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Cecilian Movement
The Cecilian Movement for church music reform began in Germany in the second half of the 1800s as a reaction to the liberalization of the Enlightenment. The Cecilian Movement received great impetus from Regensburg, where Franz Xaver Haberl had a world-renowned school for church musicians. Their theoretical ideas were formulated by Ludwig Tieck, Friedrich and August Wilhelm Schlegel, Johann Michael Sailer, E. T. A. Hoffmann, and Anton Friedrich Justus Thibaut. Institutionalization Although the movement traced its roots back to the 15th-century , which in turn inspired the formation during the 18th century in Munich, Passau, Vienna, and other places of Caecilien-Bündnisse (Cecilian Leagues) with the goal of promoting the a cappella singing of sacred music (in keeping with the edicts of the Council of Trent), the Cecilian movement proper is considered to have been established only in the 19th century. Franz Xaver Witt, a priest trained in Regensburg, published a call for reform of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franz Xaver Haberl
Franz Xaver Haberl (12 April 1840, in Oberellenbach (today Mallersdorf-Pfaffenberg), Lower Bavaria – 5 September 1910, in Ratisbon) was a German musicologist, friend of Liszt, Perosi, and Singenberger, cleric, and student of Proske. He made his classical and theological studies at Passau, Bavaria, where he was ordained priest, 12 August 1862. Showing decided aptitude for music, he was given every opportunity for study of the art, and was entrusted with the direction of music in the seminary. From 1867 to 1870 Haberl resided in Rome, where he was active as choirmaster at the German national church, Santa Maria dell'Anima, and also made historical and archæological researches. From 1871 to 1882 he directed the choir at the Ratisbon cathedral, his incumbency forming one of the most brilliant periods in the history of this famous institute. Working for church music reform, in 1874 Haberl founded a famous school for church musicians at Regensburg (Ratisbon). This schoo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antiphonal
An antiphonary or antiphonal is one of the liturgical books intended for use (i.e. in the liturgical choir), and originally characterized, as its name implies, by the assignment to it principally of the antiphons used in various parts of the Latin liturgical rites. Medieval antiphonaries varied with regional liturgical tradition. In 1570, following the Council of Trent, the Roman Rite antiphonary was declared universal. The Roman Antiphonary (''Antiphonale Romanum'') contains the chants for the canonical hours for the hours of Lauds, Prime, Terce, Sext, None, Vespers and Compline for every day of the year. The ''Vesperale Romanum'' is an excerpt of the Antiphonary containing the chants sung at Vespers. The music for use at the Mass is contained in the Roman Gradual (''Graduale Romanum''), the chants of the ordinary are also edited as an excerpt from the Gradual, the ''Kyriale Romanum''. The ''Antiphonale Romanum'' was substantially revised in 1910–11 in the course of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New Grove Dictionary Of Music And Musicians
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Solesmes Abbey
Solesmes Abbey or St. Peter's Abbey, Solesmes (''Abbaye Saint-Pierre de Solesmes'') is a Benedictine monastery in Solesmes (Sarthe, France), famous as the source of the restoration of Benedictine monastic life in the country under Dom Prosper Guéranger after the French Revolution. The current abbot is the Right Reverend Dom Abbot Geoffrey Kemlin, O.S.B., elected in 2022. Parish Prior to the foundation of Solesmes Abbey, a parish existed at the site. This parish may have been founded at the site as early as the 5th century. Evidence also suggests that the site may first have been built upon in the 6th or 7th century . This original parish was surrounded by a large cemetery. Sarcophagi found at the site suggest that they may go back to the Merovingian period. These sites are still preserved to this day. Priory Solesmes Abbey was founded in 1010 by Geoffrey, Lord of Sable, who donated the monastery and its farm to the Benedictine monks of the Saint-Pierre de la Couture Abbey, "f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tra Le Sollecitudini
''Tra le sollecitudini'' (Italian for "among the concerns") was a motu proprio issued 22 November 1903 by Pope Pius X that detailed regulations for the performance of music in the Roman Catholic Church. The title is taken from the opening phrase of the document. It begins: "''Among the concerns'' of the pastoral office, ... a leading one is without question that of maintaining and promoting the decorum of the House of God in which the august mysteries of religion are celebrated...." The regulations pointed toward more traditional music and critiqued the turn toward modern, orchestral productions at Mass. Context By the late nineteenth century, "operatic Church-music" was dominant in Italy. Churches were known to set Latin texts to such secular favorites as the sextet from Donizetti's ''Lucia di Lammermoor'' or the quartet from Verdi's ''Rigoletto''. A movement for liturgical reform, including scholarship devoted to early Church practice and Gregorian Chant performance, had deve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motu Proprio
In law, ''motu proprio'' (Latin for "on his own impulse") describes an official act taken without a formal request from another party. Some jurisdictions use the term ''sua sponte'' for the same concept. In Catholic canon law, it refers to a document issued by the pope on his own initiative and personally signed by him.Oxford Dictionary of the Christian Church (Oxford University Press 2005 ), s.v. motu proprio Such a document may be addressed to the whole church, to part of it, or to some individuals. A document issued ''motu proprio'' has its legal effect, even if the reasons given for its issuance are found to be false or fraudulent, a fact which would normally render the document invalid. Its validity is based on its issuance by the pope by his own initiative, not upon the reasons alleged. The first ''motu proprio'' was promulgated by Pope Innocent VIII in 1484. It continues to be a common form of papal rescript, especially when establishing institutions, making minor changes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pius X
Pope Pius X ( it, Pio X; born Giuseppe Melchiorre Sarto; 2 June 1835 – 20 August 1914) was head of the Catholic Church from 4 August 1903 to his death in August 1914. Pius X is known for vigorously opposing modernist interpretations of Catholic doctrine, and for promoting liturgical reforms and scholastic theology. He initiated the preparation of the 1917 Code of Canon Law, the first comprehensive and systemic work of its kind. He is venerated as a saint in the Catholic Church and is the namesake of the traditionalist Catholic Priestly Fraternity of Saint Pius X. Pius X was devoted to the Blessed Virgin Mary under the title of Our Lady of Confidence; while his papal encyclical '' Ad diem illum'' took on a sense of renewal that was reflected in the motto of his pontificate. He advanced the Liturgical Movement by formulating the principle of ''participatio actuosa'' (active participation of the faithful) in his motu proprio, ''Tra le sollecitudini'' (1903). He encouraged ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sistine Choir
The Sistine Chapel Choir, as it is generally called in English, or officially the Coro della Cappella Musicale Pontificia Sistina in Italian, is the Pope's personal choir. It performs at papal functions in the Sistine Chapel and in any other church in Rome where the Pope is officiating, including St. Peter's Basilica. One of the oldest choirs in the world, it was constituted as the Pope's personal choir by Pope Sixtus IV (from whom both the choir and the chapel in which it performs take their names). Although it was established in the late 15th century, its roots go back to the 4th century and the reign of Pope Sylvester I. The choir's composition and numbers have fluctuated over the centuries. However, the modern choir comprises twenty men (tenors and basses) and thirty boys (sopranos and altos). The men's choir (''Cantori'') is composed of professional singers. The members of the boys choir (''Pueri Cantores'') are not paid when performing at papal functions, but receive a free ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liturgy Of The Hours
The Liturgy of the Hours (Latin: ''Liturgia Horarum'') or Divine Office (Latin: ''Officium Divinum'') or ''Opus Dei'' ("Work of God") are a set of Catholic prayers comprising the canonical hours, often also referred to as the breviary, of the Latin Church. The Liturgy of the Hours forms the official set of prayers "marking the hours of each day and sanctifying the day with prayer." The term "Liturgy of the Hours" has been retroactively applied to the practices of saying the canonical hours in both the Christian East and West–particularly within the Latin liturgical rites–prior to the Second Vatican Council, and is the official term for the canonical hours promulgated for usage by the Latin Church in 1971. Before 1971, the official form for the Latin Church was the ''Breviarium Romanum'', first published in 1568 with major editions through 1962. The Liturgy of the Hours, like many other forms of the canonical hours, consists primarily of psalms supplemented by hymns, re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gregorian Chant
Gregorian chant is the central tradition of Western plainchant, a form of monophonic, unaccompanied sacred song in Latin (and occasionally Greek) of the Roman Catholic Church. Gregorian chant developed mainly in western and central Europe during the 9th and 10th centuries, with later additions and redactions. Although popular legend credits Pope Gregory I with inventing Gregorian chant, scholars believe that it arose from a later Carolingian synthesis of the Old Roman chant and Gallican chant. Gregorian chants were organized initially into four, then eight, and finally 12 modes. Typical melodic features include a characteristic ambitus, and also characteristic intervallic patterns relative to a referential mode final, incipits and cadences, the use of reciting tones at a particular distance from the final, around which the other notes of the melody revolve, and a vocabulary of musical motifs woven together through a process called centonization to create families of related ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karl Proske
Karl Proske (11 February 1794, Gröbnig (Upper Silesia) – 20 December 1861), was a German Catholic cleric, also known as Carolus Proske and Carl Proske. In his youth, Proske was a medical doctor, and worked for the Prussian military during the 1813-15 engagement. In 1821 he entered the seminary, and was ordained in Regensburg on April 11, 1826. The following year, he was made a vicar choral of Regensburg Cathedral. Proske was never to leave this post at Regensburg, and, in addition to his duties as a cleric, devoted all his energies and spent his entire private income on the restoration of what he called "vere musica ecclesiae," the "true music of the Church." This he considered to be the ancient Gregorian chant and especially the polyphonic works of the Renaissance masters (such as Palestrina, Nanini, Marenzio, Lassus, etc.). He searched all throughout Germany and Italy, making many trips to Rome, in order to collect ancient manuscripts for his library, which grew to contain t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph D'Ortigue
Joseph Louis d'Ortigue (22 May 1802 – 20 November 1866) was a French musicologist and critic. A specialist in liturgical music and a conservative Catholic of ultramontane and royalist leanings, he was a close friend of both Berlioz and Liszt. His most influential work was ''Dictionnaire liturgique, historique, et theorique de plain-chant et le musique d'église'', but he also wrote for many of the most prominent periodicals of the day, including '' Journal des débats'' and '' Le Ménestrel'' where he was the editor-in-chief from 1863 until his sudden death at the age of 64.Chouquet, Gustave (1900)"Ortigue, Joseph Louis D'" '' Grove's Dictionary of Music and Musicians'', Vol. 2, p. 614. MacMillan & Co.''Dictionnaire de la musique''"Joseph Louis d'Ortigue" Éditions Larousse. Online version retrieved 22 March 2017 . Early life D'Ortigue was born in Cavaillon, the son of Jacques and Marie Marguerite (''née'' Gaussen) d'Ortigue. His father was a justice of the peace and forme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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