Carry On (Stephen Stills Album)
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Carry On (Stephen Stills Album)
''Carry On'' is a 4-CD career retrospective box set by Stephen Stills (not to be confused with the CSN compilation released in 1991). It features highlights from his career as a solo artist and with groups including The Au Go Go Singers, Buffalo Springfield, Manassas, and various permutations of CSN&Y. The tracks are arranged in general chronological order of release. The album also includes previously unreleased material. The album was compiled by Graham Nash, who also compiled box sets for himself and for David Crosby. All songs written by Stephen Stills except where noted. Track listing Disc One #"Travelin'" (mono) — Stephen Stills #* Recorded at a Voice of America radio relay station, San Jose, Costa Rica, 1962. Previously unreleased. #" High Flyin' Bird" (Billy Edd Wheeler) — The Au Go Go Singers #* From the album ''They Call Us The Au Go Go Singers'', 1964 #"Sit Down, I Think I Love You" (mono) — Buffalo Springfield #* From the album ''Buffalo Springfield'', ...
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Stephen Stills
Stephen Arthur Stills (born January 3, 1945) is an American musician, singer and songwriter best known for his work with Buffalo Springfield and Crosby, Stills, Nash & Young. As both a solo act and member of two successful bands, Stills has combined record sales of over 35 million albums. He was ranked number 28 in ''Rolling Stone''s 2003 list of "The 100 Greatest Guitarists of All Time"''Rolling Stone'The 100 Greatest Guitarists of All Time2003-08-27. and number 47 in the 2011 list. Stills became the first person to be inducted twice with his groups on the same night into the Rock and Roll Hall of Fame. According to Neil Young, "Stephen is a genius." Beginning his professional career with Buffalo Springfield, he composed "For What It's Worth", which became one of the most recognizable songs of the 1960s. Other notable songs he contributed to the band were "Sit Down, I Think I Love You", "Bluebird", and "Rock & Roll Woman". According to bandmate Richie Furay, he was "the heart ...
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High Flying Bird (song)
"High Flying Bird" (sometimes "High Flyin' Bird") is a song written by American folk and country singer-songwriter Billy Edd Wheeler, and first recorded by Judy Henske in 1963. It was performed and recorded by many musicians and groups in the mid and late 1960s, and was influential on the folk rock genre. Recordings and notable performances The song's first published recording was by Judy Henske, as the B-side of her late 1963 Elektra single "Charlotte Town", and then as the title track of her second album in 1964. Critic Richie Unterberger described the song as having "an arresting minor-key melody and brooding lyrics contrasting the freedom of a bird to the singer's earthbound misery." Henske's powerful vocal was supported by acoustic guitarist John Forsha, electric guitarist Jack Marshall, Bill Montgomery on bass, and drummer Earl Palmer. Forsha reported that Henske learned the song from Wheeler, although Wheeler did not release his own version until 1967, on his album ''Pap ...
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4 Way Street
''4 Way Street'' is the third album by Crosby, Stills & Nash, their second as Crosby, Stills, Nash & Young, and their first live album. It was originally released as Atlantic Records SD-2-902, shipping as a gold record and peaking at No. 1 on the ''Billboard'' 200. A document of their tour from the previous year, the live recordings presented were taken from shows at the Fillmore East (New York City, New York) on June 2 through June 7, 1970; The Forum (Los Angeles, California) on June 26 through June 28, 1970; and the Auditorium Theatre (Chicago, Illinois) on July 5, 1970. Background At the time this album was recorded, tensions between the band members were high, with their dressing-room fights becoming the stuff of rock legend, even being referenced by Frank Zappa and the Mothers of Invention in their 1971 LP ''Fillmore East - June 1971''. The tensions led to CSNY dissolving shortly after the recording of ''4 Way Street''; they would reconvene for a stadium tour in the summer ...
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Manassas (album)
''Manassas'' is the 1972 debut double album by Manassas, a blues rock group led by American musician Stephen Stills, released April 1972. It was a critical comeback for Stills, and continued his commercial success by being certified Gold only a month after being released and peaking at number 4 on the US charts. Recording The album was recorded at Criteria Studio B late 1971, where Stills used his clout to keep the studio and engineers Ron and Howard Albert available around the clock. The band all stayed in a rented house about 30 minutes away from the studio, in Coconut Grove. This allowed Stills to record the album around the clock, waking up band members in the early hours of the morning when an idea struck. Stills would also record in mammoth sessions often going on for days, until Chris Hillman and Stills got into a fight, after which they started to record at regular hours. Al Perkins and Dallas Taylor had a rule where they would not perform any more than seven takes for ...
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Déjà Vu (Crosby, Stills, Nash & Young Album)
''Déjà Vu'' is the second studio album by the American folk rock group Crosby, Stills & Nash, and their first as a quartet with the addition Neil Young. It was released in March 1970 by Atlantic Records. It topped the pop album chart for one week and generated three Top 40 singles: "Woodstock", "Teach Your Children", and " Our House". It was re-released in 1977 and an expanded edition was released in 2021 to mark its fiftieth anniversary. In 2003, the album was ranked No. 148 on ''Rolling Stone'' magazine's list of the 500 greatest albums of all time, and later was ranked No. 220 on the 2020 edition of the list. Certified 7× platinum by RIAA, the album's sales currently sit at over 8 million copies. It remains the highest-selling album of each member's career to date. Recording The album was recorded between July 1969 and January 1970 at Wally Heider's Studio C in San Francisco, and Wally Heider's Studio 3 in Hollywood. It was produced by all four members of the band. Stephen ...
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Judy Blue Eyes
"Suite: Judy Blue Eyes" is a song written by Stephen Stills and performed by Crosby, Stills & Nash (CSN). It appeared on the group's self-titled debut album in 1969 and was released as a single, reaching number 21 on the ''Billboard'' Hot 100 pop singles chart. In Canada, "Suite: Judy Blue Eyes" peaked at number 11. The song imitates the form of a classical music suite as an ordered set of musical pieces. Background The title "Suite: Judy Blue Eyes" (a play on words for "Sweet Judy Blue Eyes") refers to Stephen Stills' former girlfriend, singer/songwriter Judy Collins, and the lyrics to most of the suite's sections consist of his thoughts about her and their imminent breakup. During a July 15, 2007 interview for the National Public Radio program ''All Things Considered'', Stills revealed that Collins was present in the studio when the demo tapes were recorded and had advised him, "Don't stay in here n the studioall night now." Stills also commented that the breakup with Collin ...
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Helplessly Hoping
"Helplessly Hoping" is a 1969 song by the American folk rock group Crosby, Stills, and Nash written by Stephen Stills, and using both alliteration and wordplay in its lyrics. They recorded the song at Wally Heider's Studio 3, Hollywood in December 1968 during their first recording session as a group, with producer Paul Rothchild. The song was first released by Atlantic Records on Crosby, Stills, and Nash's eponymous debut album on May 29, 1969. In June 1969, they released it as the B-side of their debut single "Marrakesh Express". Lyrics The song is about two lovers who don't know what to do in a psychological setting. Alliteration is used throughout the song; "Helplessly Hoping", "Wordlessly Watching", and "Stand by the Stairway". Wordplay is also employed — the chorus contains number words with dual meanings: They are One Person, They are Two Alone, They are Three Together, They are Four Each Other. The play on three of the Chorus lines would go: They are Too Alone, They are ...
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Crosby, Stills & Nash (album)
''Crosby, Stills & Nash'' is the debut studio album by the folk rock supergroup Crosby, Stills & Nash (CSN), released in 1969 by Atlantic Records. It is the only release by the band prior to adding Neil Young to their line-up. The album spawned two Top 40 singles, "Marrakesh Express" and " Suite: Judy Blue Eyes", which peaked respectively at No. 28 the week of August 23, 1969, and at No. 21 the week of December 6, 1969, on the US ''Billboard'' Hot 100. The album itself peaked at No. 6 on the US ''Billboard'' Top Pop Albums chart. It has been certified four times platinum by the RIAA for sales of 4,000,000. History The album was a very strong debut for the band, instantly lifting them to stardom. Along with the Byrds' ''Sweetheart of the Rodeo'' and the Band's ''Music from Big Pink'' of the previous year, it helped initiate a sea change in popular music away from the ruling late-1960s aesthetic of bands playing blues-based rock music on loud guitars. ''Crosby, Stills & Nash'' pres ...
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Buffalo Springfield (box Set)
''Buffalo Springfield'' is a career retrospective album by the 1960s folk rock band of the same name, released in 2001. Band member Neil Young assembled the tracks in chronological order to show how the band evolved and disintegrated in the span of two years, as encompassed through the first three CDs, while the fourth disc contains the band's first two albums, all but three tracks of which had already appeared in identical versions elsewhere on the first three discs. The box set reached number 194 on Billboard's Top 200 album chart, and stayed on the chart for one week. Track listing CD 1 #"There Goes My Babe" (Neil Young) – 1:43 (previously unreleased demo)* #"Come On" (Stephen Stills) – 1:23 (previously unreleased demo)* #"Hello, I've Returned" (Stills, Van Dyke Parks) – 1:34 (previously unreleased demo)* #"Out of My Mind" (Young) – 2:44 (previously unreleased demo)* #"Flying on the Ground Is Wrong" (Young) – 3:08 (previously unreleased demo)* #"I'm Your Kind of Gu ...
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Last Time Around
''Last Time Around'' is the third and final studio album by the Canadian-American folk rock band Buffalo Springfield, released in July 1968. The line-up at the time officially consisted of Neil Young, Stephen Stills, Richie Furay, Dewey Martin, Bruce Palmer, and Jim Messina, though the band itself was essentially broken up and the album was put together from previous recordings, some made up to a year earlier. Jim Messina acted as the album producer and mixing engineer, with input from Furay, as the two compiled the record to fulfil the band's last contractual obligation to its label. A number of guest musicians (some uncredited) appeared on the album, notably pedal steel guitar player Rusty Young. By the time this album was released, the members were already involved in their next projects: Richie Furay, Jim Messina, and Rusty Young were busy forming the country-rock band Poco, Stephen Stills was forming Crosby, Stills & Nash, and Neil Young was performing with a group kn ...
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Buffalo Springfield Again
''Buffalo Springfield Again'' is the second album by Buffalo Springfield, released on Atco Records in November 1967. It peaked at #44 on the Billboard 200. In 2003, the album was ranked number 188 on ''Rolling Stone'' magazine's list of the 500 greatest albums of all time, maintaining the rating in a 2012 revised list. The album was included in Robert Christgau's "Basic Record Library" of 1950s and 1960s recordings—published in '' Christgau's Record Guide: Rock Albums of the Seventies'' (1981)—and in Robert Dimery's ''1001 Albums You Must Hear Before You Die''. It was voted number 165 in Colin Larkin's ''All Time Top 1000 Albums'' in 2000. Background Unlike the band's debut album, which had been recorded fairly quickly during the summer of 1966, recording for this album took place over a protracted nine-month span during 1967. Several factors may have contributed to this, including that bassist Bruce Palmer had been deported in January and had re-entered the United States ill ...
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For What It's Worth
"For What It's Worth (Stop, Hey What's That Sound)" (often referred to as simply "For What It's Worth") is a song written by Stephen Stills. Performed by Buffalo Springfield, it was recorded on December 5, 1966, released as a single on Atco Records on December 23, 1966, and peaked at No. 7 on the ''Billboard'' Hot 100 chart in the spring of 1967. It was later added to the March 1967 second pressing of their first album, ''Buffalo Springfield''. The title was added after the song was written, and does not appear in the lyrics. In 2004 ''Rolling Stone'' magazine ranked the song at number 63 on its list of the 500 Greatest Songs of All Time. Background Although "For What It's Worth" is often considered an anti-war song, Stephen Stills was inspired to write the song because of the Sunset Strip curfew riots in Los Angeles in November 1966, a series of early counterculture-era clashes that took place between police and young people on the Sunset Strip in Hollywood, California, the ...
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