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Carnival Music
Circus music (also known as carnival music) is any sort of music that is played to accompany a circus, and also music written that emulates its general style. Popular music would also often get arranged for the circus band, as well as waltzes, foxtrots and other dances. History Although circuses have been in existence since the time of the ancient Romans, circus music first started as a performance by a fiddler or a flutist. It was not until the twentieth century that circus music was performed by big bands. The first modern circus director and performer was Philip Astley (1742–1814), a veteran of the Seven Years' War and a skilled equestrian. With his horsemanship skills and the addition of jugglers, acrobats, and clowns, Astley opened Paris's first circus in 1782. The first known composer of circus music was Charles Dibdin (1745–1814). He was partners with Astley and was also the one who financed the theatre used for the royal circus. Dibdin was a very well known composer in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Julius Fučík (composer)
Julius Ernest Wilhelm Fučík (; 18 July 1872 – 25 September 1916) was a Czech composer and conductor of military bands. He became a prolific composer, with over 400 marches, polkas, and waltzes to his name. As most of his works were for military bands, he is sometimes known as the "Bohemian Sousa". Today his marches are still played as patriotic music in the Czech Republic. His worldwide reputation rests primarily on two works: "The Florentiner March", popular throughout much of Europe, and the "Entrance of the Gladiators" (''Vjezd gladiátorů''), which is widely recognized, often under the title "Thunder and Blazes", as one of the most popular theme tunes for circus clowns. Fučík was the brother of opera singer and bass player Karel Fučík and uncle of the journalist Julius Fučík, who was executed by the Nazis. Biography Fučík was born in Prague, Bohemia, on 18 July 1872 when Prague was part of the Austro-Hungarian Empire. As a student, he learned to play the bas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Intermezzo
In music, an intermezzo (, , plural form: intermezzi), in the most general sense, is a composition which fits between other musical or dramatic entities, such as acts of a play or movements of a larger musical work. In music history, the term has had several different usages, which fit into two general categories: the opera intermezzo and the instrumental intermezzo. Renaissance intermezzo The Renaissance intermezzo was also called the intermedio. It was a masque-like dramatic piece with music, which was performed between the acts of a play at Italian court festivities on special occasions, especially weddings. By the late 16th century, the intermezzo had become the most spectacular form of dramatic performance, and an important precursor to opera. The most famous examples were created for Medici weddings in 1539, 1565, and 1589. In Baroque Spain the equivalent entremés or paso was a one-act comic scene, often ending in music and dance, between ''jornadas'' (acts) of a play.Le ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Philip Sousa
John Philip Sousa ( ; November 6, 1854 – March 6, 1932) was an American composer and conductor of the late Romantic era known primarily for American military marches. He is known as "The March King" or the "American March King", to distinguish him from his British counterpart Kenneth J. Alford. Among his best-known marches are "The Stars and Stripes Forever" (National March of the United States of America), "Semper Fidelis" (official march of the United States Marine Corps), " The Liberty Bell", "The Thunderer", and "The Washington Post". Sousa began his career playing violin and studying music theory and composition under John Esputa and George Felix Benkert. His father enlisted him in the United States Marine Band as an apprentice in 1868. He left the band in 1875, and over the next five years, he performed as a violinist and learned to conduct. In 1880 he rejoined the Marine Band, and he served there for 12 years as director, after which he was hired to conduct a ban ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Fillmore
Henry Fillmore (December 3, 1881 – December 7, 1956) was an American musician, composer, publisher, and bandleader, best known for his many marches and screamers, a few of which he wrote for the Band of the Hour at the University of Miami in Coral Gables, Florida. Early life and education Fillmore was born in Cincinnati, Ohio as the eldest of five children. In his youth. he mastered piano, guitar, violin, flute, and slide trombone. He kept his trombone activities a secret at first, as his circumspect religious father James Henry Fillmore (1849–1936)—a composer of gospel songs, often in collaboration with Jessie Brown Pounds —believed it an uncouth and sinful instrument. Henry's mother secretly bought a used trombone for him and obscured from Henry's father the son's learning to play the instrument. Fillmore, whose relative Frederick Augustus Fillmore (1856–1925) was also a tune-composer for gospel songs, was a singer for his church choir as a boy. He began composing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fred Jewell
Frederick Alton Jewell (Worthington, Indiana May 28, 1875 - Worthington, Indiana, February 11, 1936), was a prolific musical composer who wrote over 100 marches and screamers, including: Fred Jewell * "Battle Royal" (1909) * "Floto's Triumph" (1906) * "Quality Plus" (1913) *"The Outlook" (1913) * "E Pluribus Unum" (1917) * "Supreme Triumph" (1920) * "The Screamer" (1921) * "The Old Circus Band" (1923) At the age of 16, Jewell ran away from home and joined the Gentry Bros. Dog & Pony Show as a euphonium player. He also played the calliope. After making excellent impressions with successful circus officials, Jewell rose through the ranks. He eventually landed himself as the leader of the Ringling Bros. and Barnum & Bailey Circus band (like Karl King, another successful American composer of his time). He also played in or directed the Hagenbeck-Wallace Circus and the Sells-Floto Circus The Sells Floto Circus was a combination of the Floto Dog & Pony Show and the Sells Broth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Juventino Rosas
José Juventino Policarpo Rosas Cadenas (25 January 18689 July 1894) was a Mexican composer and violinist. Life and career Rosas was born in Santa Cruz, Guanajuato, later renamed Santa Cruz de Galeana, Guanajuato, and still later into Santa Cruz de Juventino Rosas. Rosas began his musical career as a street musician, playing with dance music bands in Mexico City. In 1884-85 and 1888 he enrolled into the conservatory, both times leaving it without taking any examination. Most of Rosas's compositions—among them " Sobre las Olas" ("Over the Waves")—were issued by Wagner y Levien and Nagel Sucesores in Mexico City. In the late 1880s, Rosas is reported to have been a member of a military band, and in 1891 he worked in Michoacán. In 1892–93 Rosas lived near Monterrey before joining an orchestra in 1893 for a tour through the USA. During this tour, the group performed at the World Columbian Exposition World's Fair in Chicago, Illinois. In 1894, Rosas went for a several-month t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barnum And Bailey's Favorite
"Barnum and Bailey's Favorite" is a circus march written by Karl King for the circus of the same name in 1913. Composition of the march "Barnum and Bailey's Favorite", often referred to as "The Granddaddy of Circus Marches", was composed by Karl King in 1913Osborn, William, Music in Ohio, Kent State University Press, Kent, Ohio, 2004, P. 458 and was published through C. L. Barnhouse Company. King's earliest known compositions date from 1909 with this, his most famous work, being composed in only his fifth year of composing. King played Baritone in many circus bands including Barnum and Bailey's, for more than a decade. As is common in his compositions, Karl King made the baritone part a major voice in the march.Hudson, David, Bergman, Marria, and Horton, Lauren, Biographical Dictionary of Iowa, University of Iowa Press, Iowa City, 2008, P.284 King was asked by the bandmaster of the Barnum and Bailey Circus Ned Brill to write a march for the circus. This has become his most famous ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Entrance Of The Gladiators
"Entrance of the Gladiators" op. 68 or "Entry of the Gladiators" ( cz, Vjezd gladiátorů) is a military march composed in 1897 by the Czech composer Julius Fučík. He originally titled it "Grande Marche Chromatique", reflecting the use of chromatic scales throughout the piece, but changed the title based on his personal interest in the Roman Empire. Generally, the march is divided into three parts. The first part contains the melody that the trumpet keeps and the several supporting parts. The second part is the section where the low brass (mainly the tubas) take over with the chromatic scale-like role. Finally there is a trio, or a softer melodic section, where there is a strong balance between woodwinds and low brass. The trio has a part similar to the second part with a chromatic scale-like sound. The piece is written in cut time and is originally written to be played at standard march tempo, but when played as a screamer it is usually played much faster. History Czech co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustav Peter
Gustav Peter (1833 – 1919) was a composer of popular music. There is little known about the life of Gustav Peter.Ursula Hemetek, Rudolf Pietsch, ''Volksmusik, Wandel und Deutung.'' Böhlau Verlag Wien, 2000. . Seite 585Preview at Google-Books/ref> He is supposed to be Austrian or Hungarian but this is still unsure. Sometimes his name is also given as ''Gustav Heinrich Peter'' or ''Heinrich Gustav Peter''. Gustav Peter is the composer of the widely popular piece of music ''Memory of Circus Renz'' that was published in 1894 with the original title ''Souvenir de Cirque Renz''. Its musical form is a Galop and primarily it was written for xylophone, but later adapted to various kinds of instruments. It is one of the best-known examples of circus music. The work was composed at a time when fast dances such as the ''Galopp'' were popular in German light music, the xylophone was being rediscovered as an instrument, and Circus Renz was enjoying great popularity in Berlin Berli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Da Capo
Da capo (, also , ) is an Italian musical term that means "from the beginning" (literally, "from the head"). It is often abbreviated as D.C. The term is a directive to repeat the previous part of music, often used to save space, and thus is an easier way of saying to repeat the music from the beginning. In small pieces, this might be the same thing as a repeat. But in larger works, D.C. might occur after one or more repeats of small sections, indicating a return to the very beginning. The resulting structure of the piece is generally in ternary form. Sometimes, the composer describes the part to be repeated, for example: ''Menuet da capo''. In opera, where an aria of this structure is called a ''da capo aria'', the repeated section is often adorned with grace notes. The word ''Fine'' (Ital. 'end') is generally placed above the stave at the point where the movement ceases after a 'Da capo' repetition. Its place is occasionally taken by a pause (see fermata)."Grove, George; Ful ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Galop
In dance, the galop, named after the fastest running gait of a horse (see Gallop), a shortened version of the original term galoppade, is a lively country dance, introduced in the late 1820s to Parisian society by the Duchesse de Berry and popular in Vienna, Berlin and London. In the same closed position familiar in the waltz, the step combined a glissade with a chassé on alternate feet, ordinarily in a fast time. The galop was a forerunner of the polka, which was introduced in Prague ballrooms in the 1830s and made fashionable in Paris when Raab, a dancing teacher of Prague, danced the polka at the Odéon Theatre in 1840. In Australian bush dance, the dance is often called galopede. An even livelier, faster version of the galop called the can-can developed in Paris around 1830. The galop was particularly popular as the final dance of the evening. The " Post Horn Galop", written by the cornet virtuoso Herman Koenig, was first performed in London in 1844; it remains a sign ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
