Cathedral Of Volterra
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Cathedral Of Volterra
Volterra Cathedral ( it, Cattedrale di Santa Maria Assunta, or ''Duomo di Volterra'') is a Roman Catholic cathedral in Volterra, Italy, dedicated to the Assumption of the Virgin Mary. It is the seat of the bishop of Volterra. History The present church was rebuilt after the earthquake of 1117 that destroyed most of the town, and consecrated by Pope Calixtus II in 1120. Details of the earlier church on the site are not clear, although a church dedicated to Saint Mary is known from the 9th century. This was not the original cathedral, which was dedicated to Saint Peter and located next to the bishop's palace; it was destroyed by the Florentines during a siege in 1472, after which the bishop's seat was transferred to the present cathedral. Nicola Pisano is said to have been involved in further reconstruction in the mid 13th century. The rustic stone façade was built in Romanesque style using spolia from the Roman theater of Volterra in the portal. The intarsia over the door is ...
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Volterra
Volterra (; Latin: ''Volaterrae'') is a walled mountaintop town in the Tuscany region of Italy. Its history dates from before the 8th century BC and it has substantial structures from the Etruscan, Roman, and Medieval periods. History Volterra, known to the ancient Etruscans as ''Velathri'' or ''Vlathri'' and to the Romans as ''Volaterrae'', is a town and ''comune'' in the Tuscany region of Italy. The town was a Bronze Age settlement of the Proto-Villanovan culture, and an important Etruscan center (''Velàthre'', ''Velathri'' or ''Felathri'' in Etruscan, ''Volaterrae'' in Latin language), one of the "twelve cities" of the Etruscan League. The site is believed to have been continuously inhabited as a city since at least the end of the 8th century BC. It became a municipium allied to Rome at the end of the 3rd century BC. The city was a bishop's residence in the 5th century, and its episcopal power was affirmed during the 12th century. With the decline of the episcopate and th ...
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S03 06 01 001 Image 627
S, or s, is the nineteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''ess'' (pronounced ), plural ''esses''. History Origin Northwest Semitic šîn represented a voiceless postalveolar fricative (as in 'ip'). It originated most likely as a pictogram of a tooth () and represented the phoneme via the acrophonic principle. Ancient Greek did not have a phoneme, so the derived Greek letter sigma () came to represent the voiceless alveolar sibilant . While the letter shape Σ continues Phoenician ''šîn'', its name ''sigma'' is taken from the letter ''samekh'', while the shape and position of ''samekh'' but name of ''šîn'' is continued in the '' xi''. Within Greek, the name of ''sigma'' was influenced by its association with the Greek word (earlier ) "to hiss". The original name of the letter "sigma" may have been ''san'', but due to the complica ...
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Plague (disease)
Plague is an infectious disease caused by the bacterium ''Yersinia pestis''. Symptoms include fever, weakness and headache. Usually this begins one to seven days after exposure. There are three forms of plague, each affecting a different part of the body and causing associated symptoms. Pneumonic plague infects the lungs, causing shortness of breath, coughing and chest pain; bubonic plague affects the lymph nodes, making them swell; and septicemic plague infects the blood and can cause tissues to turn black and die. The bubonic and septicemic forms are generally spread by flea bites or handling an infected animal, whereas pneumonic plague is generally spread between people through the air via infectious droplets. Diagnosis is typically by finding the bacterium in fluid from a lymph node, blood or sputum. Those at high risk may be vaccinated. Those exposed to a case of pneumonic plague may be treated with preventive medication. If infected, treatment is with antibiotic ...
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Sarcophagus
A sarcophagus (plural sarcophagi or sarcophaguses) is a box-like funeral receptacle for a corpse, most commonly carved in stone, and usually displayed above ground, though it may also be buried. The word ''sarcophagus'' comes from the Greek σάρξ ' meaning "flesh", and φαγεῖν ' meaning "to eat"; hence ''sarcophagus'' means "flesh-eating", from the phrase ''lithos sarkophagos'' ( λίθος σαρκοφάγος), "flesh-eating stone". The word also came to refer to a particular kind of limestone that was thought to rapidly facilitate the decomposition of the flesh of corpses contained within it due to the chemical properties of the limestone itself. History of the sarcophagus Sarcophagi were most often designed to remain above ground. The earliest stone sarcophagi were used by Egyptian pharaohs of the 3rd dynasty, which reigned from about 2686 to 2613 B.C. The Hagia Triada sarcophagus is a stone sarcophagus elaborately painted in fresco; one style of later A ...
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Niccolò Circignani
Niccolò Circignani (c. 1517/1524 – after 1596) was an Italian painter of the late-Renaissance or Mannerist period. Biography Born in Pomarance, he is one of three Italian painters called Pomarancio. His first works are documented from the 1560s, where he painted frescos on the Old Testament stories for the Vatican Belvedere, where he may have worked alongside Santi di Tito and Giovanni de' Vecchi. He also completed altarpieces for Orvieto (1570), Umbertide (1572), Città di Castello (1573–1577) as well as Città della Pieve. He worked at Orvieto Cathedral with Hendrick van den Broeck, a brother of the sculptor Willem van den Broecke and a relative of the painter Chrispijn van den Broeck. He painted frescoes (1568) in the church of the ''Maestà delle Volte'' in Perugia, the ''Resurrection'' (1569 in Panicale) and an ''Annunciation'' (1577, now in the Pinacoteca Comunale, Città di Castello). He painted frescoes (starting 1574) on mythologic themes including a ''Ju ...
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Choir Stalls
A choir, also sometimes called quire, is the area of a church or cathedral that provides seating for the clergy and church choir. It is in the western part of the chancel, between the nave and the sanctuary, which houses the altar and Church tabernacle. In larger medieval churches it contained choir-stalls, seating aligned with the side of the church, so at right-angles to the seating for the congregation in the nave. Smaller medieval churches may not have a choir in the architectural sense at all, and they are often lacking in churches built by all denominations after the Protestant Reformation, though the Gothic Revival revived them as a distinct feature. As an architectural term "choir" remains distinct from the actual location of any singing choir – these may be located in various places, and often sing from a choir-loft, often over the door at the liturgical western end. In modern churches, the choir may be located centrally behind the altar, or the pulpit. The back-choir ...
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Mino Da Fiesole
Mino da Fiesole (c. 1429 – July 11, 1484), also known as Mino di Giovanni, was an Italian Renaissance sculptor from Poppi, Tuscany. He is noted for his portrait busts. Career Mino's work was influenced by his master Desiderio da Settignano and by Antonio Rossellino, and is characterized by its sharp, angular treatment of drapery. Unlike most Florentine sculptors of his generation, Mino passed two lengthy sojourns in Rome, from about 1459 to 1464 and again from about 1473/1474 until 1480. Mino was a friend and fellow-worker of Desiderio da Settignano and Matteo Civitali, all three being about the same age. Mino's sculpture is remarkable for its finish and delicacy of details, as well as for its spirituality and strong devotional feeling. Of Mino's earlier works, the finest are in the cathedral of Fiesole, the altarpiece and tomb of Bishop Leonardo Salutati (died 1466) His most arduous and complicated commissions, which define his intellectual and artistic nature, are an alta ...
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Ciborium (architecture)
In ecclesiastical architecture, a ciborium ("ciborion": in Greek) is a canopy or covering supported by columns, freestanding in the sanctuary, that stands over and covers the altar in a basilica or other church. It may also be known by the more general term of baldachin, though ''ciborium'' is often considered more correct for examples in churches. Really a baldachin (originally an exotic type of silk from Baghdad) should have a textile covering, or at least, as at Saint Peter's in Rome, imitate one. There are exceptions; Bernini's structure in Saint Peter's, Rome is always called the baldachin. Early ciboria had curtains hanging from rods between the columns, so that the altar could be concealed from the congregation at points in the liturgy. Smaller examples may cover other objects in a church. In a very large church, a ciborium is an effective way of visually highlighting the altar, and emphasizing its importance. The altar and ciborium are often set upon a dais to raise i ...
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Volterra Duomo Di Volterra 015
Volterra (; Latin: ''Volaterrae'') is a walled mountaintop town in the Tuscany region of Italy. Its history dates from before the 8th century BC and it has substantial structures from the Etruscan, Roman, and Medieval periods. History Volterra, known to the ancient Etruscans as ''Velathri'' or ''Vlathri'' and to the Romans as ''Volaterrae'', is a town and ''comune'' in the Tuscany region of Italy. The town was a Bronze Age settlement of the Proto-Villanovan culture, and an important Etruscan center (''Velàthre'', ''Velathri'' or ''Felathri'' in Etruscan, ''Volaterrae'' in Latin language), one of the "twelve cities" of the Etruscan League. The site is believed to have been continuously inhabited as a city since at least the end of the 8th century BC. It became a municipium allied to Rome at the end of the 3rd century BC. The city was a bishop's residence in the 5th century, and its episcopal power was affirmed during the 12th century. With the decline of the episcopate and th ...
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Aristodemo Costoli
Aristodemo Costoli (1803–1871) was an Italian sculptor who spent his entire career in the city of Florence. His students included Emilio Zocchi, Girolamo Masini, Augusto Rivalta and his son Leopoldo Costoli. Partial anthology of works Florence * ''Galileo'' in Tribune of Galileo, at Museo della Specola (1832); *'Christophe Colomb at :fr:Musée du Nouveau Monde, musée du Nouveau Monde, La Rochelle (France); * ''Pegasus'', in Giardino di Boboli; * tondo dedicated to Arnolfo di Cambio in Duomo di Firenze; * bust of Cosimo Buonarroti and Rosina Vendramin, in Casa Buonarroti; * ''Monument to L. Matteucci'' (1845), in Badia Fiorentina; * ''Discovery of America'', in Hall 5 of Galleria d'arte moderna (Firenze) in Palazzo Pitti; * ''Monument to Galileo'', niche in the ground-floor courtyard of the Uffizi Gallery (1851); * ''Jeremiah'' (Palazzo Pitti); * ''Funeral Monument to Della Gherardesca'' (Santa Maria del Fiore a Lapo); * Bas-relief of Villa Paolina (Sesto Fiorentino), Villa ...
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Archbishop Of Florence
The Archdiocese of Florence ( la, Archidioecesis Florentina) is a metropolitan see of the Catholic Church in Italy."Archdiocese of Firenze "
''''. David M. Cheney. Retrieved 7 October 2016.
"Metropolitan Archdiocese of Firenze"
''GCatholic.org''. Gabriel Chow. Retrieved October 7, 2016.
It was traditionally founded in the 1st century, according to the 14th century chronicler