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Carmen Cartellieri
Carmen Cartellieri (born Franziska Ottilia Cartellieri, 28 June 1891 – 17 October 1953), also known as Carmen Teschen, was an Austrian actress and producer. Early life Carmen Cartellieri was born on 28 June 1891, as Franziska Ottilia Cartellieri. She was born in Proßnitz, Austria-Hungary (now Prostějov, Czech Republic), but spent most of her childhood in Innsbruck, Austria. Her father was an engineer. When she was 16, she married Emanuel Ziffer Edler von Teschenbruck, known as Mano Ziffer-Teschenbruk. Teschenbruck was an aristocrat who was originally an artist who later became a director. They had one child together, Ruth (born 1910). Career Cartellieri's early career was developed with help from her husband, Teschenbruck, and Cornelius Hintner, a Tyrolean director in Hungary who used to be a cameraman for Pathé. Cartellieri featured in various Hungarian silent films throughout 1918 to 1919. Her stage name was Carmen Teschen. She acted in her first Austrian film, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dora Kallmus
Dora Philippine Kallmus (20 March 1881 – 28 October 1963), also known as Madame D'Ora or Madame d'Ora, was an Austrian fashion and portrait photographer. Early life Dora Philippine Kallmus was born in Vienna, Austria, in 1881 to a Jewish family. Her father was a lawyer. Her sister, Anna, was born in 1878 and deported in 1941 during the Holocaust. Although her mother, Malvine (née Sonnenberg), died when she was young, her family remained an important source of emotional and financial support throughout her career. She and her sister, Anna, were both "well-educated," spoke English and French, and played the piano. They had also traveled throughout Europe. She became interested in the photography field while assisting the son of the painter Hans Makart, and in 1905 she was the first woman to be admitted to theory courses at the Graphische Lehr- und Versuchsanstalt (''Graphic Training Institute''). That same year she became a member of the Association of Austrian photographers. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jules Verne
Jules Gabriel Verne (;''Longman Pronunciation Dictionary''. ; 8 February 1828 – 24 March 1905) was a French novelist, poet, and playwright. His collaboration with the publisher Pierre-Jules Hetzel led to the creation of the ''Voyages extraordinaires'', a series of bestselling adventure novels including ''Journey to the Center of the Earth'' (1864), ''Twenty Thousand Leagues Under the Seas'' (1870), and '' Around the World in Eighty Days'' (1872). His novels, always well documented, are generally set in the second half of the 19th century, taking into account the technological advances of the time. In addition to his novels, he wrote numerous plays, short stories, autobiographical accounts, poetry, songs and scientific, artistic and literary studies. His work has been adapted for film and television since the beginning of cinema, as well as for comic books, theater, opera, music and video games. Verne is considered to be an important author in France and most of Europe, where ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fiat Lux (film)
''Fiat Lux'' is a 1923 Austrian silent film directed by Wilhelm Thiele and starring Hella Moja, Carmen Cartellieri and Liese Leyde.von Dassanowsky p.31 Cast * Hella Moja as Blinde * Carmen Cartellieri as Tochter des Ingenieurs * Liese Leyde * J.W. Steinbeck * Jacob Feldhammer Jacob (; ; ar, يَعْقُوب, Yaʿqūb; gr, Ἰακώβ, Iakṓb), later given the name Israel, is regarded as a patriarch of the Israelites and is an important figure in Abrahamic religions, such as Judaism, Christianity, and Islam. Jac ... References Bibliography Robert von Dassanowsky. ''Austrian Cinema: A History''. McFarland, 2005. External links * 1923 films Austrian silent feature films Films directed by Wilhelm Thiele Films with screenplays by Wilhelm Thiele Austrian black-and-white films {{silent-film-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Dead Wedding Guest
''The Dead Wedding Guest'' (German: ''Der tote Hochzeitsgast'') is a 1922 Austrian silent historical drama film directed by Max Neufeld and starring Eugen Neufeld, Karl Ehmann and Carmen Cartellieri.Büttner & Dewald p.72 It is based on the poem ''Don Ramiro'' by Heinrich Heine, set in Spain. The film's sets were designed by the art directors Artur Berger, Hans Rouc and Julius von Borsody. Cast * Eugen Neufeld as Don Fernando * Karl Ehmann as Narr * Carmen Cartellieri as Donna Clara * Max Neufeld as Don Ramiro * Josef Recht as König * Midy Elliot as Knappe Don Ramiros * Eugen Preiß Eugen is a masculine given name which may refer to: * Archduke Eugen of Austria (1863–1954), last Habsburg Grandmaster of the Teutonic Order from 1894 to 1923 * Prince Eugen, Duke of Närke (1865–1947), Swedish painter, art collector, and pat ... as Vertrauter * Pauline Schweighofer as Mutter Donna Claras * Eduard Selder as Vater Don Ramiros References Bibliography * Elisabeth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theater (structure)
A theater, theatre or playhouse, is a structure where theatre, theatrical works, performing arts and musical Concert, concerts are presented. The theater building serves to define the performance and audience spaces. The facility usually is organized to provide support areas for performers, the technical crew and the audience members, as well as the stage where the performance takes place. There are as many types of theaters as there are types of performance. Theaters may be built specifically for a certain types of productions, they may serve for more general performance needs or they may be adapted or converted for use as a theater. They may range from open-air amphitheaters to ornate, cathedral-like structures to simple, undecorated rooms or black box theaters. A theatre used for opera performances is called an opera house. A theater is not required for performance (as in site-specific theatre, environmental theater or street theatre, street theater), this article is about s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre
Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence and immediacy of the experience. The specific place of the performance is also named by the word "theatre" as derived from the Ancient Greek θέατρον (théatron, "a place for viewing"), itself from θεάομαι (theáomai, "to see", "to watch", "to observe"). Modern Western theatre comes, in large measure, from the theatre of ancient Greece, from which it borrows technical terminology, classification into genres, and many of its themes, stock characters, and plot elements. Theatre artist Patrice ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Rosenkavalier (1926 Film)
' is a 1926 Austrian silent film of the opera of the same name by Richard Strauss (music) and Hugo von Hofmannsthal (libretto). Directed by Robert Wiene, it premiered on 10 January 1926 at the Dresden Semperoper, which had also hosted the actual opera's premiere 15 years earlier. Hofmannsthal considerably changed the storyline for the film version (which included a final scene in the formal gardens behind the Field Marshal's residence) and Strauss' score included music not only from the opera but also sections of his Couperin Suite and a march for the Field Marshal, who appears in this version. The film was shot at the Schönbrunn Studios in Vienna. The music during the film's performances was provided by an orchestra. At the premiere, this was conducted by Richard Strauss himself. The film's projection speed had to be adjusted by the projector in order to fit the speed of the orchestra. This task fell to the film's cameraman, Hans Androschin, because only he knew the exact ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epic Film
Epic films are a style of filmmaking with large-scale, sweeping scope, and spectacle. The usage of the term has shifted over time, sometimes designating a film genre and at other times simply synonymous with big-budget filmmaking. Like epics in the classical literary sense it is often focused on a heroic character. An epic's ambitious nature helps to set it apart from other types of film such as the period piece or adventure film. Epic historical films would usually take a historical or a mythical event and add an extravagant setting and lavish costumes, accompanied by an expansive musical score with an ensemble cast, which would make them among the most expensive of films to produce. The most common subjects of epic films are royalty, and important figures from various periods in world history. Characteristics The term "epic" originally came from the poetic genre exemplified by such works as the ''Epic of Gilgamesh'' and the works of the Trojan War Cycle. In classical litera ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Silent Film
A silent film is a film with no synchronized recorded sound (or more generally, no audible dialogue). Though silent films convey narrative and emotion visually, various plot elements (such as a setting or era) or key lines of dialogue may, when necessary, be conveyed by the use of title cards. The term "silent film" is something of a misnomer, as these films were almost always accompanied by live sounds. During the silent era that existed from the mid-1890s to the late 1920s, a pianist, theater organist—or even, in large cities, a small orchestra—would often play music to accompany the films. Pianists and organists would play either from sheet music, or improvisation. Sometimes a person would even narrate the inter-title cards for the audience. Though at the time the technology to synchronize sound with the film did not exist, music was seen as an essential part of the viewing experience. "Silent film" is typically used as a historical term to describe an era of cinema pri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Hands Of Orlac (1924 Film)
''The Hands of Orlac'' (German: ''Orlacs Hände'') is a 1924 Austrian silent horror film directed by Robert Wiene and starring Conrad Veidt, Alexandra Sorina and Fritz Kortner. It is based on the novel ''Les Mains d'Orlac'' by Maurice Renard. Plot Concert pianist Paul Orlac loses his hands in a horrible railway accident. His wife Yvonne pleads with a surgeon to try and save Orlac's hands. The surgeon transplants the hands of a recently executed murderer named Vasseur. When Orlac learns this, horror obsesses him. He is tortured by the presence of a knife he finds at his house, just like that used by Vasseur, and the desire to kill. He believes that along with the hands he has acquired the murderer's predisposition to violence. He confronts the surgeon, telling him to remove the hands, but the surgeon tries to convince him that a person's acts are not governed by hands, but by the head and heart. Orlac's new hands are unable to play the piano, and in time he and his wife run o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Wiene
Robert Wiene (; 27 April 1873 – 17 July 1938) was a film director of the silent era of German cinema. He is particularly known for directing the German silent film ''The Cabinet of Dr. Caligari'' and a succession of other German Expressionism, expressionist films. Wiene also directed a variety of other films of varying styles and genres. Following the Nazi rise to power in Germany, Wiene, who was of Jewish descent, fled into exile. Biography Early life Robert Wiene was born in Breslau, in the German Province of Silesia (now the city of Wrocław in Poland), as the elder son of the successful theatre actor Carl Wiene. His younger brother Conrad Wiene, Conrad also became an actor, but Robert Wiene at first studied law at the University of Berlin. Career in Germany In 1908 he also started to act, at first in small parts on stage. His first involvement with film was in 1912, writing and (possibly) directing ''Die Waffen der Jugend''. His most memorable feature films are the horror ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wilhelm Thiele
Wilhelm Thiele (1890–1975) was an Austrian screenwriter and film director. He directed over 40 films between 1921 and 1960. Life and career Thiele started his show career as a stage actor. He got his start in Austrian and German film during the 1920s, most often as a director of film comedies. His biggest success was the highly influential musical film '' The Three from the Filling Station'' (1930), the highest-grossing film in Germany that year. Thiele, who was of Jewish descent,Siegbert Salomon Prawer, ''Between Two Worlds: The Jewish Presence in German and Austrian Film, 1910-1933'', Berghahn Books (2007), p. 211 left Germany during the Nazi Era. His first film in Hollywood, ''Lottery Lover'' in 1935, was without success and Thiele never achieved the same level of fame in Hollywood as he had Germany. He mostly made B-Pictures, but is credited with giving actress Dorothy Lamour her big start in movies with ''The Jungle Princess'' (1936). In the 1950s, he worked as a director ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
