Capella De Ministrers
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Capella De Ministrers
Capella de Ministrers is an early music group formed in 1987 in Valencia, Spain by Carles Magraner. Valencian music is prominent in its repertoire. Work Capella de Ministrers was formed in 1987 in Valencia by its director, the Valencian musicologist Carles Magraner (viola da gamba). The primary importance of the group is in the focus on restoring Valencian musical culture. Part of the group's mission is the recovery of Valencian musical heritage, from their first CD of 1989 - ''Música Barroca Valenciana''. This first release contained little-known villancicos by a number of Valencian composers: Juan Cabanilles (1644–1712), Francisco Hernández Pla (d.1722), Joseph Pradas Gallén (1689–1757), Francisco Vicente Cervera (d.1749) and Pere Rabassa (1683–1767). The productions of the group follow the historical context to musical performance and releasing books with CDs, as in the book Music and Poetry for Ausiàs March, dedicated to the 15th Century Valencian poet. The Iberi ...
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Early Music
Early music generally comprises Medieval music (500–1400) and Renaissance music (1400–1600), but can also include Baroque music (1600–1750). Originating in Europe, early music is a broad musical era for the beginning of Western classical music. Terminology Interpretations of historical scope of "early music" vary. The original Academy of Ancient Music formed in 1726 defined "Ancient" music as works written by composers who lived before the end of the 16th century. Johannes Brahms and his contemporaries would have understood Early music to range from the High Renaissance and Baroque, while some scholars consider that Early music should include the music of ancient Greece or Rome before 500 AD (a period that is generally covered by the term Ancient music). Music critic Michael Kennedy excludes Baroque, defining Early music as "musical compositions from heearliest times up to and including music of heRenaissance period". Musicologist Thomas Forrest Kelly considers that the ...
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Cancionero De Upsala
The , also known by the titles Cancionero del Duque de Calabria and Cancionero de Venecia, is a volume of mostly anonymous Spanish music printed in Venice in 1556. Its actual title is ''Villancicos de diversos Autores, a dos, y a tres, y a quatro, y a cinco bozes, agora nuevamente corregidos. Ay mas ocho tonos de Canto llano, y ocho tonos de Canto de Organo para que puedan aprovechar los que A cantar començaren. Venetiis, Apud Hieronymum Scotum, MDLVI''. It survives in a unique copy at the Uppsala University Library and was edited in 1909 by Rafael Mitjana; the subsequent literature has mostly adopted his spelling "Upsala" ("''Upsala''" being the historic Swedish spelling of "Uppsala" until the major spelling reform of 1906). A facsimile was first published by Alamire ( Peer, Belgium 1984) and later by the Biblioteca Valenciana (Valencia, Spain 2003). Contents ''Villancicos a dos bozes'' (for two voices) ''Villancicos a tres bozes'' (for three voices) ''Villancicos a quat ...
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Tomás Luis De Victoria
Tomás Luis de Victoria (sometimes Italianised as ''da Vittoria''; ) was the most famous Spanish composer of the Renaissance. He stands with Giovanni Pierluigi da Palestrina and Orlande de Lassus as among the principal composers of the late Renaissance, and was "admired above all for the intensity of some of his motets and of his Offices for the Dead and for Holy Week". His surviving ''oeuvre'', unlike that of his colleagues, is almost exclusively sacred and polyphonic vocal music, set to Latin texts. As a Catholic priest, as well as an accomplished organist and singer, his career spanned both Spain and Italy. However, he preferred the life of a composer to that of a performer. Life and career Victoria was born in Sanchidrián in the province of Ávila, Castile, around 1548 and died in 1611. Victoria's family can be traced back for generations. Not only are the names of the members in his immediate family known, but even the occupation of his grandfather. Victoria was the sev ...
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Codex Chantilly
The Chantilly Codex (''Chantilly, Musée Condé MS 564'') is a manuscript of medieval music containing pieces from the style known as the '' Ars subtilior''. It is held in the museum at the Château de Chantilly in Chantilly, Oise. Most of the compositions in the Chantilly Codex date from c. 1350–1400. There are 112 pieces total, mostly by French composers, and all of them polyphonic. The codex contains examples of many of the most popular courtly dance styles of its time, such as ballades, rondeaus, virelais, and isorhythmic motets. Some of the motets are rhythmically extremely complex, and are written in intricately exact musical notation. Two pieces by Baude Cordier were added at a slightly later date at the front of the manuscript, and use unusual shapes to reflect their musical contents. The piece "Belle, Bonne, Sage, Plaisant" (image right) was written to a special lady for the New Year, and reflects the shape of the notation with the text (Lovely, good, wise, and pleasan ...
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Jacob Senleches
Jacob Senleches ( fl. 1382/1383 – 1395) (also Jacob de Senlechos .e. Senleches'' and Jacopinus Senlesses) was a Franco-Flemish composer and harpist of the late Middle Ages. He composed in a style commonly known as the ''ars subtilior''. Life and career It has been suggested that Jacob Senleches was born in Senleches (or Sanlesches) in Cambrai, today France. In 1382, Senleches seems to have been present at the court of Eleanor of Aragon, Queen of Castile (d. September 1382), possibly in her service. In ''Fuions de ci,'' he laments Eleanor's death and resolves to seek his fortune either "en Aragon, en France ou en Bretaingne". Afterwards, he is found in the service of Pedro de Luna, Cardinal of Aragon (later Antipope Benedict XIII, 1394–1423), as a harpist. There is a treasury document assigning payments to one "Jaquemin de Sanleches, juglar de harpe" from the royal household in Navarra dated August 21, 1383. The payment was made so that Jacquemin could return to "his master", P ...
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La Festa
LA most frequently refers to Los Angeles, the second largest city in the United States. La, LA, or L.A. may also refer to: Arts and entertainment Music * La (musical note), or A, the sixth note * "L.A.", a song by Elliott Smith on ''Figure 8'' (album) * ''L.A.'' (EP), by Teddy Thompson * ''L.A. (Light Album)'', a Beach Boys album * "L.A." (Neil Young song), 1973 * The La's, an English rock band * L.A. Reid, a prominent music producer * Yung L.A., a rapper * Lady A, an American country music trio * "L.A." (Amy Macdonald song), 2007 * "La", a song by Australian-Israeli singer-songwriter Old Man River Other media * l(a, a poem by E. E. Cummings * La (Tarzan), fictional queen of the lost city of Opar (Tarzan) * ''Lá'', later known as Lá Nua, an Irish language newspaper * La7, an Italian television channel * LucasArts, an American video game developer and publisher * Liber Annuus, academic journal Business, organizations, and government agencies * L.A. Screenings, a tel ...
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Cancionero De Palacio
The Cancionero de Palacio (Madrid, Biblioteca Real, MS II–1335), or Cancionero Musical de Palacio (CMP), also known as Cancionero de Barbieri, is a Spanish manuscript of Renaissance music. The works in it were compiled during a time span of around 40 years, from the mid-1470s until the beginning of the 16th century, approximately coinciding with the reign of the Catholic Monarchs. The manuscript The first ten folios are not numbered; the remaining folios are numbered from 1 to 304. Based on the index of works included in the beginning of the manuscript, it originally had 548 works. Many folios have been lost, reducing the number of works currently in the manuscript to 458. The manuscript was written by 9 different people and, in all, received 11 successive additions: *The first addition happened in the first years of the 16th century, most probably after 1505, as a result of the reorganization of the Court's musical chapel ordered by Ferdinand II of Aragon, one year after th ...
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Aria
In music, an aria (Italian: ; plural: ''arie'' , or ''arias'' in common usage, diminutive form arietta , plural ariette, or in English simply air) is a self-contained piece for one voice, with or without instrumental or orchestral accompaniment, normally part of a larger work. The typical context for arias is opera, but vocal arias also feature in oratorios and cantatas, or they can be stand-alone concert arias. The term was originally used to refer to any expressive melody, usually, but not always, performed by a singer. Etymology The Italian term ''aria'', which derives from the Greek ἀήρ and Latin ''aer'' (air), first appeared in relation to music in the 14th century when it simply signified a manner or style of singing or playing. By the end of the 16th century, the term 'aria' refers to an instrumental form (cf. Santino Garsi da Parma lute works, 'Aria del Gran Duca'). By the early 16th century it was in common use as meaning a simple setting of strophic poetry; me ...
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La Vespra
LA most frequently refers to Los Angeles, the second largest city in the United States. La, LA, or L.A. may also refer to: Arts and entertainment Music * La (musical note), or A, the sixth note * "L.A.", a song by Elliott Smith on ''Figure 8'' (album) * ''L.A.'' (EP), by Teddy Thompson * ''L.A. (Light Album)'', a Beach Boys album * "L.A." (Neil Young song), 1973 * The La's, an English rock band * L.A. Reid, a prominent music producer * Yung L.A., a rapper * Lady A, an American country music trio * "L.A." (Amy Macdonald song), 2007 * "La", a song by Australian-Israeli singer-songwriter Old Man River Other media * l(a, a poem by E. E. Cummings * La (Tarzan), fictional queen of the lost city of Opar (Tarzan) * ''Lá'', later known as Lá Nua, an Irish language newspaper * La7, an Italian television channel * LucasArts, an American video game developer and publisher * Liber Annuus, academic journal Business, organizations, and government agencies * L.A. Screenings, a tel ...
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Misterio De Elche
The ''Misterio de Elche'' (), in English the ''Mystery Play of Elche''Mystery play of Elche
- ''UNESCO'' or ''Elche Mystery Play'' and in Valencian ''Misteri d'Elx'' (), is a from the that reenacts the and of the

Estampie
The estampie (french: estampie, Occitan and ca, estampida, it, istanpitta) is a medieval dance and musical form which was a popular instrumental and vocal form in the 13th and 14th centuries. The name was also applied to poetry. Musical form The estampie is similar in form to the lai, consisting of a succession of repeated notes. According to Johannes de Grocheio, there were both vocal and instrumental estampies (for which he used the Latin calque "stantipes"), which differed somewhat in form. Grocheio calls the sections in both the French vocal and instrumental estampie ''puncta'' (singular ''punctus''), Each ''puncta'' has a pair of lines that repeat the same melody, in the form: :''aa, bb, cc, etc.''. The two statements of the melody in each punctus differ only in their endings, described as ''apertum'' ("open") and ''clausum'' ("closed") by Grocheio, who believed that six ''puncta'' were standard for the stantipes (his term for the estampie), though he was aware of stan ...
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Tristán
Tristan or Tristram or Tristen is a given name of Welsh origin. It originates from Welsh "Drystan" influenced by the French word "triste". It became popularized through the character of Tristan, one of the Knights of the Round Table in Arthurian legend. The modern form is most likely influenced by the Latin root ''tristis'' (''tant triste'' in the medieval French version of the myth) also has the same meaning in Welsh 'Trist' meaning "sad" or "sorrowful". Tristan has been consistently among the top 1000 names given to baby boys in the United States since 1971. There are various alternate forms of the name: Tristen, Triston, Tristin, Tristian, Trystan, and Trysten. People with the mononym Tristan * Tristan l'Hermite, French political and military figure of the late Middle Ages * Tristan de Clermont, Bartholomew "Tristan" de Clermont-Lodève (1380 – c. 1432), Count of Copertino, was a French-born knight who married Catherine del Balzo Orsini * Tristan of Montepeloso (born 102 ...
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