Camille Henrot
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Camille Henrot
Camille Henrot (born 1978) is a French artist who lives and works in Paris and New York. Biography Henrot was born in 1978 in Paris, France. She attended the École Nationale Supérieure des Arts Décoratifs where she studied film animation and soon after helped assist ''Pierre Huyghe'' who worked in advertising and making music videos. She is based in New York City. Henrot’s work includes film, sculpture, drawing, painting and installation. Henrot has had solo exhibitions at the Baltimore Museum of Art (BMA), the Kunsthal Charlottenborg, the Musée des Beaux-Arts de Bordeaux, the Musée d'art contemporain de Montréal, the New Museum, and the New Orleans Museum of Art (NOMA). Works ''Grosse Fatigue'' ''Grosse Fatigue'' is a 13-minute color video that includes videos of screens, bodies, computer desktop, and computer windows. Henrot created ''Grosse Fatigue'' during her 2013 fellowship at the Smithsonian Institution in Washington D.C. The video makes use of themes such as ...
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École Nationale Supérieure Des Arts Décoratifs
The École nationale supérieure des Arts Décoratifs (ÉnsAD, also known as Arts Decos', École des Arts Décoratifs) is a public grande école of art and design of PSL Research University. The school is located in the Rue d'Ulm in Paris. Profile The ''École nationale supérieure des arts décoratifs'' played a major role in the development of the Art Deco design movement in the 1920s and in the creation of new design concepts. The School has an international reputation for its teaching in the fields of animation, photography, scenography, industrial design, communication design, interactive design, video, interior design, fashion, textile and engraving. History The E.N.S.A.D. has its roots in the '' École royale gratuite de dessin'' (Royal Free School of Design) founded in 1766 by Jean-Jacques Bachelier, confirmed in 1767 by letters patent from Louis XV of France. Its founder's aim was to develop crafts relating to the arts in order to improve the quality of manufactured good ...
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