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Cannibalism (album)
''Cannibalism'' is a compilation double album by Krautrock artists Can which was released in 1978. Track listing Tracks marked were edited to shorter length from the original tracks. Side A # "Father Cannot Yell" – 7:05 # "Soul Desert" – 3:30 # "Soup" – 3:03 # "Mother Sky" – 6:41 Side B # "She Brings the Rain" – 4:07 # "Mushroom" – 4:31 # "One More Night" – 5:37 # "Spray" – 2:57 # "Outside My Door" – 4:11 Side C # "Chain Reaction" – 5:44 # " Halleluwah" – 5:39 # "Aumgn" – 7:18 # "Dizzy Dizzy" – 3:30 Side D # "Yoo Doo Right "Yoo Doo Right" is a song on Can (band), Can's 1969 debut album, ''Monster Movie (Can album), Monster Movie'', which had been edited down from a six-hour improvisation to a mere twenty minutes. The song features a pounding, tribal-influenced rhyth ..." – 20:20 Notes The CD release of ''Cannibalism'', which is contained on a single disc, does not contain the tracks "Soul Desert" and "Spray". References ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compilation Album
A compilation album comprises Album#Tracks, tracks, which may be previously released or unreleased, usually from several separate recordings by either one or several Performing arts#Performers, performers. If by one artist, then generally the tracks were not originally intended for release together as a single work, but may be collected together as a greatest hits album or box set. If from several performers, there may be a theme, topic, time period, or genre which links the tracks, or they may have been intended for release as a single work—such as a tribute album. When the tracks are by the same recording artist, the album may be referred to as a retrospective album or an anthology. Content and scope Songs included on a compilation album may be previously released or unreleased, usually from several separate recordings by either one or several performers. If by one artist, then generally the tracks were not originally intended for release together as a single work, but may ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Can (band)
Can (stylised as CAN) was a German experimental rock band formed in Cologne in 1968 by Holger Czukay (bass, tape editing), Irmin Schmidt (keyboards), Michael Karoli (guitar), and Jaki Liebezeit (drums). The group used several vocalists, most prominently the American Malcolm Mooney (1968–70) and the Japanese Damo Suzuki (1970–73). They have been widely hailed as pioneers of the German krautrock scene. Coming from backgrounds in the avant-garde and jazz, Can blended elements of psychedelic rock, funk, and musique concrète on influential albums such as ''Tago Mago'' (1971), ''Ege Bamyasi'' (1972) and ''Future Days'' (1973). Can also had commercial success with singles such as "Spoon" (1971) and " I Want More" (1976) reaching national singles charts. Their work has influenced rock, post-punk, ambient, and electronic acts. History Origins: 1966–1968 The roots of Can can be traced back to Irmin Schmidt and a trip that he made to New York City in 1966. While Schmidt initial ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Krautrock
Krautrock (also called , German for ) is a broad genre of experimental rock Experimental rock, also called avant-rock, is a subgenre of rock music that pushes the boundaries of common composition and performance technique or which experiments with the basic elements of the genre. Artists aim to liberate and innovate, with ... that developed in West Germany in the late 1960s and early 1970s among artists who blended elements of psychedelic rock, avant-garde music, avant-garde composition, and electronic music, among other eclectic sources. These artists incorporated hypnotic rhythms, extended musical improvisation, improvisation, musique concrète techniques, and early synthesizers, while generally moving away from the rhythm & blues roots and song structure found in traditional Anglo-American rock music. Prominent groups associated with the krautrock label included Neu!, Can (band), Can, Faust (band), Faust, Tangerine Dream, Kraftwerk, Cluster (band), Cluster, Ash Ra Tempel, Pop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
United Artists Records
United Artists Records was an American record label founded by Max E. Youngstein of United Artists in 1957 to issue movie soundtracks. The label expanded into other genres, such as easy listening, jazz, pop, and R&B. History Genres In 1959, United Artists released ''Forest of the Amazons,'' a cantata by Brazilian composer Heitor Villa-Lobos adapted from the music he composed for MGM's ''Green Mansions'', with the composer conducting the Symphony of the Air. Brazilian soprano Bidu Sayão was the featured soloist on the unusual recording, which was released on both LP and reel-to-reel tape. United Artists releases included soundtracks and cover versions from the James Bond movies, ''It's a Mad, Mad, Mad, Mad World'' (1963), '' A Hard Day's Night'' starring the Beatles (1964), ''The Greatest Story Ever Told'' (1965), '' A Funny Thing Happened on the Way to the Forum'' (1966), '' Fiddler on the Roof'' (1971), and '' Man of La Mancha'' (1972). The soundtrack album of United Art ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allmusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Rolling Stone Album Guide
''The Rolling Stone Album Guide'', previously known as ''The Rolling Stone Record Guide'', is a book that contains professional music reviews written and edited by staff members from ''Rolling Stone'' magazine. Its first edition was published in 1979 and its last in 2004. The guide can be seen at Rate Your Music, while a list of albums given a five star rating by the guide can be seen at Rocklist.net. First edition (1979) ''The Rolling Stone Record Guide'' was the first edition of what would later become ''The Rolling Stone Album Guide''. It was edited by Dave Marsh (who wrote a large majority of the reviews) and John Swenson, and included contributions from 34 other music critics. It is divided into sections by musical genre and then lists artists alphabetically within their respective genres. Albums are also listed alphabetically by artist although some of the artists have their careers divided into chronological periods. Dave Marsh, in his Introduction, cites as precedents Le ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Album
A double album (or double record) is an audio album that spans two units of the primary medium in which it is sold, typically either records or compact disc. A double album is usually, though not always, released as such because the recording is longer than the capacity of the medium. Recording artists often think of double albums as being a single piece artistically; however, there are exceptions such as John Lennon's ''Some Time in New York City'' (which consisted of one studio record and one live album packaged together) and OutKast's ''Speakerboxxx/The Love Below'' (effectively two solo albums, one by each member of the duo). Since the advent of the compact disc, albums are sometimes released with a bonus disc featuring additional material as a supplement to the main album, with live tracks, studio out-takes, cut songs, or older unreleased material. One innovation was the inclusion of a DVD of related material with a compact disc, such as video related to the album or DVD-A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mother Sky
"Mother Sky" is a song by the krautrock group Can, written by members Holger Czukay, Jaki Liebezeit, Michael Karoli, Irmin Schmidt, and Damo Suzuki. Lasting fourteen and a half minutes, it was recorded in July 1970 for the soundtrack of Jerzy Skolimowski's film '' Deep End'' and released in 1970 on Can's ''Soundtracks'' album. It opens in mid guitar solo before settling down into a familiar Can groove as singer Damo Suzuki mulls the relative merits of madness and "Mother Sky". "Mother Sky" was covered by the UK band Loop for their ''Black Sun'' 12" in 1988.Strong, Martin C. (1999) "The Great Alternative & Indie Discography", Canongate, Th' Faith Healers Th' Faith Healers were an English indie rock band who were originally active between 1990 and 1994. The members of the group were Roxanne Stephen (vocals), Tom Cullinan (guitar and vocals), Ben Hopkin (bass), and Joe Dilworth (drums). They rec ... included a version on their debut album ''Lido'' in 1992.Wittmershaus, EricCa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mushroom (song)
"Mushroom" is a song by the German krautrock band Can, from their 1971 album ''Tago Mago''. It's the shortest song on the album, with a duration of 4 minutes and 8 seconds. A video was made for the track which has been shown on MTV. Content The song has a hypnotic and repetitive structure. Vocalist Damo Suzuki repeats the phrase "When I saw mushroom head / I was born, I was dead" and "When I saw skies are red / I was born, I was dead" during the verses. For the chorus, he yells "I'm gonna give my despair". It has been suggested that the song refers to an atomic bomb blast and the feeling of despair. This is reinforced by the sound of a bomb explosion that abruptly ends the song. It has also been suggested that the lyrics refer to psilocybin mushrooms, which can give users psychedelic visions of rebirth. Personnel * Damo Suzuki – vocals * Holger Czukay – bass * Michael Karoli – guitar * Jaki Liebezeit – drums, double bass * Irmin Schmidt – Farfisa organ, electric piano, s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Halleluhwah
"Halleluwah" (alternatively titled "Halleluhwah" on some post-1989 releases) is a song by the krautrock band Can, from their 1971 album ''Tago Mago''. The track, which originally took up a whole side of long-playing vinyl record, lasts for 18 minutes and 28 seconds and is characteristic of the band's sound around 1971 in that it features a vast array of improvised guitars and keyboards, tape editing, and the rhythm section "pounding out a monster trance/funk beat". The drum beat for which the song is famous is repeated almost continuously by Jaki Liebezeit, with only minor variations, throughout the course of the 18-minute jam. In one line of the song, Damo Suzuki's lyrics mention all the songs from side one of ''Tago Mago'': " mushroom head, oh yeah, paper house." The original UK pressing of ''Tago Mago'' misprinted the song's title as "Hallelujah" both on the LP's center label and on the back flap of the album jacket. Other versions A much shorter version of the song appea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yoo Doo Right
"Yoo Doo Right" is a song on Can (band), Can's 1969 debut album, ''Monster Movie (Can album), Monster Movie'', which had been edited down from a six-hour improvisation to a mere twenty minutes. The song features a pounding, tribal-influenced rhythm section throughout, along with singer Malcolm Mooney repeatedly reading excerpts from a love letter in an almost mantra-like manner. Can continued to play the song after Mooney's departure, as heard on the ''Can Live'' album. It has been cover song, covered in abbreviated form by the Geraldine Fibbers, Thin White Rope, Masaki Batoh, Susheela Raman, Jonathan Segel, The Wendys and others. In 2001, shortly after the death of Can's guitarist Michael Karoli, a group of musicians associated with the Austrian composer Karlheinz Essl performed this song in several hour-long concerts in his memory. The song was remixed by 3p for the double remix compilation Sacrilege (album), Sacrilege in 1997, reduced to a three-minute, verse-chorus-bridge pop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1980 Compilation Albums
__NOTOC__ Year 198 (CXCVIII) was a common year starting on Sunday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Sergius and Gallus (or, less frequently, year 951 ''Ab urbe condita''). The denomination 198 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire *January 28 **Publius Septimius Geta, son of Septimius Severus, receives the title of Caesar. **Caracalla, son of Septimius Severus, is given the title of Augustus. China *Winter – Battle of Xiapi: The allied armies led by Cao Cao and Liu Bei defeat Lü Bu; afterward Cao Cao has him executed. By topic Religion * Marcus I succeeds Olympianus as Patriarch of Constantinople (until 211). Births * Lu Kai (or Jingfeng), Chinese official and general (d. 269) * Quan Cong, Chinese general and advisor (d. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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