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Cantate!
''Cantate!'' (Sing!) is a German Catholic hymnal first published in 1847, and continued in seven editions until 1879. It was a collection of 444 old and new songs, edited by the educator and hymnwriter Heinrich Bone, and the first Catholic hymnal in German that was used in multiple dioceses. Several of the songs are still part of the common Catholic hymnal in German, ''Gotteslob''. History Heinrich Bone published the hymnal ''Cantate!'' (''Sing!''), a collection of 444 songs, which appeared between 1847 and 1879 in seven editions. It was the first Catholic hymnal which was used in multiple German-speaking dioceses. A book with melodies for the songs appeared in 1852. Program The hymnal has a programmatic title in Latin, referring to the traditional language in the Catholic Church. It is subtitled "Katholisches Gesangbuch nebst Gebeten und Andachten für alle Zeiten und Feste des Kirchenjahres" (Catholic songbook including prayers and contemplations for all times and feasts of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinrich Bone
Heinrich Bone (25 September 181310 June 1893) was a German educator and hymnwriter. He wrote a reader for German studies which was used for higher education in Germany, Belgium, Luxembourg and Austria, until it was banned during the Kulturkampf. He published a hymnal, ''Cantate!'', which was used by several Catholic dioceses and became a model for common hymnals. Some of his own hymns, including paraphrases of Latin hymns, are part of recent hymnals, both Catholic and Protestant, such as "Komm, Schöpfer Geist, kehr bei uns ein" as a paraphrase of the 9th-century hymn for Pentecost, Veni Creator Spiritus. Life Born in Drolshagen, Bone was the eldest of six children. His parents, Mathäus Bone and his wife Elisabeth, née Kramer, ran a small button factory, an inn and engaged in farming. Bone attended the Progymnasium in Attendorn from 1825, afterwards the in Arnsberg, and from 1830 the , where he achieved the Abitur in 1831. He studied philology, philosophy and theology at the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Komm, Schöpfer Geist, Kehr Bei Uns Ein
"" (Come, Creator Spirit, visit us) is a Christian hymn in German for Pentecost. The text is a paraphrase of the Latin hymn by Heinrich Bone. The melody is an adaptation of the Latin hymn's plainchant. It was first published in 1845. In the Catholic hymnal ''Gotteslob'', it is GL 351. History is one of many paraphrases of the 9th-century which is attributed to Rabanus Maurus. The first version in German was Martin Luther's ", published in 1524. Bone's version, in six stanzas as the model, was first published in 1845. It was part of his 1847 hymnal ''Cantate!''. The hymn was included in the first edition of the common German Catholic hymnal ''Gotteslob (1975), Gotteslob'' in 1975 as GL 245, and is stanza, GL 351 in its Gotteslob, 2013 edition, in the section Pentecost / Holy Spirit. Text Tune \transpose c g, \layout \midi Notes References External links Komm, Schöpfer Geist, kehr bei uns ein(in German) evangeliums.net * Komm, Schöpfer Geist, kehr bei un ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Das Ist Der Tag, Den Gott Gemacht
"Das ist der Tag, den Gott gemacht" (This is the day that God made) is a German Christian hymn for Easter. In the Catholic hymnal ''Gotteslob'' it appears as Gl 329. History The text was written by Heinrich Bone (1813–1893), a pedagogue who is known for his hymnal '' Cantate!'' of 1847. When his song was included in the '' Gotteslob of 1975'', Friedrich Dörr (1908–1993) added two stanzas from 1972 to the original three stanzas. The melody is attributed to Johannes Leisentritt (1527–1586) who is known for his 1567 hymnal ''Geistliche Lieder und Psalmen der Alten Apostolischer recht und warglaubiger Christlicher Kirchen'', one of the hymnals of the counter reformation. Musical settings of the hymn include an organ version by Herbert Voß (1922–2006), a four-part setting by Volker Wangenheim (1928–2014), a four-pat setting with organ by (born 1935), and both a four-part setting (2012) and an organ setting (2016) by Ludger Stühlmeyer. Literature * Ludger Stühlmeye ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stabat Mater
The Stabat Mater is a 13th-century Christian hymn to Mary, which portrays her suffering as Jesus Christ's mother during his crucifixion. Its author may be either the Franciscan friar Jacopone da Todi or Pope Innocent III.Sabatier, Paul ''Life of St. Francis Assisi'' Charles Scribner Press, NY, 1919, page 286''The seven great hymns of the Mediaeval Church'' by Charles Cooper Nott 1868 ASIN: B003KCW2LA page 96 The title comes from its first line, "Stabat Mater dolorosa", which means "the sorrowful mother was standing". The hymn is sung at the liturgy on the memorial of Our Lady of Sorrows. The Stabat Mater has been set to music by many Western composers. Date The Stabat Mater has often been ascribed to Jacopone da Todi, OFM (ca. 1230–1306), but this has been strongly challenged by the discovery of the earliest notated copy of the Stabat Mater in a 13th-century gradual belonging to the Dominican nuns in Bologna (Museo Civico Medievale MS 518, fo. 200v-04r). The Stabat Mater ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Catholic Church In Germany
, native_name_lang = de , image = Hohe_Domkirche_St._Petrus.jpg , imagewidth = 200px , alt = , caption = Cologne Cathedral, Cologne , abbreviation = , type = National polity , main_classification = Catholic , orientation = Christianity , scripture = Bible , theology = Catholic theology , polity = Episcopal , governance = German Bishops' Conference , structure = , leader_title = Pope , leader_name = Francis , leader_title1 = Chairman , leader_name1 = Georg Bätzing , leader_title2 = Primas Germaniae , leader_name2 = Franz Lackner , leader_title3 = Apostolic Nuncio , leader_name3 = Nikola Eterović , fellowships_type = , fellowships = , fellowships_type1 = , fellowships1 = , division_type = , division = , division_type1 = ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cambridge University Press
Cambridge University Press is the university press of the University of Cambridge. Granted letters patent by Henry VIII of England, King Henry VIII in 1534, it is the oldest university press A university press is an academic publishing house specializing in monographs and scholarly journals. Most are nonprofit organizations and an integral component of a large research university. They publish work that has been reviewed by schola ... in the world. It is also the King's Printer. Cambridge University Press is a department of the University of Cambridge and is both an academic and educational publisher. It became part of Cambridge University Press & Assessment, following a merger with Cambridge Assessment in 2021. With a global sales presence, publishing hubs, and offices in more than 40 Country, countries, it publishes over 50,000 titles by authors from over 100 countries. Its publishing includes more than 380 academic journals, monographs, reference works, school and uni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metre (music)
In music, metre ( Commonwealth spelling) or meter (American spelling) refers to regularly recurring patterns and accents such as bars and beats. Unlike rhythm, metric onsets are not necessarily sounded, but are nevertheless implied by the performer (or performers) and expected by the listener. A variety of systems exist throughout the world for organising and playing metrical music, such as the Indian system of '' tala'' and similar systems in Arabic and African music. Western music inherited the concept of metre from poetry, where it denotes: the number of lines in a verse; the number of syllables in each line; and the arrangement of those syllables as long or short, accented or unaccented. The first coherent system of rhythmic notation in modern Western music was based on rhythmic modes derived from the basic types of metrical unit in the quantitative metre of classical ancient Greek and Latin poetry. Later music for dances such as the pavane and galliard consisted of m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gregorian Chant
Gregorian chant is the central tradition of Western plainchant, a form of monophonic, unaccompanied sacred song in Latin (and occasionally Greek) of the Roman Catholic Church. Gregorian chant developed mainly in western and central Europe during the 9th and 10th centuries, with later additions and redactions. Although popular legend credits Pope Gregory I with inventing Gregorian chant, scholars believe that it arose from a later Carolingian synthesis of the Old Roman chant and Gallican chant. Gregorian chants were organized initially into four, then eight, and finally 12 modes. Typical melodic features include a characteristic ambitus, and also characteristic intervallic patterns relative to a referential mode final, incipits and cadences, the use of reciting tones at a particular distance from the final, around which the other notes of the melody revolve, and a vocabulary of musical motifs woven together through a process called centonization to create families of related ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Haus Altenberg
Haus Altenberg is a house for education and meetings of young people (''Jugendbildungsstätte'') of the Diocese of Cologne, located in Altenberg, now part of Odenthal, North Rhine-Westphalia, Germany. It was the centre of the Katholische Jugendbewegung in Germany from 1926 to 1954, interrupted only during World War II. Owned by the diocese, it is run by the association ''Jugendbildungsstätte Haus Altenberg''. History The abbey around the Altenberger Dom, founded in 1133, was closed in 1803. In 1863, a house called "Erzbischöfliche Villa" was built adjacent to the church. developed the house from 1926 to a centre of the (Catholic youth movement) for the training of young men for work with groups of young people. He declared the statue of Mary in the church as ''Königin des Bundes'' (Queen of the union). From 1934, Catholic youth organisations were gradually restricted by the Nazi regime to strictly religious actions. They focused therefore on light processions and pilgrimag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Altenberger Dom
The Altenberger Dom (or Bergischer Dom) is the former abbey church of Altenberg Abbey which was built from 1259 in Gothic style by Cistercians. Listed as a cultural heritage, it is located in Altenberg, now part of Odenthal in the Rheinisch-Bergischer Kreis, North Rhine-Westphalia, Germany. Until 1511, the church was the burial site of counts and dukes of Berg and the dukes of Jülich-Berg. Badly damaged after the monastery was dissolved in 1803 due to the secularisation of Germany, the church was rebuilt with support from Friedrich Wilhelm IV of Prussia, who decreed in 1857 that it was to serve as a parish church simultaneously for a Catholic and a Protestant parish. The German name has sometimes been translated to English as Altenberg Cathedral, but it was never a cathedral, a bishop's seat. History The Counts of Berg settled in the area east of Cologne, along the Dhünn river. Cistercians arrived from Morimond in their land, now Bergisches Land, in 1133. They founded Alt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stylised
In the visual arts, style is a "...distinctive manner which permits the grouping of works into related categories" or "...any distinctive, and therefore recognizable, way in which an act is performed or an artifact made or ought to be performed and made". It refers to the visual appearance of a work of art that relates it to other works by the same artist or one from the same period, training, location, "school", art movement or archaeological culture: "The notion of style has long been the art historian's principal mode of classifying works of art. By style he selects and shapes the history of art". Style is often divided into the general style of a period, country or cultural group, group of artists or art movement, and the individual style of the artist within that group style. Divisions within both types of styles are often made, such as between "early", "middle" or "late". In some artists, such as Picasso for example, these divisions may be marked and easy to see; in others ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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