Cahors Cathedral
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Cahors Cathedral
Cahors Cathedral ( French: ''Cathédrale Saint-Étienne de Cahors'') is a Roman Catholic church located in the town of Cahors, Occitanie, France. A national monument, it is an example of the transition between the late Romanesque and Gothic architectural traditions. Overview The church was built by bishop Gerard de CardaillacHugo fortified the rock of Cardaillac in Quercy ( département of the Lot) in the mid-eleventh century, and the family remained prominent in the Hundred Years War; the Cardaillac produced two bishops of Montauban, Guillaume de Cardaillac (1317–1355) and Bertrand de Cardaillac (1359–1361). in the 11th century, over a church erected in the 7th century by St. Didier of Cahors. It was consecrated by Pope Calixtus II on September 10, 1119, and completed around 1135. The church, located in the city's centre, has the sturdy appearance of a fortified edifice: at the time, the local bishops were in fact also powerful feudal lords in their role as counts and bar ...
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Cahors
Cahors (; oc, Caors ) is a commune in the western part of Southern France. It is the smallest prefecture among the 13 departments that constitute the Occitanie Region. The main city of the Lot department and the historical center of the Quercy, Cahors is home to 19,878 ''cadurciennes'' and ''cadurciens''. Nestled in a meander of the Lot and surrounded by steep arid limestone hills, this historic city is home to a great monumental diversity, mainly inherited from Roman times and the Middle Ages; the city's monuments include a historic city centre, Saint-Étienne cathedral, Roman walls and the famous Valentré bridge (a UNESCO World Heritage Site as part of the pilgrimage path to Santiago de Compostela). Famed for its wine and gastronomy (truffles and foie gras), this southern French city holds the label of the French Towns of Art and History. The Cadurcian economy is reliant on tertiary services and makes Cahors the Lot's economic centre. History Cahors has had a rich hi ...
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Hundred Years War
The Hundred Years' War (; 1337–1453) was a series of armed conflicts between the kingdoms of England and France during the Late Middle Ages. It originated from disputed claims to the French throne between the English House of Plantagenet and the French royal House of Valois. Over time, the war grew into a broader power struggle involving factions from across Western Europe, fuelled by emerging nationalism on both sides. The Hundred Years' War was one of the most significant conflicts of the Middle Ages. For 116 years, interrupted by several truces, five generations of kings from two rival dynasties fought for the throne of the dominant kingdom in Western Europe. The war's effect on European history was lasting. Both sides produced innovations in military technology and tactics, including professional standing armies and artillery, that permanently changed warfare in Europe; chivalry, which had reached its height during the conflict, subsequently declined. Stronger na ...
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Cloister
A cloister (from Latin ''claustrum'', "enclosure") is a covered walk, open gallery, or open arcade running along the walls of buildings and forming a quadrangle or garth. The attachment of a cloister to a cathedral or church, commonly against a warm southern flank, usually indicates that it is (or once was) part of a monastic foundation, "forming a continuous and solid architectural barrier... that effectively separates the world of the monks from that of the serfs and workmen, whose lives and works went forward outside and around the cloister." Cloistered (or ''claustral'') life is also another name for the monastic life of a monk or nun. The English term ''enclosure'' is used in contemporary Catholic church law translations to mean cloistered, and some form of the Latin parent word "claustrum" is frequently used as a metonymic name for ''monastery'' in languages such as German. History of the cloister Historically, the early medieval cloister had several antecedents: the ...
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Flamboyant Gothic
Flamboyant (from ) is a form of late Gothic architecture that developed in Europe in the Late Middle Ages and Renaissance, from around 1375 to the mid-16th century. It is characterized by double curves forming flame-like shapes in the bar-tracery, which give the style its name; by the multiplication of ornamental ribs in the vaults; and by the use of the arch in accolade. Ribs in Flamboyant tracery are recognizable by their flowing forms, which are influenced by the earlier curvilinear tracery of the Second Gothic (or Second Pointed) styles. Very tall and narrow pointed arches and gables, particularly double-curved ogee arches, are common in buildings of the Flamboyant style. In most regions of Europe, Late Gothic styles like Flamboyant replaced the earlier Rayonnant style and other early variations. The style was particularly popular in Continental Europe. In the 15th and 16th centuries, architects and masons in the Kingdom of France, the Crown of Castile, the Duchy of ...
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Gerard De Cardillac
Gerard is a masculine forename of Proto-Germanic origin, variations of which exist in many Germanic and Romance languages. Like many other early Germanic names, it is dithematic, consisting of two meaningful constituents put together. In this case, those constituents are ''gari'' > ''ger-'' (meaning 'spear') and -''hard'' (meaning 'hard/strong/brave'). Common forms of the name are Gerard (English, Scottish, Irish, Dutch, Polish and Catalan); Gerrard (English, Scottish, Irish); Gerardo (Italian, and Spanish); Geraldo (Portuguese); Gherardo (Italian); Gherardi (Northern Italian, now only a surname); Gérard (variant forms ''Girard'' and ''Guérard'', now only surnames, French); Gearóid (Irish); Gerhardt and Gerhart/Gerhard/Gerhardus (German, Dutch, and Afrikaans); Gellért ( Hungarian); Gerardas ( Lithuanian) and Gerards/Ģirts ( Latvian); Γεράρδης (Greece). A few abbreviated forms are Gerry and Jerry (English); Gerd (German) and Gert (Afrikaans and Dutch); Gerrit (Af ...
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Holy Cap
Sacred describes something that is dedicated or set apart for the service or worship of a deity; is considered worthy of spiritual respect or devotion; or inspires awe or reverence among believers. The property is often ascribed to objects (a " sacred artifact" that is venerated and blessed), or places (" sacred ground"). French sociologist Émile Durkheim considered the dichotomy between the sacred and the profane to be the central characteristic of religion: "religion is a unified system of beliefs and practices relative to ''sacred things'', that is to say, things set apart and forbidden." Durkheim, Émile. 1915. ''The Elementary Forms of the Religious Life''. London: George Allen & Unwin. . In Durkheim's theory, the sacred represents the interests of the group, especially unity, which are embodied in sacred group symbols, or using team work to help get out of trouble. The profane, on the other hand, involve mundane individual concerns. Etymology The word ''sacred'' desce ...
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Alain De Solminihac
Alain de Solminihac (25 November 1593 – 31 December 1659) was a French Roman Catholic religious reformer and served as the Bishop of Cahors from 1636 until his death. Solminihac was a professed member of the Canons Regular of Saint Augustine of Chancelade in Périgueux, an order now extinct. He was also a member of the Compagnie du Saint-Sacrement,Goyau, Georges. "Compagnie du Saint-Sacrement." The Catholic Encyclopedia
Vol. 4. New York: Robert Appleton Company, 1908. 23 May 2021 and acquainted with and . ...
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Transept
A transept (with two semitransepts) is a transverse part of any building, which lies across the main body of the building. In cruciform churches, a transept is an area set crosswise to the nave in a cruciform ("cross-shaped") building within the Romanesque and Gothic Christian church architectural traditions. Each half of a transept is known as a semitransept. Description The transept of a church separates the nave from the sanctuary, apse, choir, chevet, presbytery, or chancel. The transepts cross the nave at the crossing, which belongs equally to the main nave axis and to the transept. Upon its four piers, the crossing may support a spire (e.g., Salisbury Cathedral), a central tower (e.g., Gloucester Cathedral) or a crossing dome (e.g., St Paul's Cathedral). Since the altar is usually located at the east end of a church, a transept extends to the north and south. The north and south end walls often hold decorated windows of stained glass, such as rose windows, in sto ...
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Pendentives
In architecture, a pendentive is a constructional device permitting the placing of a circular dome over a square room or of an elliptical dome over a rectangular room. The pendentives, which are triangular segments of a sphere, taper to points at the bottom and spread at the top to establish the continuous circular or elliptical base needed for a dome. In masonry the pendentives thus receive the weight of the dome, concentrating it at the four corners where it can be received by the piers beneath. Prior to the pendentive's development, builders used the device of corbelling or squinches in the corners of a room. Pendentives commonly occurred in Orthodox, Renaissance, and Baroque churches, with a drum with windows often inserted between the pendentives and the dome. The first experimentation with pendentives began with Roman dome construction in the 2nd–3rd century AD, while full development of the form came in the 6th-century Eastern Roman Hagia Sophia at Constantinople. ...
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Nave
The nave () is the central part of a church, stretching from the (normally western) main entrance or rear wall, to the transepts, or in a church without transepts, to the chancel. When a church contains side aisles, as in a basilica-type building, the strict definition of the term "nave" is restricted to the central aisle. In a broader, more colloquial sense, the nave includes all areas available for the lay worshippers, including the side-aisles and transepts.Cram, Ralph Adams Nave The Catholic Encyclopedia. Vol. 10. New York: Robert Appleton Company, 1911. Accessed 13 July 2018 Either way, the nave is distinct from the area reserved for the choir and clergy. Description The nave extends from the entry—which may have a separate vestibule (the narthex)—to the chancel and may be flanked by lower side-aisles separated from the nave by an arcade. If the aisles are high and of a width comparable to the central nave, the structure is sometimes said to have three naves. ...
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Rose Window
Rose window is often used as a generic term applied to a circular window, but is especially used for those found in Gothic cathedrals and churches. The windows are divided into segments by stone mullions and tracery. The term ''rose window'' was not used before the 17th century and comes from the English flower name rose. The name "wheel window" is often applied to a window divided by simple spokes radiating from a central boss or opening, while the term "rose window" is reserved for those windows, sometimes of a highly complex design, which can be seen to bear similarity to a multi-petalled rose. Rose windows are also called "Catherine windows" after Saint Catherine of Alexandria, who was sentenced to be executed on a spiked breaking wheel. A circular window without tracery such as are found in many Italian churches, is referred to as an ocular window or oculus. Rose windows are particularly characteristic of Gothic architecture and may be seen in all the major Gothic Cathedr ...
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Chamfer
A chamfer or is a transitional edge between two faces of an object. Sometimes defined as a form of bevel, it is often created at a 45° angle between two adjoining right-angled faces. Chamfers are frequently used in machining, carpentry, furniture, concrete formwork, mirrors, and to facilitate assembly of many mechanical engineering designs. Terminology In machining the word '' bevel'' is not used to refer to a chamfer. Machinists use chamfers to "ease" otherwise sharp edges, both for safety and to prevent damage to the edges. A ''chamfer'' may sometimes be regarded as a type of bevel, and the terms are often used interchangeably. In furniture-making, a lark's tongue is a chamfer which ends short of a piece in a gradual outward curve, leaving the remainder of the edge as a right angle. Chamfers may be formed in either inside or outside adjoining faces of an object or room. By comparison, a ''fillet'' is the rounding-off of an interior corner, and a ''round'' (or ''radiu ...
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