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Cao Xueqin
Cáo Xuěqín ( ; ); (4 April 1710 — 10 June 1765)Briggs, Asa (ed.) (1989) ''The Longman Encyclopedia'', Longman, was a Chinese writer during the Qing dynasty. He is best known as the author of ''Dream of the Red Chamber'', one of the Four Great Classical Novels of Chinese literature. His given name was Cáo Zhān () and his courtesy name was Mèngruǎn (). Family Cao Xueqin was born to a Han Chinese clan that was brought into personal service (as ''booi aha'' or bondservants of Cigu Niru) to the Manchu royalty in the late 1610s. His ancestors distinguished themselves through military service in the Plain White Banner () of the Eight Banners and subsequently held posts as officials which brought both prestige and wealth. After the Plain White Banner was put under the direct jurisdiction of the Qing emperor, Cao's family began to serve in civil positions of the Imperial Household Department. During the Kangxi Emperor's reign, the clan's prestige and power reached its he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cao Xueqin
Cáo Xuěqín ( ; ); (4 April 1710 — 10 June 1765)Briggs, Asa (ed.) (1989) ''The Longman Encyclopedia'', Longman, was a Chinese writer during the Qing dynasty. He is best known as the author of ''Dream of the Red Chamber'', one of the Four Great Classical Novels of Chinese literature. His given name was Cáo Zhān () and his courtesy name was Mèngruǎn (). Family Cao Xueqin was born to a Han Chinese clan that was brought into personal service (as ''booi aha'' or bondservants of Cigu Niru) to the Manchu royalty in the late 1610s. His ancestors distinguished themselves through military service in the Plain White Banner () of the Eight Banners and subsequently held posts as officials which brought both prestige and wealth. After the Plain White Banner was put under the direct jurisdiction of the Qing emperor, Cao's family began to serve in civil positions of the Imperial Household Department. During the Kangxi Emperor's reign, the clan's prestige and power reached its he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
:Template:Infobox Writer/doc
Infobox writer may be used to summarize information about a person who is a writer/author (includes screenwriters). If the writer-specific fields here are not needed, consider using the more general ; other infoboxes there can be found in :People and person infobox templates. This template may also be used as a module (or sub-template) of ; see WikiProject Infoboxes/embed for guidance on such usage. Syntax The infobox may be added by pasting the template as shown below into an article. All fields are optional. Any unused parameter names can be left blank or omitted. Parameters Please remove any parameters from an article's infobox that are unlikely to be used. All parameters are optional. Unless otherwise specified, if a parameter has multiple values, they should be comma-separated using the template: : which produces: : , language= If any of the individual values contain commas already, add to use semi-colons as separators: : which produces: : , ps ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Imperial Household Department
The Imperial Household Department (; mnc, , v=dorgi baita be uheri kadalara yamun) was an institution of the Qing dynasty of China. Its primary purpose was to manage the internal affairs of the Qing imperial family and the activities of the inner palace (in which tasks it largely replaced eunuchs), but it also played an important role in Qing relations with Tibet and Mongolia, engaged in trading activities (jade, ginseng, salt, furs, etc.), managed textile factories in the Jiangnan region, and even published books. This department was also in charge of the ceremonial and spiritual activities of the Qing imperial household. These activities include the maintenance of the mausoleums of Qing emperors, polytheist worships and posthumous affairs of the royal family (the giving of temple names and posthumous names). Origins The department was established before the Manchu-led Qing dynasty defeated the Ming dynasty in 1644, but it became mature only after 1661, following the death of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Woodblock Printing
Woodblock printing or block printing is a technique for printing text, images or patterns used widely throughout East Asia and originating in China in antiquity as a method of textile printing, printing on textiles and later paper. Each page or image is created by carving a wooden block to leave only some areas and lines at the original level; it is these that are inked and show in the print, in a relief printing process. Carving the blocks is skilled and laborious work, but a large number of impressions can then be printed. As a Woodblock printing on textiles, method of printing on cloth, the earliest surviving examples from China date to before 220 AD. Woodblock printing existed in Tang China by the 7th century AD and remained the most common East Asian method of printing books and other texts, as well as images, until the 19th century. ''Ukiyo-e'' is the best-known type of moku hanga, Japanese woodblock art print. Most European uses of the technique for printing images on p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gao E (writer)
Gao E (, c. 1738c. 1815) was a Qing dynasty Chinese scholar, writer, and editor. He attained the degree of '' juren'' in 1788 and ''jinshi'' in 1795. A Han Chinese who belonged to the Bordered Yellow Banner, he became a Fellow of the Hanlin Academy in 1801. His courtesy name was Yunfu () and art name Lanshu (,"Orchid Study-Place"). In 1791, together with his partner Cheng Weiyuan (), he "recovered" the last forty chapters of Cao Xueqin's monumental novel ''Dream of the Red Chamber'' (sometimes called ''The Story of the Stone''). The nature and extent of his contributions to the work and the sources of his material are a matter of controversy, but it is believed by a large number of modern orthodox Redologists that the last forty chapters were not written by Cao Xueqin. He also edited the first eighty chapters together with Cheng. In 1921, Hu Shih proposed that the last forty chapters of ''Dream of the Red Chamber'' were written by Gao E himself. His proposition was accepted by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Li He
Li He ( – ) was a Chinese poet of the mid-Tang dynasty. His courtesy name was Changji, and he is also known as Guicai and Shigui. He was prevented from taking the imperial examination due to a naming taboo. He died very young, and was noted for his sickly appearance. He was a diligent poet, going out on journeys during the day and, when a line of poetry came to him, jotting it down, and completing the poems when he arrived home in the evening. His poems famously explored ghostly, supernatural and fantastic themes. His popularity and place in the Chinese literary canon has fluctuated throughout the centuries. His idiosyncratic style of poetry was frequently imitated in China until the Qing dynasty. During this era, the popularity of his poetry suffered from a change in literary tastes, with his works notably being excluded from the influential ''Three Hundred Tang Poems'', but there was a revival of interest in him in the twentieth century. He was among the Tang poets most ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Poetry
Chinese poetry is poetry written, spoken, or chanted in the Chinese language. While this last term comprises Classical Chinese, Standard Chinese, Mandarin Chinese, Yue Chinese, and other historical and vernacular forms of the language, its poetry generally falls into one of two primary types, ''Classical Chinese poetry'' and '' Modern Chinese poetry''. Poetry has consistently been held in extremely high regard in China, often incorporating expressive folk influences filtered through the minds of Chinese literation. In Chinese culture, poetry has provided a format and a forum for both public and private expressions of deep emotion, offering an audience of peers, readers, and scholars insight into the inner life of Chinese writers across more than two millennia. Chinese poetry often reflects the influence of China's various religious traditions as well. Classical Chinese poetry includes, perhaps first and foremost '' shi'' (詩/诗), and also other major types such as '' ci'' (詞/ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Redology
Redology () is the academic study of Cao Xueqin's ''Dream of the Red Chamber'', one of the Four Great Classical Novels of China. There are numerous researchers in this field; most can be divided into four general groups. The first group are the commentators, such as Zhou Chun, Xu Fengyi, Chen Yupi, and others. The second group is the index group, which mainly includes Wang Mengruan and Cai Yuanpei. The third group are the textual critics, including Hu Shih and Yu Pingbo. The final group are the literary critics, including Zhou Ruchang and Li Xifan. History A 1976 essay by Joey Bonner split the Chinese critical reception of the novel into five phases: *;Pre-1791: Commentators on the pre-publication manuscripts, such as Rouge Inkstone and Odd Tablet, who mainly provide literary analysis of the first 80 chapters. *;1791–1900: Post-publication questions over authorship of the addendum, speculation upon esoteric aspects of the book. After 1875 using the term "Redology" fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yongzheng Emperor
The Yongzheng Emperor (13 December 1678 – 8 October 1735), also known by his temple name Emperor Shizong of Qing, born Yinzhen, was the fourth Emperor of the Qing dynasty, and the third Qing emperor to rule over China proper. He reigned from 1722 to 1735. A hard-working ruler, the Yongzheng Emperor's main goal was to create an effective government at minimal expense. Like his father, the Kangxi Emperor, the Yongzheng Emperor used military force to preserve the dynasty's position. Although Yongzheng's reign was much shorter than that of both his father (the Kangxi Emperor) and his son (the Qianlong Emperor), the Yongzheng era was a period of peace and prosperity. The Yongzheng Emperor cracked down on corruption and reformed the personnel and financial administration. His reign saw the formation of the Grand Council, an institution which had an enormous impact on the future of the Qing dynasty. Birth and early life Yinzhen was the eleventh recorded son of the Kangxi Emperor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quan Tangshi
(''Complete Tang Poems'') is the largest collection of Tang poetry, containing some 49,000 lyric poems by more than twenty-two hundred poets. In 1705, it was commissioned at the direction of the Qing dynasty Kangxi Emperor and published under his name. The is the major reservoir of surviving Tang dynasty poems, from which the pre-eminent shorter anthology, ''Three Hundred Tang Poems'', is largely drawn. Compilation In 1705, the Kangxi Emperor issued an edict to Cao Yin, a trusted imperial bondservant, official, and a literary figure in his own right. He commanded Cao to compile and publish all the surviving (lyric poems) of the Tang, inaugurating the first of the great literary projects for which the Manchu dynasty became famous. The emperor also appointed nine scholars of the Hanlin Academy to oversee the collation of the texts. The team compared texts from various libraries as well as checking into private collections. Cao trained calligraphers in a common style of wr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
