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Calla Records
Calla Records was a small, New York City-based independent black owned Soul record label run by Nate McCalla (1930-1980) and active from approximately 1965 to 1977. McCalla was an associate and bodyguard for Morris Levy who headed Roulette Records which had known ties to the mob. Artists recording for the label include J.J. Jackson, Jimmie Raye, The Sandpebbles, Little Jerry Williams (aka Swamp Dogg), Jean Wells, The Emotions, The Fuzz, Lonnie Youngblood, The Persuaders, and Geraldine Hunt among others. Initially distributed by Cameo-Parkway Records, the label became part of Roulette Records. The label was subsequently distributed by Shakat Records, a United States disco label and Epic Records. In 1968, the Calla Records catalogue was acquired by Warner Bros. Records. The label nonetheless continued, developing new artists, such as The Fuzz, into the early 1970s, and then releasing a number of disco-oriented albums in 1975 and 1976.David Edwards and Mike CallahanCalla Al ...
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Soul Music
Soul music is a popular music genre that originated in the African American community throughout the United States in the late 1950s and early 1960s. It has its roots in African-American gospel music and rhythm and blues. Soul music became popular for dancing and listening, where U.S. record labels such as Motown, Atlantic and Stax were influential during the Civil Rights Movement. Soul also became popular around the world, directly influencing rock music and the music of Africa. It also had a resurgence with artists like Erykah Badu under the genre neo-soul. Catchy rhythms, stressed by handclaps and extemporaneous body moves, are an important feature of soul music. Other characteristics are a call and response between the lead vocalist and the chorus and an especially tense vocal sound. The style also occasionally uses improvisational additions, twirls, and auxiliary sounds. Soul music reflects the African-American identity, and it stresses the importance of an African-Ameri ...
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Cameo-Parkway Records
Cameo-Parkway Records was the parent company of Cameo Records and Parkway Records, which were major American Philadelphia-based record labels from 1956 (for Cameo) and 1958 (for Parkway) to 1967. Among the types of music released were doo-wop, dance hits, popular/rock, rockabilly, big band, garage rock, soul and novelty records. Until 1962, Cameo was also the parent company name for both labels, and Parkway was a subsidiary. In 1962, the parent company was renamed from Cameo to Cameo-Parkway, to give both labels equal status. In some foreign markets Cameo-Parkway was also a label name, issuing records by artists from both labels. The Cameo-Parkway catalogue is currently owned by ABKCO Records. History Cameo Records was founded in December 1956 in Philadelphia by Bernie Lowe and Kal Mann (it has no connection to the 1920s record label Cameo Records). Parkway, initially a subsidiary label, was formed in 1958. Mann and Lowe had been a successful songwriting team prior to the ...
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Like An Open Door
"Like an Open Door" is a song written by Sheila Young and performed by The Fuzz. It reached #14 on the U.S. R&B chart and #77 on the ''Billboard'' Hot 100 in 1971. The song was featured on their 1971 album, '' The Fuzz''. The song was produced by Carr-Cee Productions. References 1971 songs 1971 singles The Fuzz (band) songs Calla Records singles {{1970s-single-stub ...
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I Love You For All Seasons
"I Love You for All Seasons" is a song written by Sheila Young and performed by The Fuzz. The song was featured on their 1971 album, '' The Fuzz''. The song was produced by Carr-Cee Productions. Chart performance It reached #10 on the U.S. R&B chart, #21 on the ''Billboard'' Hot 100 in 1971, and #43 in Canada and #100 in Australia. The single ranked #45 on the ''Billboard'' Year-End Hot 100 singles of 1971. ist Sampled versions *Brand Nubian sampled the song on their song "What the Fuck..." from their 1994 album, '' Everything Is Everything''. *21 Savage Shéyaa Bin Abraham-Joseph (born October 22, 1992), known professionally as 21 Savage, is a rapper based in Atlanta, Georgia, United States. Born in London, he moved to Atlanta with his mother at age seven. He became known after releasing two m ... sampled a cover of the song by East of Underground on his single A Lot from his album I Am > I Was References External links Lyrics of this song* 1970 songs 1970 s ...
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But It's Alright
"But It's Alright" (aka "It's Alright", due to its lyrics) is a song co-written by J. J. Jackson (singer), J. J. Jackson and Pierre Tubbs that became a hit on the pop and soul charts in both 1966 and 1969. Theme The song's lyrics address the singer's girlfriend, who has broken his heart by cheating on him. But the song keeps a happy, upbeat tone due to the singer's belief in karma: "It's alright" because "you've got to reap what you sow, girl"; she will find herself cheated on as well. History Described as being "driven by one of the catchiest guitar hooks in the history of rock & roll and a devastating vocal performance", the song was first released by Calla Records in 1966, as a single and on the But It's Alright (album), album of the same name. Subsequent to acquiring the Calla Records catalogue, Warner Records, Warner Bros.-Seven Arts re-released the song in 1969, as a single and on the album ''The Great J.J. Jackson''. The single was sound recording and reproduction, record ...
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Let Me Down Easy (Bettye LaVette Song)
"Let Me Down Easy" is a song that was first recorded in 1965 by American soul singer Bettye LaVette. It was written by Dee Dee Ford ( Wrecia Mae Ford; 1936–1972), who copyrighted in 1965 under her married name, Wrecia Holloway. The original recording by LaVette, released as a single by Calla Records, peaked at number 20 on the ''Billboard'' Hot Rhythm and Blues Singles chart. Composition and release Dee Dee Ford, a singer who teamed up with Don Gardner on the top-20 single " I Need Your Lovin'" in 1962, wrote "Let Me Down Easy" three years later using her real name Wrecia Holloway. The song, a torch ballad, was performed by Bettye LaVette, arranged by Dale Warren, and produced by Gardner. New York independent label Calla Records released the track as a single and it reached number 20 on the ''Billboard'' Hot Rhythm and Blues Singles chart. LaVette performed it on a 1965 episode of ''Shindig!'' and on the 2012/13 ''Hootenanny'' show presented by Jools Holland. Critica ...
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Warner Bros
Warner Bros. Entertainment Inc. (commonly known as Warner Bros. or abbreviated as WB) is an American film and entertainment studio headquartered at the Warner Bros. Studios complex in Burbank, California, and a subsidiary of Warner Bros. Discovery. Founded in 1923 by four brothers, Harry, Albert, Sam, and Jack Warner, the company established itself as a leader in the American film industry before diversifying into animation, television, and video games and is one of the "Big Five" major American film studios, as well as a member of the Motion Picture Association (MPA). The company is known for its film studio division the Warner Bros. Pictures Group, which includes Warner Bros. Pictures, New Line Cinema, the Warner Animation Group, Castle Rock Entertainment, and DC Studios. Among its other assets, stands the television production company Warner Bros. Television Studios. Bugs Bunny, a cartoon character created by Tex Avery, Ben Hardaway, Chuck Jones, Bob Givens and ...
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Epic Records
Epic Records is an American record label owned by Sony Music Entertainment, a subsidiary of Sony Corporation of America Sony Corporation of America (SONAM, also known as SCA), is the American arm of the Japanese conglomerate Sony Group Corporation SONAM, headquartered in New York City, manages the company's US-based businesses. Sony's principal U.S. business ..., the North American division of Japanese Conglomerate (company), conglomerate Sony. The label was founded predominantly as a jazz and classical music label in 1953, but later expanded its scope to include a more diverse range of genres, including pop music, pop, Rhythm and blues, R&B, rock music, rock, and hip hop music, hip hop. History Beginnings Epic Records was launched in 1953 by the Columbia Records unit of CBS, for the purpose of marketing jazz, pop music, pop, and European classical music, classical music that did not fit the theme of its more mainstream Columbia Records label. Initial classical music r ...
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Discogs
Discogs (short for discographies) is a database of information about audio recordings, including commercial releases, promotional releases, and bootleg or off-label releases. While the site was originally created with a goal of becoming the largest online database of electronic music, the site now includes releases in all genres on all formats. After the database was opened to contributions from the public, rock music began to become the most prevalent genre listed. , Discogs contains over 15.7 million releases, by over 8.3 million artists, across over 1.9 million labels, contributed from over 644,000 contributor user accounts – with these figures constantly growing as users continually add previously unlisted releases to the site over time. The Discogs servers, currently hosted under the domain name discogs.com, are owned by Zink Media, Inc. and located in Portland, Oregon, United States. History The discogs.com domain name was registered in August 2000, and Discogs itself ...
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Disco Music
Disco is a genre of dance music and a subculture that emerged in the 1970s from the United States' urban nightlife scene. Its sound is typified by four-on-the-floor beats, syncopated basslines, string sections, brass and horns, electric piano, synthesizers, and electric rhythm guitars. Disco started as a mixture of music from venues popular with Italian Americans, Hispanic and Latino Americans and Black Americans "'Broadly speaking, the typical New York discothèque DJ is young (between 18 and 30) and Italian,' journalist Vince Lettie declared in 1975. ..Remarkably, almost all of the important early DJs were of Italian extraction .. Italian Americans have played a significant role in America's dance music culture .. While Italian Americans mostly from Brooklyn largely created disco from scratch .." in Philadelphia and New York City during the late 1960s and early 1970s. Disco can be seen as a reaction by the 1960s counterculture to both the dominance of rock music and the ...
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Geraldine Hunt
Geraldine Hunt ( Milligan; February 10, 1945 – October 27, 2022) was an American R&B singer best known for the 1980 No. 1 Hot Dance Music/Club Play hit "Can't Fake the Feeling". Early life Hunt's parents are Rosie Lee Vickers and Frank Milligan. Her father was a one-man band, and her grandmother, Louella Reed, was a singer on the Chitlin Circuit. In 1947 her family relocated to Chicago. While growing up on Chicago's south side Hunt discovered her musical talent. Living in that part of Chicago was not easy; recalls Geraldine. "On the weekends, we had to sleep on the floor, gangs were shooting through the house; I had been beaten up at gunpoint once, It was rough. We were living below middle class." Despite the bleak living conditions of her childhood, there were bright spots also. A notable time in her life was her years at Hyde Park High School. Her classmate and best friend at school was the late American soul singer-songwriter Minnie Riperton. Besides Hunt and Riperton, ...
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Morris Levy
Morris Levy (born Moishe Levy; August 27, 1927 – May 21, 1990) was an American entrepreneur in the fields of jazz clubs, music publishing, and the independent record industry. Levy was cofounder and owner of Roulette Records, founding partner of the Birdland jazz club and the Roulette Room. He was a prominent subject of investigations into organized crime and the music industry, and was convicted of extortion shortly before his death. At the peak of his business career, Levy owned more than 90 companies employing 900 people, including record-pressing plants, tape-duplicating plants, a distribution company, a prominent New England chain of 81 record stores (Strawberries), and many record labels. Levy, who went by "Moishe" or "Mo" within the record industry, was described by ''Billboard'' magazine as "one of the record industry's most controversial and flamboyant players" and by ''Variety'' as "The Octopus", for his far-reaching control, disproportionate to the size of his com ...
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