Cellio Bucchi
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Cellio Bucchi
Cellio Bucchi was an Italian film actor.Kinnard & Crnkovic p.49 He was active during the silent era, where he sometimes appeared in leading roles. Later he was a supporting actor in sound films of the 1930s and 1940s. Selected filmography * '' La congiura di San Marco'' (1924) * ''Hôtel Saint-Pol'' (1925) * ''Nostradamus'' (1925) * ''Beatrice Cenci'' (1926) * '' The Courier of Moncenisio'' (1927) * '' Company and the Crazy'' (1928) * '' Assunta Spina'' (1930) * '' Villafranca'' (1934) * '' The Woman Thief'' (1938) * ''The Count of Brechard'' (1938) * ''The Woman of Monte Carlo ''The Woman of Monte Carlo'' (Italian: ''La signora di Montecarlo'') is a 1938 Italian " white-telephones" drama film directed by André Berthomieu and Mario Soldati and starring Dita Parlo, Fosco Giachetti and Jules Berry.Amelio p.25 A separate ...'' (1938) * '' Don Cesare di Bazan'' (1942) * '' La casa senza tempo '' (1945) References Bibliography * Roy Kinnard & Tony Crnkovich. ''Italian Sword an ...
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Film Actor
An actor or actress is a person who portrays a character in a performance. The actor performs "in the flesh" in the traditional medium of the theatre or in modern media such as film, radio, and television. The analogous Greek term is (), literally "one who answers".''Hypokrites'' (related to our word for hypocrite) also means, less often, "to answer" the tragic chorus. See Weimann (1978, 2); see also Csapo and Slater, who offer translations of classical source material using the term ''hypocrisis'' (acting) (1994, 257, 265–267). The actor's interpretation of a rolethe art of actingpertains to the role played, whether based on a real person or fictional character. This can also be considered an "actor's role," which was called this due to scrolls being used in the theaters. Interpretation occurs even when the actor is "playing themselves", as in some forms of experimental performance art. Formerly, in ancient Greece and the medieval world, and in England at the time of Willi ...
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Assunta Spina (1930 Film)
''Assunta Spina '' is a 1930 Italian silent drama film directed by Roberto Roberti and starring Rina De Liguoro and Febo Mari. It is based on the play of the same title by Salvatore Di Giacomo. Plot Assunta, a commoner of Naples, is scarred by her lover Michele for jealousy. Cast * Rina De Liguoro as Assunta Spina * Febo Mari as Michele Boccadifuoco * Elio Steiner * Alfredo Martinelli * Carlos Montes * Cellio Bucchi * Goffredo D'Andrea Goffredo D'Andrea was an Italian film actor who appeared mainly during the silent era.Goble p.417 He also worked occasionally as a screenwriter and film director. Selected filmography * '' Castigo'' (1917) * '' La principessa di Bagdad'' (1918) * ... References External links * 1930 films 1930s Italian-language films Films directed by Roberto Roberti Italian silent films 1930 drama films Italian drama films Italian films based on plays Italian black-and-white films Silent drama films 1930s Italian films {{1930s-Ita ...
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Year Of Birth Unknown
A year or annus is the orbital period of a planetary body, for example, the Earth, moving in its orbit around the Sun. Due to the Earth's axial tilt, the course of a year sees the passing of the seasons, marked by change in weather, the hours of daylight, and, consequently, vegetation and soil fertility. In temperate and subpolar regions around the planet, four seasons are generally recognized: spring, summer, autumn and winter. In tropical and subtropical regions, several geographical sectors do not present defined seasons; but in the seasonal tropics, the annual wet and dry seasons are recognized and tracked. A calendar year is an approximation of the number of days of the Earth's orbital period, as counted in a given calendar. The Gregorian calendar, or modern calendar, presents its calendar year to be either a common year of 365 days or a leap year of 366 days, as do the Julian calendars. For the Gregorian calendar, the average length of the calendar year ( ...
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La Casa Senza Tempo
LA most frequently refers to Los Angeles, the second largest city in the United States. La, LA, or L.A. may also refer to: Arts and entertainment Music * La (musical note), or A, the sixth note * "L.A.", a song by Elliott Smith on ''Figure 8'' (album) * ''L.A.'' (EP), by Teddy Thompson * ''L.A. (Light Album)'', a Beach Boys album * "L.A." (Neil Young song), 1973 * The La's, an English rock band * L.A. Reid, a prominent music producer * Yung L.A., a rapper * Lady A, an American country music trio * "L.A." (Amy Macdonald song), 2007 * "La", a song by Australian-Israeli singer-songwriter Old Man River Other media * l(a, a poem by E. E. Cummings * La (Tarzan), fictional queen of the lost city of Opar (Tarzan) * ''Lá'', later known as Lá Nua, an Irish language newspaper * La7, an Italian television channel * LucasArts, an American video game developer and publisher * Liber Annuus, academic journal Business, organizations, and government agencies * L.A. Screenings, a ...
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Don Cesare Di Bazan
''Don Cesare di Bazan'' is a 1942 Italian historical adventure film directed by Riccardo Freda and starring Gino Cervi, Anneliese Uhlig and Paolo Stoppa. The film is set during the Catalan Revolt of the Seventeenth century. It is based on a play by Philippe Dumanoir and Adolphe d'Ennery. It marked the directoral debut of Freda who went on to be a leading commercial Italian filmmaker.Moliterno p.136 Cast * Gino Cervi as Don Cesare di Bazan * Anneliese Uhlig as Renée Dumas * Paolo Stoppa as Sancho * Enrico Glori as Il visconte di Beaumont * Enzo Biliotti as Filippo IV * Giovanni Grasso as Don José di Nogueira * Carlo Duse as Il "Corvo", il messagero del visconte * Antonio Marietti as Il giovane conte, il finto attore * Alfredo Robert as Pasquale Cornalis, il capocomico * Sandrino Moreno as Il bambino * Anna Maria Dionisi as La cameriera di Renée * Ermanno Donati as Velasquez * Antonio Acqua as Il capitano Ribera * Armando Francioli as Un nobile ca ...
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The Woman Of Monte Carlo
''The Woman of Monte Carlo'' (Italian: ''La signora di Montecarlo'') is a 1938 Italian " white-telephones" drama film directed by André Berthomieu and Mario Soldati and starring Dita Parlo, Fosco Giachetti and Jules Berry.Amelio p.25 A separate French version '' Unknown of Monte Carlo'' was released the following year. It was shot at the Tirrenia Studios in Tuscany. Cast * Dita Parlo as Vera * Fosco Giachetti as Giorgio Duclos * Jules Berry as Il conte Messirian * Claude Lehmann as Andrea Duclos * Danilo Calamai as Il detective * Cellio Bucchi * Enrico Glori * Umberto Melnati as Un banchiere * Osvaldo Valenti Osvaldo Valenti (17 February 1906 – 30 April 1945) was an Italian film actor. He appeared in more than 50 films between 1928 and 1945. He was born in Istanbul, Turkey to a Sicilian carpet trader and a wealthy Lebanese woman of Greek descen ... References Bibliography * Gianni Amelio. ''Mario Soldati e il cinema''. Donzelli Editore, 2009. Ext ...
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The Count Of Brechard
''The Count of Brechard'' (Italian: ''Il conte di Brechard'') is a 1938 Italian historical drama film directed by Mario Bonnard and starring Amedeo Nazzari, Luisa Ferida, and Ugo Ceseri.Klossner p.83 It was adapted from the Giovacchino Forzano play. The film's sets were designed by the art director Virgilio Marchi. Main cast * Amedeo Nazzari as Francesco di Bréchard * Luisa Ferida as Maria * Ugo Ceseri as Pérault * Camillo Pilotto as Licurgo * Mario Ferrari as Socrate * Maria Donati as Euterpe * Romano Calò as Gastel * Carlo Tamberlani as Carlo, Visconte di Bréchard * Armando Migliari as Roberto * Franco Coop as Matteo * Tina Lattanzi as Queen Marie Antoinette * Febo Mari as Richard * Giorgio Capecchi as Gerly * Aristide Garbini Aristide Garbini (1890–1950) was an Italian film actor.Verdone p.83 Selected filmography * '' The Crusaders'' (1918) * ''Messalina'' (1924) * '' Miryam'' (1929) * ''Five to Nil'' (1932) * '' Ragazzo'' (1934) * '' The Old Guard'' (1934 ...
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The Woman Thief
''The Woman Thief'' (French: ''Le voleur de femmes'') is a 1938 French-Italian drama film directed by Abel Gance and starring Jules Berry, Annie Ducaux and Suzanne Desprès.Burke p.216 It was made at the Pisorno Studios The Tirrenia Studios (also known at one point as the Pisorno Studios) are a film studio complex located in the Italian coastal town of Tirrenia in Tuscany. The studios were constructed between 1933-1934 and intended, along with the Fert Studios in T ... in Tirrenia. The film's sets were designed by Jacques Colombier. Cast References Bibliography * Frank Burke. ''A Companion to Italian Cinema''. John Wiley & Sons, 2017. External links * 1938 drama films French drama films Italian drama films 1938 films 1930s French-language films Films directed by Abel Gance 1930s Italian-language films French multilingual films French black-and-white films Italian black-and-white films Italian multilingual films 1938 multilingual films 1930s French fi ...
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Villafranca (film)
''Villafranca'' is a 1934 Italian historical drama film directed by Giovacchino Forzano and starring Corrado Racca, Annibale Betrone and Enzo Biliotti.Goble p. 1005 It was based on a play by Benito Mussolini, then Italian dictator, about the 1859 agreement between Napoleon III and Count Cavour which led to the Second Italian War of Independence. The film was made at the Fert Studios in Turin and on location in the city, which had been the capital of the Kingdom of Sardinia at the time of the film's events. Cast * Corrado Racca as Camillo Benso, conte di Cavour * Annibale Betrone as Vittorio Emanuele II * Enzo Biliotti as Napoleone III * Pina Cei as principessa Clotilde di Savoia * Giulio Donadio as Castelli * Alberto Collo as Il canonico Gazzelli - confessore di casa Savoia * Giulio Oppi as il marchese Virago di Vische * Ernesto Marini as Margotti * Gustavo Conforti * Vasco Brambilla * Felice Minotti * Nino Bellini * Edoardo Biraghi * Cellio Bucchi ...
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Company And The Crazy
''Company and the Crazy'' ( it, La compagnia dei matti) is a 1928 silent Italian film directed by Mario Almirante. The film features an early onscreen performance from Vittorio De Sica. Cast * Vasco Creti as Momi Tamberlan * Carlo Tedeschi as Bortolo Cioci * Alex Bernard as Piero Scavezza * Elena Lunda as Irma * Lili Migliore as Ginetta * Cellio Bucchi as Conte Bardonazzi * Vittorio De Sica as Prof. Rosolillo * Giuseppe Brignone as Sioria * Felice Minotti Felice Minotti (19 November 1887 – 21 March 1963) was an Italian film actor. He appeared in 91 films between 1908 and 1963. Selected filmography * '' The Revenge of Maciste'' (1921) * '' Maciste on Vacation'' (1921) * ''The House of Pulci ... * Giuseppe Migliore * Andrea Miano * Amilcare Taglienti References External links * 1928 films Italian silent feature films Italian black-and-white films Films directed by Mario Almirante {{Italy-silent-film-stub ...
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Silent Era
A silent film is a film with no synchronized recorded sound (or more generally, no audible dialogue). Though silent films convey narrative and emotion visually, various plot elements (such as a setting or era) or key lines of dialogue may, when necessary, be conveyed by the use of title cards. The term "silent film" is something of a misnomer, as these films were almost always accompanied by live sounds. During the silent era that existed from the mid-1890s to the late 1920s, a pianist, theater organist—or even, in large cities, a small orchestra—would often play music to accompany the films. Pianists and organists would play either from sheet music, or improvisation. Sometimes a person would even narrate the inter-title cards for the audience. Though at the time the technology to synchronize sound with the film did not exist, music was seen as an essential part of the viewing experience. "Silent film" is typically used as a historical term to describe an era of cinema ...
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The Courier Of Moncenisio (1927 Film)
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a ...
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