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Capricorn Concerto
''Capricorn'' Concerto, Op. 21, is a composition for flute, oboe, trumpet, and strings by Samuel Barber, completed on September 8, 1944. A typical performance lasts approximately 14 minutes. History The concerto was written when Barber was still serving in the U.S. Army but when he was granted time and freedom to compose. Hence the piece was composed in and named after the house "Capricorn" in Mount Kisco, acquired by Barber and Gian Carlo Menotti in 1943 and so-named for the maximum sunshine it got during the winter. It is therefore "a nostalgic piece that expresses Barber’s desire to return to a situation where he could compose without the constant interruption of military requirements", and was the last piece Barber wrote before his discharge from military duty. The work was composed for Daniel Saidenberg but it is not certain whether or not it was also under the aegis of the Office of War Information—the Army unit to which Barber was assigned. It was premiered by the Said ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opus Number
In musicology, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's production. Opus numbers are used to distinguish among compositions with similar titles; the word is abbreviated as "Op." for a single work, or "Opp." when referring to more than one work. To indicate the specific place of a given work within a music catalogue, the opus number is paired with a cardinal number; for example, Beethoven's Piano Sonata No. 14 in C-sharp minor (1801, nicknamed ''Moonlight Sonata'') is "Opus 27, No. 2", whose work-number identifies it as a companion piece to "Opus 27, No. 1" ( Piano Sonata No. 13 in E-flat major, 1800–01), paired in same opus number, with both being subtitled ''Sonata quasi una Fantasia'', the only two of the kind in all of Beethoven's 32 piano sonatas. Furthermore, the ''Piano Sonata, Op. 27 No. 2, in C-sharp minor'' is also catalogued as "Sonata No. 14", ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempo
In musical terminology, tempo (Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a "metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is often ind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aaron Copland
Aaron Copland (, ; November 14, 1900December 2, 1990) was an American composer, composition teacher, writer, and later a conductor of his own and other American music. Copland was referred to by his peers and critics as "the Dean of American Composers". The open, slowly changing harmonies in much of his music are typical of what many people consider to be the sound of American music, evoking the vast American landscape and pioneer spirit. He is best known for the works he wrote in the 1930s and 1940s in a deliberately accessible style often referred to as "populist" and which the composer labeled his "vernacular" style. Works in this vein include the ballets ''Appalachian Spring'', ''Billy the Kid'' and ''Rodeo'', his ''Fanfare for the Common Man'' and Third Symphony. In addition to his ballets and orchestral works, he produced music in many other genres, including chamber music, vocal works, opera and film scores. After some initial studies with composer Rubin Goldmark, Copland ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur Foote
Arthur William Foote (March 5, 1853 in Salem, Massachusetts – April 8, 1937 in Boston, Massachusetts) was an American classical composer, and a member of the "Boston Six." The other five were George Whitefield Chadwick, Amy Beach, Edward MacDowell, John Knowles Paine, and Horatio Parker. Biography Foote was appointed organist of the First Church in Boston (Unitarian) in 1878, remaining there 32 years. A founder of the American Guild of Organists, he was one of the examiners at the first Guild Fellowship examination. He helped organize the New England chapter of the AGO, and from 1909 to 1912 (when the office was discontinued) he served as National Honorary President of the AGO, succeeding Horatio Parker in that position. He was one of the editors of ''Hymns of the Church Universal'', a Unitarian hymnal published in 1890. The modern tendency is to view Foote's music as "Romantic" and "European" in the light of the later generation of American composers such as Aaron Copland, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leonard Slatkin
Leonard Edward Slatkin (born September 1, 1944) is an American conductor, author and composer. Early life and education Slatkin was born in Los Angeles to a Jewish musical family that came from areas of the Russian Empire now in Ukraine. His father, Felix Slatkin, was the violinist, conductor and founder of the Hollywood String Quartet, and his mother, Eleanor Aller, was the cellist with the quartet. His brother, Frederick, now a cellist, traced the family's original name as Zlotkin, and adopted that form of the family surname for himself professionally. Frederick Zlotkin has spoken of the family lineage as follows: :: "The Zlotkin/Slatkin lineage is Russian-Jewish. The first Zlotkin arrival to the US was Felix's father, grandpa Chaim Peretz Zlotkin, who came to settle with relatives in St. Louis in 1904; he (or the clerk at Ellis Island) changed the name. He probably came from the town of Mogilev ow Mohyliv-Podilskyi">Mohyliv-Podilskyi.html" ;"title="ow Mohyliv-Podilskyi">ow M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Keith Clark (conductor)
Keith Clark is an American composer, conductor, and music educator who is best known for founding the Pacific Symphony and the Astoria Music Festival. Active globally as a conductor, he has an extensive discography with symphonies internationally, including the London Philharmonic, Vienna Chamber Orchestra, Slovak State Philharmonic, Prague Radio Symphony Orchestra, Seoul Philharmonic Orchestra, and Pacific Symphony among others. He is currently Principal Guest Conductor of the Siberian Chamber Orchestra in Omsk, Russia, Principle Conductor of the Amadeus Opera Ensemble in Salzburg, Artistic Director of Portland Summerfest’s Opera in the Park, and Artistic Director of the Astoria Music Festival. Early life, family, and education Born in Illinois, Clark grew up in Ottawa, Illinois in a century-old farmhouse just southwest of Chicago. Clark's father, also named Keith, was a high school teacher and folk singer and instrumentalist who travelled around the midwest collecting folk s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anthony Plog
Anthony Plog (born November 13, 1947) is an American conductor, composer and trumpet player. Life Plog was born in Glendale, California, United States. He is a fellow of the Music Academy of the West where he attended in 1968. From 2006 to 2007, he held the Roy Acuff Chair of Excellence at Austin Peay State University.Austin Peay State University Austin Peay State University () is a public university in Clarksville, Tennessee. Standing on a site occupied by a succession of educational institutions since 1845, the precursor of the university was established in 1927 and named for then-sitt ...The Roy Acuff Chair of Excellence. Retrieved 8 December. Works Educational * Etudes & Duets Book I for trumpet * Method for Trumpet – Volumes 1–7 Chamber music * 2 Scenes for trumpet, soprano voice and organ (1974) * 3 Miniatures for horn and piano (1998) * 3 Miniatures for flute and piano (2007) * 3 Miniatures for trombone and piano (1994) * 3 Miniatures for trumpet and pia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allan Vogel
Allan Vogel is an American oboist and educator. He was the former Principal Oboe of the Los Angeles Chamber Orchestra. Education Vogel studied piano and voice at the New York High School for Music and Art, but eventually changed his focus to oboe. "From the moment I heard it, I fell in love", Vogel said. "I switched right away." "My voice hadn't quite changed yet", he says. "By the time my voice changed, I was already into the oboe. I've been fanatical about the oboe ever since. I fell in love with the sound of it, as many people do. I liked playing it, too, physically. I have the right personality for it, kind of tenacious. That's what the oboe takes." He then attended Harvard University and graduated with a degree in English; however, during his senior year, he decided to concentrate on his oboe playing. He studied with Robert Bloom at Yale University where he received a Doctorate in Performance. He received a Fulbright Fellowship and studied in Berlin with Lothar Koch (for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Schuman
William Howard Schuman (August 4, 1910February 15, 1992) was an American composer and arts administrator. Life Schuman was born into a Jewish family in Manhattan, New York City, son of Samuel and Rachel Schuman. He was named after the 27th U.S. president, William Howard Taft, though his family preferred to call him Bill. Schuman played the violin and banjo as a child, but his overwhelming passion was baseball. He attended Temple Shaaray Tefila as a child. While still in high school, he formed a dance band, "Billy Schuman and his Alamo Society Orchestra", that played local weddings and bar mitzvahs in which Schuman played string bass. In 1928 he entered New York University's School of Commerce to pursue a business degree, at the same time working for an advertising agency. He also wrote popular songs with E. B. Marks Jr, a friend he had met long before at summer camp. Around that time, Schuman met lyricist Frank Loesser and wrote some forty songs with him. Loesser's first publish ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mitch Miller
Mitchell William Miller (July 4, 1911 – July 31, 2010) was an American choral conductor, record producer, record-industry executive, and professional oboist. He was involved in almost all aspects of the industry, particularly as a conductor and artists and repertoire (A&R) man. Miller was one of the most influential people in American popular music during the 1950s and early 1960s, both as the head of A&R at Columbia Records and as a best-selling recording artist with an NBC television series, ''Sing Along with Mitch''. A graduate of the Eastman School of Music of the University of Rochester in the early 1930s, Miller began his musical career as a player of the oboe and English horn, making numerous highly regarded classical and popular recordings. Early life Mitchell William Miller was born to a Jewish family in Rochester, New York, on July 4, 1911. His mother was Hinda (Rosenblum) Miller, a former seamstress, and his father, Abram Calmen Miller, a Russian-Jewish immigrant w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Julius Baker
Julius Baker (September 23, 1915 – August 6, 2003) was one of the foremost American orchestral flute players. During the course of five decades he concertized with several of America's premier orchestral ensembles including the Chicago Symphony and the New York Philharmonic Orchestra. Background Baker was born in Cleveland, Ohio, and at age nine started flute lessons with his Jewish-Russian immigrant father. Later he studied with August Caputo and local flautist Robert Morris. He attended the Eastman School of Music, where he was pupil of Leonardo De Lorenzo, and the Curtis Institute, where he studied with William Kincaid and had classes with Marcel Tabuteau. Upon graduation in 1937, Baker returned to Cleveland to play second flute in the Cleveland Orchestra, conducted by Artur Rodziński, and in the section led by Maurice Sharp.''Flute Talk'', October 2003. He went on to a distinguished and long tenure as principal flute in the New York Philharmonic. Career Teaching, perf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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