Cappella Neapolitana
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Cappella Neapolitana
Cappella Neapolitana is an early music ensemble based in Naples and dedicated to the recovery of Neapolitan musical heritage, primarily from the baroque era. The Cappella Neapolitana was founded in 2016 by the musicologist and conductor Antonio Florio ( it), who studied under Nino Rota, as well as participating in events at the church Chiesa della Pietà dei Turchini. The name of church, conservatory, and now the modern cappella and music centre go back to the turquoise (Italian "turchino") shirts worn by the original children of the institute. The association between church, conservatory, and commercial opera productions goes back to the roots of the original Pietà de' Turchini, and the days when Leonardo Leo used his students from the Conservatorio Pietà de' Turchini as chorus singers in his opera productions. Florio's work in recovering music which has lain unperformed for three centuries often involves reconstructing lost parts, or "discreetly recomposing" missing portions ...
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Early Music
Early music generally comprises Medieval music (500–1400) and Renaissance music (1400–1600), but can also include Baroque music (1600–1750). Originating in Europe, early music is a broad musical era for the beginning of Western classical music. Terminology Interpretations of historical scope of "early music" vary. The original Academy of Ancient Music formed in 1726 defined "Ancient" music as works written by composers who lived before the end of the 16th century. Johannes Brahms and his contemporaries would have understood Early music to range from the High Renaissance and Baroque, while some scholars consider that Early music should include the music of ancient Greece or Rome before 500 AD (a period that is generally covered by the term Ancient music). Music critic Michael Kennedy excludes Baroque, defining Early music as "musical compositions from heearliest times up to and including music of heRenaissance period". Musicologist Thomas Forrest Kelly considers that the ...
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Giovanni Vittorio Majello
Giovanni Vittorio Maiello ( fl. 17th century?) was an Italian composer. He was maestro di capella at Santa Maria delle Grazie a Capodimonte, Naples.Pietro Cerone, Antonio Ezquerro Esteban El melopeo y maestro: (Napolés, J.B. Gargano y L. Nucci, 1613) - 2007 -- Page 36 "maestro de capilla de Santa Maria de Gracia en Nápoles, Giovanni Vittorio Maiello." Works *''Liber primus mottectorum tribus vocibus'' References 17th-century Italian composers Italian Baroque composers Italian male classical composers 17th-century male musicians {{Italy-composer-stub ...
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Giuseppe Antonio Avitrano
Giuseppe Antonio Avitrano (Naples Naples (; it, Napoli ; nap, Napule ), from grc, Νεάπολις, Neápolis, lit=new city. is the regional capital of Campania and the third-largest city of Italy, after Rome and Milan, with a population of 909,048 within the city's adminis ..., c. 1670 – Naples, 19 March 1756) was an Italian composer and violinist. Avitrano came from a family of musicians. From about 1690 until his death he was member of the Neapolitan court orchestra. Works * 10 Sonatas for 2 violins, violone, organ, Op. 1 (Naples, 1697) * 10 Sonatas for 2 violins, violone, organ, Op. 2 (Naples, 1703) * 12 Sonata a quattro, for 3 violins and basso continuo, Op. 3 (Naples, 1713)Giuseppe A. Avitrano, Compositions
AllMusic. Retrieved 3 October 2013. * 7 cantatas for soprano and basso continuo * M ...
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Leonardo Vinci
Leonardo Vinci (1690 – 27 May 1730) was an Italian composer known chiefly for his 40 or so operas; comparatively little of his work in other genres survives. A central proponent of the Neapolitan School of opera, his influence on subsequent opera composers such as Johann Adolph Hasse and Giovanni Battista Pergolesi was considerable. Life and career He was born at Strongoli and educated at Naples under Gaetano Greco in the Conservatorio dei Poveri di Gesù Cristo. He first became known for his ''opere buffe'' (comic operas) in Neapolitan dialect in 1719; he also composed many ''opere serie'' (dramatic operas). He was received into the Congregation of the Rosary, a lay religious and burial fraternity, at Formiello in 1728. He died in May 1730. Vinci is rumoured to have been poisoned by a jealous husband in the wake of an ill-advised affair, a story which is given by several reliable authorities without evident contradictions. Music Vinci's ''opere buffe,'' of which '' ...
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Francesco Durante
Francesco Durante (31 March 1684 – 30 September 1755) was a Neapolitan composer. Biography He was born at Frattamaggiore, in the Kingdom of Naples, and at an early age he entered the '' Conservatorio dei poveri di Gesù Cristo'', in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant'Onofrio. He is also supposed to have studied under Bernardo Pasquini and Giuseppe Ottavio Pitoni in Rome, but there is no documentary evidence. He is said to have succeeded Scarlatti in 1725 at '' Sant' Onofrio'', and to have remained there until 1742, when he succeeded Porpora as head of the Conservatorio di Santa Maria di Loreto, also in Naples. This post he held for thirteen years, till his death in Naples. He was married three times. His fame as a teacher was considerable, and Niccolò Jommelli, Giovanni Paisiello, Giovanni Battista Pergolesi, Niccolò Piccinni and Leonardo Vinci were amongst his pupils. As a tea ...
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Michelangelo Faggioli
Michelangelo Faggioli (1666–1733) was an Italian lawyer and celebrated amateur composer of humorous cantatas in Neapolitan dialect.Dinko Fabris ''Music In Seventeenth-century Naples: Francesco Provenzale (1624–1704)'' 2007 "The most important lawyer-composer of cantatas 'in lengua napolitana' is Michelangelo Faggioli (1666–1733), celebrated author of ...". A founder of a new genre of Neapolitan comedy, he was the composer of the opera buffa ''Opera buffa'' (; "comic opera", plural: ''opere buffe'') is a genre of opera. It was first used as an informal description of Italian comic operas variously classified by their authors as ''commedia in musica'', ''commedia per musica'', ''dramm ... ''La Cilla'' in 1706. References Italian Baroque composers 1666 births 1733 deaths Italian male classical composers 18th-century Italian composers 18th-century Italian male musicians {{Italy-composer-stub ...
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Fabrizio Dentice
Fabrizio Dentice (also Fabricio, Fabritio) (1539 in Naples – 24 February 1581 in Naples) was an Italian composer and virtuoso lute and viol player. Fabrizio was the son of Luigi Dentice (1510–1566) who served the powerful Sanseverino family and had a great reputation as a singer and lutenist.T. Crawford, "Lute counterpoint from Naples" in ''Early Music,'' Oxford Journals 2006 Fabrizio was also uncle to the harpsichordist Scipione Dentice (1560–1633). Musical Editions *Dinko Fabris. ''Da Napoli a Parma: itinerari d'un musicista aristocratico. Opera vocali di Fabrizio Dentice, 15630ca-1580.'' Rome and Milan: Accademia Nazionale di Santa Cecilia, 1998. *Dinko Fabris and John Griffiths (eds). ''Neapolitan Lute Music: Fabrizio Dentice, Giulio Severino, Giovanni Antonio Severino, Francesco Cardone.'' Recent Researches in Music of the Renaissance 140. Madison: A-R Editions, 2004. (Includes all Dentice's known lute music including doubtful ascriptions) Selected discography Vocal ...
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Antonio Nola
Antonio Nola (1642-after 1715) was a Neapolitan composer of whom little biographical information or music survives.A large amount of manuscript sacred music by Nola is held in the Girolamini Library He is to be distinguished from the better known Giovanni Domenico da Nola born 130 years earlier (died 1592). Antonio Nola was a minor figure among the Neapolitan composers who collaborated with musicians from the church of the Girolamini, which included Giovanni Maria Trabaci, Scipione Dentice (nephew of Fabrizio Dentice), Giovanni Maria Sabino, Giovanni Salvatore, master of the royal chapel Filippo Coppola and, foremost among them, Erasmo di Bartolo ("Padre Raimo") author of the monumental ''Mottetti per le quarant' ore''. His only recorded work, in comparison with the Magnificat a 5 composed in the same year by his colleague Francesco Provenzale (1624–1704), shows a less sophisticated compositional level. Recording * Magnificat a 5 voci con violini (1669) 13'25" on Magnificat an ...
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Gaetano Greco
Gaetano Greco (c. 1657c. 1728) was an Italian Baroque composer. He was the younger brother of Rocco Greco ( c.1650 - before 1718). Both brothers were trained at, and later taught at the Poveri di Gesu` Cristo conservatory in Naples. Gaetano Greco's teachers included Giovanni Salvatore and Gennaro Ursino, and possibly Francesco Provenzale.Dinko Fabris ''Music in seventeenth-century Naples: Francesco Provenzale (1624-1704)'' p230 2007 "Gaetano's teachers were Giovanni Salvatore and Gennaro Ursino, but it is plausible that Greco also studied with Francesco Provenzale: the contract with the Eletti della Fedelissima Citta in 1701 is typical of a teacher-pupil ..." It is also possible that he studied with Alessandro Scarlatti. Leonardo Vinci Leonardo Vinci (1690 – 27 May 1730) was an Italian composer known chiefly for his 40 or so operas; comparatively little of his work in other genres survives. A central proponent of the Neapolitan School of opera, his influence on subseque .. ...
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Scipione Stella
Scipione Stella (1558 or 1559 – May 20, 1622) was a Neapolitan composer. He is to be distinguished from another member of the circle of Carlo Gesualdo, Scipione Dentice.John Walter Hill Roman monody, cantata, and opera from the circles around Cardinal Montalto, Volume 1 1997 p40,44 Life and career Born in Naples, Stella studied with Giovanni Domenico da Nola who was the maestro di cappella at the Santissima Annunziata Maggiore, Naples. Da Nola recommended Stella for the post of organist at that church in 1579; a post he eventually held from 1583 through 1593. A May 1593 letter written by Spanish composer Sebastián Raval mentions that Stella had performed Raval’s madrigals with Scipione Dentice and Luca Marenzio at the palace of Cardinal Montalto in Naples in May 1953. By 1594, and possibly earlier, Stella had entered the service of Carlo Gesualdo and accompanied him to Ferrara for his wedding to Eleonora d'Este (1561–1637) on 21 February 1594. After leaving Gesuldo's ...
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Andrea Falconieri
Andrea Falconieri (1585 or 1586 – 1656), also known as Falconiero, was an Italian composer and lutenist from Naples. He resided in Parma from 1604 until 1614, and later moved to Rome, and then back to his native Naples, where in 1647 he became ''maestro di cappella'' at the royal chapel A royal chapel is a chapel associated with a monarch, a royal court, or in a royal palace. A royal chapel may also be a Chapel (music), body of clergy or musicians serving at a royal court or employed by a monarch. Commonwealth countries Both .... External links * * Italian Baroque composers 1580s births 1656 deaths Italian male classical composers 17th-century Italian composers 17th-century male musicians {{italy-composer-stub ...
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Francesco Sabino
Francesco Sabino (born Naples, 1620) was an Italian composer. He was a nephew of brothers Giovan Maria Sabino and Donato Antonio Sabino.Dinko Fabris Dinko Fabris is an Italian musicologist. He specializes in lute music, the music of Naples, and Italian music in general, having written books on Italian composers such as Andrea Falconieri, Andrea Gabrieli, Francesco Provenzale and Francesco Ca ... ''Music In Seventeenth-century Naples: Francesco Provenzale (1624-1704)'' 2007 Page 54 "Francesco Sabino, too, was a near relation of the other two musicians. He was born in Naples in 1620, .. References 1620 births Year of death missing Italian Baroque composers Italian male classical composers {{Italy-composer-stub ...
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