Cavalleria Rusticana (short Story)
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Cavalleria Rusticana (short Story)
''Cavalleria rusticana'' (Italian: 'Rustic Chivalry') is a short story by the Sicilian Giovanni Verga, published in a collection entitled '' Novelle rusticane'' in 1883 and presented in dramatic form as a one-act tragedy at Turin in 1884. Pietro Mascagni made this prose play the basis of the verse-libretto of his one-act opera, ''Cavalleria rusticana ''Cavalleria rusticana'' (; Italian for "rustic chivalry") is an opera in one act by Pietro Mascagni to an Italian libretto by Giovanni Targioni-Tozzetti and Guido Menasci, adapted from an 1880 short story of the same name and subsequent play b ...'' (1890).Keller 1924, p. 131. Characters * Turiddù Macca * Lola * Alfio * Santuzza Plot The scene is a Sicilian village and the time Easter Day at the hour of mass. Turiddù Macca, a young peasant, son of a widowed mother, was in love with the coquette, Lola. On his return from military service he found her married to Alfio, a carter. Out of pique he paid his addresses to Sant ...
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Giovanni Verga
Giovanni Carmelo Verga di Fontanabianca (; 2 September 1840 – 27 January 1922) was an Italian realist ('' verista'') writer, best known for his depictions of life in his native Sicily, especially the short story and later play ''Cavalleria rusticana'' and the novel ''I Malavoglia'' (''The House by the Medlar Tree''). Life and career The first son of Giovanni Battista Catalano Verga and Caterina Di Mauro, Verga was born into a prosperous family of Catania in Sicily. He began writing in his teens, producing the largely unpublished, but currently quite famous, historical novel ''Amore e Patria'' (''Love and Homeland''); then, although nominally studying law at the University of Catania, he used money his father had given him to publish his ''I carbonari della montagna'' (''The Carbonari of the Mountain'') in 1861 and 1862. This was followed by ''Sulle lagune'' (''On the Lagoons'') in 1863. Meanwhile, Mr. Verga had been serving in the Catania National Guard (1860–64), after ...
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Novelle Rusticane
A novella is a narrative prose fiction whose length is shorter than most novels, but longer than most short stories. The English word ''novella'' derives from the Italian ''novella'' meaning a short story related to true (or apparently so) facts. Definition The Italian term is a feminine of ''novello'', which means ''new'', similarly to the English word ''news''. Merriam-Webster defines a novella as "a work of fiction intermediate in length and complexity between a short story and a novel". No official definition exists regarding the number of pages or words necessary for a story to be considered a novella, a short story or a novel. The Science Fiction and Fantasy Writers Association defines a novella's word count to be between 17,500 and 40,000 words. History The novella as a literary genre began developing in the Italian literature of the early Renaissance, principally Giovanni Boccaccio, author of ''The Decameron'' (1353). ''The Decameron'' featured 100 tales (named nove ...
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Tragedy
Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain hatawakens pleasure", for the audience. While many cultures have developed forms that provoke this paradoxical response, the term ''tragedy'' often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it. From its origins in the theatre of ancient Greece 2500 years ago, from which there survives only a fra ...
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Cavalleria Rusticana (opera)
''Cavalleria rusticana'' (; Italian for "rustic chivalry") is an opera in one act by Pietro Mascagni to an Italian libretto by Giovanni Targioni-Tozzetti and Guido Menasci, adapted from an 1880 short story of the same name and subsequent play by Giovanni Verga. Considered one of the classic ''verismo'' operas, it premiered on 17 May 1890 at the Teatro Costanzi in Rome. Since 1893, it has often been performed in a so-called ''Cav/Pag'' double-bill with ''Pagliacci'' by Ruggero Leoncavallo. Composition history In July 1888 the Milanese music publisher Edoardo Sonzogno announced a competition open to all young Italian composers who had not yet had an opera performed on stage. They were invited to submit a one-act opera which would be judged by a jury of five prominent Italian critics and composers. The best three would be staged in Rome at Sonzogno's expense. Mascagni heard about the competition only two months before the closing date and asked his friend Giovanni Targioni-Tozzet ...
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