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Castore E Polluce
''Castore e Polluce'' (''Castor and Pollux'') is an ''opera seria'' by Francesco Bianchi. The libretto was one translated by Carlo Innocenzo Frugoni, from Pierre-Joseph Bernard's French text for Rameau's ''Castor et Pollux''. The opera was extravagantly in the French style. As Marita P. McClymonds explains, "Castore contains all the elements that had been purged from Italian serious opera before the turn of the century: gods appearing in machines, miraculous scene changes, arias without exit, much use of chorus, and an infernal scene in the underworld with dancing." Performance history The opera was first performed in four acts at the Teatro della Pergola The Teatro della Pergola is an historic opera house in Florence, Italy. It is located in the centre of the city on the Via della Pergola, from which the theatre takes its name. It was built in 1656 under the patronage of Cardinal Gian Carlo de' Med ... in Florence on 10 January 1779. It was revised for a three-act version for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera Seria
''Opera seria'' (; plural: ''opere serie''; usually called ''dramma per musica'' or ''melodramma serio'') is an Italian musical term which refers to the noble and "serious" style of Italian opera that predominated in Europe from the 1710s to about 1770. The term itself was rarely used at the time and only attained common usage once ''opera seria'' was becoming unfashionable and beginning to be viewed as something of a historical genre. The popular rival to ''opera seria'' was ''opera buffa,'' the 'comic' opera that took its cue from the improvisatory commedia dell'arte. Italian ''opera seria'' (invariably to Italian libretti) was produced not only in Italy but almost throughout Europe, and beyond (see Opera in Latin America, Opera in Cuba e. g.). Among the main centres in Europe were the court operas based in Warsaw (since 1628), Munich (founded in 1653), London (established in 1662), Vienna (firmly established 1709; first operatic representation: ''Il pomo d'oro'', 1668), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luigi Marchesi
Luigi Marchesi (; 8 August 1754 – 14 December 1829) was an Italian castrato singer, one of the most prominent and charismatic to appear in Europe during the second half of the eighteenth century. His singing was praised by the likes of Mozart and Napoleon. Biography Luigi Ludovico Marchesi was born in Milan. He joined the Milan Cathedral choir in 1765 and made his operatic debut in Rome in 1773 at the Teatro delle Dame, cast as a female character, in Marcello da Capua's comic opera ''La contessina''. For several years, Marchesi appeared either in minor roles or minor operatic centers, but he found a valuable ally in the Czech composer Josef Mysliveček after he appeared in the latter's opera '' Ezio'' and oratorio ''Isacco figura del redentore'' in Munich early in the year 1777. Marchesi's singing in both productions was considered to be extraordinary. In a letter written by Wolfgang Amadeus Mozart to his father from Munich on 11 October 1777, it is mentioned that Myslive ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian-language Operas
Italian (''italiano'' or ) is a Romance language of the Indo-European language family that evolved from the Vulgar Latin of the Roman Empire. Together with Sardinian, Italian is the least divergent language from Latin. Spoken by about 85 million people (2022), Italian is an official language in Italy, Switzerland (Ticino and the Grisons), San Marino, and Vatican City. It has an official minority status in western Istria (Croatia and Slovenia). Italian is also spoken by large immigrant and expatriate communities in the Americas and Australia.Ethnologue report for language code:ita (Italy) – Gordon, Raymond G., Jr. (ed.), 2005. Ethnologue: Languages of the World, Fifteenth edition. Dallas, Tex.: SIL International. Online version Italian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1779 Operas
Events January–March * January 11 – British troops surrender to the Marathas in Wadgaon, India, and are forced to return all territories acquired since 1773. * January 11 – Ching-Thang Khomba is crowned King of Manipur. * January 22 – American Revolutionary War – Claudius Smith is hanged at Goshen, Orange County, New York for supposed acts of terrorism upon the people of the surrounding communities. * January 29 – After a second petition for partition from its residents, the North Carolina General Assembly abolishes Bute County, North Carolina (established 1764) by dividing it and naming the northern portion Warren County (for Revolutionary War hero Joseph Warren), the southern portion Franklin County (for Benjamin Franklin). The General Assembly also establishes Warrenton (also named for Joseph Warren) to be the seat of Warren County, and Louisburg (named for Louis XVI of France) to be the seat of Franklin County. * February 12 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas By Francesco Bianchi
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hermes
Hermes (; grc-gre, Ἑρμῆς) is an Olympian deity in ancient Greek religion and mythology. Hermes is considered the herald of the gods. He is also considered the protector of human heralds, travellers, thieves, merchants, and orators. He is able to move quickly and freely between the worlds of the mortal and the divine, aided by his winged sandals. Hermes plays the role of the psychopomp or "soul guide"—a conductor of souls into the afterlife. In myth, Hermes functions as the emissary and messenger of the gods, and is often presented as the son of Zeus and Maia, the Pleiad. Hermes is regarded as "the divine trickster," about which the '' Homeric Hymn to Hermes'' offers the most well-known account. His attributes and symbols include the herma, the rooster, the tortoise, satchel or pouch, talaria (winged sandals), and winged helmet or simple petasos, as well as the palm tree, goat, the number four, several kinds of fish, and incense. However, his main symbol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zeus
Zeus or , , ; grc, Δῐός, ''Diós'', label=Genitive case, genitive Aeolic Greek, Boeotian Aeolic and Doric Greek#Laconian, Laconian grc-dor, Δεύς, Deús ; grc, Δέος, ''Déos'', label=Genitive case, genitive el, Δίας, ''Días'' () is the sky father, sky and thunder god in ancient Greek religion, who rules as king of the gods on Mount Olympus. His name is cognate with the first element of his ancient Roman religion, Roman interpretatio graeca, equivalent Jupiter (mythology), Jupiter.''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. His mythology and powers are similar, though not identical, to those of Indo-European deities such as Jupiter, Perkūnas, Perun, Indra, Dyaus, and Zojz (deity), Zojz. Entry: "Dyaus" Zeus is the child of Cronus and Rhea (mythology), Rhea, the youngest of his siblings to be born, though sometimes reckoned the eldest as the others required disgorging from Cronus's stomach. In most traditions, he is m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanley Sadie
Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Music and Musicians'' (1980), which was published as the first edition of ''The New Grove Dictionary of Music and Musicians''. Along with Thurston Dart, Nigel Fortune and Oliver Neighbour he was one of Britain's leading musicologists of the post-World War II generation. Career Born in Wembley, Sadie was educated at St Paul's School, London, and studied music privately for three years with Bernard Stevens. At Gonville and Caius College, Cambridge he read music under Thurston Dart. Sadie earned Bachelor of Arts and Bachelor of Music degrees in 1953, a Master of Arts degree in 1957, and a PhD in 1958. His doctoral dissertation was on mid-eighteenth-century British chamber music. After Cambridge, he taught at Trinity College of Music, London (1957–1965). Sadie then turned to musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nancy Storace
Anna (or Ann) Selina Storace (; 27 October 176524 August 1817), known professionally as Nancy Storace, was an English operatic soprano. The role of Susanna in Mozart's ''Le nozze di Figaro'' was written for and first performed by her. Born in London, her singing career as a child prodigy began in England by the age of 12. This led to further study in Italy and to a successful singing career there during the late 1770s. While in Monza (or shortly before in Milan) in 1782,Pesqué 2017, p. 56-57 quotes a letter dated November 1785 from Poet Giovanni Battista Casti who informs his correspondent that Storace and Benucci have been already recruited for Vienna. she was recruited to form part of Emperor Joseph II's new Italian opera company in Vienna, where the assembled singers who joined her "created in the two years leading up to the premiere of ''The Marriage of Figaro'', were welded into the finest buffa ensemble anywhere." In Vienna, she befriended both Mozart and Joseph Hayd ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phoebe (Leucippides)
In Greek mythology, Phoebe ( ; grc, Φοίβη, Phoíbē, associated with ''phoîbos'', "shining") was a Messenian princess. Family Phoebe was the daughter of Leucippus and Philodice, daughter of Inachus. She and her sister Hilaera are commonly referred to as Leucippides (that is, "daughters of Leucippus"). In another account, they were the daughters of Apollo. Phoebe married Pollux and bore him a son, named either MnesileosApollodorus3.11.2/ref> or Mnasinous. Mythology Phoebe and Hilaera were priestesses of Athena and Artemis, and betrothed to Idas and Lynceus, the sons of Aphareus. Castor and Pollux were charmed by their beauty and carried them off. When Idas and Lynceus tried to rescue their brides-to-be they were both slain, but Castor himself fell.Theocritus, ''Idylls'' 22.137 ff.; Ovid, ''Fasti'' 5.709 ff. Pollux persuaded Zeus to allow him to share his immortality with his brother.Hyginus, ''Fabulae'80/ref> Notes Princesses in Greek mythology Children of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hilaeira
In Greek mythology, Hilaera (Ancient Greek: Ἱλάειρα; also Ilaeira) was a Messenian princess. Family Hilaera was a daughter of Leucippus and Philodice, daughter of Inachus. She and her sister Phoebe are commonly referred to as Leucippides (that is, "daughters of Leucippus"). In another account, they were the daughters of Apollo. Hilaera married Castor and bore him a son, named either Anogon or Anaxis. Mythology Hilaera and Phoebe were priestesses of Artemis and Athena, and betrothed to Lynceus and Idas, the sons of Aphareus. Castor and Pollux were charmed by their beauty and carried them off. When Idas and Lynceus tried to rescue their brides-to-be they were both slain, but Castor himself fell. Pollux persuaded Zeus to allow him to share his immortality with his brother.Hyginus, ''Fabulae'80/ref> Cultural depictions Hilaera and Phoebe are both portrayed in the painting ''The Rape of the Daughters of Leucippus''. Notes References Princesses in Greek mytholog ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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