Carlos Botelho
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Carlos Botelho
Carlos Botelho (18 September 1899, in Lisbon – 18 August 1982, in Lisbon) was a Portuguese painter, illustrator, comics artist, political cartoonist, satirist and caricaturist, whose works are shown at the Chiado Museum and at the Modern Art Centre José de Azeredo Perdigão / Calouste Gulbenkian Foundation, in Lisbon. Botelho was one of the most relevant Portuguese artists of his generation. Early years Carlos Botelho was an only child to parents who were musicians, and it was music that dominated his childhood. His father died in 1910. He attended secondary school at the Pedro Nunes Grammar School, in Lisbon, which is where he held his first solo exhibition and befriends Bento de Jesus Caraça and Luís Ernâni Dias Amado. He then enrolls in the Lisbon School of Fine Arts, which he abandons after a short time, then ending his conventional training. Botelho will be an eminently self-taught artist. He marries Beatriz Santos Botelho in 1922. The marriage bore two child ...
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Carlos Botelho, 1971
Carlos may refer to: Places ;Canada * Carlos, Alberta, a locality ;United States * Carlos, Indiana, an unincorporated community * Carlos, Maryland, a place in Allegany County * Carlos, Minnesota, a small city * Carlos, West Virginia ;Elsewhere * Carlos (crater), Montes Apenninus, LQ12, Moon; a lunar crater near Mons Hadley People * Carlos (given name), including a list of name holders * Carlos (surname), including a list of name holders Sportspeople * Carlos (Timorese footballer) (born 1986) * Carlos (footballer, born 1995), Brazilian footballer * Carlos (footballer, born 1985), Brazilian footballer Others * Carlos (Calusa) (died 1567), king or paramount chief of the Calusa people of Southwest Florida * Carlos (DJ) (born 1966), British DJ * Carlos (singer) (1943—2008), French entertainer * Carlos the Jackal, a Venezuelan terrorist *Carlos (DJ) (born 2010) Guyanese DJ Arts and entertainment * ''Carlos'' (miniseries), 2010 biopic about the terrorist Carlos the Jackal * ''C ...
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Bento De Jesus Caraça
Bento de Jesus Caraça, GCSE, GOL (18 April 1901 – 25 June 1948) was an influential Portuguese mathematician, economist and statistician. Caraça was also a member of the Portuguese Communist Party and so, he became one of the most famous personalities in the resistance against the authoritarian regime led by António Oliveira Salazar. Caraça was born in Vila Viçosa, Évora District, in the south of Portugal. He was the son of two peasants, João António Caraça and Domingas da Conceição Espadinha. He lived his first years on the family's farm and he managed to learn how to read with another peasant, José Percheiro. The easiness of learning demonstrated by Caraça encouraged the spouse of the owner of the farm where he lived to take care of his education. In 1911, Caraça finished his first studies and left his hometown in order to study in Lisbon. After finishing high school with top grades, Caraça joined the Superior Institute of Economic and Financial Sciences ( pt ...
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Amadeo De Souza-Cardoso
Amadeo de Souza-Cardoso (14 November 1887 – 25 October 1918) was a Portuguese painter. Belonging to the first generation of Portuguese modernist painters, Amadeo de Souza-Cardoso stands out among all of them for the exceptional quality of his work and for the dialogue he established with the historical avant-gardes of the early 20th century. "The artist developed, between Paris and Manhufe, the most serious possibility of modern art in Portugal in an international dialogue, intense but little known, with the artists of his time". His painting is articulated with open movements such as Cubism, Futurism or Expressionism, reaching in many moments - and in a sustained way in the production of recent years - a level comparable in everything to the cutting-edge production of his contemporary international art. Death at the age of 30 will dictate the abrupt end of a fully mature pictorial work and a promising international career but still in the process of affirmation. Amadeo woul ...
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Van Gogh
Vincent Willem van Gogh (; 30 March 185329 July 1890) was a Dutch Post-Impressionist painter who posthumously became one of the most famous and influential figures in Western art history. In a decade, he created about 2,100 artworks, including around 860 oil paintings, most of which date from the last two years of his life. They include landscapes, still lifes, portraits and self-portraits, and are characterised by bold colours and dramatic, impulsive and expressive brushwork that contributed to the foundations of modern art. Not commercially successful, he struggled with severe depression and poverty, eventually leading to his suicide at age thirty-seven. Born into an upper-middle class family, Van Gogh drew as a child and was serious, quiet, and thoughtful. As a young man, he worked as an art dealer, often traveling, but became depressed after he was transferred to London. He turned to religion and spent time as a Protestant missionary in southern Belgium. He drifted in ...
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Primary Education
Primary education or elementary education is typically the first stage of formal education, coming after preschool/kindergarten and before secondary school. Primary education takes place in ''primary schools'', ''elementary schools'', or first schools and middle schools, depending on the location. The International Standard Classification of Education considers primary education as a single-phase where programmes are typically designed to provide fundamental reading, writing, and mathematics skills and establish a solid foundation for learning. This is ISCED Level 1: Primary education or first stage of basic education.Annex III in the ISCED 2011 English.pdf
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Definition

The ISCED definition in 1997 po ...
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Golden Gate International Exposition
The Golden Gate International Exposition (GGIE) (1939 and 1940), held at San Francisco's Treasure Island, was a World's Fair celebrating, among other things, the city's two newly built bridges. The San Francisco–Oakland Bay Bridge opened in 1936 and the Golden Gate Bridge in 1937. The exposition opened from February 18, 1939, through October 29, 1939, and from May 25, 1940, through September 29, 1940. History The idea to hold a World's Fair to commemorate the completion of the Bay Bridge and Golden Gate Bridge started from a letter to '' The San Francisco News'' in February 1933. Architects W.P. Day and George Kelham were assigned to consider the merits of potential sites around the city, including Golden Gate Park, China Basin, Candle Stick Point, and Lake Merced. By 1934, the choice of sites had been narrowed to the areas adjoining the two bridges: either "an island built up from shallow water" north of Yerba Buena Island which would go on to be named Treasure Island, or the P ...
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1939 New York World's Fair
The 1939–40 New York World's Fair was a world's fair held at Flushing Meadows–Corona Park in Queens, New York, United States. It was the second-most expensive American world's fair of all time, exceeded only by St. Louis's Louisiana Purchase Exposition of 1904. Many countries around the world participated in it, and over 44 million people attended its exhibits in two seasons. It was the first exposition to be based on the future, with an opening slogan of "Dawn of a New Day", and it allowed all visitors to take a look at "the world of tomorrow". When World War II began four months into the 1939 World's Fair, many exhibits were affected, especially those on display in the pavilions of countries under Axis occupation. After the close of the fair in 1940, many exhibits were demolished or removed, though some buildings were retained for the 1964–1965 New York World's Fair, held at the same site. Planning In 1935, at the height of the Great Depression, a group of New Yo ...
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Exposition Internationale Des Arts Et Techniques Dans La Vie Moderne
The ''Exposition Internationale des Arts et Techniques dans la Vie Moderne'' (International Exposition of Art and Technology in Modern Life) was held from 25 May to 25 November 1937 in Paris, France. Both the Palais de Chaillot, housing the Musée de l'Homme, and the Palais de Tokyo, which houses the Musée d'Art Moderne de la Ville de Paris, were created for this exhibition that was officially sanctioned by the Bureau International des Expositions. A third building, , housing the permanent Museum of Public Works, which was originally to be among the new museums created on the hill of Chaillot on the occasion of the Exhibition, was not built until January 1937 and inaugurated in March 1939. Exhibitions At first the centerpiece of the exposition was to be a tower (" Phare du Monde") which was to have a spiraling road to a parking garage located at the top and a hotel and restaurant located above that. The idea was abandoned as it was far too expensive. Pavilions Finnish P ...
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Colonial Exhibition
A colonial exhibition was a type of international exhibition that was held to boost trade. During the 1880s and beyond, colonial exhibitions had the additional aim of bolstering popular support for the various colonial empires during the New Imperialism period, which included the scramble for Africa. The first colonial exhibition, in Victoria, Australia, in 1866, was the progeny of 25 years of similar exhibitions, also held in Melbourne, in which other colonies within the Australian continent participated. Perhaps the most notable colonial exhibition was the 1931 Paris Colonial Exposition, which lasted six months and sold 33 million tickets. Paris's Colonial Exhibition opened on 6 May 1931 on 110 hectares (272 acres) of the Bois de Vincennes. The exhibition included dozens of temporary museums and façades representing the various colonies of the European nations, as well as several permanent buildings. Among these were the Palais de la Porte Dorée, designed by ...
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Estrela Basilica
The Estrela Basilica ( pt, Basílica da Estrela ) or the Royal Basilica and Convent of the Most Sacred Heart of Jesus ( pt, Real Basílica e Convento do Santíssimo Coração de Jesus), is a minor basilica and ancient carmelite convent in Lisbon, Portugal. Ordered built by Queen Maria I of Portugal as the fulfilment of a vow, the Basilica is not only a product of the Queen's particularly fervent devotion to the Sacred Heart of Jesus, but remains the most important architectural endeavour of her reign. The Estrela Basilica was the first church in the world dedicated to the Sacred Heart of Jesus. History Shortly after her wedding to her uncle Infante Peter of Braganza in 1760, Maria, Princess of Brazil vowed, before an image of the Sacred Heart of Jesus in the Convent of Carnide, to build a church and convent under the Rule of Saint Theresa if she was given the grace of bearing children that would assure the succession of the House of Braganza. Princess Maria was, at the time ...
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Cupola
In architecture, a cupola () is a relatively small, most often dome-like, tall structure on top of a building. Often used to provide a lookout or to admit light and air, it usually crowns a larger roof or dome. The word derives, via Italian, from lower Latin ''cupula'' (classical Latin ''cupella''), (Latin ''cupa''), indicating a vault resembling an upside-down cup. Background The cupola evolved during the Renaissance from the older oculus. Being weatherproof, the cupola was better suited to the wetter climates of northern Europe. The chhatri, seen in Indian architecture, fits the definition of a cupola when it is used atop a larger structure. Cupolas often serve as a belfry, belvedere, or roof lantern above a main roof. In other cases they may crown a spire, tower, or turret. Barns often have cupolas for ventilation. Cupolas can also appear as small buildings in their own right. The square, dome-like segment of a North American railroad train caboose that contains the seco ...
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Académie De La Grande Chaumière
The Académie de la Grande Chaumière is an art school in the Montparnasse district of Paris, France. History The school was founded in 1904 by the Catalan painter Claudio Castelucho on the rue de la Grande Chaumière in Paris, near the Académie Colarossi. From 1909, the Académie was jointly directed by painters Martha Stettler, Alice Dannenberg, and Lucien Simon. The school, which was devoted to painting and sculpture, did not teach the strict academic rules of painting of the École des Beaux-Arts, thus producing art free of academic constraints. One attraction was the low fees, even lower than those of the Académie Julian The Académie Julian () was a private art school for painting and sculpture founded in Paris, France, in 1867 by French painter and teacher Rodolphe Julian (1839–1907) that was active from 1868 through 1968. It remained famous for the number a ... (which had to be paid in advance). It was said about the school that all that was provided was a mode ...
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