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Wagner College Alumni
Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, essayist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, " music dramas"). Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Carl Maria von Weber and Giacomo Meyerbeer, Wagner revolutionised opera through his concept of the '' Gesamtkunstwerk'' ("total work of art"), whereby he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. The drama was to be presented as a continuously sung narrative, without conventional operatic structures like arias and recitatives. He described this vision in a series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first half of the 16-hour, four-opera cycle '' Der Ring ...
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Leipzig
Leipzig (, ; ; Upper Saxon: ; ) is the most populous city in the States of Germany, German state of Saxony. The city has a population of 628,718 inhabitants as of 2023. It is the List of cities in Germany by population, eighth-largest city in Germany and is part of the Central German Metropolitan Region. The name of the city is usually interpreted as a Slavic term meaning ''place of linden trees'', in line with many other Slavic placenames in the region. Leipzig is located about southwest of Berlin, in the southernmost part of the North German Plain (the Leipzig Bay), at the confluence of the White Elster and its tributaries Pleiße and Parthe. The Leipzig Riverside Forest, Europe's largest intra-city riparian forest, has developed along these rivers. Leipzig is at the centre of Neuseenland (''new lake district''). This district has Bodies of water in Leipzig, several artificial lakes created from former lignite Open-pit_mining, open-pit mines. Leipzig has been a trade city s ...
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Leitmotif
A leitmotif or () is a "short, recurring musical phrase" associated with a particular person, place, or idea. It is closely related to the musical concepts of ''idée fixe'' or ''motto-theme''. The spelling ''leitmotif'' is a partial anglicization of the German '' Leitmotiv'' (), literally meaning "leading motif", or "guiding motif". A musical motif has been defined as a "short musical idea ... melodic, harmonic, or rhythmic, or all three", a salient recurring figure, musical fragment or succession of notes that has some special importance in or is characteristic of a composition: "the smallest structural unit possessing thematic identity". In particular, such a motif should be "clearly identified so as to retain its identity if modified on subsequent appearances" whether such modification be in terms of rhythm, harmony, orchestration or accompaniment. It may also be "combined with other leitmotifs to suggest a new dramatic condition" or development. The technique ...
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Wagner Family
The family of the composer Richard Wagner: Family of Carl Friedrich Wagner Carl Friedrich Wilhelm Wagner (1770–1813), a police actuary ∞ 1798 (1778–1848), daughter of a baker (after being widowed, in 1814 she became the partner of the painter, actor and writer Ludwig Geyer (1779–1821), whose rumoured paternity of Richard Wagner is neither substantiated nor disproved). # Albert Wagner (1799–1874), opera singer and stage director ∞ 1828 Elise Gollmann (1800–1864) ## Franziska Wagner (1829–1895) ∞ 1854 Alexander Ritter (1833–1896), musician and composer ## Marie Wagner (1831–1876) ∞ 1851 Karl Jacoby, merchant ## Johanna Wagner (adopted) (1828–1894), daughter of Eduard Freiherr von Bock von Wülfingen, opera singer and actress ∞ 1859 Alfred Jachmann (1829–1918), district administrator # Carl Gustav Wagner (1801–1802) # (1803–1837), actress ∞ 1836 Oswald Marbach (1810–1890), university professor # Carl Julius Wagner (1804–1862) # (180 ...
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Cosima Wagner
Francesca Gaetana Cosima Wagner (; 24 December 1837 – 1April 1930) was the daughter of the Hungarian composer and pianist Franz Liszt and Franco-German romantic author Marie d'Agoult. She became the second wife of the German composer Richard Wagner, and with him founded the Bayreuth Festival as a showcase for his stage works. After his death she devoted the rest of her life to the promotion of his music and philosophy. Commentators have recognised Cosima as the principal inspiration for Wagner's later works, particularly ''Parsifal''. In 1857, after a childhood largely spent under the care of her grandmother and with governesses, Cosima married the conductor Hans von Bülow. Although the marriage produced two children, it was largely a loveless union, and in 1863 Cosima began a relationship with Wagner, who was 24 years her senior. They married in 1870; after Wagner's death in 1883 she directed the Bayreuth Festival for more than 20 years, increasing its repertoire to form the ...
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Bayreuth Festival
The Bayreuth Festival () is a music festival held annually in Bayreuth, Germany, at which performances of stage works by the 19th-century German composer Richard Wagner are presented. Wagner himself conceived and promoted the idea of a special festival to showcase his own works, in particular his monumental cycle and '' Parsifal''. Performances take place in a specially designed theatre, the Bayreuth Festspielhaus. Wagner personally supervised the design and construction of the theatre, which contained many architectural innovations to accommodate the huge orchestras for which Wagner wrote as well as the composer's particular vision about the staging of his works. The Festival has become a pilgrimage destination for Wagnerians and classical-music enthusiasts. Origins The origins of the Festival itself lie rooted in Richard Wagner's interest in establishing his financial independence. A souring of the relationship with his patron, Ludwig II of Bavaria, led to his expulsion f ...
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Bayreuth Canon
The Bayreuth canon consists of those operas by the German composer Richard Wagner (1813–1883) that have been performed at the Bayreuth Festival. The festival, which is dedicated to the staging of these works, was founded by Wagner in 1876 in the Bavarian town of Bayreuth, and has continued under the directorship of his family since his death. Although it was not originally held annually, it has taken place in July and August every year since the 75th anniversary season in 1951. Its venue is the Bayreuth Festspielhaus, which was built for the first festival.Sabor (1997) p. 166. Attendance at the festival is often thought of as a pilgrimage made by Wagner aficionados. The operas in the Bayreuth canon are the last ten of the thirteen that Wagner completed. He rejected the first three – ''Die Feen'', ''Das Liebesverbot'' and ''Rienzi'' – as apprentice works. Although these have been staged elsewhere and ''Rienzi'' was very popular into the early 20th century, the works in the can ...
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Bayreuth Festspielhaus
The ''Bayreuth Festspielhaus'' or Bayreuth Festival Theatre (, ) is an opera house north of Bayreuth, Germany, built by the 19th-century German composer Richard Wagner and dedicated solely to the performance of his stage works. It is the venue for the annual Bayreuth Festival, for which it was specifically conceived and built. Its official name is . It is the home of the Bayreuth Festival Orchestra. Design Wagner adapted the design of the ''Festspielhaus'' from an unrealised project by Gottfried Semper for an opera house in Munich without his permission and, together with the architect Otto Brückwald, supervised its construction. Ludwig II of Bavaria provided the primary funding for the work. The foundation stone was laid on 22 May 1872, Wagner's 59th birthday. The building was first opened for the premiere of the complete four-opera cycle of (''The Ring of the Nibelung''), from 13 to 17 August 1876. Only the entry façade exhibits the typical late-19th-century ornamentation ...
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Opera House
An opera house is a theater building used for performances of opera. Like many theaters, it usually includes a stage, an orchestra pit, audience seating, backstage facilities for costumes and building sets, as well as offices for the institution's administration. While some venues are constructed specifically for operas, other opera houses are part of larger performing arts centers. Indeed, the term ''opera house'' is often used as a term of prestige for any large performing arts center. History Greco-Roman antiquity Based on Aristoxenus's musical system, and paying homage to the architects of ancient Greek theater, Vitruvius described, in the 1st century BC, in his treatise ''De architectura'', the ideal acoustics of theaters. He explained the use of brazen vases that Mummius had brought to Rome after having had the theater of Corinth demolished, and as they were probably used in the Theater of Pompey. As wooden theaters were naturally sonorous, these vases, placed betwe ...
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Parsifal
''Parsifal'' ( WWV 111) is a music drama in three acts by the German composer Richard Wagner and his last composition. Wagner's own libretto for the work is freely based on the 13th-century Middle High German chivalric romance ''Parzival'' of the '' Minnesänger'' Wolfram von Eschenbach and the Old French chivalric romance ''Perceval ou le Conte du Graal'' by the 12th-century ''trouvère'' Chrétien de Troyes, recounting different accounts of the story of the Arthurian knight Parzival (Percival) and his spiritual quest for the Holy Grail. Wagner conceived the work in April 1857, but did not finish it until 25 years later. In composing it he took advantage of the particular acoustics of his newly built Bayreuth Festspielhaus. ''Parsifal'' was first produced at the second Bayreuth Festival in 1882. The Bayreuth Festival maintained a monopoly on ''Parsifal'' productions until 1914, however the opera was performed at the Metropolitan Opera in New York in 1903 after a US court ruled ...
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Die Meistersinger Von Nürnberg
(; "The Master-Singers of Nuremberg"), WWV 96, is a music drama, or opera, in three acts, by Richard Wagner. It is the longest opera commonly performed, taking nearly four and a half hours, not counting two breaks between acts, and is traditionally not cut. With Hans von Bülow conducting, it was first performed on 21 June 1868 at the National Theater in Munich, today home of Bavarian State Opera. The story is set in Nuremberg in the mid-16th century. At the time, Nuremberg was a free imperial city and one of the centers of the Renaissance in Northern Europe. The story revolves around the city's guild of ''Meistersinger'' (Master Singers), an association of amateur poets and musicians who were primarily master craftsmen of various trades. The master singers had developed a craftsmanlike approach to music-making, with an intricate system of rules for composing and performing songs. The work draws much of its atmosphere from its depiction of the Nuremberg of the era and the ...
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Choir
A choir ( ), also known as a chorale or chorus (from Latin ''chorus'', meaning 'a dance in a circle') is a musical ensemble of singers. Choral music, in turn, is the music written specifically for such an ensemble to perform or in other words is the music performed by the ensemble. Choirs may perform music from the classical music repertoire, which spans from the Medieval music, medieval era to the present, or popular music repertoire. Most choirs are led by a conducting, conductor, who leads the performances with arm, hand, and facial gestures. The term ''choir'' is very often applied to groups affiliated with a church (whether or not they actually occupy the Choir (architecture), quire), whereas a ''chorus'' performs in theatres or concert halls, but this distinction is not rigid. Choirs may sing without instruments, or accompanied by a piano, accordion, pipe organ, a small ensemble, or an orchestra. A choir can be a subset of an ensemble; thus one speaks of the "woodwind c ...
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Modernism (music)
In music, modernism is an aesthetic stance underlying the period of change and development in musical language that occurred around the turn of the 20th century, a period of diverse reactions in challenging and reinterpreting older categories of music, innovations that led to new ways of organizing and approaching Elements of music, aspects of music such as harmony, melody, sound, and rhythm, and changes in aesthetic worldviews in close relation to the larger identifiable period of modernism in the arts of the time. The operative word most associated with it is "innovation". Its leading feature is a "linguistic plurality", which is to say that no one musical language, or modernist style, ever assumed a dominant position. Examples include the celebration of Arnold Schoenberg's rejection of tonality in chromatic atonality, post-tonal and twelve-tone technique, twelve-tone works and Igor Stravinsky's move away from meter (music), symmetrical rhythm. Authorities typically regard m ...
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