Canciones De Mi Padre
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Canciones De Mi Padre
''Canciones de Mi Padre'' (Spanish for "Songs of My Father", or "My Father's Songs") is American singer Linda Ronstadt's first album of Mexican traditional Mariachi music. History The album was released in late 1987 and immediately became a global smash hit. At 2½ million US sales, it stands as the biggest selling non-English language album in American record history. This album has been RIAA certified double-platinum (for over 2 million US copies sold) and also won Ronstadt the Grammy Award for Best Mexican/Mexican-American Album at the 31st Grammy Awards. These canciones were a big part of Ronstadt's family tradition and musical roots. The title ''Canciones de Mi Padre'' refers to a booklet that the University of Arizona published in 1946 for Ronstadt's deceased aunt, Luisa Espinel, who had been an international singer in the 1920s. The songs come from Sonora and Ronstadt included her favorites on the album. Also, Ronstadt has credited the late Mexican singer Lola Beltrán ...
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Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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University Of Arizona
The University of Arizona (Arizona, U of A, UArizona, or UA) is a public land-grant research university in Tucson, Arizona. Founded in 1885 by the 13th Arizona Territorial Legislature, it was the first university in the Arizona Territory. The university is part of the Association of American Universities and the Universities Research Association. In the former, it is the only member from the state of Arizona. The university is classified among "R1: Doctoral Universities – Very High Research Activity". The University of Arizona is one of three universities governed by the Arizona Board of Regents. , the university enrolled 49,471 students in 19 separate colleges/schools, including the University of Arizona College of Medicine in Tucson and Phoenix and the James E. Rogers College of Law, and is affiliated with two academic medical centers ( Banner – University Medical Center Tucson and Banner – University Medical Center Phoenix). In 2021, University of Arizona acquired ...
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Simple Dreams
''Simple Dreams'' is the eighth studio album by the American singer Linda Ronstadt, released in 1977 by Asylum Records. It includes several of her best-known songs, including her cover of the Rolling Stones song "Tumbling Dice" (featured in the film ''FM'') and her version of the Roy Orbison song "Blue Bayou", which earned her a Grammy nomination for Record of the Year. The album also contains covers of the Buddy Holly song " It's So Easy!" (a top-5 hit) and the Warren Zevon songs "Poor Poor Pitiful Me" (another top-40 hit) and " Carmelita". The album was the best-selling studio album of her career, and at the time was the second best-selling album by a female artist (behind only Carole King's ''Tapestry''). It was her first album since ''Don't Cry Now'' without long-time musical collaborator Andrew Gold, though it features several of the other Laurel Canyon-based session musicians who appeared on her prior albums, including guitarists Dan Dugmore and Waddy Wachtel, bassist Kenn ...
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Blue Bayou
"Blue Bayou" is a song written by Roy Orbison and Joe Melson. It was originally sung and recorded by Orbison, who had an international hit with his version in 1963. It later became Linda Ronstadt's signature song, with which she scored a Top 5 hit with her cover in 1977. The song has since been recorded by many others. Roy Orbison version Background "Blue Bayou" was originally recorded by Roy Orbison at the end of 1961. In the UK, it was released by London Monument as the double A-side track with "Mean Woman Blues" on a Monument Records single (HLU 9777), where both sides peaked at number 3. In the US, it was issued as a B-side single, peaking at number 29; the A-side, "Mean Woman Blues", peaked at number 5. The song also appeared on Orbison's 1963 full-length album '' In Dreams''. According to the authorised biography of Roy Orbison, a rare different version of "Blue Bayou" was released only in Italy (London 45-HL 1499). "Blue Bayou" reappeared on his 1989 posthumous album '' ...
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Hasten Down The Wind
''Hasten Down the Wind'' is the seventh studio album by singer-songwriter Linda Ronstadt. Released in 1976, it became her third straight million-selling album. Ronstadt was the first female artist to accomplish this feat. The album earned her a Grammy Award for Best Pop Vocal Performance, Female in 1977, her second of 13 Grammys. It represented a slight departure from 1974's ''Heart Like a Wheel'' and 1975's ''Prisoner in Disguise'' in that she chose to showcase new songwriters over the traditional country rock sound she had been producing up to that point. A more serious and poignant album than its predecessors, it won critical acclaim. ''Hasten Down the Wind'' contained two major hit singles: Ronstadt's covers of Buddy Holly's "That'll Be the Day" (US Pop #11, Country #27) and her reworking of the late Patsy Cline's 1961 hit, "Crazy", reaching #6 on the US Country chart in early 1977. The album showcased songs from artists such as Warren Zevon ("Hasten Down the Wind") and K ...
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Frenesí (album)
''Frenesí'' (Spanish for "Frenzy") is a 1992 Grammy Award-winning album by American singer Linda Ronstadt. Release ''Frenesí'' was released on September 15, 1992. It was Ronstadt's third Spanish-language album. After many years out of print, this album was reissued, along with Ronstadt's two Mariachi discs, in 2016. Reception ''Frenesí'' reached #193 on the ''Billboard'' album chart, #3 on the Top Latin Albums chart, and #17 on the Tropic/Salsa chart. Three singles charted on the Hot Latin Tracks chart: "Frenesi" at #5, "Perfidia" at #7, and "Entre Abismos" at #33. At the 35th Grammy Awards in 1993, ''Frenesí'' won the Grammy Award for Best Tropical Latin Album. Despite the acclaim for this album, in the 21st century Roch Parisien rated the album poorly in his Allmusic review, writing: "...there's little that sounds street level or rootsy about these sessions. I can't help picturing a wind-up lounge band holding court at some tourist-trap Holiday Inn in Acapulco." Trac ...
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Mas Canciones
''Mas Canciones'' (correct form: ''Más canciones'';The album's title as published is cosmetically incorrect. According to Spanish orthographical rules, the word ''más'' ("more") must have an accent over the vowel to distinguish it from ''mas'' ("but"). http://www.bowdoin.edu/~eyepes/newgr/ats/03.htm Spanish for "more songs") is an album by American singer/songwriter/producer Linda Ronstadt, released in late 1991. A significant hit in the U.S. for a non-English language album, it peaked at number 88 on the ''Billboard'' album chart, and reached number 16 on the Top Latin Albums chart. The single "Grítenme Piedras del Campo" peaked at number 15 on the Hot Latin Tracks chart. In 2016, this album was reissued on the Rhino label after several years out of print. History ''Mas Canciones'' was released four years after the release of Ronstadt's Double Platinum-certified, first Spanish-language album, ''Canciones de Mi Padre''.
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Rubén Fuentes
Rubén Fuentes (15 February 1926 – 5 February 2022) was a Mexican classical violinist and composer, who was best known for his contributions to mariachi music. Biography In 1944, Fuentes joined Mariachi Vargas de Tecalitlán as a violinist and later as a music arranger. In 1955 he stopped performing in the group, but he has maintained his position as producer, musical arranger and musical director. As such, he had a profound influence on Mariachi Vargas de Tecalitlán and mariachi music in general. He is best known for his work on Linda Ronstadt's classic, Grammy award-winning, multi-platinum ''Canciones de Mi Padre'' album. With domestic sales of 2.5 million copies, ''Canciones de Mi Padre'' stands as the biggest-selling non-English language record in US history. Fuentes wrote dozens of Mexican standards, including "La Culebra", "Cien Años", "Las Alazanas", "Como Si Nada", "La Bikina", "Que Bonita Es Mi Tierra", "Flor Sin Retoño", "Ni Princesa Ni Esclava" and "Camino Re ...
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Serenade
In music, a serenade (; also sometimes called a serenata, from the Italian) is a musical composition or performance delivered in honor of someone or something. Serenades are typically calm, light pieces of music. The term comes from the Italian word , which itself derives from the Latin . Sense influenced by Italian ''sera'' "evening," from Latin ''sera'', fem. of ''serus'' "late." Early serenade music In the oldest usage, which survives in informal form to the present day, a serenade is a musical greeting performed for a lover, friend, person of rank or other person to be honored. The classic usage would be from a lover to his lady love through a window. It was considered an evening piece, one to be performed on a quiet and pleasant evening, as opposed to an aubade, which would be performed in the morning. The custom of serenading in this manner began in the Medieval era, and the word "serenade" as commonly used in current English is related to this custom. Music performed follo ...
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Chicano
Chicano or Chicana is a chosen identity for many Mexican Americans in the United States. The label ''Chicano'' is sometimes used interchangeably with ''Mexican American'', although the terms have different meanings. While Mexican-American identity was related to encouraging assimilation into White American society and separating the community from the African-American political struggle, Chicano identity emerged among anti-assimilationist youth. Some belonged to the Pachuco subculture, and claimed the term (which had previously been a classist and racist slur). The term ''Chicano'' was widely reclaimed by ethnic Mexicans in the 1960s and 1970s to express political empowerment, ethnic solidarity, and pride in being of Indigenous descent (with many using the Nahuatl language), diverging from the more assimilationist ''Mexican American'' term. Chicano Movement leaders collaborated with Black Power movement. Chicano youth in ''barrios'' rejected cultural assimilation into whit ...
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Lalo Guerrero
Eduardo "Lalo" Guerrero (December 24, 1916 – March 17, 2005) was an American guitarist, singer and farm labor activist best known for his strong influence on later Latin musical artists. Early life Guerrero was born in Tucson, Arizona, one of 21 siblings (although only nine survived). His father worked for the Southern Pacific Railroad. Guerrero left his hometown to pursue his dream in music. He says that he gives his mother all the credit for his musical talent, and Guerrero said she taught him to "embrace the spirit of being Chicano". Lalo’s mother, Concepcion Guerrero, taught him some basic musical skills and encouraged him to hone them during adolescence. She was no professional musician but had taught herself to play guitar. His relationship with his mother greatly influenced his music; one of the major themes of his work was the visibility of the Chicana struggle for dignity. His first group, Los Carlistas (the quartet included Greg "Goyo" Escalante, Chole Salaz and Jo ...
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