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Can Framis Museum
Can Framis is the latest Fundació Vila Casas museum, an art center in Barcelona devoted to the promotion of contemporary Catalan painting. Located in the old Can Framis factory complex, the museum displays more than 250 paintings from the sixties to the present made by artists born or currently living in Catalonia. In addition to the permanent collection which is divided in three floors, Can Framis Museum has an area dedicated to temporary exhibitions named Espai Aø. The permanent collection is updated periodically, and two new temporary exhibitions are opened every three months. The museum has an education program that offers activities designed for pre-school to secondary school, as well as for people with special educational needs. They also offer guided visits. The museum is open to the public Tuesday to Saturday from 11.00–18.00 and on Sundays from 11:00–14:00 h. The building The Can Framis Museum is located in Roc Boronat Street in the 22@ District of Barcelona, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jaume Plensa
Jaume Plensa i Suñé (; born 23 August 1955) is a Spanish visual artist, sculptor, designer and engraver. He is a versatile artist who has also created opera sets, video projections and acoustic installations. He worked with renowned Catalan theatrical group La Fura dels Baus. He is better known for his large sculptures made up of letters and numbers. Biography Plensa was born in Barcelona, Catalonia, Spain. He left the studies of fine arts in Barcelona and continued to train in a self-taught way. Works Plensa's works include the ''Crown Fountain'' at Millennium Park in Chicago, Illinois, which opened in July 2004.. The fountain is composed of a black granite reflecting pool placed between a pair of glass brick towers. The towers are tall,. and they use light-emitting diodes (LEDs) to display digital videos on the inward faces. In the summer of 2007, he participated in the Chicago public art exhibit, '' Cool Globes: Hot Ideas for a Cooler Planet''. Another Plensa piece is '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antoni Clavé
Antoni Clavé (5 April 1913 – 1 September 2005) was a Catalan master painter, printmaker, sculptor, stage designer and costume designer. He was nominated for two Academy Awards ( Best Art Direction and Best Costume Design) for his work on the 1952 film '' Hans Christian Andersen''. Clavé was one of Spain's best known and most celebrated artists. His work evolved from a baroque, ornamental style to a pure, minimal aesthetic. In his later years, his work is completely abstract, employing expressive lines and exploring the boundaries of collage, objet trove, shading, texture and color. He was trained at the School of Fine Arts, Barcelona, where he was taught by Angel Ferrant and Felix Mestres. With his works being influenced by artists such as Bonnard, Vuillard and Roualt. He is best known for his lyrical abstractions, works which combine paint with collage. Biography Clavé fought in the Republican Army in the Spanish Civil War, and served as draughtsman for the Republica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palau Solterra
The Palau Solterra houses the Contemporary Photography Museum of the Fundació Vila Casas (national and international) located in the town of Torroella de Montgrí in the Baix Empordà region of Catalonia. It was opened in 2000. The collection comprises some 300 contemporary photographs with works by artists from around the world, including Chema Madoz, Alberto García Álix, Toni Catany and Otto Lloyd. In addition to the centre's permanent collection, temporary exhibitions and a cycle of conferences on history and humanities are held annually. Related with the building, the Palau Solterra is a 15th-century palatial mansion that was once the residence of the Counts of Torroella de Montgrí Torroella de Montgrí () is a coastal municipality on the Costa Brava, and small town in Catalonia, Spain. The town lies on the north bank of the Ter river, a few kilometres before it flows into the Mediterranean. The beach resort of L'Estartit als .... Notes External links Palau Solterr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Can Mario
Can Mario Museum is the Fundació Vila Casas Museum of Contemporary Sculpture in Palafrugell (Costa Brava The Costa Brava (, ; "Wild Coast" or "Rough Coast") is a coastal region of Catalonia in northeastern Spain. Whilst sources differ on the exact definition of the Costa Brava, it can be regarded as stretching from the town of Blanes, northeast o ...). It was opened in 2004. It has around 220 works on show dating from the 1960s to the present day by a wide range of artists born or living in Catalonia. Temporary exhibitions are also held every year. Temporary exhibitions are organised every year. Can Mario was a cork factory dating from the early 20th century and was one of the buildings of the Miquel & Vincke cork company. Today it is a place for contemplating art situated in the Plaça de Can Mario, where we can also find a modernista water tower and the Cork Museum. Since April 2011, 33 sculptures by artists from the Empordà region of Catalonia have been placed in the Ga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Empordà
Emporda (from the official name in ca, Empordà, , name in es, Ampurdán, ) is a natural and historical region of Catalonia, Spain, divided since 1936 into two ''comarques'', Alt Empordà and Baix Empordà. The city of Figueres, an important urban and economic center of the Empordà, was designated the capital of Alt Empordà, while La Bisbal d'Empordà, following a more geographic and historical criteria, became the capital of Baix Empordà. Empordà has been the cradle for many pictoric schools, with surrealism standing out, including artists such as Salvador Dalí, Angel Planells, Joan Massanet and Evarist Vallès. Etymology The name ''Empordà'' is a derivative of Empúries (''Empòrion'' in Old Greek or ''Emporiae'' in Latin), which means "the markets". The name Empordà comes from a succession of phonetic derivatives of County of Empúries, a county which had its capital first in Sant Martí d'Empúries and then in Castelló d'Empúries the capital of medieval Empord ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Can Framis Visita Familiar
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Can may refer to: Containers * Aluminum can * Drink can * Oil can * Steel and tin cans * Trash can * Petrol can * Metal can (other) Music * Can (band), West Germany, 1968 ** ''Can'' (album), 1979 * Can (South Korean band) Other * Can (name), Turkish and Circassian given name and surname * Can (verb) * Canning of food * River Can, Essex, UK * Canada * Tomato can (sports idiom) See also * CAN (other) * Cann (other) * Cans (other) * Kan (other) Kan or KAN may refer to: Places * Kan (river), a tributary of the Yenisey in Russia * Kan District of Iran * Kan, Kyrgyzstan, a village in Batken Region * Mallam Aminu Kano International Airport, Kano, Nigeria, IATA code * Kannapolis (Amtrak st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antoni Taulé
Antoni Taulé (born 1945) is a Spanish painter, architect, and performer. A street artist during the sixties, his art has been labelled as part of hyperrealism and a representative of the “new figurative” movement. He paints classical empty buildings and interiors: ballrooms, office receptions, halls of the Louvre museum, chambers of the Prado, the Palace of Versailles, monumental spaces that fuse reality and fiction under a fleeting atmosphere of light. His unique creative universe mixes scientific and mathematical concepts and a passion for art from the past, Italian, Dutch and Spanish old masters, especially Diego Velázquez and Francisco Goya. It has inspired numbers of writers and critics, like Jean-Christophe Bailly or Julio Cortázar who, fascinated by Taulé's rooms and tables, wrote the story “Fin de etapa”, in ''Deshoras'',* a book published in 1983. From 1982 onwards, Antoni Taulé has created set designs, largely springing from development in his own paintin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agustí Centelles
Agustí Centelles Ossó (1909 in Valencia – 1 December 1985 in Barcelona) was a Catalan photographer, working on the Republican side of the Spanish Civil War. As a refugee from Francoist Spain he was interned in France where he recorded life in the camp at Bram. He is considered one of the founders of Spanish photojournalism and has been called the "Spanish Robert Capa", with a "direct, spare style" and "great skill with the miniature Leica which enabled him to follow and photograph scenes of the Civil War." Biography His family moved to Barcelona when Centelles was a year old. He went to work as an apprentice in 1924 in the photographic studio of where he learned portraiture. A few years later he became the assistant of Josep Badosa who introduced him to journalism. He was an early adopter of the compact Leica camera and in 1934 began to work independently for newspapers such as ', ''Diario de Barcelona'', ' and ''La Vanguardia''. At the beginning of the Spanish Civil War ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Laurent Jiménez-Balaguer
Laurent Jiménez-Balaguer (14 January 1928 – 16 April 2015) Born in L’Hospitalet del Llobregat, Barcelona (Catalonia), Spain. He lived and worked in Paris. During the 1950s, he was one of the most distinguished painters of Catalan art, known for creating a private language. He belonged to the Abstract Expressionism and European Informalism. These postmodern vanguardists have been characterized by their multiculturalism, manifested in their contrasting pictorial textures, and the need to invent a new mindset. Jiménez-Balaguer's purpose was to establish a framework of knowledge of the human psyche based on Ferdinand de Saussure's language model, in order to show how painting is a universal medium for the understanding of the Self. He regarded the construct of the Self as indispensable, and its visualization as vital; the human inner is neither an impalpable, untouchable soul nor an invisible, immaterial ego. His conception of creation and society involves him ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
