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Indian Musical Instruments
Indian musical instruments can be broadly classified according to the Hornbostel–Sachs system into four categories: chordophones (string instruments), aerophones (wind instruments), membranophones (drums) and idiophones (non-drum percussion instruments). Chordophones Plucked strings Bowed strings * Chikara * Dhantara * Dilruba * Ektara violin * Esraj * Kamaicha * Kingri (string instrument) * Mayuri Vina or Taus * Onavillu * Behala (violin type) * Pena (musical instrument) * Pinaka vina * Pulluvan Veena - one stringed violin * Ravanahatha * Sarangi * Classical Sarangi * Sarinda * Tar Shehnai * Villu Paatu - arched bow instrument + Behala - Bengal Murshidabad Violin Persian "Behaaleh" (Restless) Other string instruments * Gethu or Jhallari – struck tanpura * Gubguba or Jamuku (khamak) * Pulluvan kutam * Santoor – Hammered dulcimer Aerophones Single reed *Pepa *Pungi or Been Double reed * Kuzhal * Mukhavina * Nadaswaram * Shehnai * Sundari * Tang ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pulluvan Pattu In Ashtamudi Temple1
Pulluvan is a scheduled caste group in Kerala. They belong to the Hindu religion. The term ''pullu'' means a bird of omen. There are many sub-divisions within the Pulluva community, the majority known as ''Nagampatikal'' (people who sing snake-songs). There are also pulluvars who are not Naagampatikal, known as ''Pretampatikal'' (people who sing ghost songs). Most of the art forms of the Pulluvar are ritualistic. Most of their songs are related to worship, ritual, custom and exorcism. The Pulluva art is expressed in the background of snake-worship, ghost worship and magic.L.S. Rajagopalan, "The Pulluvans and their music". The Journal of the Madras Music Academy 51 : 72-80, 1980 The Pulluvar of Kerala are closely connected to serpent worship. One group among these people considers the snake gods as their presiding deities and perform certain sacrifices and sing songs. Known as 'Pulluvan Paattu Pulluvan Pattu is a form of serpent worship performed by both the lower castes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Surshringar
The sursingar ( IAST: ), sursringar or surshringar (Sringara: Pleasure in Sanskrit), is a musical instrument originating from the Indian subcontinent having many similarities with the sarod. It is larger than the sarod and produces a deeper sound. It precedes the sarod chronologically. In Dhrupad style, it was used as a solo instrument in the 19th and 20th centuries. It is regarded as a further development of the Dhrupad-Rabab that has more or less disappeared today. Its neck has a metal fingerboard and the steel and bronze strings are played with a metal pick, while the bridge is made of a flat horn. It has two resonant boxes; the main box is made from a cut gourd, on which a wooden cover is attached.Ram Avtar Vir. Musical Instruments of India. Construction and Playing style The main body is made of wood and not leather (the material used in earlier instruments). The sound producing mechanism of the instrument is formed by a gourd. The gourd is attached to a hollow wooden ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yazh
The yazh ( ta, யாழ், also transliterated yāḻ, ) is an harp used in ancient Tamil music. It was strung with gut strings that ran from an curved ebony neck to a boat or trough-shaped resonator, the opening of which was a covered with skin for a soundboard. At the resonator the strings were attached to a string-bar or tuning bar with holes for strings that laid beneath of the soundboard and protruded through. The neck may also have been covered in hide. The arched harp was used in India since at least the 2nd century B.C.E., when a woman was sculpted with the instrument in a Buddhist artwork at Bhārut. Both the Indian harp-style ''veena'' and the Tamil ''yazh'' declined starting in about the 7th century C.E., as stick-zither style veenas rose to prominence. While use of the instrument died out in centuries past, artworks have preserved some knowledge of what the instruments looked like. Luthiers have begun to recreate the instrument. Characteristics The instrumen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vichitra Veena
The ''vichitra veena'' ( sa, विचित्र वीणा) is a stick zither, a plucked string instrument used in Hindustani music. Similar to the Carnatic ''gottuvadhyam'' (chitra vina) it has no frets and is played with a slide. The structure The Vichitra Veena is the modern form of ancient Ekatantri Veena. It is made of a broad, fretless, horizontal arm or crossbar (''dand'') around three feet long and six inches wide, with two large resonating gourds (''tumba''), which are inlaid with ivory and attached underneath at either end. The narrow ends of the instrument are fashioned into peacock heads, the national bird of India. The strings There are four main playing strings and five secondary strings (''chikaris''), which are played openly with the little finger for a drone effect. Underneath them are 13 sympathetic strings tuned to the notes of the appropriate raag. The veena has a five-octave range. Two plectrums ('' mizrab'') identical to those used for sitar are wo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saraswati Veena
The Sarasvatī vīṇa (also spelled Saraswati vina) (Devanagari: सरस्वती वीणा (vīṇā), te, సరస్వతి వీణ, kan, ಸರಸ್ವತಿ ವೀಣೆ, ta, சரஸ்வதி வீணை, Malayalam: സരസ്വതി വീണ) is an ancient Indian plucked veena. It is named after the Hindu goddess Saraswati, who is usually depicted holding or playing the instrument. Also known as ''raghunatha veena,'' it is used mostly in Carnatic music, Carnatic Indian classical music. There are several variations of the veena, which in its South Indian form is a member of the lute family. One who plays the veena is referred to as a ''vainika''. The Saraswati veena is one of major types of veena today. The others include chitra veena, vichitra veena and rudra veena. Out of these the rudra and vichitra veenas are used more often in Hindustani music, while the Saraswati veena and the chitra veena are used more frequently in the Carnatic music of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rudra Veena
The ''Rudra veena'' ( sa, रुद्र वीणा) (also spelled ''Rudraveena'' or ''Rudra vina'')—also called ''Bīn'' in North India—is a large plucked string instrument used in Hindustani Music, especially dhrupad. It is one of the major types of ''veena'' played in Indian classical music, notable for its deep bass resonance. The rudra veena is mentioned in court records as early as the reign of Zain-ul Abidin (1418-1470), and attained particular importance among Mughal court musicians. Before Independence, rudra veena players, as dhrupad practitioners, were supported by the princely states; after Independence and the political integration of India, this traditional patronage system ended. With the end of this traditional support, dhrupad's popularity in India declined, as did the popularity of the rudra veena. However, in recent years, the rudra veena has seen a resurgence in popularity, driven at least partly by interest among non-Indian practitioners. Names a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pamiri Rubab
The Pamiri rubab (Russian and Tajiki: рубоб) is a fretless six-strung lute, carved from a single piece of wood with a skin head. It is played in the Badakhshan region of Tajikistan, as part of the Pamiri musical tradition. The Pamiri rubab has six gut strings or nylon strings, one of which, rather than running from the head to the bridge, is attached partway down the neck, similar to the fifth string of the American banjo. The Institute of Ismaili Studies. The instrument is primarily used for drone
Drone most commonly refers to:
* Drone (bee), a male bee, from an unfertilized egg
* ...
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Mohan Veena
Mohan veena refers to either of two distinct plucked string instruments used in Indian classical music, especially Hindustani classical music which is associated with the northern parts of the Indian subcontinent. The first of these was a mix of the sarod, veena and surbahar, developed in 1948 by Radhika Mohan Maitra. In 1949, Thakur Jaidev Singh, the then chief producer of All India Radio, named the instrument ‘Mohan veena’ after him. Pandit Maitra performed 22 national programs and several AIR recordings with the instrument before his untimely death in 1981. These recordings are treasures of AIR archives and now available in public domain. The second instrument is a modified archtop Hawaiian guitar, created by Vishwa Mohan Bhatt, and is the instrument most commonly referred to by the name Mohan veena. This instrument has between 19 and 21 strings in total: three to four melody and four to five drone strings strung from the peghead, and twelve sympathetic strings strung to t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hansa Veena
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Tumbi
The tumbi or toombi ( pa, ਤੂੰਬੀ, pronunciation: ''tūmbī''), also called a tumba or toomba, is a traditional musical instrument from the Punjab region of the northern Indian subcontinent. The high-pitched, single- string plucking instrument is associated with folk music of Punjab and presently very popular in Western Bhangra music. The tumbi was popularized in the modern era by the Punjabi folksinger Lal Chand Yamla Jatt (1914-1991). In the 1960s, 1970s, and 1980s many Punjabi singers adopted the tumbi, notably Kuldeep Manak, Mohammed Sadiq, Didar Sandhu, Amar Singh Chamkila, and Kartar Ramla. Other users include Punjabi Sufi singers such as Kanwar Grewal and Saeen Zahoor. The instrument is made of a wooden stick mounted with a gourd shell resonator. A single metallic string passes across the resonator over a bridge and is tied to a tuning key at the end of the stick. Players strike the string with a continuous flick and retraction of the first finger to produce so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tritantri Veena
Tritantri or Tritantrika vina/veena can refer to two different instruments: A medieval stick zither with 3 strings. As a term for small practice sitar malaproped in the 19th century by Raja Sir Surindo Mohun Tagore from Calcutta (1840-1914) The New Grove Dictionary of Musical instruments '84 ed. (iii) p735 This small practice sitar was built from a single piece of wood, about 100 cm in length. It had a small resonator, about 20 cm in diameter, carved of the same log. The neck was topped with 16 metal frets set in wax on wooden tracks, and a tuning box with three pegs. References External linksMuseum Philharmonie de Paris {{Authority control Indian musical instruments [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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