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Carnival Time (song)
"Carnival Time" is a New Orleans Mardi Gras-themed R&B song that was performed by Al Johnson and recorded in 1960. The song's composition was originally credited to Al Johnson and Joe Ruffino, though Johnson now holds exclusive rights. It is now considered an iconic festive song of the New Orleans Carnival season. Background Al Johnson, sometimes referred to as Al "Carnival Time" Johnson, was the singer and pianist who performed "It's Carnival Time". He was originally from New Orleans, Louisiana. After spending his early years in Houston, he returned to New Orleans at the age of ten settling in the Lower Ninth Ward. His father bought a piano for his sisters and a trombone for his brother which Johnson took interest, and learning the basic chord changes in different keys. His early musical influences included Sugar Boy Crawford, Fats Domino and Smiley Lewis, to name a few. In 1956, at seventeen, he recorded his first songs, "Ole Time Talkin" and "I've Done Wrong"" for Al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Al "Carnival Time" Johnson
Al "Carnival Time" Johnson (born June 20, 1939, in New Orleans, LouisianaClassic Songs of Louisiana "Carnival Time", OffBeat Magazine, February 2007) is an American singer and piano player best known for the Mardi Gras song " Carnival Time". History Early life and career After spending his early years in Houston, Johnson returned to New Orleans at the age of ten settling in the Lower Ninth Ward. His father bought him a trumpet, also a piano for his sisters and a trombone for his brother. Johnson took interest in the piano and learned the basic chord changes in different keys. His early musical influences included Sugar Boy Crawford, Fats Domino and Smiley Lewis, to name a few. In 1956, at seventeen, he recorded his first songs, "Ole Time Talkin" and "I've Done Wrong"" for Aladdin Records. Johnson subsequently signed with Ric records and recorded series of songs at Cosimo Matassa's New Orleans recording studio starting with "Lena" in 1958. " Carnival Time" was recorded for the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cosimo Matassa
Cosimo Vincent Matassa (April 13, 1926 – September 11, 2014) was an American recording engineer and studio owner, responsible for many R&B and early rock and roll recordings. Life and career Matassa was born in New Orleans in 1926.Komorowski, Adam. Liner notes. ''The Cosimo Matassa Story'' (CD). In 1944 he began studies as a chemistry major at Tulane University, which he abandoned after completing five semesters of course work. In 1945, at the age of 18, Matassa opened the J&M Recording Studio at the back of his family's shop on Rampart Street, on the border of the French Quarter in New Orleans. In 1955, he moved to the larger Cosimo Recording Studio on Gov. Nichols Street, nearby in the French Quarter. As an engineer and proprietor, Matassa was crucial to the development of the sound of R&B, rock and soul of the 1950s and 1960s, often working with the producers Dave Bartholomew and Allen Toussaint. He recorded many hits, including Fats Domino’s " The Fat Man" (a contende ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Songs About New Orleans
A song is a musical composition intended to be performed by the human voice. This is often done at distinct and fixed pitches (melodies) using patterns of sound and silence. Songs contain various forms, such as those including the repetition and variation of sections. Written words created specifically for music, or for which music is specifically created, are called lyrics. If a pre-existing poem is set to composed music in classical music it is an art song. Songs that are sung on repeated pitches without distinct contours and patterns that rise and fall are called chants. Songs composed in a simple style that are learned informally "by ear" are often referred to as folk songs. Songs that are composed for professional singers who sell their recordings or live shows to the mass market are called popular songs. These songs, which have broad appeal, are often composed by professional songwriters, composers, and lyricists. Art songs are composed by trained classical composers fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1960 Songs
Year 196 ( CXCVI) was a leap year starting on Thursday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Dexter and Messalla (or, less frequently, year 949 ''Ab urbe condita''). The denomination 196 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Emperor Septimius Severus attempts to assassinate Clodius Albinus but fails, causing Albinus to retaliate militarily. * Emperor Septimius Severus captures and sacks Byzantium; the city is rebuilt and regains its previous prosperity. * In order to assure the support of the Roman legion in Germany on his march to Rome, Clodius Albinus is declared Augustus by his army while crossing Gaul. * Hadrian's wall in Britain is partially destroyed. China * First year of the '' Jian'an era of the Chinese Han Dynasty. * Emperor Xian of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mardi Gras Mambo
"Mardi Gras Mambo" is a Mardi Gras-themed song written by Frankie Adams and Lou Welsch. The song's best known version was recorded in 1954 by the Hawketts, whose membership included Art Neville, a founding member of the Meters and the Neville Brothers. It is one of the iconic songs frequently played during the New Orleans Mardi Gras. Jody Levens song The original version of the song was written in 1953 by Frankie Adams and Lou Welsch as a country song. It had a syncopated Latino beat. The song was recorded at Cosimo Matassa's studio in New Orleans by singer Jody Levens. Huey Bourgeois was the original guitarist. The song was released as a single in 1953 by Sapphire Records. In 1996, the song was re-released on the compilation album ''The Best of Sapphire''. The Hawketts song In the early 1950s, The Hawketts were a seven-piece New Orleans R&B group comprising teenage musicians. Led by Carroll Joseph, in 1953 they recruited 16-year-old Art Neville (later of the Meters and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Hawketts
The Hawketts were an American R&B combo from New Orleans, Louisiana who are best known for their 1954 recording of "Mardi Gras Mambo", a song that has become an iconic classic of the New Orleans Carnival celebration. The band's members hailed from the African American community in New Orleans, Louisiana, and were all teenagers when they recorded the 1954 song written by Frankie Adams, Ken Elliot and Lou Welsh. Their membership consisted of Art Neville on lead vocals and piano, who was only sixteen years old at the time of the recording, and would later gain fame in the Meters and the Neville Brothers, George Davis on alto sax, Alfred August on guitar, Israel Bell on trumpet, August Fleuri on trumpet, Carroll Joseph on trombone, Morris "Moe" Bachemin on tenor sax, and John Boudreaux on drums. The band had no bass player. According to drummer John Boudreaux, "We didn't know that a band was supposed to have a bass player." The song they recorded reflects rhumba and Caribbean i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Big Chief
"Big Chief" is a song composed by Earl King in the early 1960s. It became a hit in New Orleans for Professor Longhair in 1964,Berry/Foose/Jones, ''Up from the Cradle of Jazz''. University of Louisiana at Lafayette Press, 2009, p. 148. featuring a whistled first chorus in a rollicking blues piano style and subsequent lyrics written in mock-American-Indian pidgin (whistled and sung by King, uncredited). The tune became popular in New Orleans, frequently performed by local musicians such as Dr. John, and is now a staple of the repertory of most brass bands and musicians in the area. (Even though it was not a national hit, the single was available for years in the New Orleans area, especially during Mardi Gras.) King wrote the song while attending school, and recalled the tune during a recording session with Longhair arranged by Wardell Quezergue."Meet De Boys". '' OffBeat'', February 2010, p. 22. Longhair originally wanted to record the song with a small ensemble, but Quezergue, Ki ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Go To The Mardi Gras
"Go to the Mardi Gras" or "Mardi Gras in New Orleans" is a New Orleans Mardi Gras-themed R&B song that was performed by Professor Longhair (real name Henry Roland Byrd) and recorded several times since 1949. He co-wrote the song with Theresa Terry. The song was covered by Fats Domino and released as a single in 1953. It is now considered an iconic festive song of the New Orleans Carnival season. Background Henry Roeland Byrd, Better known as Professor Longhair (or nickname "Fess"), was born in Bogalusa and moved to New Orleans with his family as an infant. He reportedly learned to play his instrument on a piano lacking several keys, which some have credited for his unusual technique. He would keep time by kicking his foot against the piano's base. He developed a unique "rhumba boogie" style that combined elements of blues, barrelhouse, and Caribbean influences. He was a pivotal link between early New Orleans piano pioneers such as Tuts Washington and later names such as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fort Bliss, Texas
Fort Bliss is a United States Army post in New Mexico and Texas, with its headquarters in El Paso, Texas. Named in honor of LTC William Bliss (1815–1853), a mathematics professor who was the son-in-law of President Zachary Taylor, Ft. Bliss has an area of about ; it is the largest installation in FORSCOM (United States Army Forces Command) and second-largest in the Army overall (the largest being the adjacent White Sands Missile Range). The portion of the post located in El Paso County, Texas, is a census-designated place with a population of 8,591 as of the time of the 2010 census. Fort Bliss provides the largest contiguous tract () of restricted airspace in the Continental United States, used for missile and artillery training and testing, and at 992,000 acres boasts the largest maneuver area (ahead of the National Training Center, which has 642,000 acres). The garrison's land area is accounted at 1.12 million acres, ranging to the boundaries of the Lincoln National Forest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aladdin Records
Aladdin Records was a record company and label founded in Los Angeles in 1945 by brothers Eddie and Leo Mesner. It was originally called Philo Records before changing its name in 1946. Aladdin was known for jazz, rhythm and blues, and rock music. Some of these were issued on the company's short-lived Jazz: West imprint. Aladdin Records launched several subsidiary labels such as Score (1948), Intro (1950), 7-11 (1952), Ultra (1955), Jazz: West (1955), and Lamp (1956). In addition to Los Angeles, many Aladdin recordings were produced by Cosimo Matassa in New Orleans. Aladdin's first album was by Lester Young. Other musicians on the roster included Ernie Andrews, Charles Brown, Thurston Harris, Maxwell Davis, Al Hibbler, Billie Holiday, Lynn Hope, Jimmy Liggins, Lightnin' Hopkins, Red Nelson ("Mother Fuyer"), and Illinois Jacquet. In 1961, Aladdin was sold to Imperial Records, which was acquired by Liberty Records. Capitol bought Liberty in 1969, and reissues appeared on Blue N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ric Records
Ric Records, along with sister label Ron Records, were American record labels formed by Joe Ruffino in 1959. Although most of Ric's releases did not rise above regional hits, the label was active during the golden era of New Orleans R&B and was an incubator for many artists who are now recognized as definers of the style. After his first taste of the music industry at A-1 Distributors, Joe Ruffino set out on his own with the Ric and Ron imprints, headquartered at 630 Baronne Street in New Orleans. The labels were named after Joe's two sons. Ric Records was focused exclusively on releasing local New Orleans talent. Edgar Blanchard was brought in to help with studio arrangements, and supervised all early Ric studio sessions. He was later replaced by Harold Battiste. Mac Rebennack (later "Dr. John") was also brought on as label president and helped with writing and producing. Artists on the label included Eddie Bo, Johnny Adams, Lenny Capello, Al Johnson, Tommy Ridgley and Joe Jon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
