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Cameo Records
Cameo Records was an American record label that flourished in the 1920s. It was owned by the Cameo Record Corporation in New York City. Cameo released a disc by Lucille Hegamin every two months from 1921 to 1926. Cameo records are also noted for dance music. The catalogue also included the Original Memphis Five and the Varsity Eight. Musicians such as Red Nichols, Miff Mole, Adrian Rollini, and Frank Signorelli made trips to the Cameo studios. In 1926, Cameo started recording using a microphone-electrical process. An interesting blues number is 583, "Crazy Blues", by Salt & PepperListen to the podcast at 26:46, where the disc is mentioned as an "early electric". The Cameo Record Corporation started Lincoln Records (1924) and Romeo Records (1926). In 1928 it merged with Pathé Records, and then the American Record Corporation. The resulting company stopped using the Cameo name in the 1930s. This label is not affiliated with Cameo-Parkway Records which was active in the 1950s ...
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Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ...
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Romeo Records
Romeo Records was an American jazz record label that started in 1926 as a subsidiary of Cameo Records. The discs were sold exclusively at S. H. Kress & Co. department stores and retailed for 25 cents each. In 1931 Romeo was acquired by the American Record Corporation and continued through 1938 until the cessation of ARC's dime-store labels: ( Perfect, Melotone, Banner, and Oriole). From the beginning, Romeo discs had a maroon label. It was changed to a black label in 1931 and then became blue in 1935. See also * List of record labels File:Alvinoreyguitarboogie.jpg File:AmMusicBunk78.jpg File:Bingola1011b.jpg Lists of record labels cover record labels, brands or trademarks associated with marketing of music recordings and music videos. The lists are organized alphabetically, b ... References * External links Romeo Recordson the Internet Archive'Great 78 Project {{Authority control American record labels Record labels established in 1926 Record labels disestablished ...
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Record Labels Established In 1921
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American Record Labels
American(s) may refer to: * American, something of, from, or related to the United States of America, commonly known as the "United States" or "America" ** Americans, citizens and nationals of the United States of America ** American ancestry, people who self-identify their ancestry as "American" ** American English, the set of varieties of the English language native to the United States ** Native Americans in the United States, indigenous peoples of the United States * American, something of, from, or related to the Americas, also known as "America" ** Indigenous peoples of the Americas * American (word), for analysis and history of the meanings in various contexts Organizations * American Airlines, U.S.-based airline headquartered in Fort Worth, Texas * American Athletic Conference, an American college athletic conference * American Recordings (record label), a record label previously known as Def American * American University, in Washington, D.C. Sports teams Soccer * ...
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List Of Record Labels
File:Alvinoreyguitarboogie.jpg File:AmMusicBunk78.jpg File:Bingola1011b.jpg Lists of record labels cover record labels, brands or trademarks associated with marketing of music recordings and music videos. The lists are organized alphabetically, by genre, by company and by location. Alphabetical * List of record labels: 0–9 * List of record labels: A–H * List of record labels: I–Q * List of record labels: R–Z By genre * Bing Crosby's record labels after 1955 *List of Christian record labels *List of electronic music record labels * List of hip hop record labels *List of tango music labels By company *List of EMI labels *List of Kakao M labels *Record labels owned by Sony BMG *List of Sony Music labels *List of Universal Music Group labels * List of Warner Music Group labels By location *List of Bangladeshi record labels *List of record labels from Bristol *List of New Zealand record labels *List of Quebec record labels *List of West Coast hip hop record labels *List of ...
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Cameo-Parkway Records
Cameo-Parkway Records was the parent company of Cameo Records and Parkway Records, which were major American Philadelphia-based record labels from 1956 (for Cameo) and 1958 (for Parkway) to 1967. Among the types of music released were doo-wop, dance hits, popular/rock, rockabilly, big band, garage rock, soul and novelty records. Until 1962, Cameo was also the parent company name for both labels, and Parkway was a subsidiary. In 1962, the parent company was renamed from Cameo to Cameo-Parkway, to give both labels equal status. In some foreign markets Cameo-Parkway was also a label name, issuing records by artists from both labels. The Cameo-Parkway catalogue is currently owned by ABKCO Records. History Cameo Records was founded in December 1956 in Philadelphia by Bernie Lowe and Kal Mann (it has no connection to the 1920s record label Cameo Records). Parkway, initially a subsidiary label, was formed in 1958. Mann and Lowe had been a successful songwriting team prior to the ...
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American Record Corporation
American Record Corporation (ARC), also referred to as American Record Company, American Recording Corporation, or ARC Records, was an American record company. Overview ARC was created in January 1929 by Louis G. Sylvester, president of Scranton Button Works ('Scranton'), founded 1885. Scranton owned a pressing plant that manufactured disks for many companies, including Columbia labels and Emerson Records, the latter which it also owned. It then purchased Cameo Record Corporation, which owned the Cameo, Lincoln and Romeo labels), and six labels owned by the Plaza Music Company ( Conqueror, Banner, Domino, Jewel, Oriole, and Regal). for $1 each, including liabilities. Pathé-Perfect Phonograph and Radio Corporation, which owned Actuelle, Pathé, and Perfect, was also purchased. 'American Record Corporation' was incorporated in Delaware on July 25, 1929, as a subsidiary of Consolidated Film Industries, Inc. ("CFI"). Louis G. Sylvester became the president of the new compan ...
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Pathé Records
Pathé Records was an international record company and label and producer of phonographs, based in France, and active from the 1890s through the 1930s. Early years The Pathé record business was founded by brothers Charles and Émile Pathé, then owners of a successful bistro in Paris. In the mid-1890s, they began selling Edison and Columbia phonographs and accompanying cylinder records. Shortly thereafter, the brothers designed and sold their own phonographs. These incorporated elements of other brands. Soon after, they also started marketing pre-recorded cylinder records. By 1896 the Pathé brothers had offices and recording studios not only in Paris, but also in London, Milan, and St. Petersburg. Pathé cylinders and discs In 1894, the Pathé brothers started selling their own phonographs. The earliest Pathé offerings were phonograph cylinders. Pathé manufactured cylinder records until approximately 1914. In addition to standard size cylinder records (), Pathé produc ...
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Lincoln Records
Lincoln Records was an American record label that existed from 1923 to 1930. The bulk of material on Lincoln was dance music by bands assembled from the pool of New York musicians. Lincoln Records filled a market niche for people who wanted inexpensive, danceable records of popular tunes and did not particularly care who recorded them. Lincoln records initially retailed for 50 United States dollar, cents each. The label had a drawing of Abraham Lincoln on the top. Although the labels said that they were made by the Lincoln Record Corporation, New York, Lincoln was actually owned by Cameo Records. Some Lincoln issues were pressed from Cameo masters, although the name of the band which recorded for Cameo was usually changed to a pseudonym so that the Lincolns would not compete with those on Cameo. The Lincoln Records label debuted in 1924 and was discontinued in 1930. It reappeared in 1949, probably revived by the American Record Corporation which had acquired Cameo years earlier. ...
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Blues
Blues is a music genre and musical form which originated in the Deep South of the United States around the 1860s. Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture. The blues form is ubiquitous in jazz, rhythm and blues, and rock and roll, and is characterized by the call-and-response pattern (the blues scale and specific chord progressions) of which the twelve-bar blues is the most common. Blue notes (or "worried notes"), usually thirds, fifths or sevenths flattened in pitch, are also an essential part of the sound. Blues shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect known as the groove. Blues as a genre is also characterized by its lyrics, bass lines, and instrumentation. Early traditional blues verses consisted of a single line repeated four times. It was only in the first decades of the 20th century that the most common current str ...
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Jack Pepper
Jack Pepper (born Edward Jackson Culpepper; June 14, 1902 – April 1, 1979) was an American vaudeville dancer, singer, comedian, musician, and later in life a nightclub manager. Pepper began entertaining on the vaudeville circuit in his youth with his sisters Helen and Winnie Mae. He first came to national prominence in the 1920s as part of the duo Salt and Pepper with Frank Salt. Pepper sang and played ukulele in a style similar to that of Cliff Edwards in addition to doing comic and dance bits. Salt and Pepper appeared prominently in Broadway revues, made radio broadcasts, and recorded a number of sides for Cameo Records in the mid-1920s. After striking out on his own Pepper teamed up with dancer Ginger Rogers as Ginger and Pepper. Rogers and Pepper were married from 1929 to 1931. Although the marriage was short, they continued to speak respectfully of each other all their lives. The year 1929 marked Pepper's film debut in the short subject ''After the Show''. By his ...
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Frank Signorelli
Frank Signorelli (May 24, 1901 – December 9, 1975) was an American jazz pianist. Biography Signorelli was born to an Italian Sicilian family in New York City, New York. Signorelli was a founding member of the Original Memphis Five in 1917, then joined the Original Dixieland Jazz Band briefly in 1921. In 1927, he played in Adrian Rollini's New York ensemble, and subsequently worked with Eddie Lang, Bix Beiderbecke, Matty Malneck and Paul Whiteman. In 1935 he was part of Dick Stabile's All-America "Swing" Band. In 1936-38, he played in the revived version of the Original Dixieland Jazz Band. He recorded with Phil Napoleon in 1946 and with Miff Mole in 1958. Compositions As a songwriter, Signorelli composed "'I'll Never Be The Same" (initially called "Little Buttercup" by Joe Venuti's Blue Four), "Gypsy", recorded by Paul Whiteman and his Orchestra, "Caprice Futuristic", "Evening", "Anything", "Bass Ale Blues", "Great White Way Blues", "Park Avenue Fantasy", "Sioux City Sue" ...
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