Carel De Vogelaer
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Carel De Vogelaer
Karel van Vogelaer or Carel de Vogelaer, nicknamed Distelbloem (''Thistle flower'') (1653 - 8 August 1695) was a Dutch still life painter from Maastricht primarily active in Italy where he was known as '''Carlo dei Fiori''. He made a name with his elaborate Baroque flower pieces often with figures painted in by other artists.Carel de Vogelaer
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Biography

Vogelaer was born in as the son of Pieter de Vogelaer who was also an artist. From 1668 he travelled through France where he visit ...
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Carel De Vogelaer - Flowers In A Vase With Rabbit
Carel is a given name, and may refer to: Arts * Carel Blotkamp, Dutch artist and art historian * Carel de Moor, Dutch etcher and painter * Carel Fabritius, Dutch painter and one of Rembrandt's most gifted pupils * Carel van Mander, Flemish painter, poet and biographer * Carel Vosmaer, Dutch poet and art-critic * Jacques-Philippe Carel (), Parisian cabinet-maker Education * Carel Gabriel Cobet, Dutch classical scholar * Carel van Schaik, Dutch professor and director of the Anthropological Institute and Museum at the University of Zürich, Switzerland Other fields * Carel Godin de Beaufort, Dutch nobleman and Formula One driver * Carel Victor Gerritsen (1850–1905), Dutch radical politician * Carel Jan Scheneider, Dutch foreign service diplomat and writer * Carel Struycken, character actor in film, television, and stage * Johan Carel Marinus Warnsinck, Dutch naval officer and naval historian * Tobias Michael Carel Asser Tobias Michael Carel Asser (; 28 April 1838 – 29 July 1 ...
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Portrait Of A Young Woman As Flora, By Carlo Maratti And Karel Van Vogelaer
A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expressions are predominant. The intent is to display the likeness, personality, and even the mood of the person. For this reason, in photography a portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, in order to most successfully engage the subject with the viewer. History Prehistorical portraiture Plastered human skulls were reconstructed human skulls that were made in the ancient Levant between 9000 and 6000 BC in the Pre-Pottery Neolithic B period. They represent some of the oldest forms of art in the Middle East and demonstrate that the prehistoric population took great care in burying their ancestors below their homes. The skulls denote some of the earliest sculptural examples of portraiture in the history of art. Historical portraitur ...
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Members Of The Bentvueghels
Member may refer to: * Military jury, referred to as "Members" in military jargon * Element (mathematics), an object that belongs to a mathematical set * In object-oriented programming, a member of a class ** Field (computer science), entries in a database ** Member variable, a variable that is associated with a specific object * Limb (anatomy), an appendage of the human or animal body ** Euphemism for penis * Structural component of a truss, connected by nodes * User (computing), a person making use of a computing service, especially on the Internet * Member (geology), a component of a geological formation * Member of parliament * The Members, a British punk rock band * Meronymy, a semantic relationship in linguistics * Church membership, belonging to a local Christian congregation, a Christian denomination and the universal Church * Member, a participant in a club or learned society A learned society (; also learned academy, scholarly society, or academic association) is an ...
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Baroque Painters
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. By ...
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Artists From Maastricht
An artist is a person engaged in an activity related to creating art, practicing the arts, or demonstrating an art. The common usage in both everyday speech and academic discourse refers to a practitioner in the visual arts only. However, the term is also often used in the entertainment business, especially in a business context, for musicians and other performers (although less often for actors). "Artiste" (French for artist) is a variant used in English in this context, but this use has become rare. Use of the term "artist" to describe writers is valid, but less common, and mostly restricted to contexts like used in criticism. Dictionary definitions The ''Oxford English Dictionary'' defines the older broad meanings of the term "artist": * A learned person or Master of Arts. * One who pursues a practical science, traditionally medicine, astrology, alchemy, chemistry. * A follower of a pursuit in which skill comes by study or practice. * A follower of a manual art, such as a m ...
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1695 Deaths
It was also a particularly cold and wet year. Contemporary records claim that wine froze in the glasses in the Palace of Versailles. Events January–March * January 7 (December 28, 1694 O.S.) – The United Kingdom's last joint monarchy, the reign of husband-and-wife King William III and Queen Mary II comes to an end with the death of Queen Mary, at the age of 32. Princess Mary had been installed as the monarch along with her husband and cousin, Willem Hendrik von Oranje, Stadtholder of the Dutch Republic, in 1689 after King James II was deposed by Willem during the " Glorious Revolution". * January 14 (January 4 O.S.) – The Royal Navy warship HMS ''Nonsuch'' is captured near England's Isles of Scilly by the 48-gun French privateer ''Le Francois''. ''Nonsuch'' is then sold to the French Navy and renamed ''Le Sans Pareil''. * January 24 – Milan's Court Theater is destroyed in a fire. * January 27 – A flotilla of six Royal Navy warships under the command of ...
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1653 Births
Events January–March * January 3 – By the Coonan Cross Oath, the Eastern Church in India cuts itself off from colonial Portuguese tutelage. * January– The Swiss Peasant War begins after magistrates meeting at Lucerne refuse to hear from a group of peasants who have been financially hurt by the devaluation of the currency issued from Bern. * February 2 – New Amsterdam (later renamed New York City) is incorporated. * February 3 – Cardinal Mazarin returns to Paris from exile. * February 10 – Swiss peasant war of 1653: Peasants from the Entlebuch valley in Switzerland assemble at Heiligkreuz to organize a plan to suspend all tax payments to the authorities in the canton of Lucerne, after having been snubbed at a magisterial meeting in Lucerne. More communities in the canton join in an alliance concluded at Wolhusen on February 26. * February – The Morning Star Rebellion (''Morgonstjärneupproret'') of peasants breaks out in Swede ...
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Mario Nuzzi
Mario Nuzzi, who went by the pseudonym, Mario de' Fiori (19 January 1603, in Rome – 14 November 1673, in Rome) was an Italian painter in the Baroque style. His paintings are all based around floral arrangements; hence the name Fiori (flowers). Biography He was the second son of Sisto Nuzzi, a landowner from Penna in Teverina, and his wife Faustina Salini, sister of the still-life painter Tommaso Salini.Giuseppe Bartocci, "Della patria del pittore Mario Nuzzi", in ''Atti e memorie della Deputazione di storia patria per le Marche'', 1961. In 1618, his father took the family back to Penna, where they engaged in floriculture and Mario amused himself by painting the flowers. This led, in 1620, to an apprenticeship in the workshop of his uncle Tommaso.Francesco Solinas, ''Flora Romana. Fiori e cultura nell'arte di Mario de' Fiori'' (exhibition catalog), Roma 2010 Mario remained there until 1625, when his uncle died. While there, he was influenced by the works of Caravaggio, who had ...
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Filippo Lauri
Filippo Lauri (25 August 1623 - 12 December 1694) was an Italian painter of the Baroque period, active mainly in Rome. ''Miracle of St Vincent Ferrer'' Born and active in Rome, his story was featured in the biographies by Baldinucci. He first studied with his father, Balthasar Lauwers (Italianized as Lauri), who was a Flemish landscape painter; and then studied with his elder brother, Francesco Lauri. Afterwards, he worked under his brother-in-law, Angelo Caroselli. Filippo's brother had been a pupil of Andrea Sacchi. In 1654 Lauri became a member of the Accademia di San Luca in Rome, and later became the ''Principe'' or director of the academy. He painted along with Filippo Gagliardi a canvas depiction of ''Celebrations for Christine of Sweden at Palazzo Barberini'' (now at Palazzo Braschi), which demonstrates the exuberant pageantry common in their time. Filippo's father had emigrated from Antwerp, and was a pupil of Paul Bril. Filippo's oldest brother Francesco Lauri was ...
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Giovanni Battista Gaulli
Giovanni Battista Gaulli (8 May 1639 – 2 April 1709), also known as Baciccio or Baciccia (Genoese nicknames for ''Giovanni Battista''), was an Italian artist working in the High Baroque and early Rococo periods. He is best known for his grand illusionistic vault frescos in the Church of the Gesù in Rome, Italy. His work was influenced by Gian Lorenzo Bernini. Biography Gaulli was born in Genoa, where his parents died from the plague of 1654. He initially apprenticed with Luciano Borzone. In the mid-17th century, Gaulli's Genoa was a cosmopolitan Italian artistic center open to both commercial and artistic enterprises from north European countries, including countries with non-Catholic populations such as England and the Dutch provinces. Painters such as Peter Paul Rubens and Anthony van Dyck stayed in Genoa for a few years. Gaulli's earliest influences would have come from an eclectic mix of these foreign painters and other local artists including Valerio Castello, Giovann ...
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Luigi Garzi
Luigi Garzi (1638 – 1721) was an Italian painter of the Baroque period, whose work displayed heavy influences of the Bolognese painter, Guido Reni. Biography Born in Pistoia. He started learning from a poorly known landscape painter, Salomon Boccali. But at age 15, he moved to Rome, where he was one of the main pupils of Andrea Sacchi. He is also often referred to as ''Ludovico Garzi''. In 1680 Garzi was appointed Regent of the ''Congregazione dei Virtuosi al Pantheon'', the papal society of painters. Garzi joined Rome's guild of painters, The Accademia di San Luca, in 1670 and became a director in 1682. He painted a ''Triumph of St Catherine & Saints'' for the church of Santa Caterina a Magnanapoli in Rome. He painted a ''St Silvestro shows Constantine portraits of Saints Peter and Paul'' for Santa Croce in Gerusalemme. In the early 1680s, he contributed to the frescoes on the vault of San Carlo al Corso, where his works included an ''Allegory of Faith''. He also complete ...
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Carlo Maratti
Carlo Maratta or Maratti (13 May 162515 December 1713) was an Italian painter, active mostly in Rome, and known principally for his classicizing paintings executed in a Late Baroque Classical manner. Although he is part of the classical tradition stemming from Raphael, he was not exempt from the influence of Baroque painting and particularly in his use of colour. His contemporary and friend, Giovanni Bellori, wrote an early biography on Maratta. Biography Born in Camerano (Marche), then part of the Papal States, Maratta went to Rome in 1636, accompanied by, Don Corintio Benicampi, secretary to Taddeo Barberini. He became an apprentice in the studio of Andrea Sacchi. It was at this time that the debate between Sacchi and Pietro da Cortona took place at the Accademia di San Luca, the artists academy in Rome. Sacchi argued that paintings should only have a few figures which should express the narrative whereas Cortona countered that a greater number of figures allowed for the developm ...
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