Canon EF 28–80mm Lens
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Canon EF 28–80mm Lens
The EF 28–80mm f/3.5–5.6 is a zoom lens produced by Canon Inc. for their series of EOS single-lens reflex cameras. Canon produced eight iterations of the lens from 1989 to 1999. The other 28–80mm lens is the EF 28–80mm f/2.8–4L USM, which was an EF mount wide-to-normal zoom lens introduced by Canon in April 1989. Being of the "L" class, it is of completely different design and structure than the aforementioned 28–80mm 3.5–5.6 lens. This lens was replaced by the EF 28-70mm f/2.8L USM. Description The 'L' lens is identified by a red stripe around the lens barrel. It is a totally separate classification of lens, much larger and up to three times heavier, sharing very little if any features with the non-L versions. The L version is considerably faster, with an aperture In optics, an aperture is a hole or an opening through which light travels. More specifically, the aperture and focal length of an optical system determine the cone angle of a bundle of rays t ...
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Canon 28-80mm F3
Canon or Canons may refer to: Arts and entertainment * Canon (fiction), the conceptual material accepted as official in a fictional universe by its fan base * Literary canon, an accepted body of works considered as high culture ** Western canon, the body of high culture literature, music, philosophy, and works of art that is highly valued in the West * Canon of proportions, a formally codified set of criteria deemed mandatory for a particular artistic style of figurative art * Canon (music), a type of composition * Canon (hymnography), a type of hymn used in Eastern Orthodox Christianity. * ''Canon'' (album), a 2007 album by Ani DiFranco * ''Canon'' (film), a 1964 Canadian animated short * ''Canon'' (game), an online browser-based strategy war game * ''Canon'' (manga), by Nikki * Canonical plays of William Shakespeare * ''The Canon'' (Natalie Angier book), a 2007 science book by Natalie Angier * ''The Canon'' (podcast), concerning film Brands and enterprises * Ca ...
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Canon EF Lens Mount
The EF lens mount is the standard lens mount on the Canon EOS family of SLR film and digital cameras. EF stands for "Electro-Focus": automatic focusing on EF lenses is handled by a dedicated electric motor built into the lens. Mechanically, it is a bayonet-style mount, and all communication between camera and lens takes place through electrical contacts; there are no mechanical levers or plungers. The mount was first introduced in 1987. Canon claims to have produced its 100-millionth EF-series interchangeable lens on 22 April 2014. History The EF mount replaces its predecessor, the FD mount. The standard autofocus lens mounting technology of the time used a motor in the camera body to drive the mechanics of the focus helicoid in the lens by using a transfer lever. The key innovation of the EF series was to use a motor inside the lens itself for focusing. This allowed for autofocusing lenses which did not require mechanical levers in the mount mechanism, only electrical con ...
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Canon Inc
is a Japanese multinational corporation headquartered in Ōta, Tokyo, Japan, specializing in optical, imaging, and industrial products, such as lenses, cameras, medical equipment, scanners, printers, and semiconductor manufacturing equipment.Corporate Profile
" ''Canon''. Retrieved on 13 January 2009.
Canon has a primary listing on the and is a constituent of the Core30 and index. It has a secondary ...
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Canon EOS
Canon EOS (Electro-Optical System) is an autofocus single-lens reflex camera (SLR) and mirrorless camera series produced by Canon Inc. Introduced in 1987 with the Canon EOS 650, all EOS cameras used 135 film, 35 mm photographic film, film until October 1996 when the Canon EOS IX, EOS IX was released using the new and short-lived Advanced Photo System, APS film. In 2000, the Canon EOS D30, D30 was announced, as the first digital photography, digital SLR designed and produced entirely by Canon. Since 2005, all newly announced EOS cameras have used digital image sensors rather than film. The EOS line is still in production as Canon's current digital SLR (DSLR) range, and, with the 2012 introduction of the Canon EOS M, Canon's mirrorless interchangeable-lens camera (MILC) system. In 2018 the system was further extended with the introduction of the EOS R camera, Canon's first full frame mirrorless interchangeable lens system. The development project was called "EOS" (Electro Optical ...
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Single-lens Reflex Camera
A single-lens reflex camera (SLR) is a camera that typically uses a mirror and prism system (hence "reflex" from the mirror's reflection) that permits the photographer to view through the lens and see exactly what will be captured. With twin lens reflex and rangefinder cameras, the viewed image could be significantly different from the final image. When the shutter button is pressed on most SLRs, the mirror flips out of the light path, allowing light to pass through to the light receptor and the image to be captured. History File:Hasselblad 1600F.jpg, Medium format SLR by Hasselblad (Model 1600F), Sweden File:Zenza BRONICA S2 with ZENZANON 100mm F2.8.JPG, Medium format SLR by Bronica (Model S2), Japan. Bronica's later model—the Bronica EC—was the first medium format SLR camera to use an electrically operated focal-plane shutter File:Asahiflex600.jpg, The 1952 (Pentax) Asahiflex, Japan's first single-lens reflex camera. File:Contaflex BW 2.JPG, The Contaflex III a single- ...
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Wide-angle Lens
In photography and cinematography, a wide-angle lens refers to a lens whose focal length is substantially smaller than the focal length of a normal lens for a given film plane. This type of lens allows more of the scene to be included in the photograph, which is useful in architectural, interior and landscape photography where the photographer may not be able to move farther from the scene to photograph it. Another use is where the photographer wishes to emphasise the difference in size or distance between objects in the foreground and the background; nearby objects appear very large and objects at a moderate distance appear small and far away. This exaggeration of relative size can be used to make foreground objects more prominent and striking, while capturing expansive backgrounds. A wide angle lens is also one that projects a substantially larger image circle than would be typical for a standard design lens of the same focal length. This large image circle enables either lar ...
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Normal Lens
In photography and cinematography, a normal lens is a lens that reproduces a field of view that appears "natural" to a human observer. In contrast, depth compression and expansion with shorter or longer focal lengths introduces noticeable, and sometimes disturbing, distortion. The problem Photographic technology employs different physical methods from the human eye in order to capture images. Thus, manufacturing optics which produce images that appear natural to human vision is problematic. The eye has a nominal focal length of approximately 17mm, but it varies with accommodation. The nature of human binocular vision, which uses two lenses instead of a single one, and post-processing by the cortex is very different from the process of making and rendering a photograph, video or film. The structure of the human eye has a concave retina, rather than a flat sensor. This produces effects observed by Abraham Bosse, who in his 1665 illustration 'To prove that one can neither define ...
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Zoom Lens
A zoom lens is a mechanical assembly of lens elements for which the focal length (and thus angle of view) can be varied, as opposed to a fixed-focal-length (FFL) lens (see prime lens). A true zoom lens, also called a parfocal lens, is one that maintains focus when its focal length changes. Most consumer zoom lenses do not maintain perfect focus, but are still parfocal designs. Most camera phones that are advertised as having optical zoom actually use a few cameras of different but fixed focal length, combined with digital zoom to make a hybrid system. The convenience of variable focal length comes at the cost of complexity – and some compromises on image quality, weight, dimensions, aperture, autofocus performance, and cost. For example, all zoom lenses suffer from at least slight, if not considerable, loss of image resolution at their maximum aperture, especially at the extremes of their focal length range. This effect is evident in the corners of the image, when displa ...
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Lens Speed
Lens speed refers to the maximum aperture diameter, or minimum f-number, of a photographic lens. A lens with a larger than average maximum aperture (that is, a smaller minimum f-number) is called a "fast lens" because it can achieve the same exposure as an average lens with a faster shutter speed. Conversely, a smaller maximum aperture (larger minimum f-number) is "slow" because it delivers less light intensity and requires a slower (longer) shutter speed. A fast lens speed is desirable in taking pictures in dim light, for stability with long telephoto lenses, and for controlling depth of field and bokeh, especially in portrait photography, as well as for sports photography and photojournalism. Lenses may also be referred to as being "faster" or "slower" than one another; so an lens can be described as faster than an 5.6 despite 3.5 not generally being considered "fast" outright. What ''is'' considered fast largely depends on focal length, image diameter (i.e. format covered, such ...
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Aperture
In optics, an aperture is a hole or an opening through which light travels. More specifically, the aperture and focal length of an optical system determine the cone angle of a bundle of rays that come to a focus in the image plane. An optical system typically has many openings or structures that limit the ray bundles (ray bundles are also known as ''pencils'' of light). These structures may be the edge of a lens or mirror, or a ring or other fixture that holds an optical element in place, or may be a special element such as a diaphragm placed in the optical path to limit the light admitted by the system. In general, these structures are called stops, and the aperture stop is the stop that primarily determines the ray cone angle and brightness at the image point. In some contexts, especially in photography and astronomy, ''aperture'' refers to the diameter of the aperture stop rather than the physical stop or the opening itself. For example, in a telescope, the aperture ...
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Filter (photography)
In photography and cinematography, a filter is a camera accessory consisting of an optical filter that can be inserted into the optical path. The filter can be of a square or oblong shape and mounted in a holder accessory, or, more commonly, a glass or plastic disk in a metal or plastic ring frame, which can be screwed into the front of or clipped onto the camera lens. Filters modify the images recorded. Sometimes they are used to make only subtle changes to images; other times the image would simply not be possible without them. In monochrome photography, coloured filters affect the relative brightness of different colours; red lipstick may be rendered as anything from almost white to almost black with different filters. Others change the colour balance of images, so that photographs under incandescent lighting show colours as they are perceived, rather than with a reddish tinge. There are filters that distort the image in a desired way, diffusing an otherwise sharp image, addin ...
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Angle Of View
The angle of view is the decisive variable for the visual perception of the size or projection of the size of an object. Angle of view and perception of size The perceived size of an object depends on the size of the image projected onto the retina. The size of the image depends on the angle of vision. A near and a far object can appear the same size if their edges produce the same angle of vision. With an optical device such as glasses or binoculars, microscope and telescope the angle of vision can be widened so that the object appears larger, which is favourable for the resolving power of the eye (see visual angle). Angle of view in photography In photography, angle of view (AOV) describes the angular extent of a given scene that is imaged by a camera. It is used interchangeably with the more general term field of view. It is important to distinguish the angle of view from the angle of coverage, which describes the angle range that a lens can image. Typically the image ...
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