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Camelia Brass Band
The Camelia Brass Band (also in sit-down variation the Camelia Dance Orchestra) was a New Orleans-style brass band, founded by Wooden Joe Nicholas around 1917 or 1918 in New Orleans. The Camelia Brass Band was named after a steamboat, the ''S.S. Camelia''. The group generally featured about ten members, with trumpet, trombone, clarinet, tuba, snare drum, and bass drum. In some of its engagements it played in reduced numbers as a dance band, with six members on trumpet, trombone, clarinet, banjo, bass, and drums. The ensemble featured Buddy Petit, Joseph Petit, Alphonse Picou, Billy Marrero, and Lawrence Marrero as members. In the 1920s, D'Jalma Thomas Garnier took leadership of the group, and thereafter made appearances both under its own name and under Ganier's name. The original spelling of the French Creole family name contains the "r": Garnier, and his descendants maintain that original spelling. For the sake of correct pronunciation, however, D'Jalma Garnier (Ganier) left o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Orleans
New Orleans ( , ,New Orleans . ; french: La Nouvelle-Orléans , es, Nueva Orleans) is a consolidated city-parish located along the in the southeastern region of the U.S. state of Louisiana. With a population of 383,997 according to the 2020 U.S. census, [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wooden Joe Nicholas
Wooden Joe Nicholas (September 23, 1883 – November 17, 1957) was an American jazz trumpeter and cornetist, active on the early New Orleans jazz scene. He was born in New Orleans, Louisiana, United States. Nicholas began playing professionally on clarinet, and continued occasionally doubling on it in later years after he had mostly switched to cornet. Nicholas knew Buddy Bolden and said Bolden was the main influence on his cornet style, but did not begin playing cornet until 1915 when he was playing clarinet with King Oliver, and started playing around with Oliver's cornet while Oliver was on break. He lived nearly his entire life in New Orleans, and played in many brass bands and street ensembles in the city for decades, in addition to forming the Camelia Brass Band in 1918. He was famed for his volume and his endurance, though these are not evident on most of his recordings (a notable exception being his driving version of "Shake It and Break It", American Music Records ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steamboat
A steamboat is a boat that is propelled primarily by steam power, typically driving propellers or paddlewheels. Steamboats sometimes use the prefix designation SS, S.S. or S/S (for 'Screw Steamer') or PS (for 'Paddle Steamer'); however, these designations are most often used for steamships. The term ''steamboat'' is used to refer to smaller, insular, steam-powered boats working on lakes and rivers, particularly riverboats. As using steam became more reliable, steam power became applied to larger, ocean-going vessels. Background Limitations of the Newcomen steam engine Early steamboat designs used Newcomen steam engines. These engines were large, heavy, and produced little power, which resulted in an unfavorable power-to-weight ratio. The Newcomen engine also produced a reciprocating or rocking motion because it was designed for pumping. The piston stroke was caused by a water jet in the steam-filled cylinder, which condensed the steam, creating a vacuum, which in turn caus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddy Petit
Buddie Petit (born Joseph Crawford; ca. 1897 – July 4, 1931), also spelled Buddy Petit, was an American early jazz cornetist. His early life is somewhat mysterious, with dates of his birth given in various sources ranging from 1887 to 1897. He was said to have been born in White Castle, Louisiana, United States. His given name was Joseph Crawford, but he was adopted by the trombonist Joseph Petit, whose name he took. He took Freddie Keppard's place in the Eagle Band (a place earlier held by Buddy Bolden) when Keppard left town. He was briefly lured to Los Angeles by Jelly Roll Morton and Bill Johnson in 1917, but he objected to being told to dress and behave differently from what he was accustomed to and returned to New Orleans. He spent the rest of his career in the area around greater New Orleans, and the towns north of Lake Pontchartrain, not venturing further from home than Baton Rouge and the Mississippi Gulf Coast. Okeh Records offered him a chance to record on their ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Petit
Joseph Petit (1873 or 1880, in New Orleans – 1946, in New Orleans) was an American jazz trombonist. He was the stepfather of Buddy Petit, and played in many early New Orleans jazz groups. Joseph Petit played in the Olympia Orchestra, the Camelia Brass Band, and the Terminal Brass Band early in the 20th century. He led his own group, the Security Orchestra, for a short time before World War I. He played with Sidney Bechet and King Oliver, in addition to a host of lesser-known New Orleans musicians such as Sheik-O, Buddy Luck, Arthur Ogle, Booker T. Glass, and Wooden Joe Nicholas, with whom he recorded in the group the Original Creole Stompers in 1945 for the American Music Records label. His only recordings were a few sides made at the urging of American Music's Bill Russell made after he had retired from music. While past his prime and out of practice when he recorded, his recordings confirm the basic "tailgate" style of New Orleans trombone dates back to Petit's generation. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alphonse Picou
Alphonse Floristan Picou (October 19, 1878 – February 4, 1961) was an important very early American jazz clarinetist of New Orleans, Louisiana, who also wrote and arranged music. Early life and education Alphonse Picou was born into a prosperous middle-class Creole of Color family in downtown New Orleans, Louisiana, United States. His parents were Alfred Picou and Clotilde (Serpas) Picou, who also had other children: Cecilia, Willie, Feriol, Joseph, and Philomene Picou. Cecilia married Alfred Forrestier on August 1, 1900. Alphonse Picou took to music early. Career By the age of 16, he was working as a professional musician on both the guitar and clarinet, but then concentrated on the latter instrument. As his family frowned on music being a person's sole trade, Picou trained and worked as a tinsmith, including putting the copper sheeting on church steeples. Soon Picou was so much in demand as a clarinetist that he made most of his living from music. He played classical mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billy Marrero
Billy may refer to: * Billy (name), a name (and list of people with the name) Animals * Billy (dog), a dog breed * Billy (pigeon), awarded the Dickin Medal in 1945 * Billy (pygmy hippo), a pet of U.S. President Calvin Coolidge * Billy, a young male domestic goat Film * Billy (''Black Christmas''), a character from ''Black Christmas'' * Billy (''Saw''), a puppet from ''Saw'' * '' Billy: The Early Years'', a 2008 biographical film about Billy Graham Literature * ''Billy'' (novel), a 1990 novel by Whitley Strieber * ''Billy'', a 2002 biography of Billy Connolly by Pamela Stephenson Music Musicals * ''Billy'' (musical), a musical based on Billy Liar * ''Billy'', a 1969 Broadway musical with music and lyrics by Gene Allen and Ron Dante Albums * ''Billy'' (Samiam album) (1992) * ''Billy'' (Feedtime album) Songs * "Billy" (Kathy Linden song), a 1958 song by Kathy Linden * "Billy", a 1986 song by Céline Dion from '' The Best of Celine Dion'' * "Billy", a 1973 song ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lawrence Marrero
Lawrence Henry Marrero (October 24, 1900 – June 6, 1959) was an American jazz banjoist. Early life Marrero was born in New Orleans, Louisiana, on October 24, 1900. He grew up in a musical family: three brothers became musicians – Eddie (bass), John (banjo) and Simon (tuba and bass) – and their father Billy was also a bass player. Lawrence (who chose to spell his name "Laurence") was taught music by his father, and became a professional player around 1918. Later life and career In 1919 he got his first regular job on banjo with Wooden Joe Nicholas's Camelia Brass Band and from 1920 he joined on bass drum the Young Tuxedo Brass Band. In 1942 Marrero was one of the musicians who part of the first recordings made by Bunk Johnson, and continued playing and recording in the New Orleans jazz revival. He was featured on many recordings and was a regular member of the George Lewis George Lewis may refer to: Entertainment and art * George B. W. Lewis (1818–1906), circus rider a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
D'Jalma Garnier
D'Jalma Garnier is a musician and composer best known for Creole and Cajun fiddle and "outside" musical compositions and collaborations with other artists. Biography His musical heritage descends from the Camelia Brass Band in New Orleans led by his grandfather, D'Jalma Thomas Garnier (also spelled Ganier while with Camelia Brass Band), a legendary early jazz player noted on the Preservation Hall roster in the New Orleans French Quarter and who was a trumpet player, pianist and violinist said to have taught Louis Armstrong at the New Orleans Boys Home for Colored Waifs. D'Jalma Garnier, the fiddler, composer, guitarist, and "pedestrian scholar" of Louisiana Creole fame, is the older brother of Tony Garnier, Bob Dylan's band leader and bass player for the Neverending Tour Band since 1989. The two brothers, along with musician Stephen "Stevo" Théard (son of Magdelene Elizabeth Garnier, and grandson of Papa Garnier) are the only descendants of Papa Garnier to become professi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Armstrong
Louis Daniel Armstrong (August 4, 1901 – July 6, 1971), nicknamed "Satchmo", "Satch", and "Pops", was an American trumpeter and vocalist. He was among the most influential figures in jazz. His career spanned five decades and several eras in the history of jazz. Armstrong was born and raised in New Orleans. Coming to prominence in the 1920s as an inventive trumpet and cornet player, Armstrong was a foundational influence in jazz, shifting the focus of the music from collective improvisation to solo performance. Around 1922, he followed his mentor, Joe "King" Oliver, to Chicago to play in the . In Chicago, he spent time with other popular jazz musicians, reconnecting with his friend Bix Beiderbecke and spending time with Hoagy Carmichael and Lil Hardin. He earned a reputation at " cutting contests", and his fame reached band leader Fletcher Henderson. Henderson persuaded Armstrong to come to New York City, where he became a featured and musically influential band so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New Grove
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890. I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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