Canon On A Russian Popular Tune
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Canon On A Russian Popular Tune
The "Canon on a Russian Popular Tune" (or "Canon for Concert Introduction or Encore") is an orchestral work by Igor Stravinsky composed in 1965. It is the composer's final completed score for orchestra and was composed in the summer of 1965 during work on his ''Requiem Canticles''. Although originally intended as a valedictory tribute to Pierre Monteux, the published score makes no mention of this. The work is an elaborate canon based on the "Coronation Scene" theme from his ballet ''The Firebird'', which was composed 55 years earlier, and is scored for an ensemble nearly identical to the 1919 suite extracted from that ballet. Lasting less than a minute and consisting of only 35 bars, the work repeats the canon twice, with a quarter note break in between. Stravinsky submitted the finished score to Boosey & Hawkes on November 8, 1965, and it was premiered by the Toronto Symphony Orchestra under the direction of Robert Craft on December 16. Notes Sources * * External links * * ...
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Boosey & Hawkes
Boosey & Hawkes is a British music publisher purported to be the largest specialist classical music publisher in the world. Until 2003, it was also a major manufacturer of brass, string and woodwind musical instruments. Formed in 1930 through the merger of two well-established British music businesses, it controls the copyrights to much major 20th-century music, including works by Leonard Bernstein, Benjamin Britten, Aaron Copland, Sergei Prokofiev, and Igor Stravinsky. It also publishes many prominent contemporary composers, including John Adams, Karl Jenkins, James MacMillan, Mark-Anthony Turnage, and Steve Reich. With subsidiaries in Berlin and New York, it also sells sheet music via its online shop. History Pre-merger Boosey & Hawkes was founded in 1930 through the merger of two respected music companies, Boosey & Company and Hawkes & Son. The Boosey family was of Franco–Flemish origin. Boosey & Company traces its roots back to John Boosey, a bookseller in London i ...
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Igor Stravinsky
Igor Fyodorovich Stravinsky (6 April 1971) was a Russian composer, pianist and conductor, later of French (from 1934) and American (from 1945) citizenship. He is widely considered one of the most important and influential composers of the 20th century and a pivotal figure in modernist music. Stravinsky's compositional career was notable for its stylistic diversity. He first achieved international fame with three ballets commissioned by the impresario Sergei Diaghilev and first performed in Paris by Diaghilev's Ballets Russes: ''The Firebird'' (1910), ''Petrushka'' (1911), and ''The Rite of Spring'' (1913). The last transformed the way in which subsequent composers thought about rhythmic structure and was largely responsible for Stravinsky's enduring reputation as a revolutionary who pushed the boundaries of musical design. His "Russian phase", which continued with works such as '' Renard'', ''L'Histoire du soldat,'' and ''Les noces'', was followed in the 1920s by a period ...
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Requiem Canticles
''Requiem Canticles'' is a 15-minute composition by Igor Stravinsky, for contralto and bass soli, chorus, and orchestra. Stravinsky completed the work in 1966, and it received its first performance that same year. The work is a partial setting of the Roman Catholic requiem mass, with the six vocal movements in Latin. It is from Stravinsky's serial period, but it has elements from all his stylistic periods. It was performed at Stravinsky's funeral five years after its initial premiere. Orchestration ''Requiem Canticles'' is scored for contralto and bass soloists, mixed chorus, and an orchestra consisting of 3 flutes (3rd doubles on piccolo), alto flute, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani (2 performers), 2 percussionists (xylophone, vibraphone, and tubular bells), harp, piano, celesta, and strings. Structure The piece consists of nine short movements: Joseph N. Straus has discussed in detail Stravinsky's particular application of serial technique in the wor ...
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Pierre Monteux
Pierre Benjamin Monteux (; 4 April 18751 July 1964) was a French (later American) conductor. After violin and viola studies, and a decade as an orchestral player and occasional conductor, he began to receive regular conducting engagements in 1907. He came to prominence when, for Sergei Diaghilev's Ballets Russes company between 1911 and 1914, he conducted the world premieres of Stravinsky's ''The Rite of Spring'' and other prominent works including ''Petrushka'', '' The Nightingale'', Ravel's ''Daphnis et Chloé'', and Debussy's '' Jeux''. Thereafter he directed orchestras around the world for more than half a century. From 1917 to 1919 Monteux was the principal conductor of the French repertoire at the Metropolitan Opera in New York. He conducted the Boston Symphony Orchestra (1919–24), Amsterdam Concertgebouw Orchestra (1924–34), Orchestre Symphonique de Paris (1929–38) and San Francisco Symphony (1936–52). In 1961, aged eighty-six, he accepted the chief cond ...
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Canon (music)
In music, a canon is a contrapuntal (counterpoint-based) compositional technique that employs a melody with one or more imitation (music), imitations of the melody played after a given duration (music), duration (e.g., quarter rest, one measure, etc.). The initial melody is called the leader (or ''dux''), while the imitative melody, which is played in a different part (music), voice, is called the follower (or ''comes''). The follower must imitate the leader, either as an exact replication of its rhythms and Interval (music), intervals or some transformation thereof. Repeating canons in which all voices are musically identical are called round (music), rounds—"Row, Row, Row Your Boat" and "Frère Jacques" are popular examples. An accompanied canon is a canon accompanied by one or more additional independent parts that do not imitate the melody. History Medieval and Renaissance During the Medieval music, Middle Ages, Renaissance music, Renaissance, and Baroque music, Baroque ...
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The Firebird
''The Firebird'' (french: L'Oiseau de feu, link=no; russian: Жар-птица, Zhar-ptitsa, link=no) is a ballet and orchestral concert work by the Russian composer Igor Stravinsky. It was written for the 1910 Paris season of Sergei Diaghilev's Ballets Russes company; the original choreography was by Michel Fokine, who collaborated with Alexandre Benois on a scenario based on the Russian fairy tales of the Firebird and the blessing and curse it possesses for its owner. It was first performed at the Opéra de Paris on 25 June 1910 and was an immediate success, catapulting Stravinsky to international fame. Although designed as a work for the stage, with specific passages accompanying characters and action, the music achieved equal if not greater recognition as a concert piece. Stravinsky was a young, virtually unknown composer when Diaghilev recruited him to create works for the Ballets Russes; ''L'Oiseau de feu'' was the first such major project. The success of the ballet was the ...
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Quarter Note
A quarter note (American) or crotchet ( ) (British) is a note (music), musical note played for one quarter of the duration of a whole note (or semibreve). Quarter notes are notated with a filled-in oval note head and a straight, flagless stem (music), stem. The stem usually points upwards if it is below the middle line of the musical staff, staff, and downwards if it is on or above the middle line. An upward stem is placed on the right side of the notehead, a downward stem is placed on the left (see image). The Unicode symbol is U+2669 (♩). A quarter rest (music), rest (or crotchet rest) denotes a silence of the same duration as a quarter note. It typically appears as the symbol , or occasionally, as the older symbol .''Rudiments and Theory of Music'' Associated Board of the Royal Schools of Music, London 1958. I,33 and III,25. The former section shows both forms without distinction, the latter the "old" form only. The book was the Official ABRSM theory manual in the UK ...
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Toronto Symphony Orchestra
The Toronto Symphony Orchestra (TSO) is a Canadian orchestra based in Toronto, Ontario. Founded in 1906, the TSO gave regular concerts at Massey Hall until 1982, and since then has performed at Roy Thomson Hall. The TSO also manages the Toronto Symphony Youth Orchestra (TSYO). The TSO's most recent music director was Peter Oundjian, from 2004 to 2018. Sir Andrew Davis, conductor laureate of the TSO, has most recently served as the orchestra's interim artistic director. Gustavo Gimeno is music director of the TSO, since the 2020–2021 season. History The TSO was founded in 1922 as the New Symphony Orchestra, and gave its first concert at Massey Hall in April 1923 with 58 musicians. The first conductor was Luigi von Kunits, and that season there were twenty concerts, as well as a performance at a spring festival.Vyhnak, Carola. "Birth of the Toronto Symphony Orchestra". ''Toronto Star'', 14 June 2015, page A12. In the summer of 1924, the symphony performed at the Canadian Nati ...
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Robert Craft
Robert Lawson Craft (October 20, 1923 – November 10, 2015) was an American conductor and writer. He is best known for his intimate professional relationship with Igor Stravinsky, on which Craft drew in producing numerous recordings and books. Life Craft was born in Kingston, New York, to Raymond and Arpha Craft, and studied music at the Juilliard School. He became particularly interested in early music, such as that of Claudio Monteverdi, Carlo Gesualdo, and Heinrich Schütz, and in contemporary music by the composers of the Second Viennese School and others. Craft met Stravinsky in 1948, and from then until the composer's death in 1971, Craft worked with Stravinsky in a variety of roles, eventually evolving into a full artistic partnership. Craft compiled the libretti for Stravinsky's '' The Flood'' and ''A Sermon, a Narrative and a Prayer'', and lived with Igor and Vera Stravinsky in Hollywood and later in New York City. He remained close to the composer's widow until her de ...
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Die Musikforschung
''Die Musikforschung'' is a quarterly peer-reviewed academic journal of musicological which since 1948 is published on behalf of the Gesellschaft für Musikforschung by Bärenreiter. The editors-in-chief are Panja Mücke (Hochschule für Musik und Darstellende Kunst Mannheim), Manuel Gervink (Hochschule für Musik Carl Maria von Weber), and Friedrich Geiger (University of Hamburg). The journal covers music history, theory, and practice. A review section discusses German and foreign-language books and scholarly editions of sheet music. Reports provide summaries of relevant congresses and conferences. Abstracting and indexing The journal is abstracted and indexed in: *Arts and Humanities Citation Index *Current Contents/Arts & Humanities * L'Année philologique *Modern Language Association Database * RILM Abstracts of Music Literature *Scopus Scopus is Elsevier's abstract and citation database launched in 2004. Scopus covers nearly 36,377 titles (22,794 active titles and 13,583 ...
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Sydney Symphony Orchestra
The Sydney Symphony Orchestra (SSO) is an Australian symphony orchestra that was initially formed in 1908. Since its opening in 1973, the Sydney Opera House has been its home concert hall. Simone Young is the orchestra's chief conductor and first woman in the role. Venues and programming The Sydney Symphony performs around 150 concerts a year to a combined annual audience of more than 350,000. The regular subscription concert series are mostly performed at the Sydney Opera House, but other venues around Sydney are used as well, including the City Recital Hall at Angel Place and the Sydney Town Hall. The Town Hall was the home of the orchestra until the opening of the Opera House in 1973. Since then, most concerts have been taking place in the Opera House's Concert Hall (capacity: 2,679 seats). A major annual event for the orchestra is Symphony in the Domain, a free evening outdoor picnic concert held in the summer month of January in the large city park known as The Domain. Th ...
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Edo De Waart
Edo de Waart (born 1 June 1941, Amsterdam) is a Dutch conductor. He is Music Director Laureate of the Milwaukee Symphony Orchestra. De Waart is the former chief conductor of the Royal Flemish Philharmonic (2011-2016), Artistic Partner with the St. Paul Chamber Orchestra (2010-2014), and music director of the New Zealand Symphony Orchestra (2016-2019). De Waart studied oboe, piano and conducting at the Sweelinck Conservatory, graduating in 1962. The following year, he was appointed associate principal oboe of the Royal Concertgebouw Orchestra. Orchestral conducting In 1964, at the age of 23, De Waart won the Dimitri Mitropoulos Conducting Competition in New York. As part of his prize, he served for one year as assistant conductor to Leonard Bernstein at the New York Philharmonic. On his return to the Netherlands, he was appointed assistant conductor of the Concertgebouw Orchestra under Bernard Haitink. In 1967, he was appointed conductor of both the Netherlands Wind Ensemble an ...
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