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Call It Art
''Call It Art'' is an album by the New York Art Quartet. It contains previously unissued live and studio tracks recorded in 1964 and 1965, and was released in limited quantities as a five-LP box set by Triple Point Records in 2013. The album includes a 156-page clothbound book containing liner notes by Ben Young, photos, reproductions of manuscripts, and a complete history and itinerary of the group, housed in a custom wooden box. Musicians featured on the album are saxophonist John Tchicai, trombonist Roswell Rudd, bassists Bob Cunningham, Don Moore, Eddie Gómez, Lewis Worrell, and Reggie Workman, and drummers J. C. Moses and Milford Graves. Trumpeter Alan Shorter appears on several tracks, and Amiri Baraka also makes a guest appearance. Reception The album was nominated for 2014 Grammy Awards in the "Best Album Notes" and "Best Historical Album" categories. In a 2013 article for ''The New York Times'', Nate Chinen wrote: "there's reason to hail ''Call It Art''... as this year ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New York Art Quartet
The New York Art Quartet was a free jazz ensemble, originally made up of saxophonist John Tchicai, trombonist Roswell Rudd, drummer Milford Graves and bassist Lewis Worrell, that came into existence in 1964 in New York City. Worrell was later replaced by various other bassists, including Reggie Workman, Finn Von Eyben, Harold Dodson, Eddie Gómez, Steve Swallow, and Buell Neidlinger. All About Jazz reviewer Clifford Allen wrote that the group "cut some of the most powerful music in the free jazz underground". In November 1962, Tchicai moved from his home country of Denmark to New York City at the suggestion of Archie Shepp and Bill Dixon, whom he had met at the Helsinki Jazz Festival earlier that year. Upon arriving in New York, Tchicai began playing with Dixon's group, which included Shepp and Roswell Rudd among others, and also sat in with Don Cherry and various other musicians. By the summer of 1963, Tchicai, Shepp, and Cherry had formed the New York Contemporary Five with bass ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Best Historical Album
The Grammy Award for Best Historical Album has been presented since 1979 and recognizes achievements in audio restoration. Since this category's creation, the award had several minor name changes: *In 1979 the award was known as Best Historical Repackage Album *In 1980 it was awarded as Best Historical Reissue *In 1981 it was awarded as Best Historical Reissue Album *From 1982 to the present it has been awarded as Best Historical Album Years reflect the year in which the Grammy Awards were presented, for works released in the previous year. The award is presented to individuals responsible for compiling and engineering the winning album. The roles of these individuals have changed over time: *From 1979 to 1993 the award was given to the Producer(s) *From 1994 to 1995 it was awarded to the Compilation Producer(s) *In 1996 it was awarded to the Art Director, Compilation Producer, Mastering Engineers, and/or Album Notes Writers *From 1997 to 2018 it was awarded to the Compilation Pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ornette Coleman
Randolph Denard Ornette Coleman (March 9, 1930 – June 11, 2015) was an American jazz saxophonist, violinist, trumpeter, and composer known as a principal founder of the free jazz genre, a term derived from his 1960 album '' Free Jazz: A Collective Improvisation''. His pioneering performances often abandoned the chordal and harmony-based structure found in bebop, instead emphasizing a jarring and avant-garde approach to improvisation. AllMusic called him "one of the most important (and controversial) innovators of the jazz avant-garde". Born in Fort Worth, Texas, Coleman began his musical career playing in local R&B and bebop groups, and eventually formed his own group in Los Angeles featuring members such as Ed Blackwell, Don Cherry, Charlie Haden, and Billy Higgins. In 1959, he released the controversial album ''The Shape of Jazz to Come'' and began a long residency at the Five Spot jazz club in New York City. His 1960 album ''Free Jazz'' would profoundly influence the di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marzette Watts
Marzette Watts (March 9, 1938, Montgomery, Alabama – March 2, 1998, Nashville) was an American jazz tenor and soprano saxophonist. He performed and recorded on bass clarinet as well. He had a brief career in music and is revered for his 1966 self-titled free jazz release. He was known also as a sound engineer. Watts played piano early in his life; he did not play music regularly in his teens. He studied at Alabama State College, where he was a founding member of SNCC; this association led to his being forced to leave the state at the behest of the governor of Alabama. He moved to New York, where he lived in a loft building on Cooper Square which also had as a tenant Leroi Jones (later Amiri Baraka), with whom he participated in the Organization of Young Men. Watts returned to college in New York, completing his studies in 1962; he then moved to Paris to study painting at the Sorbonne and began playing saxophone for extra money. Returning to New York in 1963, Watts studied unde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Snow
Michael Snow (born December 10, 1928) is a Canadian artist working in a range of media including film, installation, sculpture, photography, and music. His best-known films are ''Wavelength'' (1967) and '' La Région Centrale'' (1971), with the former regarded as a milestone in avant-garde cinema. Life Michael Snow was born in Toronto and studied at Upper Canada College and the Ontario College of Art. He had his first solo exhibition in 1957. In the early 1960s Snow moved to New York with his wife, artist Joyce Wieland, where they remained for nearly a decade. For Snow this move resulted in a proliferation of creative ideas and connections and his work increasingly gained recognition. He returned to Canada in the early 1970s "an established figure, multiply defined as a visual artist, a filmmaker, and a musician." His work has appeared at exhibitions across Europe, North America and South America. Snows' works were included in the shows marking the reopening of both the Centre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlie Parker
Charles Parker Jr. (August 29, 1920 – March 12, 1955), nicknamed "Bird" or "Yardbird", was an American jazz saxophonist, band leader and composer. Parker was a highly influential soloist and leading figure in the development of bebop, a form of jazz characterized by fast tempos, virtuosic technique, and advanced harmonies. Parker was an extremely brilliant virtuoso and introduced revolutionary rhythmic and harmonic ideas into jazz, including rapid passing chords, new variants of altered chords, and chord substitutions. Primarily a player of the alto saxophone, Parker's tone ranged from clean and penetrating to sweet and somber. Parker acquired the nickname "Yardbird" early in his career on the road with Jay McShann. This, and the shortened form "Bird", continued to be used for the rest of his life, inspiring the titles of a number of Parker compositions, such as "Yardbird Suite", "Ornithology", "Bird Gets the Worm", and "Bird of Paradise". Parker was an icon for the hipster ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Now's The Time (composition)
"Now's the Time" is a composition by Charlie Parker. He led the first recording of it, on November 26, 1945. Background and composition "Although Parker was capable of writing intricate bebop melody lines, he sometimes stepped back from his more progressive leanings and drew on his Kansas City jazz roots in crafting simpler, bluesier compositions – of which 'Now's the Time' is a case in point." It is a riff-based blues, with typical bebop phrase endings at the end of bars 5 and 6.Priestley, Brian (2005) ''Chasin' the Bird''. Equinox. pp. 50, 209. Original recording "Now's the Time" was first recorded on November 26, 1945, by Charlie Parker's Reboppers: Parker (alto sax), Miles Davis (trumpet), Dizzy Gillespie or Sadik Hakim (piano), Curley Russell (bass), and Max Roach (drums)."Charlie Parker – Complete Savoy & Dial Sessions" (CD liner notes). Definitive Records. DRCD 44402. Multiple takes were made; ''The Penguin Guide to Jazz'' suggests that "Parker's solo on the third take ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Four Days In December
Four Days in December (also listed as ''4 Days in December'') was a four-day festival of new jazz music that took place at Judson Hall in New York City. Sponsored by the Jazz Composers Guild, it occurred from December 28–31, 1964, and was the group's most visible event. Along with the October Revolution in Jazz, held two months prior and organized by Bill Dixon, it led to a sense of optimism regarding the possibility of producing concerts via non-traditional means. Background Following the success of the October Revolution and the subsequent formation of the Jazz Composers Guild, the group sponsored a series of concerts featuring the Sun Ra Arkestra, the Roswell Rudd-John Tchicai Quartet (later renamed the New York Art Quartet), the Paul Bley Quintet, the Alan Silva Quartet, the Cecil Taylor Unit, the Bill Dixon Sextette, the Free Form Improvisation Ensemble, and the Archie Shepp Septette, at various locations. One of these concerts, called the "Pre-Halloween Jazz Party," ran fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Van Gelder Studio
The Van Gelder Studio is a recording studio at 445 Sylvan Avenue, Englewood Cliffs, New Jersey, United States. Following the use of his parents' home at 25 Prospect Avenue, Hackensack, New Jersey, for the original studio, Rudy Van Gelder (1924–2016) moved to the new location for his recording studio in July 1959. It has been used to record many albums released by jazz labels such as Blue Note, Prestige, Impulse!, Verve and CTI. It was added to the National Register of Historic Places on April 25, 2022, for its significance in performing arts and engineering. With accompanying 24 photos. Background From around 1952, beginning with a session led by Gil Melle that was sold to Blue Note, recordings were made by Van Gelder for commercial release in the living room of his parents' house at 25 Prospect Avenue in Hackensack, a house that had been built with the intention of doubling as a recording studio (the area was later subsumed by the Hackensack University Medical Center). In July ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tom Hull (critic)
Tom Hull is an American music critic, web designer, and former software developer. Hull began writing criticism for ''The Village Voice'' in the mid 1970s under the mentorship of its music editor Robert Christgau, but left the field to pursue a career in software design and engineering during the 1980s and 1990s, which earned him the majority of his life's income. In the 2000s, he returned to music reviewing and wrote a jazz column for ''The Village Voice'' in the manner of Christgau's "Consumer Guide", alongside contributions to ''Seattle Weekly'', ''The New Rolling Stone Album Guide'', NPR Music, and the webzine ''Static Multimedia''. Hull's jazz-focused database and blog ''Tom Hull – on the Web'' hosts his reviews and information on albums he has surveyed, as well as writings on books, politics, and movies. It shares a functional, low-graphic design with Christgau's website, which Hull also created and maintains as its webmaster. Career In the mid 1970s, Hull accepted a jo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Times
''JazzTimes'' is an American magazine devoted to jazz. Published 10 times a year, it was founded in Washington, D.C. in 1970 by Ira Sabin as the newsletter ''Radio Free Jazz'' to complement his record store. Coverage After a decade of growth in subscriptions, deepening of writer pools, and internationalization, ''Radio Free Jazz'' expanded its focus and, at the suggestion of jazz critic Leonard Feather, changed its name to ''JazzTimes'' in 1980. Sabin's Glenn joined the magazine staff in 1984. In 1990, ''JazzTimes'' incorporated exclusive cover photography and higher quality art and graphic design. The magazine reviews audio and video releases concerts, instruments, music supplies, and books. It also includes a guide to musicians, events, record labels, and music schools. David Fricke, whose writing credits include ''Rolling Stone'', ''Melody Maker'' and ''Mojo'', also contributes to the magazine. Web traffic JazzTimes.com was redesigned in 2019. Among its most popular st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New York City Jazz Record
''The New York City Jazz Record'' is a monthly New York City based publication that includes features, reviews and concert announcements regarding jazz music. It is available in print form (black and white hardcopy) as well as online at www.nycjazzrecord.com (in full color). It was launched in May 2002 by co-founders Laurence Donohue-Greene (Managing Editor) and Andrey Henkin (Editorial Director/Production Manager) under the name ''AllAboutJazz-New York''. The gazette’s name change switched permanently to ''The New York City Jazz Record'' as of March 2011. Saxophonist Joe Lovano says of ''The New York City Jazz Record'': "Simply the hippest journal about jazz in New York that has ever been published.” It has been nominated on many occasions as “Best Jazz Periodical” by the Jazz Journalists Association The Jazz Journalists Association (JJA) is an international organization of all types of media professionals who document, promulgate, or appreciate jazz. As of 2016, it has app ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
