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Captain Marvel (album)
''Captain Marvel'' is a 1974 jazz album by saxophonist Stan Getz recorded on March 3, 1972 and released on Columbia two years later. The quintet features pianist Chick Corea, who composed most of the material, bassist Stanley Clarke, Brazilian percussionist Airto Moreira and drummer Tony Williams. Background Six months after recording ''Captain Marvel'', Corea, Clarke and Moreira—along with Brazilian singer Flora Purim (Moreira's wife) and flautist Joe Farrell—would go on to recorded Corea's ''Return to Forever'' (1972), the pioneering jazz fusion album the spawned the group of the same name. Corea would go on to rerecord and release half of his songs from ''Captain Marvel'' with Return to Forever before the album was out—namely: ''La Fiesta'' on Return to Forever; and ''"''500 Miles High" and the titular track "Captain Marvel" on ''Light as a Feather'' (1973). Reception The AllMusic review by Thom Jurek states "This band, combining as it did the restlessness of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album
An album is a collection of audio recordings issued on compact disc (CD), vinyl, audio tape, or another medium such as digital distribution. Albums of recorded sound were developed in the early 20th century as individual 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl long-playing (LP) records played at rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the popularity of the cassette reached its peak during the late 1980s, sharply declined during the 1990s and had largely disappeared ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanley Clarke
Stanley Clarke (born June 30, 1951) is an American bassist, film composer and founding member of Return to Forever, one of the first jazz fusion bands. Clarke gave the bass guitar a prominence it lacked in jazz-related music. He is the first jazz-fusion bassist to headline tours, sell out shows worldwide and have recordings reach gold status. Clarke is a 5-time Grammy winner, with 15 nominations, 3 as a solo artist, 1 with the Stanley Clarke Band, and 1 with Return to Forever. Clarke was selected to become a 2022 recipient of the National Endowment for the Arts Jazz Masters Fellowship. A Stanley Clarke electric bass is permanently on display at the National Museum of African American History and Culture in Washington, D.C. Music career Early years Clarke was born on June 30, 1951 in Philadelphia. His mother sang opera around the house, belonged to a church choir, and encouraged him to study music. He started on accordion, then tried violin. But he felt awkward holding such ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Percussion Instrument
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments.''The Oxford Companion to Music'', 10th edition, p.775, In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of ideophone, membranophone, aerophone and cordophone. The percussion section of an orchestra most commonly contains instruments such as the timpani, snare drum, bass drum, tambourine, belonging to the membranophones, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electric Bass
The bass guitar, electric bass or simply bass (), is the lowest-pitched member of the string family. It is a plucked string instrument similar in appearance and construction to an electric or an acoustic guitar, but with a longer neck and scale length, and typically four to six strings or courses Course may refer to: Directions or navigation * Course (navigation), the path of travel * Course (orienteering), a series of control points visited by orienteers during a competition, marked with red/white flags in the terrain, and corresponding .... Since the mid-1950s, the bass guitar has largely replaced the double bass in popular music. The four-string bass is usually tuned the same as the double bass, which corresponds to pitches one octave lower than the four lowest-pitched strings of a guitar (typically E, A, D, and G). It is played primarily with the fingers or thumb, or with a plectrum, pick. To be heard at normal performance volumes, electric basses require Bass ampli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electric Piano
An electric piano is a musical instrument which produces sounds when a performer presses the keys of a piano-style musical keyboard. Pressing keys causes mechanical hammers to strike metal strings, metal reeds or wire tines, leading to vibrations which are converted into electrical signals by magnetic pickups, which are then connected to an instrument amplifier and loudspeaker to make a sound loud enough for the performer and audience to hear. Unlike a synthesizer, the electric piano is not an electronic instrument. Instead, it is an electro-mechanical instrument. Some early electric pianos used lengths of wire to produce the tone, like a traditional piano. Smaller electric pianos used short slivers of steel to produce the tone (a lamellophone with a keyboard & pickups). The earliest electric pianos were invented in the late 1920s; the 1929 ''Neo- Bechstein'' electric grand piano was among the first. Probably the earliest stringless model was Lloyd Loar's Vivi-Tone Clavier. A fe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recogniz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billy Strayhorn
William Thomas Strayhorn (November 29, 1915 – May 31, 1967) was an American jazz composer, pianist, lyricist, and arranger, who collaborated with bandleader and composer Duke Ellington for nearly three decades. His compositions include " Take the 'A' Train", " Chelsea Bridge", "A Flower Is a Lovesome Thing", and " Lush Life". Early life Strayhorn was born in Dayton, Ohio, United States. His family soon moved to the Homewood section of Pittsburgh, Pennsylvania. However, his mother's family came from Hillsborough, North Carolina, and she sent him there to protect him from his father's drunken sprees. Strayhorn spent many months of his childhood at his grandparents' house in Hillsborough. In an interview, Strayhorn said that his grandmother was his primary influence during the first ten years of his life. He became interested in music while living with her, playing hymns on her piano, and playing records on her Victrola record player. Return to Pittsburgh and meeting Ellingto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lush Life (jazz Song)
"Lush Life" is a jazz standard that was written by Billy Strayhorn from 1933 to 1936. It was performed publicly for the first time by Strayhorn and vocalist Kay Davis with the Duke Ellington Orchestra at Carnegie Hall on November 13, 1948. Background The lyric describes the author's weariness of the night life after a failed romance, wasting time with "jazz and cocktails" at "come-what-may places" and in the company of girls with "sad and sullen gray faces/with ''distingué'' traces". Strayhorn was a teenager when he wrote most of the song, which was to become his signature composition (along with "Take the 'A' Train"). The song was written in the key of D-flat major. The melody is over relatively complex chord changes, compared with many jazz standards, with chromatic movement and modulations that evoke a dreamlike state and the dissolute spirit characteristic of the "lush life." During a 1949 interview, Strayhorn spoke of the song’s genesis: “’Lush Life’ wasn’t th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sweet Rain
''Sweet Rain'' is a jazz album by Stan Getz, released on the Verve record label in 1967. Reception The Allmusic review by Steve Huey states that ''Sweet Rain'' is "one of Stan Getz's all-time greatest albums," and "the quartet's level of musicianship remains high on every selection, and the marvelously consistent atmosphere the album evokes places it among Getz's very best. A surefire classic". Track listing #"Litha" (Chick Corea) – 8:30 #"O Grande Amor" (Antônio Carlos Jobim, Vinicius de Moraes) – 4:44 #"Sweet Rain" ( Mike Gibbs) – 7:12 #"Con Alma" (Dizzy Gillespie) – 8:06 #"Windows" ( Corea) – 8:57 :''Recorded on March 21 (Tracks 1-3) and March 30 (Tracks 4-5), 1967.'' Personnel Musicians *Stan Getz – tenor saxophone *Chick Corea – piano *Ron Carter – bass *Grady Tate – drums Additional personnel *Producer – Creed Taylor *Engineer – Rudy Van Gelder *Cover photograph – Tom Zimmerman *Director of engineering – Val Valentin Luis Pastor "Val" Vale ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Light As A Feather
''Light as a Feather'' is the second studio album by jazz fusion band Return to Forever led by pianist Chick Corea. Content The style of the music remains mostly the same as the first album, though vocals were given a larger role. Corea produced the album for Polydor Records. Stanley Clarke played double bass, though for most of his career he has played bass guitar. "Captain Marvel" is a fast Latin piece that provided the name for Stan Getz's album released in the same year (with Corea, Clarke, and Moreira also on the Getz album). Airto Moreira plays percussion and Purim sings without words during the song's main riff. The album ends with "Spain", which was inspired by, and whose introduction was taken from, Joaquín Rodrigo's ''Concierto de Aranjuez'' (1939). It would be the last album to feature the line up of the first two records of the band with the exception of bassist Stanley Clarke who has remained with the band for all of its existence, saxophonist Joe Farrell, s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Return To Forever
Return to Forever was an American jazz fusion band that was founded by pianist Chick Corea in 1972. The band has had many members, with the only consistent bandmate of Corea's being bassist Stanley Clarke. Along with Weather Report, The Headhunters, and Mahavishnu Orchestra, Return to Forever is often cited as one of the core groups of the jazz-fusion movement of the 1970s. Several musicians, including Clarke, Flora Purim, Airto Moreira and Al Di Meola, came to prominence through their performances on Return to Forever albums. After playing on Miles Davis's jazz-fusion albums ''In a Silent Way'' (1969) and ''Bitches Brew'' (1970), Corea formed an avant-garde jazz band called Circle with Dave Holland, Anthony Braxton and Barry Altschul. In 1972, after converting to Scientology, Corea decided he wanted to communicate better with his audience. This meant performing a more accessible style of music than avant-garde jazz. Return to Forever first disbanded in 1977 after five years a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Return To Forever (Chick Corea Album)
''Return to Forever'' is a jazz fusion album by Chick Corea, simultaneously functioning as the debut album by the band of the same name. Unlike later albums by the group, it was released by the ECM label and produced by Manfred Eicher. The album was not released in the USA until 1975. The record is often considered one of the classic albums in electric jazz. This album features the debut of electronic instruments for Corea’s solo career. Track listing All tracks are composed by Chick Corea; except where noted. Personnel Musicians * Chick Corea – Fender Rhodes electric piano * Stanley Clarke – electric bass guitar (tracks 1-3), double bass (track 4) * Joe Farrell – flute, soprano saxophone * Airto Moreira – drums, percussion * Flora Purim – vocals, percussion Production * Manfred Eicher – producer * Tony May – engineer * Michael Manoogian - cover photography Chart performance References External links Chick Corea - ''Return to Forever'' (197 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
