Carl Gottfried Eybe
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Carl Gottfried Eybe
__NOTOC__ Carl Gottfried Eybe (1813–1893) was a 19th-century German painter, lithographer and sculptor.
''Deutsche Biographie''. Retrieved 3 January 2020
"Eybe, Carl (Karl) Gottfried"
''Deutsche Biographische Enzyklopädie Online'' (''German Biographical Encyclopaedia''), p.296 (subscription required). Retrieved 3 January 2020


Life and work

Carl Gottfried Eybe was born 17 December 1813 in , the son to Gottfried Eybe, an

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Hamburg
(male), (female) en, Hamburger(s), Hamburgian(s) , timezone1 = Central (CET) , utc_offset1 = +1 , timezone1_DST = Central (CEST) , utc_offset1_DST = +2 , postal_code_type = Postal code(s) , postal_code = 20001–21149, 22001–22769 , area_code_type = Area code(s) , area_code = 040 , registration_plate = , blank_name_sec1 = GRP (nominal) , blank_info_sec1 = €123 billion (2019) , blank1_name_sec1 = GRP per capita , blank1_info_sec1 = €67,000 (2019) , blank1_name_sec2 = HDI (2018) , blank1_info_sec2 = 0.976 · 1st of 16 , iso_code = DE-HH , blank_name_sec2 = NUTS Region , blank_info_sec2 = DE6 , website = , footnotes ...
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Malkasten
Malkasten (English: "Paintbox") is a progressive German artists' association, founded in Düsseldorf in 1848, during the March Revolution. Since 1867, their headquarters have been in the Pempelfort district. History During the unrest in 1848, artists also began to take part in political discussions. In August of that year, the held an event called the "Fest der Deutschen Einheit" (Festival for German Unity). Many artists and sculptors associated with the Düsseldorfer Malerschule took part in its artistic design. On the night of the celebration, they decided to establish an artist's association which, a few days later, they named "Malkasten", at the suggestion of Karl Hübner. The name was meant to express the equality of every "color"; artistic and political. The 112 founding members included not only academic professors, such as Theodor Hildebrandt, Heinrich Mücke and Karl Ferdinand Sohn, but also Lorenz Clasen, the editor of the satirical journal ', as well as many memb ...
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German Male Painters
German(s) may refer to: * Germany (of or related to) **Germania (historical use) * Germans, citizens of Germany, people of German ancestry, or native speakers of the German language ** For citizens of Germany, see also German nationality law **Germanic peoples (Roman times) * German language **any of the Germanic languages * German cuisine, traditional foods of Germany People * German (given name) * German (surname) * Germán, a Spanish name Places * German (parish), Isle of Man * German, Albania, or Gërmej * German, Bulgaria * German, Iran * German, North Macedonia * German, New York, U.S. * Agios Germanos, Greece Other uses * German (mythology), a South Slavic mythological being * Germans (band), a Canadian rock band * "German" (song), a 2019 song by No Money Enterprise * ''The German'', a 2008 short film * "The Germans", an episode of ''Fawlty Towers'' * ''The German'', a nickname for Congolese rebel André Kisase Ngandu See also * Germanic (other) * Germa ...
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19th-century German Male Artists
The 19th (nineteenth) century began on 1 January 1801 ( MDCCCI), and ended on 31 December 1900 ( MCM). The 19th century was the ninth century of the 2nd millennium. The 19th century was characterized by vast social upheaval. Slavery was abolished in much of Europe and the Americas. The First Industrial Revolution, though it began in the late 18th century, expanding beyond its British homeland for the first time during this century, particularly remaking the economies and societies of the Low Countries, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Islamic gunpowder empires fell into decline and European imperialism brought much of South Asia, Southeast Asia, and almost all of Africa under colonial rule. It was also marked by the collapse of the large S ...
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19th-century German Painters
The 19th (nineteenth) century began on 1 January 1801 ( MDCCCI), and ended on 31 December 1900 ( MCM). The 19th century was the ninth century of the 2nd millennium. The 19th century was characterized by vast social upheaval. Slavery was abolished in much of Europe and the Americas. The First Industrial Revolution, though it began in the late 18th century, expanding beyond its British homeland for the first time during this century, particularly remaking the economies and societies of the Low Countries, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Islamic gunpowder empires fell into decline and European imperialism brought much of South Asia, Southeast Asia, and almost all of Africa under colonial rule. It was also marked by the collapse of the large S ...
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Artists From Hamburg
An artist is a person engaged in an activity related to creating art, practicing the arts, or demonstrating an art. The common usage in both everyday speech and academic discourse refers to a practitioner in the visual arts only. However, the term is also often used in the entertainment business, especially in a business context, for musicians and other performers (although less often for actors). "Artiste" (French for artist) is a variant used in English in this context, but this use has become rare. Use of the term "artist" to describe writers is valid, but less common, and mostly restricted to contexts like used in criticism. Dictionary definitions The ''Oxford English Dictionary'' defines the older broad meanings of the term "artist": * A learned person or Master of Arts. * One who pursues a practical science, traditionally medicine, astrology, alchemy, chemistry. * A follower of a pursuit in which skill comes by study or practice. * A follower of a manual art, such as a m ...
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Ernst Rump
Ernst August Max Friedrich Rump (13 October 1872, Hamburg - 12 January 1921, Hamburg) was a German merchant, art patron and collector. In 1912, he wrote the ''Lexikon der bildenden Künstler Hamburgs, Altonas und der näheren Umgebung'' (Encyclopedia of Visual Artists from Hamburg, Altonas and the Surrounding Area), which became a classic; generally referred to as ''Der Rump''. Life and career He learned the art of etching in London, from James McNeill Whistler, and gave lessons in Hamburg. When he took over the family business (nautical equipment), he became an avid art collector and patron of young artists; especially those in the . He gave special attention to the students of Arthur Siebelist; buying their works and organizing exhibitions. He also supported Alfred Lichtwark, the Director of the Kunsthalle Hamburg although, in 1908, he criticized him for ignoring Siebelist's students. A few years later, he would have a change of heart himself, when some of his favorite a ...
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Grand Landlodge Of The Freemasons Of Germany
The Grand Landlodge of the Freemasons of Germany (''Große Landesloge der Freimaurer von Deutschland'', GLL FvD or GLL), also: Order of Freemasons (''Freimaurerorden'', FO) is a Masonic Grand Lodge in Germany. It is one of the founding members of the United Grand Lodges of Germany and as such it is one of the five German Grand Lodges recognized as "regular" Grand Lodges by the United Grand Lodge of England (UGLE). The Grand Lodge was established in 1770 by Johann Wilhelm Kellner von Zinnendorf, a Prussian army physician. It is one of three so called Old Prussian Grand Lodges. The Grand Landlodge of the Freemasons of Germany works according to a slightly modified version of the Swedish Rite. It therefore differs from other German Grand Lodges both in its content and organizational structure. However, as a masonic Grand Lodge it is not a religious community and affiliation to a particular Christian denomination is not required. Neither is it necessary for a member of the Order t ...
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Andreas Achenbach
Andreas Achenbach (29 September 1815, Kassel – 1 April 1910, Düsseldorf) was a German landscape and seascape painter in the Romantic style. He is considered to be one of the founders of the Düsseldorf School. His brother, Oswald, was also a well known landscape painter. Together, based on their initials, they were known as the "Alpha and Omega" of landscape painters. Biography His father, Hermann,(1783–1849) was a merchant by trade, but worked at a number of professions. In 1816, he became the manager of a metal factory in Mannheim. Two years later, they moved to St.Petersburg, where his father wanted to set up a factory with money that his mother had received as an inheritance. It was here that Andreas took his first drawing lessons. The project failed and they returned to Rhine Province in 1823. Soon, his father had established a brewery in Düsseldorf, with an inn that was frequented by the local art community. There, in 1827, he began his artistic education in earnest ...
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Ludwig Knaus
Ludwig Knaus (5 October 1829 – 7 December 1910) was a German genre painter of the younger 7 Düsseldorf school of painting. Biography He was born at Wiesbaden and studied from 1845 to 1852 under Sohn and Schadow in Düsseldorf. His early works, like ''The Gamblers'' in the Düsseldorf Gallery, are in the manner of that school, being dark and heavy in color. This deficiency was remedied by study at Paris, whither he went in 1852 and enrolled as a pupil of Thomas Couture. In 1853 his ''Morning after the Kermess'' received the second gold Medal of the Salon and made him a celebrated painter. Except for a year's study in Italy he remained in Paris until 1860.''New International Encyclopedia'' His chief works of this period include ''The Golden Wedding'', ''The Baptism,'' and ''The Promenade'', purchased for the Luxembourg. From 1861 to 1866 he practiced at Berlin, producing such works as ''Boys Playing Cards'', ''Looking for a Bride'' (Wiesbaden Museum), and ''His Highness ...
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Munich
Munich ( ; german: München ; bar, Minga ) is the capital and most populous city of the States of Germany, German state of Bavaria. With a population of 1,558,395 inhabitants as of 31 July 2020, it is the List of cities in Germany by population, third-largest city in Germany, after Berlin and Hamburg, and thus the largest which does not constitute its own state, as well as the List of cities in the European Union by population within city limits, 11th-largest city in the European Union. The Munich Metropolitan Region, city's metropolitan region is home to 6 million people. Straddling the banks of the River Isar (a tributary of the Danube) north of the Northern Limestone Alps, Bavarian Alps, Munich is the seat of the Bavarian Regierungsbezirk, administrative region of Upper Bavaria, while being the population density, most densely populated municipality in Germany (4,500 people per km2). Munich is the second-largest city in the Bavarian dialects, Bavarian dialect area, ...
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Alfred Lichtwark
Alfred Lichtwark (14 November 1852 – 13 January 1914) was a German art historian, museum curator, and art educator in Hamburg. He is one of the founders of museum education and the art education movement. Background and career Alfred Lichtwark was the son of Herr Johann Karl Ernst Lichtwark, a minor lord who owned the Reitbrook Mill. From his father's first marriage he had three half-siblings. Alfred Lichtwark's mother Johanne Helene Henrietta (née Bach) (1829–1909) was believed to be a direct descendant of the composer Johann Sebastian Bach. Lichtwark had a happy childhood in the countryside with his siblings Hans and Marianne (1857–1930) until 1858, when his father was forced to sell the mill for financial reasons. The family moved to Hamburg, where his father ran an inn which fared poorly, and the family lived in poverty. Lichtwark, who attended the civil school, proved to be very talented and versatile, helping students after school as an assistant teacher. In 18 ...
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