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Candlelights (song)
"Candlelights" is a 1930 jazz composition for solo piano by cornetist Bix Beiderbecke. It was the second in the series of four piano works which Bix Beiderbecke composed during his career. Background Bix Beiderbecke never recorded "Candlelights" but did copyright the piano score on August 29, 1930 as "A Modern Composition for the Piano". Bill Challis assisted with the transcription for piano. The score and the sheet music were published by Robbins Music in New York. "Candlelights" was recorded by jazz pianist Jess Stacy and was released as a 78 single in 1939 on Commodore Records as part of the Classics in Swing series, 517A. Jazz trumpeter Bunny Berigan subsequently recorded it in 1939 in an orchestral arrangement featuring trumpet. More recently, it was recorded by two other jazz pianists: Kenny Werner recorded it in 1977 on Atlantic Records and pianist Bryan Wright recorded it in 2010. Jazz guitarist Bucky Pizzarelli also recorded a guitar transcription of it in 1986 on his album ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bix Beiderbecke
Leon Bismark "Bix" Beiderbecke (March 10, 1903 – August 6, 1931) was an American jazz cornetist, pianist and composer. Beiderbecke was one of the most influential jazz soloists of the 1920s, a cornet player noted for an inventive lyrical approach and purity of tone, with such clarity of sound that one contemporary famously described it like "shooting bullets at a bell. His solos on seminal recordings such as "Singin' the Blues" and " I'm Coming, Virginia" (both 1927) demonstrate a gift for extended improvisation that heralded the jazz ballad style, in which jazz solos are an integral part of the composition. Moreover, his use of extended chords and an ability to improvise freely along harmonic as well as melodic lines are echoed in post-WWII developments in jazz. "In a Mist" (1927) is the best known of Beiderbecke's published piano compositions and the only one that he recorded. His piano style reflects both jazz and classical (mainly impressionist) influences. All five of hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jess Stacy
Jesse Alexandria Stacy (August 11, 1904 – January 1, 1995) was an American jazz pianist who gained prominence during the swing era. He is perhaps best known for his years with the Benny Goodman band during the late 1930s, particularly his performance at Goodman's Carnegie Hall concert in 1938. Early life Stacy was born in Bird's Point, Missouri, United States, a small town across the Mississippi River from Cairo, Illinois. His first piano teacher was Mabel Irene Bailey, who played piano for silent movies. In 1918 Stacy moved to Cape Girardeau, Missouri. He received his only formal music training with Clyde Brandt, a professor of piano and violin at Southeast Missouri State Teachers College ( Southeast Missouri State University)Allen, Steve. "The Return of Jess Stacy", unknown newspaper, undated. Jess Stacy Collection, Box 1036, Folder 7, Item B, Special Collections and Archives, Kent Library, Southeast Missouri State Universitybut see 'Discussion' while sweeping at Clark' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Commodore Records
Commodore Records was an American independent record label known for producing Dixieland jazz and swing. It is also remembered for releasing Billie Holiday's hit " Strange Fruit". History Commodore Records was founded in the spring of 1938 by Milt Gabler, a native of Harlem who founded the Commodore Music Shop in 1926 in Manhattan at 136 East 42nd Street (diagonally across the street from the Commodore Hotel), and from 1938–41 with a branch at 46 West 52nd Street, Commodore's albums included dixieland music (Eddie Condon, Wild Bill Davison) and swing (Coleman Hawkins, Earl Hines). Commodore's biggest hit was " Strange Fruit" (backed with "Fine and Mellow") by Billie Holiday, which reached No. 16 on the charts on July 22, 1939. The label was most active from 1939 to 1946. The roster included Bud Freeman, Bobby Hackett, Edmond Hall, Hot Lips Page, Pee Wee Russell, Willie "The Lion" Smith, Muggsy Spanier, Art Tatum, Fats Waller, Lee Wiley, and Lester Young. Gabler arranged for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bunny Berigan
Roland Bernard "Bunny" Berigan (November 2, 1908 – June 2, 1942) was an American jazz trumpeter and bandleader who rose to fame during the swing era. His career and influence were shortened by alcoholism, and ended with his early demise at the age of 33 from cirrhosis. Although he composed some jazz instrumentals such as "Chicken and Waffles" and "Blues", Berigan was best known for his virtuoso jazz trumpeting. His 1937 classic recording "I Can't Get Started" was inducted into the Grammy Hall of Fame in 1975. Early life and career Berigan was born in Hilbert, Wisconsin, the son of William Patrick Berigan and Mary Catherine (Mayme) Schlitzberg, and raised in Fox Lake. Having learned the violin and trumpet, Berigan started his career playing with local bands as a teenager, including the University of Wisconsin's jazz ensemble (although he never actually went to college). After first trying out for the Hal Kemp Orchestra and being rejected he joined the band in late 1929. His fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kenny Werner
Kenny Werner (born November 19, 1951) is an American jazz pianist, composer, and author. Early life Born in Brooklyn, New York, on November 19, 1951 and then growing up in Oceanside, Long Island, Werner began playing and performing at a young age, first appearing on television at the age of 11. Although he studied classical piano as a child, he enjoyed playing anything he heard on the radio and improvisation was his true calling. In high school and his first years of college he attended the Manhattan School of Music as a classical piano major. His aptitude for improvisation led him to the Berklee College of Music in 1970, where he met and studied with his first piano/spiritual teacher, Madame Chaloff. From Boston, Werner traveled to Brazil with the saxophonist Victor Assis Brasil. There he met Assis's twin brother, Brazilian pianist Joao Assis Brasil. His studies with Joao and Madame Chaloff would lead to the writing of the book '' Effortless Mastery''. Later life and career W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Atlantic Records
Atlantic Recording Corporation (simply known as Atlantic Records) is an American record label founded in October 1947 by Ahmet Ertegun and Herb Abramson. Over its first 20 years of operation, Atlantic earned a reputation as one of the most important American labels, specializing in jazz, R&B, and soul by Aretha Franklin, Ray Charles, Wilson Pickett, Sam and Dave, Ruth Brown and Otis Redding. Its position was greatly improved by its distribution deal with Stax. In 1967, Atlantic became a wholly owned subsidiary of Warner Bros.-Seven Arts, now the Warner Music Group, and expanded into rock and pop music with releases by Crosby, Stills, Nash & Young, Led Zeppelin, and Yes. In 2004, Atlantic and its sister label Elektra were merged into the Atlantic Records Group. Craig Kallman is the chairman of Atlantic. Ahmet Ertegun served as founding chairman until his death on December 14, 2006, at age 83. History Founding and early history In 1944, brothers Nesuhi and Ahmet Erte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bucky Pizzarelli
John Paul "Bucky" Pizzarelli (January 9, 1926 – April 1, 2020) was an American jazz guitarist. He was the father of jazz guitarist John Pizzarelli and double bassist Martin Pizzarelli. He worked for NBC as a staffman for Dick Cavett (1971) and ABC with Bobby Rosengarden in (1952). Musicians he collaborated with include Benny Goodman, George Barnes, Les Paul, Stéphane Grappelli, and Antônio Carlos Jobim. Pizzarelli cited as influences Django Reinhardt, Freddie Green, and George Van Eps. Early life Pizzarelli was born on January 9, 1926, in Paterson, New Jersey, United States. He learned to play guitar and banjo at a young age. His uncles, Pete and Bobby Domenick, were professional musicians, and sometimes the extended family would gather at one of their homes with their guitars for jam sessions. Pizzarelli cited blind accordion player Joe Mooney as an inspiration. Mooney led a quartet that included Pizzarelli's uncle, Bobby Domenick. During high school, Pizzarelli was th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ralph Sutton
Ralph Earl Sutton (November 4, 1922 – December 30, 2001) was an American jazz pianist born in Hamburg, Missouri. He was a stride pianist in the tradition of James P. Johnson and Fats Waller. Biography Sutton was born in Hamburg, Missouri, United States, the son of Earl and Edna Sutton. His younger sister Barbara Sutton Curtis was also a jazz pianist."Barbara Sutton Curtis" ''Ukiah Daily Journal'' (November 24, 2019). Sutton had a stint as a with 's band, [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dick Hyman
Richard Hyman (born March 8, 1927) is an American jazz pianist and composer. Over a 70-year career, he has worked as a pianist, organist, arranger, music director, electronic musician, and composer. He was named a National Endowment for the Arts Jazz Masters fellow in 2017. His grandson is designer and artist Adam Charlap Hyman. As a pianist, Hyman has been praised for his versatility. ''DownBeat'' magazine characterized him as "a pianist of longstanding grace and bountiful talent, with an ability to adapt to nearly any historical style, from stride to bop to modernist sound-painting." Early life Hyman was born in New York City on March 8, 1927 to Joseph C. Hyman and Lee Roven, and grew up in suburban Mount Vernon, New York. His older brother, Arthur, owned a jazz record collection and introduced him to the music of Bix Beiderbecke and Art Tatum. Hyman was trained classically by his mother's brother, the concert pianist Anton Rovinsky, who premiered ''The Celestial Railroa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Instrumentals
A backing track is an audio recording on audiotape, CD or a digital recording medium or a MIDI recording of synthesized instruments, sometimes of purely rhythmic accompaniment, often of a rhythm section or other accompaniment parts that live musicians play along with or sing along to. Backing tracks enable singers and bands to add parts to their music which would be impractical or impossible to perform live, such as string section or choir parts which were recorded in the studio. A backing track can be used by a one person band (e.g., a singer-guitarist) to add any amount of bass, drums and keyboards to their live shows without the cost of hiring extra musicians. A small pop group or rock band (e.g., a power trio) can use backing tracks to add a string section, horn section, drumming or backing vocals to their live shows. Uses Bands or solo musicians may use backing tracks to add extra instrumental or vocal tracks to a live performance, to enhance the sound (as in the employment ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
