Cajun One Step
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Cajun One Step
Cajun Jig or Cajun One Step is among the simplest of Cajun dance forms. It has only one basic step. The Cajun Jig was popular in Louisiana in the late 1980s and early 1990s, but remains a mainstay of dancers. Often, this step pattern is alternated with other styles, during a single song, particularly among those who are regular dancers, in urban and non-traditional settings, or those who are also Zydeco dancers. The Cajun Jig is danced to fast or slow. Cajun music played under or timing, associated with the two-step, rather than one-step blues time or timing associated with a waltz. The Cajun Jig shares vague similarity to Merengue. Despite the single-like step, variations of the handhold combined with turns give the dance infinite dance move options. The dancers' handholds can be uncrossed (i.e., the right hand of one partner meets the left hand of the other one and vice versa) or crossed (i.e., joined right hands over left, or left over right). Basic step To begin: *Star ...
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Cajun
The Cajuns (; French: ''les Cadjins'' or ''les Cadiens'' ), also known as Louisiana ''Acadians'' (French: ''les Acadiens''), are a Louisiana French ethnicity mainly found in the U.S. state of Louisiana. While Cajuns are usually described as the descendants of the Acadian exiles who went to Louisiana over the course of '' Le Grand Dérangement'', Louisianians frequently use ''Cajun'' as a broad cultural term (particularly when referencing Acadiana) without necessitating descent from the deported Acadians. Although the terms ''Cajun'' and ''Creole'' today are often portrayed as separate identities, Louisianians of Cajun descent have historically been known as Creoles. Cajuns make up a significant portion of south Louisiana's population and have had an enormous impact on the state's culture. While Lower Louisiana had been settled by French colonists since the late 17th century, many Cajuns trace their roots to the influx of Acadian settlers after the Great Expulsion from their ...
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Dance Move
Dance moves or dance steps (more complex dance moves are called dance patterns, dance figures, dance movements, or dance variations) are usually isolated, defined, and organized so that beginning dancers can learn and use them independently of each other. However, more complex movements are influenced by musicality and lyrical relevance to express emotions or refer to a message. Dance moves tend to emphasize the concepts of lead and follow and connection. In most cases, dance moves by themselves are independent of musicality, which is the appropriateness of a move to the music (for a notable exception, see Bharatanatyam). Generally, they are memorized in sets of eight counts. Also there are two different movements: concrete and abstract. These two movements show time, space, relationship, quality and focus. For example, relationship could describe the movement of two or more different dancers. The names of moves may be somewhat arbitrary and vary from person to person and city to ...
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Marc Savoy
Marc Savoy ( ) (born October 1, 1940) is an American musician, and builder and player of the Cajun accordion. Early life He was born on his grandfather's rice farm near Eunice, Louisiana. His grandfather was a fiddler, who occasionally played with the legendary Dennis McGee, who was once a tenant farmer on his grandfather's property. Marc Savoy began playing traditional music when he was 12 years old. Career Savoy holds a degree in chemical engineering but his primary income is derived from his accordion-making business, based at his Savoy Music Center in Eunice. His wife is the singer and guitarist Ann Savoy, whom he met in 1975 and married in 1977. He has performed with Robert Bertrand, Dennis McGee, Rodney Balfa, Sady Courville, Dewey Balfa, D. L. Menard, and Michael Doucet, the latter of whom he plays with in the Savoy-Doucet Band. He also plays in the Savoy Family Band with his wife Ann and their sons Joel and Wilson. He hosts regular jam sessions and mini-festivals ...
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Dance Position
Dance position is a position of a dancer or a mutual position of a dance couple assumed during a dance. Describing and mastering proper dance positions is an important part of dance technique. These dance positions of a single dancer may be further detailed into body, head, arm, hand, leg, and foot positions; also, these positions in a dance couple can additionally take into account connection, the relative orientation of partners, and directions of movement (or of movement intention). In ballet, the term "pose" is used to describe stationary dance positions; the most important are referred to as "first position" through to "fifth position." The following includes descriptions of all major ballet positions. Development Classical ballet positions were influenced by Baroque art, especially the ideal of contraposto in sculpture, where the limbs were arranged "as an active spiral, denying any flattening symmetrical frontality." Added to this was the "conscious elegance" and martial ...
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Pretzel (dance Move)
A pretzel (), from German pronunciation, standard german: Breze(l) ( is a type of baked pastry made from dough that is commonly shaped into a knot. The traditional pretzel shape is a distinctive symmetrical form, with the ends of a long strip of dough intertwined and then twisted back onto itself in a particular way (a pretzel loop or pretzel bow). Today, pretzels come in a wide range of shapes. Salt is the most common seasoning, or topping, for pretzels, complementing the washing soda or lye treatment that gives pretzels their traditional skin and flavor acquired through the Maillard reaction. Other toppings are mustard, cheeses, sugar, chocolate, cinnamon, sweet glazing, seeds, and nuts. Varieties of pretzels include soft pretzels, which should be eaten shortly after preparation, and hard-baked pretzels, which have a long shelf life. History There are numerous accounts regarding the origin of pretzels, as well as the origin of the name; most state that they have Christi ...
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Hammerlock (dance Move)
An armlock in grappling is a single or double joint lock that hyperextends, hyperflexes or hyperrotates the elbow joint or shoulder joint. An armlock that hyper-extends the arm is known as an armbar, and it includes the traditional armbar, pressing their elbow into your thigh, and the triangle armbar, like a triangle choke, but you press their elbow into your thigh. An armlock that hyper-rotates the arm is known as an armcoil, and includes the americana, kimura, and omaplata. Depending on the joint flexibility of a person, armcoils can either hyper-rotate only the shoulder joint, only the elbow joint, or both the elbow joint and shoulder joint. Generally, armcoils hurt more than armbars, as they attack several joints at the bone and muscle. Obtaining an armlock requires effective use of full-body leverage in order to initiate and secure a lock on the targeted arm, while preventing the opponent from escaping the lock. Therefore, performing an armlock is less problematic on the ...
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Sweetheart (dance Move)
Sweetheart is a term of endearment often applied to a loved one, or a person who demonstrates a significant amount of kindness. Sweetheart may also refer to: Places *Sweetheart Abbey in Scotland *Sweetheart City, Wisconsin, United States Arts, entertainment, and media Films *''Sweetheart'', also known as '' Toutes peines confondues'', a 1992 film * ''Sweetheart'' (2015 film), a Bangladeshi romantic drama film * ''Sweetheart'' (2019 film), an American survival horror film * ''Sweetheart'' (2019 French film) Music *Sweetheart, a Finnish noise rock band of the 1990s founded by Janne Westerlund * "Sweetheart" (Bee Gees song), covered by Engelbert Humperdinck * "Sweetheart" (Rainy Davis song), covered by Mariah Carey and Jermaine Dupri * "Sweetheart" (Franke and the Knockouts song) *''Sweet heart'', a 2009 EP and single by the Klaxons Brands and enterprises *Sweethearts (candy), a popular Valentine's Day heart shaped candy *Sweetheart Cup Company Fauna and flora *Sweetheart (croco ...
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Cuddle (dance Move)
A hug is a form of endearment, universal in most human communities, in which two or more people put their arms around the neck, back, or waist of one another and hold each other closely. If more than two people are involved, it may be referred to as a group hug. Hugs can last for any duration. Etymology The origins of the word are unknown, but two hypotheses exist. The first is that the verb "hug" (first used in the 1560s) could be related to the Old Norse Old Norse, Old Nordic, or Old Scandinavian, is a stage of development of North Germanic languages, North Germanic dialects before their final divergence into separate Nordic languages. Old Norse was spoken by inhabitants of Scandinavia and t ... word ''hugga'', which meant to comfort. The second hypothesis is that the word is related to the German language, German word ''hegen'', which means to foster or cherish, and originally meant to enclose with a hedge. Characteristics A hug, sometimes in association with a ki ...
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Ballroom Glossary
This is a list of dance terms that are not names of dances or types of dances. See List of dances and List of dance style categories for those. This glossary lists terms used in various types of ballroom partner dances, leaving out terms of highly evolved or specialized dance forms, such as ballet, tap dancing, and square dancing, which have their own elaborate terminology. See also: * Glossary of ballet terms * Glossary of dance moves Abbreviations *3T – Three Ts *CBL – Cross-body lead *CBM – Contra body movement *CBMP – Contra body movement position *COG – Center of gravity *CPB – Center point of balance *CPP – Counter promenade position *DC – Diagonally to center *DW – Diagonally to wall *IDSF – International DanceSport Federation *IDTA – International Dance Teachers Association *ISTD – Imperial Society of Teachers of Dancing *J&J – Jack and Jill *LOD – Line of dance *MPM – Measures per minute *NFR – No foot rise *OP â ...
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Basic Step
The basic step, basic figure, basic movement, basic pattern, or simply basic is the dance move that defines the character of a particular dance. It sets the rhythm of the dance; it is the default move to which a dancer returns, when not performing any other moves. More formally, it can be defined as a "rhythmic step pattern" in the form of a "consistent and recurring grouping of weight changes" between the feet (as well as certain moves that do not involve complete changes of weight, as when one taps, kicks, or points a foot) which is rhythmic and repeated for the length of a song. For some dances it is sufficient to know the basic step performed in different handholds and dance positions to enjoy it socially. Most traditional partner dances have only one basic step which can be easily mastered. Others, such as West Coast Swing, have multiple basic steps, any of which can theoretically be selected by the leader. Examples * Box step, the basic move in some American style ballroom ...
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Merengue (dance)
Merengue (, ) is a style of Dominican music and dance. Merengue is the national dance of the Dominican Republic and is also important to national identity in the country. It is a type of danced walk and is accessible to a large variety of people with or without dance experience. The music of merengue draws influence from European and Afro-Cuban styles and mainly uses instruments like guitars, drums, and a charrasca or metal scraper. The dance originated as a rural dance and later became a ballroom dance. Merengue has three distinct sections: the paseo, the merengue proper, and the closing jaleo which includes improvisation. Partners hold each other in a closed position. The leader holds the follower's waist with their right hand and the follower's right hand with their left hand at the follower's eye level. Partners bend their knees slightly left and right, thus making the hips move left and right. The hips of the leader and follower move in the same direction throughout the song ...
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Waltz
The waltz ( ), meaning "to roll or revolve") is a ballroom and folk dance, normally in triple ( time), performed primarily in closed position. History There are many references to a sliding or gliding dance that would evolve into the waltz that date from 16th-century Europe, including the representations of the printmaker Hans Sebald Beham. The French philosopher Michel de Montaigne wrote of a dance he saw in 1580 in Augsburg, where the dancers held each other so closely that their faces touched. Kunz Haas (of approximately the same period) wrote, "Now they are dancing the godless ''Weller'' or ''Spinner''."Nettl, Paul. "Birth of the Waltz." In ''Dance Index'' vol 5, no. 9. 1946 New York: Dance Index-Ballet Caravan, Inc. pages 208, 211 "The vigorous peasant dancer, following an instinctive knowledge of the weight of fall, uses his surplus energy to press all his strength into the proper beat of the bar, thus intensifying his personal enjoyment in dancing." Around 1750, ...
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