Calling All Stations Tour
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Calling All Stations Tour
Genesis supported their 1997 album ''Calling All Stations'' with a 47-date European tour from 29 January to 31 May 1998, featuring shows in large arenas throughout Europe. The core trio of lead vocalist Ray Wilson, keyboardist Tony Banks, and guitarist/bassist Mike Rutherford were joined by Israeli musician Nir Zidkyahu on drums, percussion, and backing vocals and Irish musician Anthony Drennan on guitar and bass. This was the only tour with Wilson, Zidkyahu and Drennan, as well as the first since 1978 not to feature longtime singer/drummer Phil Collins or touring members Daryl Stuermer and Chester Thompson as part of the lineup. Rehearsals took place at Bray Film Studios in Windsor and the Working Men's Club in Chiddingfold, England close the band's recording studio. The tour concluded with spots at the Rock am Ring and Rock im Park Festival in Germany. A majority of the older songs were transposed in a lower key to accommodate Wilson's lower vocal range. Midway through the ...
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Calling All Stations
''...Calling All Stations...'' is the fifteenth and final studio album by English rock band Genesis. It was released 1 September 1997 by Virgin Records, and is their only album featuring Scottish singer Ray Wilson as frontman following the departure of longtime drummer/singer Phil Collins in 1996. The remaining members—founding keyboardist Tony Banks and guitarist/bassist Mike Rutherford—decided to continue the band and write new music for an album, during which they auditioned singers and picked Wilson. ''Calling All Stations'' was released to mostly negative reviews from music critics who chastised its lack of direction, but praised Wilson's performance. It sold poorly in comparison to their earlier albums; it reached No. 2 in the UK and performed well in Europe, but it peaked at No. 54 in the US. This marked their first studio album not to reach number one in the UK since 1978. " Congo", the first of three singles from the album, went to No. 29 in the UK.
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Chiddingfold
Chiddingfold is a village and civil parish in the Weald in the Waverley district of Surrey, England. It lies on the A283 road between Milford and Petworth. The parish includes the hamlets of Ansteadbrook, High Street Green and Combe Common. Chiddingfold Forest, a Site of Special Scientific Interest, lies mostly within its boundaries. History The name of Chiddingfold 'Chadynge's fold', , is derived from the Saxon, probably meaning the fold (enclosure for animals) "in the hollow". Chiddingfold has an historic link to glass-making. John Aubrey, the 17th century antiquary, mistakenly claimed there were no fewer than eleven glassworks in Chiddingfold, however, as Kenyon states in his authoritative ‘The Glass Industry of the Weald’, Leicester University Press 1967, p.7, there were probably no more than twelve in the whole of Surrey. Window glass made in Chiddingfold in the mid-fourteenth century was used in some of the finest buildings in the land, including St Stephen's Ch ...
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Supper's Ready
"Supper's Ready" is a song by the progressive rock band Genesis, recorded for their 1972 studio album '' Foxtrot''. At 23 minutes in length, it is the band's longest recorded song and almost takes up the entire second side of the vinyl. Frontman Peter Gabriel wrote the lyrics, which mainly describe a personal journey of scenes from the Book of Revelation and good versus evil, with several real life experiences providing further inspiration. The song took form in the summer of 1972, when Genesis dedicated time to write new songs after touring '' Nursery Cryme''. After the opening acoustic sections were arranged, it was considered a companion piece to " The Musical Box" until Gabriel pitched the tune "Willow Farm", which took the song into a different direction. Genesis extend the piece further, culminating in the final two sections, "Apocalypse in 9/8" and "As Sure as Eggs is Eggs", which the band felt was some of their strongest recorded material. "Supper's Ready" became a cent ...
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Follow You Follow Me
"Follow You Follow Me" is a love song written and recorded by English rock band Genesis. It was released in March 1978 as the first single from their ninth studio album, '' ...And Then There Were Three...'' (1978). The music was composed by the band, and the lyrics were written by bassist and guitarist Mike Rutherford.Jon Young. "The Genesis Autodiscography". ''Trouser Press''. March 1982 issue The single became Genesis' first top 10 hit in the UK and first top 40 hit in the US, reaching No. 7 and No. 23 respectively. Background Like much of the rest of the album, the slower, sentimental "Follow You Follow Me" was a departure from most of their previous work as a progressive rock band, featuring a simple melody, romantic lyrics and a verse-chorus structure. Although previous albums contained love ballads, such as ''Selling England by the Pounds "More Fool Me" and "Your Own Special Way" from ''Wind & Wuthering'' (1976), "Follow You Follow Me" was the first worldwide pop success b ...
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Dancing With The Moonlit Knight
"Dancing with the Moonlit Knight" is a song by the progressive rock band Genesis (band), Genesis. It was released on their 1973 album ''Selling England by the Pound''. The song was originally going to be titled "Disney". The album takes its name from a lyric in the song. Chris Jones of BBC Music wrote that the song "gives the perfect snapshot of what Genesis were about at this point". Recording The song was developed from several brief piano pieces composed by frontman Peter Gabriel, which were later combined with some of Steve Hackett's guitar figures to make up the song. Gabriel contributed English-themed lyrics to "Dancing with the Moonlit Knight", because the music press thought that Genesis were putting too much effort into appealing to the American audiences. He also included some references to Green Shield Stamps in the lyrics. ''Rolling Stone'' wrote that the song was an "epic commentary on contemporary England". The song's ending, which contains a number of 12-string g ...
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Home By The Sea
"Home by the Sea" and "Second Home by the Sea" is a suite of two songs by English rock band Genesis. It first appeared on their eponymous album in 1983. The lyrics were written by keyboardist Tony Banks and the music was written by the whole band. Lyrically, the song is about a burglar who breaks into a house only to find it is haunted. The burglar is captured by the ghosts, who force him to listen to their stories for the rest of his life. "Home by the Sea" became a chart hit in New Zealand, peaking at number four in November 1986. Background The piece was written at a point in Genesis' career when they were transitioning from progressive rock to a more streamlined, new style. As such, it combines simple pop hooks with an extended section more characteristic of progressive rock into one two-part piece. Played together, "Home by the Sea" and "Second Home by the Sea" are over eleven minutes long. In an interview, Phil Collins noted the track as an example of how the band often ...
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Congo (song)
"Congo" is a song by English rock band Genesis, released in September 1997 as the first single from their fifteenth album, ''Calling All Stations'' (1997). The single marked the debut of Ray Wilson as the lead vocalist for the band. It was a hit across Europe, although it became their first lead single since 1977 to not reach the UK Top 20, peaking at #29. There had been other singles that did not reach the Top 20, or even the Top 40, but they were not the lead single from an album. It was also the band's last Top 40 hit, and their only with Wilson. Composition The song is about two people who cannot get along with each other in their relationship, leaving them to want to be rid of each other and as distant as possible ("Send me to the Congo" is a metaphor for this). Musically, the song opens with a Caribbean drum beat while an African-style tribe is heard chanting "Congo the Congo", before the song launches into a darker melody driven by synthesiser, guitar, and gated reverb dru ...
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Firth Of Fifth
"Firth of Fifth" is a song by the British progressive rock band Genesis. It first appeared as the third track on the 1973 album ''Selling England by the Pound'', and was performed as a live piece either in whole or in part throughout the band's career. Composition The title is a pun on the estuary of the River Forth in Scotland, commonly known as the Firth of Forth. Though the song is credited to the entire band, most of the music was composed by keyboardist Tony Banks. He had written the bulk of the song by 1972, presenting it as a candidate for the album ''Foxtrot'' (1972), but it was rejected. He redesigned the piece, which the group accepted as a candidate for ''Selling England by the Pound''. Banks, who worked on the lyrics with Mike Rutherford, later dismissed them, saying they were "one of the worst sets of lyrics havebeen involved with". The song starts out with a classical-style grand piano introduction played by Banks. This section is rhythmically complex, with c ...
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Domino (Genesis Song)
"Domino" is a song written by the band Genesis for their 1986 album ''Invisible Touch''. The song was the sixth track on the album. The music was written by the band, while the lyrics were written by keyboardist Tony Banks. The song is divided into two parts, "In the Glow of the Night" and "The Last Domino". The song, though not released as a single, charted at number 29 on the Mainstream Rock Charts. The B-side of the "Tonight, Tonight, Tonight" single was the first half of this song, "In the Glow of the Night", while the B-side of "Invisible Touch" was the second part of the song, "The Last Domino". During a clip titled "Tony talks about his inspiration" on the ''When in Rome 2007'' DVD, Banks states that his inspiration for the song lyrics was the 1982 Lebanon War which was still being contested prior to the recording of ''Invisible Touch''. He set the action in a hotel room in Beirut, minutes after bombs start to fall on the city. Live performances Before the song was perfo ...
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The Carpet Crawlers
"The Carpet Crawlers" is a song by the English progressive rock band Genesis, recorded for their sixth studio album ''The Lamb Lies Down on Broadway''. Mike Rutherford and Tony Banks wrote most of the music, with the help of Peter Gabriel. Lyrically, the song tells the section of the album's story whereby Rael, the lead character, finds himself in a red carpeted corridor surrounded by kneeling people slowly crawling towards a wooden door. Rael dashes by them towards the door and goes through it. Behind the door is a table with a candlelit feast on it, and behind that, a spiral staircase that leads upwards out of sight. The complex symbolism of Peter Gabriel's lyrics has been interpreted as referring to the fertilisation journey or as describing a scene inspired by Gnosticism in which humanity is misled by the 'callers': instead of the promise of heaven, the carpet crawlers find death and rebirth to a hellish environment. The song was released in April 1975 as the album's sec ...
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The Lamb Lies Down On Broadway (song)
"The Lamb Lies Down on Broadway" is the first song from Genesis's 1974 album of the same name. The song was released as a single in the U.S. Although it did not chart, it was frequently played on American FM radio stations. The end of the song features the words "They say the neon lights are bright on Broadway. They say there's always magic in the air" from The Drifters' song " On Broadway". The studio recording features a variation on the former lyric ("They say the lights are always bright on Broadway"), but subsequent live recordings feature the original. The bass-playing on the song by Mike Rutherford has been described as having "connotations of aggressive energy" that fits in well with the concept album's angry and defiant character Rael. After Gabriel's departure, the Phil Collins-fronted incarnation of the band performed the song often during their first few tours, usually segueing into the closing section of "The Musical Box". A live version appears on ''Seconds Out'' ...
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Land Of Confusion
"Land of Confusion" is a song by the English rock band Genesis from their 1986 album ''Invisible Touch''. The song was the third track on the album and was the third track released as a single, reaching No. 4 in the U.S. and No. 14 in the UK in late 1986. It also reached No. 8 in the Netherlands. The music was written by the band, while the lyrics were written by guitarist Mike Rutherford. The song's video featured puppets from the 1980s UK sketch show ''Spitting Image''. Reception ''Billboard'' said it has an "anxious beat" and a "tentatively hopeful lyric." ''Cash Box'' called it a "biting and aggressive cut" highlighted by "a tough electronic rhythm and Phil Collins’ searching vocal." Music video The song is widely remembered for its music video, which had heavy airplay on MTV. The video features caricature puppets by the British television show ''Spitting Image''. After Phil Collins saw a caricatured version of himself on the show, he commissioned the show's creators, Pe ...
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