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Carolingian Art
Carolingian art comes from the Frankish Empire in the period of roughly 120 years from about 780 to 900—during the reign of Charlemagne and his immediate heirs—popularly known as the Carolingian Renaissance. The art was produced by and for the court circle and a group of important monasteries under Imperial patronage; survivals from outside this charmed circle show a considerable drop in quality of workmanship and sophistication of design. The art was produced in several centres in what are now France, Germany, Austria, northern Italy and the Low Countries, and received considerable influence, via continental mission centres, from the Insular art of the British Isles, as well as a number of Byzantine artists who appear to have been resident in Carolingian centres. There was for the first time a thoroughgoing attempt in Northern Europe to revive and emulate classical Mediterranean art forms and styles, that resulted in a blending of classical and Northern elements in a sumptu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernst Kitzinger
Ernst Kitzinger (December 27, 1912 – January 22, 2003) was a German-American historian of late antique, early medieval, and Byzantine art. Biography Kitzinger was born into a well-educated Jewish family in Munich; his father, Wilhelm Nathan Kitzinger, was a prominent lawyer; his mother, Elisabeth Kitzinger, née Merzbacher, was a pioneering social worker involved with child welfare among Eastern European Jewish refugee and immigrant families. Kitzinger entered the University of Munich in 1931, where he studied the history of art, principally under Wilhelm Pinder. From the summer of 1931 on, Kitzinger spent significant time in Rome, enrolled in the University of Rome and intellectually centered at the Bibliotheca Hertziana. (Kitzinger's distant relation, Richard Krautheimer 897–1994 who also became a major art historian, of late antique and Byzantine architecture, was coincidentally doing research at the Hertziana at the same time.) The beginning of the Nazi regime in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viking
Vikings ; non, víkingr is the modern name given to seafaring people originally from Scandinavia (present-day Denmark, Norway and Sweden), who from the late 8th to the late 11th centuries raided, pirated, traded and settled throughout parts of Europe.Roesdahl, pp. 9–22. They also voyaged as far as the Mediterranean, North Africa, Volga Bulgaria, the Middle East, and North America. In some of the countries they raided and settled in, this period is popularly known as the Viking Age, and the term "Viking" also commonly includes the inhabitants of the Scandinavian homelands as a collective whole. The Vikings had a profound impact on the early medieval history of Scandinavia, the British Isles, France, Estonia, and Kievan Rus'. Expert sailors and navigators aboard their characteristic longships, Vikings established Norse settlements and governments in the British Isles, the Faroe Islands, Iceland, Greenland, Normandy, and the Baltic coast, as well as alon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anglo-Saxon Art
Anglo-Saxon art covers art produced within the Anglo-Saxon period of English history, beginning with the Migration period style that the Anglo-Saxons brought with them from the continent in the 5th century, and ending in 1066 with the Norman Conquest of England, whose sophisticated art was influential in much of northern Europe. The two periods of outstanding achievement were the 7th and 8th centuries, with the metalwork and jewellery from Sutton Hoo and a series of magnificent illuminated manuscripts, and the final period after about 950, when there was a revival of English culture after the end of the Viking invasions. By the time of the Conquest the move to the Romanesque style is nearly complete. The important artistic centres, in so far as these can be established, were concentrated in the extremities of England, in Northumbria, especially in the early period, and Wessex and Kent near the south coast. Anglo-Saxon art survives mostly in illuminated manuscripts, Anglo- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cluny
Cluny () is a commune in the eastern French department of Saône-et-Loire, in the region of Bourgogne-Franche-Comté. It is northwest of Mâcon. The town grew up around the Benedictine Abbey of Cluny, founded by Duke William I of Aquitaine in 910. The height of Cluniac influence was from the second half of the 10th century through the early 12th. The abbey was sacked by the Huguenots in 1562, and many of its valuable manuscripts were destroyed or removed. Geography The river Grosne flows northward through the commune and crosses the town. See also * Cluniac Reforms The Cluniac Reforms (also called the Benedictine Reform) were a series of changes within medieval monasticism of the Western Church focused on restoring the traditional monastic life, encouraging art, and caring for the poor. The movement began ... * Communes of the Saône-et-Loire department References External links Official website(in French) Communes of Saône-et-Loire Burgundy {{Saô ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Interlace (visual Arts)
In the visual arts, interlace is a decorative element found in medieval art. In interlace, bands or portions of other motif (visual arts), motifs are looped, braided, and knotted in complex geometry, geometric patterns, often to fill a space. Interlacing is common in the Migration period art of Northern Europe, in the early medieval Insular art of Ireland and the British Isles, and Norse art of the Early Middle Ages, and in Islamic interlace patterns, Islamic art. Intricate braided and interlaced patterns, called ''plaits'' in British usage, first appeared in late Roman art in various parts of Europe, in mosaic floors and other media. Coptic art, Coptic manuscripts and textiles of 5th- and 6th-century Christian Egypt are decorated with broad-strand ribbon interlace ornament bearing a "striking resemblance" to the earliest types of knotwork found in the Insular art manuscripts of Ireland and the British Isles.Mitchell et al. 1977, p. 59 History and application Northern Europ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Illuminated Manuscript
An illuminated manuscript is a formally prepared document where the text is often supplemented with flourishes such as borders and miniature illustrations. Often used in the Roman Catholic Church for prayers, liturgical services and psalms, the practice continued into secular texts from the 13th century onward and typically include proclamations, enrolled bills, laws, charters, inventories and deeds. While Islamic manuscripts can also be called illuminated, and use essentially the same techniques, comparable Far Eastern and Mesoamerican works are described as ''painted''. The earliest illuminated manuscripts in existence come from the Kingdom of the Ostrogoths and the Eastern Roman Empire and date from between 400 and 600 CE. Examples include the Codex Argenteus and the Rossano Gospels, both of which are from the 6th century. The majority of extant manuscripts are from the Middle Ages, although many survive from the Renaissance, along with a very limited number from Late Ant ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Idolatry
Idolatry is the worship of a cult image or "idol" as though it were God. In Abrahamic religions (namely Judaism, Samaritanism, Christianity, the Baháʼí Faith, and Islam) idolatry connotes the worship of something or someone other than the Abrahamic god as if it were God. In these monotheistic religions, idolatry has been considered as the "worship of false gods" and is forbidden by texts such as the Ten Commandments. Other monotheistic religions may apply similar rules. For instance, the phrase '' false god'' is a derogatory term used in Abrahamic religions to indicate cult images or deities of non-Abrahamic Pagan religions, as well as other competing entities or objects to which particular importance is attributed. Conversely, followers of animistic and polytheistic religions may regard the gods of various monotheistic religions as "false gods" because they do not believe that any real deity possesses the properties ascribed by monotheists to their sole deity. Atheists ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Libri Carolini
The ''Libri Carolini'' ("Charles' books"), more correctly ''Opus Caroli regis contra synodum'' ("The work of King Charles against the Synod"), is a work in four books composed on the command of Charlemagne in the mid 790s to refute the conclusions of the Byzantine Second Council of Nicaea (787), particularly as regards the matter of sacred images. They are "much the fullest statement of the Western attitude to representational art that has been left to us by the Middle Ages". Two earlier Frankish tracts against images (known in conjunction as the ''Capitulare adversus synodum'') had been sent in 792 to Pope Hadrian I, who had replied with an attempt at a refutation. The ''Libri Carolini'' was then composed as a fuller rebuttal of Hadrian's position. But Charlemagne realized that further controversy with Rome would serve no purpose, and the work was never sent. It remained unknown until it was published by Jean du Tillet in 1549, in the very different context of the debates ove ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Byzantine Iconoclasm
The Byzantine Iconoclasm ( gr, Εικονομαχία, Eikonomachía, lit=image struggle', 'war on icons) were two periods in the history of the Byzantine Empire when the use of religious images or icons was opposed by religious and imperial authorities within the Orthodox Church and the temporal imperial hierarchy. The First Iconoclasm, as it is sometimes called, occurred between about 726 and 787, while the Second Iconoclasm occurred between 814 and 842. According to the traditional view, Byzantine Iconoclasm was started by a ban on religious images promulgated by the Byzantine Emperor Leo III the Isaurian, and continued under his successors. It was accompanied by widespread destruction of religious images and persecution of supporters of the veneration of images. The Papacy remained firmly in support of the use of religious images throughout the period, and the whole episode widened the growing divergence between the Byzantine and Carolingian traditions in what was still ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Byzantine Art
Byzantine art comprises the body of Christian Greek artistic products of the Eastern Roman Empire, as well as the nations and states that inherited culturally from the empire. Though the empire itself emerged from the decline of Rome and lasted until the Fall of Constantinople in 1453, the start date of the Byzantine period is rather clearer in art history than in political history, if still imprecise. Many Eastern Orthodox states in Eastern Europe, as well as to some degree the Islamic states of the eastern Mediterranean, preserved many aspects of the empire's culture and art for centuries afterward. A number of contemporary states with the Byzantine Empire were culturally influenced by it without actually being part of it (the " Byzantine commonwealth"). These included the Rus, as well as some non-Orthodox states like the Republic of Venice, which separated from the Byzantine Empire in the 10th century, and the Kingdom of Sicily, which had close ties to the Byzantine Empir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Early Christian Art
Early Christian art and architecture or Paleochristian art is the art produced by Christians or under Christian patronage from the earliest period of Christianity to, depending on the definition used, sometime between 260 and 525. In practice, identifiably Christian art only survives from the 2nd century onwards. After 550 at the latest, Christian art is classified as Byzantine, or of some other regional type. It is hard to know when distinctly Christian art began. Prior to 100, Christians may have been constrained by their position as a persecuted group from producing durable works of art. Since Christianity was largely a religion not well represented in the public sphere, the lack of surviving art may reflect a lack of funds for patronage, and simply small numbers of followers. The Old Testament restrictions against the production of graven (an idol or fetish carved in wood or stone) images (see also Idolatry and Christianity) may also have constrained Christians from produci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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