Casio AZ-1
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Casio AZ-1
The Casio AZ-1 is a polyphonic MIDI keyboard in the form factor of a keytar. It has a distinctive white body with a long neck, with detailing in a pale blue. This instrument is designed to be played, with the aid of a shoulder strap, in an approximation of an electric guitar. As were many keytars, it was geared towards keyboardists who wanted greater freedom of movement during performances. Features The AZ-1 features 2 switches, 2 wheels, and 1 slider that transmit assignable MIDI continuous controller data as the user deems fit. It has a pitch wheel for shifting the sound up or down fractions of a note. Other non-definable controllers include Solo, Sustain, Portamento and a three position octave slider. The AZ-1 has one MIDI output, and can simultaneously transmit on two selectable midi channels. It can send midi program change commands from dedicated program select buttons. Furthermore, its feature set includes both velocity sensitivity as well as true aftertouch. This is ...
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Casio Az1
is a Japanese multinational electronics manufacturing corporation headquartered in Shibuya, Tokyo, Japan. Its products include calculators, mobile phones, digital cameras, electronic musical instruments, and analogue and digital watches. It was founded in 1946, and in 1957 introduced the world's first entirely compact electronic calculator. It was an early digital camera innovator, and during the 1980s and 1990s, the company developed numerous affordable home electronic keyboards for musicians along with introducing the world's first mass-produced digital watches. History Casio was established as Kashio Seisakujo in April 1946 by Tadao Kashio ( 樫尾忠雄 1917–1993), an engineer specializing in fabrication technology. Kashio's first major product was the yubiwa pipe, a finger ring that would hold a cigarette, allowing the wearer to smoke the cigarette down to its nub while also leaving the wearer's hands free. Japan was impoverished immediately following World War II, so c ...
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Polyphonic
Polyphony ( ) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice, monophony, or a texture with one dominant melodic voice accompanied by chords, homophony. Within the context of the Western musical tradition, the term ''polyphony'' is usually used to refer to music of the late Middle Ages and Renaissance. Baroque forms such as fugue, which might be called polyphonic, are usually described instead as contrapuntal. Also, as opposed to the ''species'' terminology of counterpoint, polyphony was generally either "pitch-against-pitch" / "point-against-point" or "sustained-pitch" in one part with melismas of varying lengths in another. In all cases the conception was probably what Margaret Bent (1999) calls "dyadic counterpoint", with each part being written generally against one other part, with all parts modified if needed in the end. This point-against-point conception is opposed to "su ...
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MIDI
MIDI (; Musical Instrument Digital Interface) is a technical standard that describes a communications protocol, digital interface, and electrical connectors that connect a wide variety of electronic musical instruments, computers, and related audio devices for playing, editing, and recording music. The specification originates in the paper ''Universal Synthesizer Interface'' published by Dave Smith and Chet Wood of Sequential Circuits at the 1981 Audio Engineering Society conference in New York City. A single MIDI cable can carry up to sixteen channels of MIDI data, each of which can be routed to a separate device. Each interaction with a key, button, knob or slider is converted into a MIDI event, which specifies musical instructions, such as a note's pitch, timing and loudness. One common MIDI application is to play a MIDI keyboard or other controller and use it to trigger a digital sound module (which contains synthesized musical sounds) to generate sounds, which t ...
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Keyboard Instrument
A keyboard instrument is a musical instrument played using a keyboard, a row of levers which are pressed by the fingers. The most common of these are the piano, organ, and various electronic keyboards, including synthesizers and digital pianos. Other keyboard instruments include celestas, which are struck idiophones operated by a keyboard, and carillons, which are usually housed in bell towers or belfries of churches or municipal buildings. Today, the term ''keyboard'' often refers to keyboard-style synthesizers. Under the fingers of a sensitive performer, the keyboard may also be used to control dynamics, phrasing, shading, articulation, and other elements of expression—depending on the design and inherent capabilities of the instrument. Another important use of the word ''keyboard'' is in historical musicology, where it means an instrument whose identity cannot be firmly established. Particularly in the 18th century, the harpsichord, the clavichord, and the early ...
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Keytar
The keytar is a lightweight synthesizer that is supported by a strap around the neck and shoulders, similar to the way a guitar is supported by a strap. Keytars allow players a greater range of movement onstage, compared to conventional keyboards, which are placed on stationary stands or which are part of heavy, floor-mounted structures. The instrument has a musical keyboard for triggering musical notes and sounds. Various controls are placed on the instrument's "neck", including those for pitch bends, vibrato, portamento, and sustain. The term "keytar" is a portmanteau of the words "keyboard" and "guitar". This style of keyboard was mostly referred to by manufacturers as a "MIDI Controller", "Remote Keyboard", "Strap-on Keyboard", or variations thereof. Though the term "keytar" has been used since the introduction of the instrument, it was not used by a major manufacturer until 2012, when the Alesis company referred to the "Vortex", the company's first product of this type, as ...
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Aftertouch
Keyboard expression is the ability of a keyboard instrument, keyboard musical instrument to change tone or other qualities of the sound in response to velocity, pressure or other variations in how the performer depresses the keys of the musical keyboard. Expression types include: * ''Velocity sensitivity''—how fast the key is pressed * ''Aftertouch'', or ''pressure sensitivity'' — the amount of pressure on a key, once already held down * ''Displacement sensitivity''—distance that a key is pressed down Keyboard instruments offer a range of expression types. Acoustic pianos, such as upright and grand pianos, are velocity-sensitive—the faster the key strike, the harder the hammer hits the strings. Baroque-style clavichords and professional synthesizers are aftertouch-sensitive—applied force on the key after the initial strike produces effects such as vibrato or swells in loudness, volume. Tracker pipe organs and some electronic organs are displacement-sensitive—partly dep ...
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House Arrest (song)
"House Arrest" is a song by British dance group Krush. Released as a single in 1987, it is hailed as one of the forerunners of the British house music scene and became the group's biggest hit, reaching the top 20 charts in at least 8 countries in Europe. The song peaked at No. 3 on the UK Singles Chart The UK Singles Chart (currently titled Official Singles Chart, with the upper section more commonly known as the Official UK Top 40) is compiled by the Official Charts Company (OCC), on behalf of the British record industry, listing the top-s ..., No. 12 in Austria and Belgium, No. 15 in Sweden, No. 7 in the Netherlands, No. 5 in Germany, No. 2 in Norway, and No. 1 in Switzerland for two weeks in early 1988. It also peaked at No. 31 in New Zealand. Charts Weekly charts Year-end charts References 1987 songs 1987 debut singles British house music songs Number-one singles in Switzerland Phonogram Records singles Mercury Records singles {{1980s-single-stub ...
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Krush
Krush were a UK dance music group, who had a crossover hit single with "House Arrest" in 1987. Career The group consisted of musicians Mark Gamble, Cassius Campbell and record producers Mark Brydon and Robert Gordon. Ruth Joy was the featured vocalist. "House Arrest", a sample-based dance track, was a No. 3 hit on the UK Singles Chart in December 1987 into January 1988. Alongside similar releases by artists such as Bomb the Bass and S'Express, "House Arrest" is considered a pioneering example of British house music. It has since been licensed to numerous compilation albums. Their second single "Walking on Sunshine" was a club hit in 1992, and peaked at No. 71 on the UK Singles Chart. Brydon went on to have continued success with a variety of other projects within house/dance music. The most notable of these was as the producer of The Funky Worm, who had a top 40 hit in the UK in 1988, with "Hustle (To the Music)". However, Brydon's biggest success came from the mid-1990s o ...
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Dead Or Alive (band)
Dead or Alive were an English Pop music, pop band that released seven studio albums from 1984 to 2000. The band formed in 1980 in Liverpool and found success in the mid-1980s, releasing seven singles that made the UK top 40 and three albums on the UK top 30. At the peak of their success, the lineup consisted of Pete Burns (vocals), Steve Coy (drums), Mike Percy (bass) and Tim Lever (keyboards), with the core pair of Burns and Coy writing and producing for the remainder of the band's career. Two of the band's singles reached the U.S. top 20 on the Billboard Hot 100, ''Billboard'' Hot 100: "You Spin Me Round (Like a Record)" (No. 11 in August 1985) and "Brand New Lover" (No. 15 in March 1987). "You Spin Me Round (Like a Record)" peaked at number one for two weeks in 1985 in the UK, then charted again in 2006 following Burns' appearance on the television reality show ''Big Brother (UK)#Celebrity Big Brother, Celebrity Big Brother'' and on Stranger Things (season 4), sea ...
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Snoop Dogg
Calvin Cordozar Broadus Jr. (born October 20, 1971), known professionally as Snoop Dogg (previously Snoop Doggy Dogg and briefly Snoop Lion), is an American rapper. His fame dates back to 1992 when he featured on Dr. Dre's debut solo single, "Deep Cover", and then on Dre's debut solo album, ''The Chronic''. Broadus has since sold over 23 million albums in the United States and 35 million albums worldwide. His accolades include an American Music Award, a Primetime Emmy Award, and 17 nominations at the Grammy Awards. Broadus' debut solo album, ''Doggystyle,'' produced by Dr. Dre, was released by Death Row Records in November 1993, and debuted at number one on the popular albums chart, the ''Billboard'' 200, and on '' Billboard''s Top R&B/Hip-Hop Albums chart. Selling 800,000 copies in its first week, ''Doggystyle'' was certified quadruple-platinum in 1994 and featured the singles " What's My Name?" and "Gin and Juice". In 1994, Death Row Records released a soundtrack, by Broad ...
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Sensual Seduction
"Sensual Seduction", also known as "Sexual Eruption", is a song by American rapper Snoop Dogg. It was released on November 20, 2007 as the first single of his ninth studio album ''Ego Trippin''', with the record label Geffen Records. The song was Hip hop production, produced by Shawty Redd. Snoop Dogg sings the majority of the song using Auto-Tune. The video's style visually references the style of Roger Troutman, as part of its retro imagery. Writing and background Snoop Dogg originally heard the single "Drifter", produced by Atlanta-based producer Fatboi, and was prepared to purchase the song. Snoop Dogg's cousin — So So Def affiliate rapper-producer Daz Dillinger — began to facilitate mediations between the two artists. Dillinger, in a good connection with Shawty Redd, organized an arrangement in which Shawty agreed to send Dillinger the rights, but also offered to make an exclusive track for Snoop with a similar sound to that of "Drifter". Daz also organized an audition mee ...
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Keytars
The keytar is a lightweight synthesizer that is supported by a strap around the neck and shoulders, similar to the way a guitar is supported by a strap. Keytars allow players a greater range of movement onstage, compared to conventional keyboards, which are placed on stationary stands or which are part of heavy, floor-mounted structures. The instrument has a musical keyboard for triggering musical notes and sounds. Various controls are placed on the instrument's "neck", including those for pitch bends, vibrato, portamento, and sustain. The term "keytar" is a portmanteau of the words "keyboard" and "guitar". This style of keyboard was mostly referred to by manufacturers as a "MIDI Controller", "Remote Keyboard", "Strap-on Keyboard", or variations thereof. Though the term "keytar" has been used since the introduction of the instrument, it was not used by a major manufacturer until 2012, when the Alesis company referred to the "Vortex", the company's first product of this type, as a ...
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