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Carltheater
The Carltheater was a theatre in Vienna. It was in the suburbs in Leopoldstadt at Praterstraße 31 (at that time called Jägerzeile). It was the successor to the Leopoldstädter Theater. After a series of financial difficulties, that theater had been sold in 1838 to the director, Carl Carl, who continued to run it in parallel to his Theater an der Wien until 1845. Two years later, the building was partially demolished and rebuilt following the plans of architects August Sicard von Sicardsburg and Eduard van der Nüll, who would later design the Vienna State Opera. The theatre was opened under the name ''Carltheater'' in the same year, 1847. Many pieces by Johann Nepomuk Nestroy premiered here; between 1854 and 1860, Nestroy was the director of the theatre. In subsequent years, many well-known Viennese playwrights wrote pieces for the Carltheater and reinforced its reputation as the favoured opera house for Viennese folk-pieces and operettas. After a rapid changeover of directors ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franz Von Suppé
Franz von Suppé (né Francesco Ezechiele Ermenegildo de Suppe) (18 April 181921 May 1895) was an Austrian composer of light operas and other theatre music. He came from the Kingdom of Dalmatia, Austro-Hungarian Empire (now part of Croatia). A composer and conductor of the Romantic period, he is notable for his four dozen operettas. Life and education Franz von Suppé's parents named him Francesco Ezechiele Ermenegildo when he was born on 18 April 1819 in Spalato, now Split, Dalmatia, Austrian Empire. His father was a civil servant in the service of the Austrian Empire, as was his father before him; Suppé's mother was Viennese by birth. He simplified and Germanized his name when in Vienna, and changed "de" to "von". Outside Germanic circles, his name may appear on programmes as Francesco Suppé-Demelli. He spent his childhood in Zara, now Zadar, where he had his first music lessons and began to compose at an early age. As a boy he had encouragement in music from a local ban ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carltheater Wien
The Carltheater was a theatre in Vienna. It was in the suburbs in Leopoldstadt at Praterstraße 31 (at that time called Jägerzeile). It was the successor to the Theater in der Leopoldstadt, Leopoldstädter Theater. After a series of financial difficulties, that theater had been sold in 1838 to the director, Carl Carl, who continued to run it in parallel to his Theater an der Wien until 1845. Two years later, the building was partially demolished and rebuilt following the plans of architects August Sicard von Sicardsburg and Eduard van der Nüll, who would later design the Vienna State Opera. The theatre was opened under the name ''Carltheater'' in the same year, 1847. Many pieces by Johann Nestroy, Johann Nepomuk Nestroy premiered here; between 1854 and 1860, Nestroy was the director of the theatre. In subsequent years, many well-known Viennese playwrights wrote pieces for the Carltheater and reinforced its reputation as the favoured opera house for Viennese folk-pieces and opere ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fatinitza
''Fatinitza'' was the first full-length, three-act operetta by Franz von Suppé. The libretto by F. Zell (a pseudonym for Camillo Walzel) and Richard Genée was based on the libretto to ''La circassienne'' by Eugène Scribe (which had been set to music by Daniel Auber in 1861), but with the lead role of Wladimir, a young Russian lieutenant who has to disguise himself as a woman, changed to a Travesti (theatre)#Women in male roles, trousers role; in other words, a woman played the part of the man who pretended to be a woman. It premièred on 5 January 1876, at the Carltheater Vienna, and proved a huge success, running for more than a hundred performances, with the march "Vorwärts mit frischem Muth", proving a particular hit. The operetta as a whole is no longer in the popular repertory, but the overture is performed as a stand-alone piece. Background Viennese operetta sprang out of an attempt by Viennese composers to imitate Jacques Offenbach's works, after the highly successful ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oskar Nedbal
Oskar Nedbal (26 March 1874 – 24 December 1930) was a Czech violist, composer, and conductor of classical music. Early life Nedbal was born in Tábor, in southern Bohemia. He studied the violin at the Prague Conservatory under Antonín Bennewitz. Career He was principal conductor with the Czech Philharmonic Orchestra from 1896 to 1906 and was a founder member of the Bohemian String Quartet, as violist. A great admirer of his teacher Antonín Dvořák, Nedbal also paid homage to other composers. For example, in his 1910 composition, ''Romantic Piece, Op. 18'' for cello and piano, Nedbal cleverly inserts a theme usually associated with Mozart, '' Ah, vous dirai-je, Maman''. His works include one (unsuccessful) opera, ''Jakob the Peasant'' (1919–1920), and the operettas ''Chaste Barbara'' (1910), ''Polish Blood'' (1913), ''The Vineyard Bride'' (1916), and ''Beautiful Saskia'' (1917). in 1926 he conducted the premiere of Jan Levoslav Bella's opera, '' Wieland der Schmied ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leopoldstadt
Leopoldstadt (; bar, Leopoidstod, "Leopold-Town") is the 2nd municipal district of Vienna (german: 2. Bezirk) in Austria. there are 103,233 inhabitants over . It is situated in the heart of the city and, together with Brigittenau (20th district), forms a large island surrounded by the Danube Canal and, to the north, the Danube. It is named after Leopold I, Holy Roman Emperor. Due to its relatively high percentage of Jewish inhabitants before the Holocaust (38.5 percent in 1923), Leopoldstadt gained the nickname ('Matzo Island'). This context was a significant aspect for the district twinning with the New York City borough Brooklyn in 2007. Landmarks Places of interest include the ''Wiener Prater'' (from Latin ''pratum'' "meadow"), former imperial hunting grounds to which the public was denied access until 1766. The area of the ''Prater'' closest to the city centre contains a large amusement park, known as the ''Volksprater'' ("People's Prater") or ''Wurstelprater'' (after th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Geschiedene Frau
''Die geschiedene Frau'' (''The Divorcée''), is an operetta in three acts by Leo Fall with a libretto by Victor Léon based on Victorien Sardou's ''Divorçons!''. Conducted by the composer, It opened to considerable success at the Carltheater in Vienna on 23 December 1908 with Hubert Marischka as Karel. It was translated into Italian and premiered at the Teatro Lirico Internationale in Milan as ' on 16 August 1909, then translated into English and performed at the Vaudeville Theatre in London as ''The Girl in the Train'' from 4 June 1910. Performances followed in Rome on 19 January 1911, in Paris as ' at the Théâtre Apollo on 18 February, and in Madrid as ' at the Teatro Eslava on 23 December the same year, conducted by the composer. Roles English adaptations The 1910 English adaptation, ''The Girl in the Train'', was produced in two acts by George Edwardes at the Vaudeville Theatre in London, with lyrics by Adrian Ross, and ran for 340 performances. The London production ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wiener Blut (operetta)
''Wiener Blut'' ('' Viennese Blood'' or ''Viennese Spirit'') is an operetta named after the " Wiener Blut" waltz, supposedly with music by the composer Johann Strauss the Younger, who did not live to witness the première. Such was the popularity of the original "Wiener Blut" Op. 354 waltz until the time of the composer's death that his work would be chosen as the name of the operetta with libretto by Victor Léon and Leo Stein set around the Vienna Congress of 1814 to 1815. Strauss did not specifically compose any music for this operetta, although many of his earlier compositions were incorporated for the work. He took no active part in the musical arrangement at its conception nor any production work leading up to its première. He was content to delegate these tasks to Adolf Müller Jr. as he himself was busy with his ballet ''Aschenbrödel'' in 1898. However, Müller did not confine himself to the music of Johann Jr., and several dance tunes by his brother Josef were also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eduard Van Der Nüll
Eduard van der Nüll (9 January 1812 (baptized) – 4 April 1868) was an Austrian architect, who was one of the great masters in the historicist style of Vienna's Ringstrasse. ''Architectural Theory: An Anthology from Vitruvius to 1870'', Harry Francis Mallgrave, 2005, p.533, Google-Books webpage: -->&resnum=15&ct=result books-google-15 Life and work Eduard van der Nüll was born and died in Vienna. After studying at the Vienna Polytechnical Institute (alongside, among others, Peter von Nobile, Paul Wilhelm Eduard Sprenger and Carl Roesner), he and his friend August Sicard von Sicardsburg made extensive trips through Western Europe for purposes of study. In 1844, he became a professor at the Academy with a new Chair created for him in ''Perspektive und Ornamentik'' (perspective and ornamentation). He remained associated with Sicardsburg for life, in a professional and artistic symbiosis. While Sicardsburg handled primarily practical and technical questions, van de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boccaccio (Opera)
''Boccaccio, oder Der Prinz von Palermo'' (''Boccaccio, or the Prince of Palermo'') is an operetta in three acts by Franz von Suppé to a German libretto by Camillo Walzel and Richard Genée, based on the play by Jean-François Bayard, Adolphe de Leuven, Léon Lévy Brunswick and Arthur de Beauplan, based in turn on ''The Decameron'' by Giovanni Boccaccio. The opera was first performed at the Carltheater, Vienna, on 1 February 1879. An English translation was done by Oscar Weil and Gustav Hinrichs around 1883. via . Retr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leichte Kavallerie
' (''Light Cavalry'') is an operetta in two acts by Franz von Suppé, with a libretto by . It was first performed in the Carltheater, Vienna, on 21 March 1866. The original work is set in a 19th-century Austrian village where several love intrigues and the discovery of a father-daughter relationship are accompanied by the arrival of a regiment of hussars. In 1934, completely rewrote the operetta. It was set in the 18th century amid the court intrigues of a Baron and his Hungarian Countess lover, whose ballet company is referred to as the "light cavalry". While much of the operetta remains in relative obscurity, the ''Light Cavalry Overture'' is one of Suppé's best known works. The music from the operetta was used as the soundtrack of a film of the same name in 1935. Roles Plot Act 1 - The Marketplace Vilma is an orphan who was educated by the community. Now she has become a pretty young woman and turns her head on all men, including those who are already married. In respons ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ein Walzertraum
' (''A Waltz Dream'') is an operetta by Oscar Straus with a German libretto by and , based on the novella ' (''Nux, the Prince Consort'') by Hans Müller-Einigen from his 1905 book ' (''Book of Adventures''). The young Jacobson presented Straus with a libretto for ''Ein Walzertraum'' at a coffee house in the Vienna Prater in 1906. Straus was inspired by the text and completed the work within 12 months for its premiere in spring 1907. Performance history It premiered on 2 March 1907 at the Carltheater in Vienna. English adaptations Following the success of the operetta in Vienna, productions of the work, under the name ''A Waltz Dream'', were mounted in English for premieres at the Chestnut Street Opera House in Philadelphia on 6 January 1908, in New York City at the now-demolished Broadway Theatre on 27 January 1908 (with an English libretto adapted by Joseph W. Herbert), and in London on 28 March 1908 at the Hicks Theatre (adapted by Basil Hood, with lyrics by Adrian Ros ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinrich Reinhardt (composer)
Heinrich Reinhardt (1865–1922) was an Austrian composer. He died on 31 January 1922 in Vienna and is buried at the Döbling Cemetery. Biography Reinhardt was born on 13 April 1865 in Pressburg (now Bratislava). The son of a jeweller, he went to Vienna to study at the conservatory of the Gesellschaft der Musikfreunde where he was one of Anton Bruckner's pupils. He became an accomplished pianist and organist, and his familiarity with several other instruments later served him well as orchestrator of his own works and those of others. Between 1890 and 1900 he published numerous songs, piano and salon pieces, as well as an opera, ''Die Minnekönigin'' (1895). He also wrote music reports for the ''Neue Freie Presse'', '' Neues Wiener Journal'' and '' Die Zeit'', but abandoned this after the tremendous success of his first operetta, ''Das süsse Mädel'' (Carltheater, 25 October 1901). It opened a new phase for Viennese operetta, being more overtly in the song and dance musical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
