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Cahiers Du Cinéma
''Cahiers du Cinéma'' (, ) is a French film magazine co-founded in 1951 by André Bazin, Jacques Doniol-Valcroze, and Joseph-Marie Lo Duca.Itzkoff, Dave (9 February 2009''Cahiers Du Cinéma Will Continue to Publish''The New York TimesMacnab, Geoffrey (7 April 2001''Pretentious, nous?''''The Guardian'' It developed from the earlier magazine ''Revue du Cinéma'' ( established in 1928) involving members of two Paris film clubs Objectif 49 (Robert Bresson, Jean Cocteau, and Alexandre Astruc, among others; ) and Ciné-Club du Quartier Latin (). Initially edited by Doniol-Valcroze and, after 1957, by Éric Rohmer (aka, Maurice Scherer), it included amongst its writers Jacques Rivette, Jean-Luc Godard, Claude Chabrol, and François Truffaut, who went on to become highly influential filmmakers. It is the oldest French-language film magazine in publication. History The first issue of ''Cahiers'' appeared in April 1951. Much of its head staff, including Bazin, Doniol-Valcroze, Lo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sunset Boulevard (film)
''Sunset Boulevard'' (styled in the main title on-screen as ''SUNSET BLVD.'') is a 1950 American black comedy film noir directed and co-written by Billy Wilder, and produced and co-written by Charles Brackett. It was named after a major street that runs through Hollywood, the center of the American film industry. The film stars William Holden as Joe Gillis, a struggling screenwriter, and Gloria Swanson as Norma Desmond, a former silent-film star who draws him into her deranged fantasy world, where she dreams of making a triumphant return to the screen. Erich von Stroheim plays Max von Mayerling, her devoted butler, and Nancy Olson, Jack Webb, Lloyd Gough, and Fred Clark appear in supporting roles. Director Cecil B. DeMille and gossip columnist Hedda Hopper play themselves, and the film includes cameo appearances by leading silent-film actors Buster Keaton, H. B. Warner, and Anna Q. Nilsson. Praised by many critics when first released, ''Sunset Boulevard'' was nominated fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Howard Hawks
Howard Winchester Hawks (May 30, 1896December 26, 1977) was an American film director, producer and screenwriter of the classic Hollywood era. Critic Leonard Maltin called him "the greatest American director who is not a household name." A versatile film director, Hawks explored many genres such as comedies, dramas, gangster films, science fiction, film noir, war films and westerns. His most popular films include '' Scarface'' (1932), ''Bringing Up Baby'' (1938), ''Only Angels Have Wings'' (1939), '' His Girl Friday'' (1940), ''To Have and Have Not'' (1944), '' The Big Sleep'' (1946), '' Red River'' (1948), '' The Thing from Another World'' (1951), '' Gentlemen Prefer Blondes'' (1953), and '' Rio Bravo'' (1959). His frequent portrayals of strong, tough-talking female characters came to define the " Hawksian woman". In 1942, Hawks was nominated the only time for the Academy Award for Best Director for ''Sergeant York'' (1941). In 1974, he was awarded an Honorary Academy Aw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Une Femme Coquette
''Une femme coquette'' (''A Flirtatious Woman'') ( 1955) was the first of four short fiction films made by French filmmaker Jean-Luc Godard preceding his work in feature-length narrative film. The short film is based on the story ''Le Signe'' (The Signal) by Guy de Maupassant. It is a nine-minute story of a woman who decides to copy the gesture she has seen a prostitute make to passing men. Then a young man, played by Roland Tolmatchoff, responds. In Maupassant's original tale the scene takes place indoors, the woman having signaled from her window, but in Godard's revision the characters meet by a bench on the Ile Rousseau in Geneva.Richard Brody, Everything is Cinema, p.34 Cast * Maria Lysandre as The Woman * Roland Tolma as The Man Film data * Runtime: 9 min * Country: France * Language: French * Color: Black and White See also * List of avant-garde films of the 1950s This is a list of avant-garde and experimental films released in the 1950s. Unless noted, all films ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Ophüls
Maximillian Oppenheimer (; 6 May 1902 – 26 March 1957), known as Max Ophüls (; ), was a German-French film director who worked in Germany (1931–1933), France (1933–1940 and 1950–1957), and the United States (1947–1950). He made nearly 30 films, the latter ones being especially notable: '' La Ronde'' (1950), '' Le Plaisir'' (1952), '' The Earrings of Madame de…'' (1953) and ''Lola Montès'' (1955). He was credited as Max Opuls on several of his American films, including ''The Reckless Moment'', '' Caught'', '' Letter from an Unknown Woman'', and '' The Exile''. The annual Filmfestival Max Ophüls Preis in Saarbrücken is named after him. Life Youth and early career Max Ophüls was born in Saarbrücken, Germany, the son of Leopold Oppenheimer, a Jewish textile manufacturer and owner of several textile shops in Germany, and his wife Helene Oppenheimer (née Bamberger). He took the pseudonym Ophüls during the early part of his theatrical career so that, should ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kenji Mizoguchi
was a Japanese film director and screenwriter, who directed about one hundred films during his career between 1923 and 1956. His most acclaimed works include ''The Story of the Last Chrysanthemums'' (1939), '' The Life of Oharu'' (1952), ''Ugetsu'' (1953), and ''Sansho the Bailiff'' (1954), with the latter three all being awarded at the Venice International Film Festival. A recurring theme of his films was the oppression of women in historical and contemporary Japan. Together with Akira Kurosawa and Yasujirō Ozu, Mizoguchi is seen as a representative of the "golden age" of Japanese cinema. Biography Early years Mizoguchi was born in Hongō, Tokyo, as the second of three children, to Zentaro Miguchi, a roofing carpenter, and his wife Masa. The family's background was relatively humble until the father's failed business venture of selling raincoats to the Japanese troops during the Russo-Japanese War. The family was forced to move to the downtown district of Asakusa and gave Miz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roberto Rossellini
Roberto Gastone Zeffiro Rossellini (8 May 1906 – 3 June 1977) was an Italian film director, producer, and screenwriter. He was one of the most prominent directors of the Italian neorealist cinema, contributing to the movement with films such as '' Rome, Open City'' (1945), ''Paisan'' (1946), and ''Germany, Year Zero'' (1948). Early life Rossellini was born in Rome. His mother, Elettra ( née Bellan), was a housewife born in Rovigo, Veneto, and his father, Angiolo Giuseppe "Peppino" Rossellini, who owned a construction firm, was born in Rome from a family originally from Pisa, Tuscany. His mother was of partial French descent, from immigrants who had arrived in Italy during the Napoleonic Wars. He lived on the Via Ludovisi, where Benito Mussolini had his first Roman hotel in 1922 when Fascism obtained power in Italy. Rossellini's father built the first cinema in Rome, the "Barberini", a theatre where movies could be projected, granting his son an unlimited free pass; th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Renoir
Jean Renoir (; 15 September 1894 – 12 February 1979) was a French film director, screenwriter, actor, producer and author. As a film director and actor, he made more than forty films from the silent era to the end of the 1960s. His films '' La Grande Illusion'' (1937) and '' The Rules of the Game'' (1939) are often cited by critics as among the greatest films ever made. He was ranked by the BFI's '' Sight & Sound'' poll of critics in 2002 as the fourth greatest director of all time. Among numerous honours accrued during his lifetime, he received a Lifetime Achievement Academy Award in 1975 for his contribution to the motion picture industry. Renoir was the son of the painter Pierre-Auguste Renoir and the uncle of the cinematographer Claude Renoir. He was one of the first filmmakers to be known as an '' auteur''. Early life and early career Renoir was born in the Montmartre district of Paris, France. He was the second son of Aline (née Charigot) Renoir and Pierre-Auguste ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Auteur Theory
An auteur (; , 'author') is an artist with a distinctive approach, usually a film director whose filmmaking control is so unbounded but personal that the director is likened to the "author" of the film, which thus manifests the director's unique style or thematic focus. As an unnamed value, auteurism originated in French film criticism of the late 1940s, and derives from the critical approach of André Bazin and Alexandre Astruc, whereas American critic Andrew Sarris in 1962 called it auteur theory. Yet the concept first appeared in French in 1955 when director François Truffaut termed it ''policy of the authors'', and interpreted the films of some directors, like Alfred Hitchcock, as a body revealing recurring themes and preoccupations. American actor Jerry Lewis directed his own 1960 film '' The Bellboy'' via sweeping control, and was praised for "personal genius." By 1970, the New Hollywood era emerged with studios granting directors broad leeway. Pauline Kael argued, howeve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrew Sarris
Andrew Sarris (October 31, 1928 – June 20, 2012) was an American film critic. He was a leading proponent of the auteur theory of film criticism. Early life Sarris was born in Brooklyn, New York, to Greek immigrant parents, Themis (née Katavolos) and George Andrew Sarris, and grew up in Ozone Park, Queens. After attending John Adams High School in South Ozone Park (where he overlapped with Jimmy Breslin), he graduated from Columbia University in 1951 and then served for three years in the Army Signal Corps before moving to Paris for a year, where he became a friend of Jean-Luc Godard and François Truffaut. Upon returning to New York's Lower East Side, Sarris briefly pursued graduate studies at his alma mater and Teachers College, Columbia University before turning to film criticism as a vocation. Career After initially writing for '' Film Culture'', he moved to ''The Village Voice'' where his first piece—a laudatory review of '' Psycho''—was published in 1960. Later he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fritz Lang
Friedrich Christian Anton Lang (; December 5, 1890 – August 2, 1976), known as Fritz Lang, was an Austrian film director, screenwriter, and producer who worked in Germany and later the United States.Obituary ''Variety'', August 4, 1976, p. 63. One of the best-known ''émigrés'' from Germany's school of Expressionism, he was dubbed the "Master of Darkness" by the British Film Institute. He has been cited as one of the most influential filmmakers of all time. Lang's most celebrated films include the groundbreaking futuristic ''Metropolis'' (1927) and the influential '' M'' (1931), a film noir precursor. His 1929 film '' Woman in the Moon'' showcased the use of a multi-stage rocket, and also pioneered the concept of a rocket launch pad (a rocket standing upright against a tall building before launch having been slowly rolled into place) and the rocket-launch countdown clock. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicholas Ray
Nicholas Ray (born Raymond Nicholas Kienzle Jr., August 7, 1911 – June 16, 1979) was an American film director, screenwriter, and actor best known for the 1955 film '' Rebel Without a Cause.'' He is appreciated for many narrative features produced between 1947 and 1963 including ''They Live By Night'', ''In A Lonely Place'', '' Johnny Guitar'', and ''Bigger Than Life'', as well as an experimental work produced throughout the 1970s titled ''We Can't Go Home Again'', which was unfinished at the time of Ray's death. Ray's compositions within the CinemaScope frame and use of color are particularly well-regarded and he was an important influence on the French New Wave, with Jean-Luc Godard famously writing in a review of ''Bitter Victory'', "... there is cinema. And the cinema is Nicholas Ray."Godard, Jean-Luc (1958). "Au-dela des étoiles," ''Cahiers du cinéma'' 79 (January); translated as "Jean-Luc Godard: Beyond the Stars," in ''Cahiers du CInéma: The 1950s. Neo-realism, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
