ Խաչատրյան, ''Aram Xačʿatryan''; 1 May 1978) was a Soviet and Armenian composer and conductor. He is considered one of the leading Soviet composers. Born and raised in Tbilisi, the multicultural capital of Georgia, Khachaturian moved to Moscow in 1921 following the Sovietization of the Caucasus. Without prior music training, he enrolled in the Gnessin Musical Institute, subsequently studying at the Moscow Conservatory in the class of Nikolai Myaskovsky, among others. His first major work, the Piano Concerto (1936), popularized his name within and outside the Soviet Union. It was followed by the Violin Concerto (1940) and the Cello Concerto (1946). His other significant compositions include the '' Masquerade Suite'' (1941), the Anthem of the Armenian SSR (1944), three symphonies (1935, 1943, 1947), and ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
E Minor
E minor is a minor scale based on E, consisting of the pitches E, F, G, A, B, C, and D. Its key signature has one sharp. Its relative major is G major and its parallel major is E major. The E natural minor scale is: : Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The E harmonic minor and melodic minor scales are: : : Much of the classical guitar repertoire is in E minor, as this is a very natural key for the instrument. In standard tuning (E A D G B E), four of the instrument's six open (un fretted) strings are part of the tonic chord. The key of E minor is also popular in heavy metal music, as its tonic is the lowest note on a standard-tuned guitar. Notable compositions *Joseph Haydn ** Symphony No. 44 (''Trauer'') *Wolfgang Amadeus Mozart ** Violin Sonata No. 21 *Ludwig van Beethoven ** String Quartet No. 8 ** Piano Sonata No. 27 *Niccolò Paganini ** Caprice No. 3 ** Caprice No. 15 *Feli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sviatoslav Knushevitsky
Sviatoslav Nikolayevich Knushevitsky (also seen as Knushevitzky; 19 February 1963) was a Soviet-Russian classical cellist. He was particularly noted for his partnership with the violinist David Oistrakh and the pianist Lev Oborin in a renowned piano trio from 1940 until his death. After Mstislav Rostropovich and Daniil Shafran, he is spoken of as one of the pre-eminent Russian cellists of the 20th century. Biography Sviatoslav Knushevitsky was born at Petrovsk, Saratov Oblast, on . He studied at the Moscow Conservatory with Semyon Kozolupov, graduating with a gold medal. He joined the Bolshoi Theatre Orchestra in 1929, remaining their principal cellist until 1943. In 1933 Knushevitsky won First Prize at the All-Union Music Competition. In 1940 he joined in partnership with the violinist David Oistrakh and the pianist Lev Oborin in a renowned piano trio, often referred to as the Oistrakh Trio, which concertised and recorded a great deal in many countries. He also joined a stri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Concerto (Khachaturian)
Aram Khachaturian's Piano Concerto in D-flat major, Op. 38, was composed in 1936. It was his first work to bring him recognition in the West, and it immediately entered the repertoire of many notable pianists. The Piano Concerto was the first of three concertos Khachaturian wrote for the individual members of a renowned Soviet piano trio that performed together from 1941 until 1963. The others were the Violin Concerto for David Oistrakh (1940) and the Cello Concerto for Sviatoslav Knushevitsky (1946). The Piano Concerto in D-flat was written for Lev Oborin, who premiered it in Moscow on 12 July 1937, with the Moscow Philharmonic Orchestra under Lev Steinberg.Aram Khachaturian, Onno van Rijen The only piano available for the premiere was an upright piano, and the orchestra had just one rehearsal. The venue was an o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lev Oborin
Lev Nikolayevich Oborin (russian: Лев Николаевич Оборин, ''Lev Nikolaevič Oborin''; Moscow, Moscow, 5 January 1974) was a Soviet and Russian pianist, composer and pedagogue. He was the winner of the first International Chopin Piano Competition in 1927. Life and career Oborin's family moved frequently during his early childhood. When they settled down in Moscow in 1914, he was sent to music school. He studied with Elena Gnesina, a pupil of Ferruccio Busoni. At the same time, he studied composition with Alexander Gretchaninov and achieved admirable results. In 1921, Oborin was accepted into Moscow Conservatory as a student of piano and composition. He completed his piano studies in 1926. In the same year, news reached Moscow of the First International Frédéric Chopin Piano Competition, to be held in Warsaw in 1927, and his piano teacher Konstantin Igumnov immediately thought of him. After winning first prize in the competition, he gave concerts in Poland and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Violin Concerto (Khachaturian)
Aram Khachaturian's Violin Concerto in D minor is a violin concerto in three movements composed in 1940. It was composed for David Oistrakh and was premiered on 16 November 1940 by Oistrakh. Composition In 1940, Khachaturian was enjoying tremendous professional success and personal joy. He worked on the concerto in the tranquility of a wood composer's retreat west of Moscow; he said of the composition that he "worked without effort ... Themes came to me in such abundance that I had a hard time putting them in order." Many sections of the concerto are reminiscent of the folk music of Khachaturian's native Armenia—while he never directly quotes a specific folk melody, "the exotic Oriental flavor of Armenian scales and melodies and the captivating rhythmic diversity of dances" are throughout the work. The work has been charactered by "an exhilarating rhythmic drive and vitality, and a penchant for intoxicating, highly flavored, languorous melody owning much to the inflections of h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Oistrakh
David Fyodorovich Oistrakh (; – 24 October 1974), was a Soviet classical violinist, violist and conductor. Oistrakh collaborated with major orchestras and musicians from many parts of the world and was the dedicatee of numerous violin works, including both of Dmitri Shostakovich's violin concerti and the violin concerto by Aram Khachaturian. He is considered one of the preeminent violinists of the 20th century. Life and career Early years Oistrakh was born to a Jewish family in Odessa, Kherson Governorate, Russian Empire (today part of Ukraine). His father was Fischl Eustrach, son of a second guild merchant, and his mother was Beyle Oistrakh. At the age of five, young Oistrakh began his studies of the violin and viola as a pupil of Pyotr Stolyarsky. In his studies with Stolyarsky he became very good friends with Iosif Brodsky, Nathan Milstein and other violinists with whom he collaborated numerous times after achieving fame since their beginnings as fellow students at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aleksandr Gauk
Alexander Vassilievich Gauk (russian: Алекса́ндр Васи́льевич Га́ук; 30 March 1963) was a Russian/Soviet conductor and composer. Biography Alexander Gauk was born in Odessa in 1893. He recalled his first experience as hearing army bands and his mother singing and accompanying herself at the piano. When he was seven he began piano studies and at 17 travelled to St Petersburg and managed to gain entrance to the class of Daugover, later moving over to Felix Blumenfeld. He saw Arthur Nikisch, Claude Debussy and Richard Strauss conduct and was particularly taken with Nikisch.Tassie G. Papa Gauk – the father of Russian conductors. ''Classic Record Collector'', Winter 2008, 43-49. Career Gauk's first conducting experience was in 1912 with a student orchestra, and professionally on 1 October 1917 for a production of Pyotr Ilyich Tchaikovsky's ''Cherevichki'' at the Petrograd Musical Drama Theatre. He spent much of the 1920s as conductor for the Mariinsky Bal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Quotation
Musical quotation is the practice of directly quoting another work in a new composition. The quotation may be from the same composer's work (self-referential), or from a different composer's work (appropriation). Sometimes the quotation is done for the purposes of characterization, as in Puccini's use of ''The Star-Spangled Banner'' in reference to the American character Lieutenant Pinkerton in his opera ''Madama Butterfly'', or in Tchaikovsky's use of the Russian and French national anthems in the ''1812 Overture'', which depicted a battle between the Russian and French armies. Sometimes, there is no explicit characterization involved, as when Luciano Berio used brief quotes from Johann Sebastian Bach, Ludwig van Beethoven, Alban Berg, Pierre Boulez, Gustav Mahler, Claude Debussy, Paul Hindemith, Maurice Ravel, Arnold Schoenberg, Karlheinz Stockhausen, Richard Strauss, Igor Stravinsky, Anton Webern, and others in his ''Sinfonia''. Quotation vs. variation Musical quotation is to be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zhdanov Doctrine
The Zhdanov Doctrine (also called Zhdanovism or Zhdanovshchina; russian: доктрина Жданова, ждановизм, ждановщина) was a Soviet cultural doctrine developed by Central Committee secretary Andrei Zhdanov in 1946. It proposed that the world was divided into two camps: the "imperialistic", headed by the United States; and " democratic", headed by the Soviet Union. The main principle of the Zhdanov Doctrine was often summarized by the phrase "The only conflict that is possible in Soviet culture is the conflict between good and best". Zhdanovism soon became a Soviet cultural policy, meaning that Soviet artists, writers and intelligentsia in general had to conform to the party line in their creative works. Under this policy, artists who failed to comply with the government's wishes risked persecution. The policy remained in effect until the death of Joseph Stalin in 1953. History The 1946 resolution of the Central Committee was directed against two litera ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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