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Cachita Galán
Leticia Noemí De León (stage name, Cachita Galán; 1943 in Buenos Aires – 2 December 2004, in Parque Patricios) was an Argentine singer. She is remembered for her vocal interpretations at the Club del Clan, and for her performance in the 1964 film ''El Club del clan''. Early years and education Galan studied classical dance from an early age and made a career as a dancer during her childhood. She also loved sports, especially swimming. By age eight, she was singing Spanish songs. She performed in theaters dedicated to that genre, such as Avenida and Tronío, with Pedrito Rico, Pablo del Río and Lolita Torres. Career With "Los Gavilanes of Spain", she debuted in Ecuador, along with the tenor, Galo Cárdenas, whom she also married when she was 19 years old. Together, they were performed at La Cantina de la Guardia Nueva. Her fame accelerated after performing on the TV program ''El Club del Clan'', which was popular in the 1960s, along with her contemporaries Violeta Rivas, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buenos Aires
Buenos Aires ( or ; ), officially the Autonomous City of Buenos Aires ( es, link=no, Ciudad Autónoma de Buenos Aires), is the capital and primate city of Argentina. The city is located on the western shore of the Río de la Plata, on South America's southeastern coast. "Buenos Aires" can be translated as "fair winds" or "good airs", but the former was the meaning intended by the founders in the 16th century, by the use of the original name "Real de Nuestra Señora Santa María del Buen Ayre", named after the Madonna of Bonaria in Sardinia, Italy. Buenos Aires is classified as an alpha global city, according to the Globalization and World Cities Research Network (GaWC) 2020 ranking. The city of Buenos Aires is neither part of Buenos Aires Province nor the Province's capital; rather, it is an autonomous district. In 1880, after decades of political infighting, Buenos Aires was federalized and removed from Buenos Aires Province. The city limits were enlarged to include t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Enrique Carreras
Enrique Carreras (6 January 1925 – 29 August 1995) was a Peruvian-born Argentine film director, screenwriter and film producer, and was one of the most prolific film directors in the history of the Cinema of Argentina. Born in Lima, Peru, Carreras directed nearly 100 films in his 40-year career between 1951 and 1991. His 1964 film ''The Escaped'' was seen at the 14th Berlin International Film Festival. His 1977 film '' Crazy Women'' was entered into the 10th Moscow International Film Festival. He died in Buenos Aires in 1995. Filmography * '' El mucamo de la niña'' (1951) * '' Las zapatillas coloradas'' (1952) * '' ¡Qué noche de casamiento!'' (1953) * '' Suegra último modelo'' (1953) * '' Los tres mosquiteros'' (1953) * ''La tía de Carlitos'' (1953) * ''La mano que aprieta'' (1953) * '' Siete gritos en el mar'' (1954) * '' Somos todos inquilinos'' (1954) * ''Romeo y Julita'' (1954) * ''Mi marido hoy duerme en casa'' (1955) * '' Escuela de sirenas... y tiburones'' (1955) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deaths From Cancer In Argentina
Death is the irreversible cessation of all biological functions that sustain an organism. For organisms with a brain, death can also be defined as the irreversible cessation of functioning of the whole brain, including brainstem, and brain death is sometimes used as a legal definition of death. The remains of a former organism normally begin to decompose shortly after death. Death is an inevitable process that eventually occurs in almost all organisms. Death is generally applied to whole organisms; the similar process seen in individual components of an organism, such as cells or tissues, is necrosis. Something that is not considered an organism, such as a virus, can be physically destroyed but is not said to die. As of the early 21st century, over 150,000 humans die each day, with ageing being by far the most common cause of death. Many cultures and religions have the idea of an afterlife, and also may hold the idea of judgement of good and bad deeds in one's life ( h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2004 Deaths
This is a list of deaths of notable people, organised by year. New deaths articles are added to their respective month (e.g., Deaths in ) and then linked here. 2022 2021 2020 2019 2018 2017 2016 2015 2014 2013 2012 2011 2010 2009 2008 2007 2006 2005 2004 2003 2002 2001 2000 1999 1998 1997 1996 1995 1994 1993 1992 1991 1990 1989 1988 1987 See also * Lists of deaths by day The following pages, corresponding to the Gregorian calendar, list the historical events, births, deaths, and holidays and observances of the specified day of the year: Footnotes See also * Leap year * List of calendars * List of non-standard ... * Deaths by year {{DEFAULTSORT:deaths by year ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Argentine Dancers
Argentines (mistakenly translated Argentineans in the past; in Spanish ( masculine) or ( feminine)) are people identified with the country of Argentina. This connection may be residential, legal, historical or cultural. For most Argentines, several (or all) of these connections exist and are collectively the source of their being ''Argentine''. Argentina is a multiethnic and multilingual society, home to people of various ethnic, religious, and national origins, with the majority of the population made up of Old World immigrants and their descendants. As a result, Argentines do not equate their nationality with ethnicity, but with citizenship and allegiance to Argentina. Aside from the indigenous population, nearly all Argentines or their ancestors immigrated within the past five centuries. Among countries in the world that have received the most immigrants in modern history, Argentina, with 6.6 million, ranks second to the United States (27 million), and ahead of other imm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Argentine Female Dancers
Argentines (mistakenly translated Argentineans in the past; in Spanish ( masculine) or ( feminine)) are people identified with the country of Argentina. This connection may be residential, legal, historical or cultural. For most Argentines, several (or all) of these connections exist and are collectively the source of their being ''Argentine''. Argentina is a multiethnic and multilingual society, home to people of various ethnic, religious, and national origins, with the majority of the population made up of Old World immigrants and their descendants. As a result, Argentines do not equate their nationality with ethnicity, but with citizenship and allegiance to Argentina. Aside from the indigenous population, nearly all Argentines or their ancestors immigrated within the past five centuries. Among countries in the world that have received the most immigrants in modern history, Argentina, with 6.6 million, ranks second to the United States (27 million), and ahead of other imm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Argentine Film Actresses
Argentines (mistakenly translated Argentineans in the past; in Spanish (masculine) or (feminine)) are people identified with the country of Argentina. This connection may be residential, legal, historical or cultural. For most Argentines, several (or all) of these connections exist and are collectively the source of their being ''Argentine''. Argentina is a multiethnic and multilingual society, home to people of various ethnic, religious, and national origins, with the majority of the population made up of Old World immigrants and their descendants. As a result, Argentines do not equate their nationality with ethnicity, but with citizenship and allegiance to Argentina. Aside from the indigenous population, nearly all Argentines or their ancestors immigrated within the past five centuries. Among countries in the world that have received the most immigrants in modern history, Argentina, with 6.6 million, ranks second to the United States (27 million), and ahead of other immigr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Chacarita Cemetery
Cementerio de la Chacarita in Buenos Aires, Argentina, is known as the National Cemetery and is the largest in Argentina. Location The cemetery is in the barrio or district of Chacarita, in the western part of Buenos Aires. Its main entrance is on Avenida Guzmán. History The cemetery owes its existence to a yellow fever epidemic in 1871, when existing cemeteries were strained beyond capacity (the upscale La Recoleta Cemetery refused to allow the burial of victims of the epidemic). Students of the College of San Carlos appropriated in the adjoining Colegiales area for this purpose, but had their facility closed by the city in 1886. The New Chacarita Cemetery began to function in 1887 and was formally designated as such in 1896. Chacarita Cemetery has designated areas for members of the Argentine artistic community, including writers, prominent composers and actors. The late Justicialist leader and former President Juan Perón was buried here until his remains were relocated ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tito Climent
Tito Climent (1917–1988) was an Argentine singer and film actor.Sammons p.124 Selected filmography * '' The Intruder'' (1939) * '' Seven Women'' (1944) * ''White Horse Inn'' (1948) * ''Rhythm, Salt and Pepper Rhythm, Salt and Pepper (Spanish:''Ritmo, sal y pimienta'') is a List of Argentine films of 1951, 1951 Argentina, Argentine musical comedy film directed by Carlos Torres Ríos and starring Lolita Torres, Ricardo Passano and María Esther Gamas. ...'' (1951) References Bibliography * Eddie Sammons. ''Shakespeare: A Hundred Years on Film''. Scarecrow Press, 2004. External links * 1917 births 1988 deaths Argentine male film actors People from Buenos Aires 20th-century Argentine male singers {{Argentina-bio-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pedro Quartucci
Pedro Quartucci (July 30, 1905 in Buenos Aires – April 20, 1983 in Buenos Aires) was an Argentine boxer and actor. Boxing career As a featherweight professional boxer who competed in the 1920s, he won a bronze medal in Boxing at the 1924 Summer Olympics in the featherweight division, losing against Joseph Salas in the semi-final. Acting career He then pursued an acting career and appeared in dozens of Argentine films and television series from 1931 until 1980. He appeared in films such as '' Al marido hay que seguirlo'' in (1948). He died of a heart attack in 1983. Selected filmography * ''Luces de Buenos Aires'' (1931) * ''Dancing'' (1933) * '' The Favorite'' (1935) * ''Goal'' (1936) * ''Palermo'' (1937) *''Melodies of America'' (1941) * ''Girls Orchestra'' (1941) * ''The New Bell'' (1950) * ''The Honourable Tenant ''The Honourable Tenant'' (Spanish:''El Honorable inquilino'') is a 1951 Argentine comedy film directed by Carlos Schlieper and starring Alberto Closas, Olga Zu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fernando Siro
Fernando Siro (October 5, 1931 – September 4, 2006) was an Argentine film actor, film director and screenwriter. Life and work Born Francisco Ángel Luksich in Villa Ballester, he developed an early interest in acting and in 1950 was given his first Argentine cinema role in ''El otro yo de Marcela'', directed by Alberto de Zavalía. His deep voice and keen sense of timing earned him numerous radio drama roles during the 1950s, and later in the Channel 7 telenovela series, ''La tarde de Palmolive''. He earned renown for his 1965 screen adaptation of Dalmiro Sáenz's ''El pecado necesario''. His film version of this work, '' Nadie oyó gritar a Cecilio Fuentes'', marked his directorial debut and earned Siro a Silver Seashell at the San Sebastián International Film Festival. He remained in Spain until 1970, and starred as Julio Colón, the protagonist in a top-rated sitcom, ''La familia Colón''. Returning to Argentina, he appeared in Fernando Ayala's adaptation of histori ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
