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Catalogue Of The Pinacoteca Of The Accademia Carrara
This is a list of the works in the Accademia Carrara of Bergamo, with artists and works from before the 20th century featured in the painting gallery (Italian: ''Pinacoteca'') of the museum. Painters with surnames A through C Painters with surnames D-L Painters with surnames M through R Painters with surnames S-Z Notes Accademia Carraraon website of Lombardia Beni Culturali {{DEFAULTSORT:Catalogue Of The Pinacoteca Of The Accademia Carrara Carrara Carrara ( , ; , ) is a city and ''comune'' in Tuscany, in central Italy, of the province of Massa and Carrara, and notable for the white or blue-grey marble quarried there. It is on the Carrione River, some west-northwest of Florence. Its mot ... Carrera Accademia Carrara di Belle Arti di Bergamo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Accademia Carrara
The Accademia Carrara, (), officially Accademia Carrara di Belle Arti di Bergamo, is an art gallery and an academy of fine arts in Bergamo, in Lombardy in northern Italy. The art gallery was established in about 1780 by , a Bergamasco collector or ' of the arts. The academy of fine arts was added to it in 1794. The school was recognised by the Ministero dell'Istruzione, dell'Università e della Ricerca, the Italian ministry of education, in 1988. History The art gallery was established in the early 1780s by , a Bergamasco collector or ' of the arts; by 1785 it was open to some visitors. An academy of fine arts was added to it in 1793 or 1794, initially under the direction of the Milanese painter Carlo Dionigi Sadis. Carrara made his will in 1795, leaving his entire estate to the gallery and art school he had founded; these were to be managed by a five-member commission, of which the first five were chosen by him. He died the next year. In 1810, a new building in the neo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Bellini
Giovanni Bellini (; c. 1430 – 26 November 1516) was an Italian Renaissance painter, probably the best known of the Bellini family of Venetian painters. He was raised in the household of Jacopo Bellini, formerly thought to have been his father, but now that familial generational relationship is questioned.; “Giovanni Bellini: Birth, Parentage, and Independence" in ''Renaissance Quarterly'' An older brother, Gentile Bellini was more highly regarded than Giovanni during his lifetime, but the reverse is true today. His brother-in-law was Andrea Mantegna. Giovanni Bellini was considered to have revolutionized Venetian painting, moving it toward a more sensuous and colouristic style. Through the use of clear, slow-drying oil paints, Giovanni created deep, rich tints and detailed shadings. His sumptuous coloring and fluent, atmospheric landscapes had a great effect on the Venetian painting school, especially on his pupils Giorgione and Titian. Life Early career Giovanni Bell ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paolo Bonomino
Paolo Maria Bonomino (1703 – post 1779) was an Italian painter, mainly active in Bergamo as a portraitist during the Rococo or late-Baroque period. Biography He was born in Bergamo, and trained under Fra Galgario Fra’ Galgario (4 March 1655 – December 1743), born Giuseppe Vittore Ghislandi, and also called ''Fra’ Vittore del Galgario'', was an Italian painter, mainly active in Bergamo as a portraitist during the Rococo or late- Baroque period. Bio .... His paintings were afterwards often confused with those of his master. article by Selwyn Brinton, The Burlington Magazine for Connoisseurs, Volume 21, (1912), page 352. References {{DEFAULTSORT:Bonomino Paolo Maria 1703 births[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Antonio Boltraffio
Giovanni Antonio Boltraffio (or Beltraffio) (1466 or 1467 – 1516) was an Italian painter of the High Renaissance from Lombardy, who worked in the studio of Leonardo da Vinci. Boltraffio and Bernardino Luini are the strongest artistic personalities to emerge from Leonardo's studio. According to Giorgio Vasari, he was of an aristocratic family and was born in Milan. Paintings His major painting of the 1490s is the ''Resurrection'' (painted with fellow da Vinci pupil Marco d'Oggiono and now in the Gemäldegalerie, Berlin). A ''Madonna and Child'' in the Museo Poldi Pezzoli of Milan, is one of the high points of the Lombard Quattrocento. His portraits, often in profile, and his half-length renderings of the Madonna and Child are Leonardesque in conception, though the clean hard edges of his outlines lack Leonardo's '' sfumato''. In Bologna, where he remained in 1500-1502, he found sympathetic patrons in the Casio family, of whom he painted several portraits and for whom he prod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boccaccio Boccaccino
Boccaccio Boccaccino (c. 1467 – c. 1525) was a painter of the early Italian Renaissance, belonging to the Emilian school. He is profiled in Vasari's ''Le Vite delle più eccellenti pittori, scultori, ed architettori'' (or, in English, ''Lives of the Most Excellent Painters, Sculptors, and Architects''). He was born in Ferrara and studied there, probably under Domenico Panetti. Few facts of his life are known. His principal artistic activity was in Venice, Ferrara, and especially in Cremona, where he founded a school in which Garofalo was a pupil. His most celebrated achievement is the frescoes in the Cathedral of Cremona (1506–1519) representing the ''Birth of the Virgin'' and some subjects from her life. His position there was taken over by Altobello Melone. His remaining works, which include the ''Marriage of Saint Catherine'' ( Gallerie dell'Accademia, Venice), the ''Virgin and Child with Four Saints'' (Venice, San Giuliano), the ''Virgin and Two Saints'' (Cremo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ambrogio Bevilacqua
Giovanni Ambrogio Bevilacqua, also known as il Liberale Bevilacqua (active by 1481 to at least 1512) was an Italian painter active in Lombardy in a late-medieval or early Renaissance style. He was a pupil of Vincenzo Foppa of Milan. Biography Bevilacqua was apparently born in Milan to a carpenter named Pietro. By 1481, he was noted under the patronage of Duke Francesco Sforza. He signed in 1485 a fresco depicting ''Saints Roch, Sebastian, and Christopher'' and perhaps also completed a ''Madonna and Saints with Donors'' for the parish church of Landriano. Works *''Madonna and Child'', Museo Bagatti Valsecchi of Milan, *''Madonna Piccinella'', Sforza Castle Pinacoteca of Milan *''Madonna with Child, St Peter Martyr, King David, and Donor'', Pinacoteca Brera, Milan *Castello Visconteo (Pavia) *Metropolitan Museum of New York, *National Museum of Art of Luxembourg *''Madonna and Child with St John the Baptist, St Bernard of Clairveaux and a donor'', Accademia Carrara in Bergamo, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bartolomeo Bettera
Bartolomeo Bettera (Bergamo, 1639 - Milan, after 1688) was an Italian painter, mainly depicting still lifes with musical instruments. He trained and worked under or with Evaristo Baschenis, painting the same subject matter. Works can be seen in Ringling Museum of Art, National Gallery of Slovenia, and Gallery of the Accademia Carrara The Accademia Carrara, (), officially Accademia Carrara di Belle Arti di Bergamo, is an art gallery and an academy of fine arts in Bergamo, in Lombardy in northern Italy. The art gallery was established in about 1780 by , a Bergamasco collect ... in Bergamo. References {{DEFAULTSORT:Bettera, Bartolomeo 1639 births 1680s deaths Painters from Bergamo 17th-century Italian painters Italian male painters Italian Baroque painters Italian still life painters ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Bertini
Giuseppe Bertini (1825–1898) was an Italian painter, active in his native Milan. Biography He studied at the Brera Academy under Luigi Sabatelli and Giuseppe Bisi, and in 1845 was awarded the ''Gran premio di pittura dell'Accademia di Brera'' on the strength of a picture of the meeting between ''Dante and Fra Ilario''. He also painted the ''Triumphal entry of the allied sovereigns into Milan after the Battle of Magenta'' (after 1859). He also painted frescoes on a vaulted room of the residence of the Puricelli Guerra, representing the great men of the Middle Ages, backgrounded against perspectives of Gothic architecture. He painted a ''Torquato Tasso introduced to Emmanuel Philibert''; ''Death of St Joseph'' (commissioned by a parish in Palermo; an ''Assumption of the Virgin'' for a church in Valmarana in Altavilla Vicentina; an altarpiece of ''Vision of St Francis of Assisi'' for the church of San Babila, Milan; paintings for the palazzo of Count Ernesto Turati in Milan; ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ambrogio Bergognone
Ambrogio Borgognone (variously known as ''Ambrogio da Fossano'', ''Ambrogio di Stefano da Fossano'', ''Ambrogio Stefani da Fossano'' or as ''il Bergognone'' or ''Ambrogio Egogni'' By Gottardo Garollo, 1907, page 727. s1523/1524) was an Italian painter of the period active in and near . Biography While he was nearly contemporary with , he painted in a style more akin to the pre-Renaissance, Lomb ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Job Adriaensz Berckheyde
Job Adriaenszoon Berckheyde (baptized 27 January 1630 – before 23 November 1693) was a Dutch artist of the 17th century, active in Haarlem, Amsterdam, and The Hague. Biography Job Berckheyde was born in Haarlem and was the older brother of the painter Gerrit who he later taught to paint.Job Adriaensz Berkheyde Biography in ''De groote schouburgh der Nederlantsche konstschilders en schilderessen'' (1718) by , courtesy of the He was a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Francesco Bembo
Giovanni Francesco Bembo was an Italian Renaissance painter from Cremona, mainly active from 1515 to 1543. He apprenticed with Boccaccio Boccaccino. In 1515, he painted two frescoes: ''Presentation in the Temple'' and an ''Adoration of the Magi'' for the Duomo of Cremona. He painted an altarpiece for San Pietro depicting a ''Madonna with three saints and a donor'' in 1524. In 1530, he painted a ''Madonna with Saint Stephen'' and in 1540, a ''Madonna with St. John the Baptist and a Bishop'' now in the Museo Civico. He is supposed to have visited Rome, and thought to be identical with a painter who was there known as ''Vetriario''. Other works in Cremona include in San Niccoló, a ''St. Nicholas with the Virgin'' and in San Pietro is a ''Madonna'' (1524). His style recalls Fra Bartolommeo. Giovanni Francesco or Gianfrancesco Bembo, was the nephew of Bonifazio Bembo, the son of Giovanni and brother of Lorenzo, all painters. Giovanni Francesco is said by Vasari to have worked in Ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
